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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8DCDE2 it is the complementary color #72321D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8DCDE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8DCDE2 shade: #92CDDD, #A3DFF0, #B4F1FF, #C5FFFF and #D6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8DCDE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8DCDE2 shade: #8DCDE2, #7CBBCF, #6BA9BC, #5A97A9 and #498596

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8DCDE2 shade: #8DCCE1, #8DB6E1, #8D9FE1, #928DE1 and #A88DE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8DCDE2 shade: #8DCCE1, #8DB6E1, #8D9FE1 and #8D8DE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8DCDE2 shade matches the following richer shades: #8DCCE1, #81D2ED and #76D8F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8DCDE2 shade: #8DCCE1, #99C7D6, #A4C1CA, #B0BBBF and #BBB5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8DCDE2 shade: #8DE1C8, #8DE1DE, #8DCEE1, #8DB7E1 and #8DA1E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8DCDE2 shade: #4BAFD0, #6CBED9, #8DCCE1, #AEDBEA and #CFE9F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8DCDE2 shade: #8DCDE2, #B18DE1 and #E1D38D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8DCDE2 shade: #8DCDE2, #E18DCE and #CEE18D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8DCDE2 shade: #8DCDE2, #B18DE1, #E1A18D and #BDE18D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8DCDE2 shade: #8DCDE2, #CB8DE1, #E1A18D and #A3E18D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

Complementary color

CMYK 0 / 56 / 75 / 55

HEX #72321D

RGB 114 50 29

HSL 14.82, 0.59%, 0.28%

LAB 29.28, 26.68, 26.44

 

CMYK 34 / 7 / 0 / 13

HEX #92CDDD

RGB 146 205 221

HSL 192.8, 0.52%, 0.72%

LAB 79.04, -15, -13.99

 

CMYK 32 / 7 / 0 / 6

HEX #A3DFF0

RGB 163 223 240

HSL 193.25, 0.72%, 0.79%

LAB 85.43, -15.01, -14.42

 

CMYK 29 / 5 / 0 / 0

HEX #B4F1FF

RGB 180 241 255

HSL 191.2, 1%, 0.85%

LAB 91.61, -15.93, -12.94

 

CMYK 23 / 0 / 0 / 0

HEX #C5FFFF

RGB 197 255 255

HSL 180, 1%, 0.89%

LAB 96.25, -18.06, -5.95

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

CMYK 40 / 10 / 0 / 19

HEX #7CBBCF

RGB 124 187 207

HSL 194.46, 0.46%, 0.65%

LAB 72.45, -15.03, -16.44

 

CMYK 43 / 10 / 0 / 26

HEX #6BA9BC

RGB 107 169 188

HSL 194.07, 0.38%, 0.58%

LAB 65.85, -14.94, -16.02

 

CMYK 47 / 11 / 0 / 34

HEX #5A97A9

RGB 90 151 169

HSL 193.67, 0.31%, 0.51%

LAB 59.13, -14.8, -15.58

 

CMYK 51 / 11 / 0 / 41

HEX #498596

RGB 73 133 150

HSL 193.25, 0.35%, 0.44%

LAB 52.28, -14.6, -15.13

 

CMYK 37 / 9 / 0 / 12

HEX #8DCCE1

RGB 141 204 225

HSL 195, 0.58%, 0.72%

LAB 78.63, -14.84, -16.78

 

CMYK 37 / 19 / 0 / 12

HEX #8DB6E1

RGB 141 182 225

HSL 210.71, 0.58%, 0.72%

LAB 72.6, -3.17, -25.94

 

CMYK 37 / 29 / 0 / 12

HEX #8D9FE1

RGB 141 159 225

HSL 227.14, 0.58%, 0.72%

LAB 66.44, 9.65, -35.44

 

CMYK 35 / 37 / 0 / 12

HEX #928DE1

RGB 146 141 225

HSL 243.57, 0.58%, 0.72%

LAB 62.17, 21.36, -42.09

 

CMYK 25 / 37 / 0 / 12

HEX #A88DE1

RGB 168 141 225

HSL 259.29, 0.58%, 0.72%

LAB 64.01, 27.52, -39.08

 

CMYK 37 / 9 / 0 / 12

HEX #8DCCE1

RGB 141 204 225

HSL 195, 0.58%, 0.72%

LAB 78.63, -14.84, -16.78

 

CMYK 37 / 19 / 0 / 12

HEX #8DB6E1

RGB 141 182 225

HSL 210.71, 0.58%, 0.72%

LAB 72.6, -3.17, -25.94

 

CMYK 37 / 29 / 0 / 12

HEX #8D9FE1

RGB 141 159 225

HSL 227.14, 0.58%, 0.72%

LAB 66.44, 9.65, -35.44

 

CMYK 37 / 37 / 0 / 12

HEX #8D8DE1

RGB 141 141 225

HSL 240, 0.58%, 0.72%

LAB 61.78, 20.02, -42.72

 

CMYK 37 / 9 / 0 / 12

HEX #8DCCE1

RGB 141 204 225

HSL 195, 0.58%, 0.72%

LAB 78.63, -14.84, -16.78

 

CMYK 46 / 11 / 0 / 7

HEX #81D2ED

RGB 129 210 237

HSL 195, 0.75%, 0.72%

LAB 80.11, -17.8, -21.01

 

