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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DDB59 it is the complementary color #7224A6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DDB59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DDB59 shade: #92DB54, #A3ED67, #B4FF7A, #C5FF8D and #D6FFA0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DDB59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DDB59 shade: #8DDB59, #7CC946, #6BB733, #5AA520 and #49930D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DDB59 shade: #8BDA57, #AFDA57, #D2DA57, #DABE57 and #DA9B57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DDB59 shade: #8BDA57, #68DA57, #57DA69, #57DA8D and #57DAB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DDB59 shade matches the following richer shades: #8BDA57, #88EA47 and #85FB36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DDB59 shade: #8BDA57, #8FC968, #92B978, #95A889 and #999899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DDB59 shade: #D1DA57, #AEDA57, #8BDA57, #69DA57 and #57DA69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DDB59 shade: #61B728, #74D235, #8BDA57, #A3E179 and #BAE99B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DDB59 shade: #8DDB59, #57DAC0 and #DA57C0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DDB59 shade: #8DDB59, #578BDA and #DA578B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DDB59 shade: #8DDB59, #57DAC0, #A657DA and #DA5771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DDB59 shade: #8DDB59, #57CDDA, #A657DA and #DA6457

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

Complementary color

CMYK 31 / 78 / 0 / 35

HEX #7224A6

RGB 114 36 166

HSL 276, 0.64%, 0.4%

LAB 33.12, 55.16, -54.6

 

CMYK 33 / 0 / 62 / 14

HEX #92DB54

RGB 146 219 84

HSL 92.44, 0.65%, 0.59%

LAB 80.41, -44.7, 57.64

 

CMYK 31 / 0 / 57 / 7

HEX #A3ED67

RGB 163 237 103

HSL 93.13, 0.79%, 0.67%

LAB 86.67, -44.82, 56.72

 

CMYK 29 / 0 / 52 / 0

HEX #B4FF7A

RGB 180 255 122

HSL 93.83, 1%, 0.74%

LAB 92.85, -44.86, 55.68

 

CMYK 23 / 0 / 45 / 0

HEX #C5FF8D

RGB 197 255 141

HSL 90.53, 1%, 0.78%

LAB 94.02, -36.9, 48.49

 

CMYK 16 / 0 / 37 / 0

HEX #D6FFA0

RGB 214 255 160

HSL 85.89, 1%, 0.81%

LAB 95.31, -28.6, 41.16

 

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

CMYK 38 / 0 / 65 / 21

HEX #7CC946

RGB 124 201 70

HSL 95.27, 0.55%, 0.53%

LAB 73.87, -45.79, 56.03

 

CMYK 42 / 0 / 72 / 28

HEX #6BB733

RGB 107 183 51

HSL 94.55, 0.56%, 0.46%

LAB 67.45, -45.46, 56.52

 

CMYK 45 / 0 / 81 / 35

HEX #5AA520

RGB 90 165 32

HSL 93.83, 0.68%, 0.39%

LAB 60.95, -44.9, 56.33

 

CMYK 50 / 0 / 91 / 42

HEX #49930D

RGB 73 147 13

HSL 93.13, 0.84%, 0.31%

LAB 54.36, -43.98, 54.88

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 20 / 0 / 60 / 15

HEX #AFDA57

RGB 175 218 87

HSL 79.69, 0.64%, 0.6%

LAB 81.81, -33.42, 58.38

 

CMYK 4 / 0 / 60 / 15

HEX #D2DA57

RGB 210 218 87

HSL 63.66, 0.64%, 0.6%

LAB 84.24, -19.58, 61.74

 

CMYK 0 / 13 / 60 / 15

HEX #DABE57

RGB 218 190 87

HSL 47.18, 0.64%, 0.6%

LAB 77.53, -2.11, 54.53

 

CMYK 0 / 29 / 60 / 15

HEX #DA9B57

RGB 218 155 87

HSL 31.15, 0.64%, 0.6%

LAB 68.78, 16.49, 44.46

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 52 / 0 / 60 / 15

HEX #68DA57

RGB 104 218 87

HSL 112.21, 0.64%, 0.6%

LAB 78.33, -56.95, 53.52

 

CMYK 60 / 0 / 52 / 15

HEX #57DA69

RGB 87 218 105

HSL 128.24, 0.64%, 0.6%

LAB 77.99, -58.91, 44.74

 

CMYK 60 / 0 / 35 / 15

HEX #57DA8D

RGB 87 218 141

HSL 144.73, 0.64%, 0.6%

LAB 78.52, -53.12, 27.46

 

CMYK 60 / 0 / 19 / 15

HEX #57DAB0

RGB 87 218 176

HSL 160.76, 0.64%, 0.6%

LAB 79.22, -45.86, 10.06

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 42 / 0 / 70 / 8

HEX #88EA47

RGB 136 234 71

HSL 96.07, 0.8%, 0.6%

LAB 84.24, -55.17, 66.7

 