CMYK 52 / 13 / 0 / 3

HEX #76D8F8

RGB 118 216 248

HSL 194.77, 0.9%, 0.72%

LAB 81.7, -20.27, -24.5

 

CMYK 37 / 9 / 0 / 12

HEX #8DCCE1

RGB 141 204 225

HSL 195, 0.58%, 0.72%

LAB 78.63, -14.84, -16.78

 

CMYK 29 / 7 / 0 / 16

HEX #99C7D6

RGB 153 199 214

HSL 194.75, 0.43%, 0.72%

LAB 77.56, -11.59, -12.39

 

CMYK 19 / 4 / 0 / 21

HEX #A4C1CA

RGB 164 193 202

HSL 194.21, 0.26%, 0.72%

LAB 76.25, -7.82, -7.79

 

CMYK 8 / 2 / 0 / 25

HEX #B0BBBF

RGB 176 187 191

HSL 196, 0.1%, 0.72%

LAB 75.16, -3, -3.34

 

CMYK 0 / 3 / 4 / 27

HEX #BBB5B3

RGB 187 181 179

HSL 15, 0.06%, 0.72%

LAB 74.1, 1.76, 1.76

 

CMYK 37 / 0 / 11 / 12

HEX #8DE1C8

RGB 141 225 200

HSL 162.14, 0.58%, 0.72%

LAB 83.8, -31.08, 4.2

 

CMYK 37 / 0 / 1 / 12

HEX #8DE1DE

RGB 141 225 222

HSL 177.86, 0.58%, 0.72%

LAB 84.37, -26.09, -6.6

 

CMYK 37 / 8 / 0 / 12

HEX #8DCEE1

RGB 141 206 225

HSL 193.57, 0.58%, 0.72%

LAB 79.18, -15.87, -15.94

 

CMYK 37 / 19 / 0 / 12

HEX #8DB7E1

RGB 141 183 225

HSL 210, 0.58%, 0.72%

LAB 72.87, -3.71, -25.52

 

CMYK 37 / 28 / 0 / 12

HEX #8DA1E1

RGB 141 161 225

HSL 225.71, 0.58%, 0.72%

LAB 66.97, 8.51, -34.62

 

CMYK 64 / 16 / 0 / 18

HEX #4BAFD0

RGB 75 175 208

HSL 194.89, 0.59%, 0.55%

LAB 67.06, -19.04, -25.37

 

CMYK 50 / 12 / 0 / 15

HEX #6CBED9

RGB 108 190 217

HSL 194.86, 0.59%, 0.64%

LAB 72.91, -17.74, -21.26

 

CMYK 37 / 9 / 0 / 12

HEX #8DCCE1

RGB 141 204 225

HSL 195, 0.58%, 0.72%

LAB 78.63, -14.84, -16.78

 

CMYK 26 / 6 / 0 / 8

HEX #AEDBEA

RGB 174 219 234

HSL 195, 0.59%, 0.8%

LAB 84.79, -11.24, -12.14

 

CMYK 14 / 4 / 0 / 5

HEX #CFE9F2

RGB 207 233 242

HSL 195.43, 0.57%, 0.88%

LAB 90.76, -6.71, -7.25

 

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

CMYK 21 / 37 / 0 / 12

HEX #B18DE1

RGB 177 141 225

HSL 265.71, 0.58%, 0.72%

LAB 64.83, 30.14, -37.73

 

CMYK 0 / 6 / 37 / 12

HEX #E1D38D

RGB 225 211 141

HSL 50, 0.58%, 0.72%

LAB 84.24, -5.16, 36.43

 

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

CMYK 0 / 37 / 8 / 12

HEX #E18DCE

RGB 225 141 206

HSL 313.57, 0.58%, 0.72%

LAB 69.12, 41.29, -20.15

 

CMYK 8 / 0 / 37 / 12

HEX #CEE18D

RGB 206 225 141

HSL 73.57, 0.58%, 0.72%

LAB 86.45, -19.5, 39.01

 

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

CMYK 21 / 37 / 0 / 12

HEX #B18DE1

RGB 177 141 225

HSL 265.71, 0.58%, 0.72%

LAB 64.83, 30.14, -37.73

 

CMYK 0 / 28 / 37 / 12

HEX #E1A18D

RGB 225 161 141

HSL 14.29, 0.58%, 0.72%

LAB 71.84, 21.22, 19.85

 

CMYK 16 / 0 / 37 / 12

HEX #BDE18D

RGB 189 225 141

HSL 85.71, 0.58%, 0.72%

LAB 85.3, -25.81, 37.29

 

CMYK 38 / 9 / 0 / 11

HEX #8DCDE2

RGB 141 205 226

HSL 194.82, 0.59%, 0.72%

LAB 78.94, -15.1, -16.85

 

CMYK 10 / 37 / 0 / 12

HEX #CB8DE1

RGB 203 141 225

HSL 284.29, 0.58%, 0.72%

LAB 67.41, 37.92, -33.51

 

CMYK 0 / 28 / 37 / 12

HEX #E1A18D

RGB 225 161 141

HSL 14.29, 0.58%, 0.72%

LAB 71.84, 21.22, 19.85

 

CMYK 28 / 0 / 37 / 12

HEX #A3E18D

RGB 163 225 141

HSL 104.29, 0.58%, 0.72%

LAB 83.74, -34.97, 34.96

 

Description

Color code: HEX #8DCDE2 | qconv.com Color code: HEX #8DCDE2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 205 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 205 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 9 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 9% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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