CMYK 47 / 0 / 78 / 2

HEX #85FB36

RGB 133 251 54

HSL 95.94, 0.96%, 0.6%

LAB 89.04, -63.53, 76.77

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 29 / 0 / 48 / 21

HEX #8FC968

RGB 143 201 104

HSL 95.88, 0.47%, 0.6%

LAB 75.21, -35.74, 42.35

 

CMYK 21 / 0 / 35 / 27

HEX #92B978

RGB 146 185 120

HSL 96, 0.32%, 0.6%

LAB 70.98, -24.96, 28.84

 

CMYK 11 / 0 / 18 / 34

HEX #95A889

RGB 149 168 137

HSL 96.77, 0.15%, 0.6%

LAB 66.67, -12.5, 13.82

 

CMYK 0 / 1 / 0 / 40

HEX #999899

RGB 153 152 153

HSL 300, 0%, 0.6%

LAB 62.95, 0.56, -0.4

 

CMYK 4 / 0 / 60 / 15

HEX #D1DA57

RGB 209 218 87

HSL 64.12, 0.64%, 0.6%

LAB 84.17, -19.99, 61.64

 

CMYK 20 / 0 / 60 / 15

HEX #AEDA57

RGB 174 218 87

HSL 80.15, 0.64%, 0.6%

LAB 81.75, -33.8, 58.29

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 52 / 0 / 60 / 15

HEX #69DA57

RGB 105 218 87

HSL 111.76, 0.64%, 0.6%

LAB 78.36, -56.69, 53.57

 

CMYK 60 / 0 / 52 / 15

HEX #57DA69

RGB 87 218 105

HSL 128.24, 0.64%, 0.6%

LAB 77.99, -58.91, 44.74

 

CMYK 47 / 0 / 78 / 28

HEX #61B728

RGB 97 183 40

HSL 96.08, 0.64%, 0.44%

LAB 66.95, -49.39, 59.62

 

CMYK 45 / 0 / 75 / 18

HEX #74D235

RGB 116 210 53

HSL 95.92, 0.64%, 0.52%

LAB 76.11, -53.25, 64.53

 

CMYK 36 / 0 / 60 / 15

HEX #8BDA57

RGB 139 218 87

HSL 96.18, 0.64%, 0.6%

LAB 79.8, -46.39, 55.57

 

CMYK 28 / 0 / 46 / 12

HEX #A3E179

RGB 163 225 121

HSL 95.77, 0.63%, 0.68%

LAB 83.45, -37.59, 44.5

 

CMYK 20 / 0 / 33 / 9

HEX #BAE99B

RGB 186 233 155

HSL 96.15, 0.64%, 0.76%

LAB 87.53, -28.81, 33.12

 

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

CMYK 60 / 0 / 12 / 15

HEX #57DAC0

RGB 87 218 192

HSL 168.09, 0.64%, 0.6%

LAB 79.6, -42.06, 2.1

 

CMYK 0 / 60 / 12 / 15

HEX #DA57C0

RGB 218 87 192

HSL 311.91, 0.64%, 0.6%

LAB 57.59, 63.16, -30.05

 

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

CMYK 60 / 36 / 0 / 15

HEX #578BDA

RGB 87 139 218

HSL 216.18, 0.64%, 0.6%

LAB 57.61, 6.53, -45.62

 

CMYK 0 / 60 / 36 / 15

HEX #DA578B

RGB 218 87 139

HSL 336.18, 0.64%, 0.6%

LAB 55.67, 56.1, -2.13

 

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

CMYK 60 / 0 / 12 / 15

HEX #57DAC0

RGB 87 218 192

HSL 168.09, 0.64%, 0.6%

LAB 79.6, -42.06, 2.1

 

CMYK 24 / 60 / 0 / 15

HEX #A657DA

RGB 166 87 218

HSL 276.18, 0.64%, 0.6%

LAB 51.82, 54.74, -54.45

 

CMYK 0 / 60 / 48 / 15

HEX #DA5771

RGB 218 87 113

HSL 348.09, 0.64%, 0.6%

LAB 54.98, 53.45, 12.25

 

CMYK 36 / 0 / 59 / 14

HEX #8DDB59

RGB 141 219 89

HSL 96, 0.64%, 0.6%

LAB 80.21, -45.95, 55.19

 

CMYK 60 / 6 / 0 / 15

HEX #57CDDA

RGB 87 205 218

HSL 185.95, 0.64%, 0.6%

LAB 76.53, -29.14, -16.39

 

CMYK 24 / 60 / 0 / 15

HEX #A657DA

RGB 166 87 218

HSL 276.18, 0.64%, 0.6%

LAB 51.82, 54.74, -54.45

 

CMYK 0 / 54 / 60 / 15

HEX #DA6457

RGB 218 100 87

HSL 5.95, 0.64%, 0.6%

LAB 56.79, 45.28, 29.79

 

Description

Color code: HEX #8DDB59 | qconv.com Color code: HEX #8DDB59 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 219 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 219 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 59 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 59% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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