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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D9719 it is the complementary color #7268E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D9719. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D9719 shade: #929714, #A3A927, #B4BB3A, #C5CD4D and #D6DF60

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D9719. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D9719 shade: #8D9719, #7C8506, #6B7300, #5A6100 and #494F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D9719 shade: #8F9918, #998118, #995E18, #993B18 and #991918

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D9719 shade: #8F9918, #6C9918, #499918, #279918 and #18992D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D9719 shade matches the following richer shades: #8F9918 and #9BA70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D9719 shade: #8F9918, #838B27, #777C35, #6A6E44 and #5E5F52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D9719 shade: #995D18, #997F18, #909918, #6E9918 and #4C9918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D9719 shade: #4D520D, #6E7613, #8F9918, #B0BC1E and #CDDC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D9719 shade: #8D9719, #18993B and #6E1899

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D9719 shade: #8D9719, #189099 and #991890

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D9719 shade: #8D9719, #18993B, #211899 and #991877

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D9719 shade: #8D9719, #189961, #211899 and #991850

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

Complementary color

CMYK 50 / 55 / 0 / 10

HEX #7268E6

RGB 114 104 230

HSL 244.76, 0.72%, 0.65%

LAB 50.91, 36.89, -62.97

 

CMYK 3 / 0 / 87 / 41

HEX #929714

RGB 146 151 20

HSL 62.29, 0.77%, 0.34%

LAB 60.15, -16.46, 60.12

 

CMYK 4 / 0 / 77 / 34

HEX #A3A927

RGB 163 169 39

HSL 62.77, 0.63%, 0.41%

LAB 66.76, -17.57, 61.19

 

CMYK 4 / 0 / 69 / 27

HEX #B4BB3A

RGB 180 187 58

HSL 63.26, 0.53%, 0.48%

LAB 73.25, -18.46, 61.23

 

CMYK 4 / 0 / 62 / 20

HEX #C5CD4D

RGB 197 205 77

HSL 63.75, 0.56%, 0.55%

LAB 79.65, -19.17, 60.7

 

CMYK 4 / 0 / 57 / 13

HEX #D6DF60

RGB 214 223 96

HSL 64.25, 0.66%, 0.63%

LAB 85.96, -19.76, 59.86

 

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

CMYK 7 / 0 / 95 / 48

HEX #7C8506

RGB 124 133 6

HSL 64.25, 0.91%, 0.27%

LAB 53.03, -17.31, 56.3

 

CMYK 7 / 0 / 100 / 55

HEX #6B7300

RGB 107 115 0

HSL 64.17, 1%, 0.23%

LAB 46.16, -15.75, 51.67

 

CMYK 7 / 0 / 100 / 62

HEX #5A6100

RGB 90 97 0

HSL 64.33, 1%, 0.19%

LAB 39.11, -14.03, 45.8

 

CMYK 8 / 0 / 100 / 69

HEX #494F00

RGB 73 79 0

HSL 64.56, 1%, 0.15%

LAB 31.83, -12.24, 39.75

 

CMYK 7 / 0 / 84 / 40

HEX #8F9918

RGB 143 153 24

HSL 64.65, 0.73%, 0.35%

LAB 60.51, -18.71, 59.36

 

CMYK 0 / 16 / 84 / 40

HEX #998118

RGB 153 129 24

HSL 48.84, 0.73%, 0.35%

LAB 54.59, -1.29, 54.68

 

CMYK 0 / 39 / 84 / 40

HEX #995E18

RGB 153 94 24

HSL 32.56, 0.73%, 0.35%

LAB 45.42, 18.65, 46.74

 

CMYK 0 / 61 / 84 / 40

HEX #993B18

RGB 153 59 24

HSL 16.28, 0.73%, 0.35%

LAB 37.78, 37.58, 39.92

 

CMYK 0 / 84 / 84 / 40

HEX #991918

RGB 153 25 24

HSL 0.47, 0.73%, 0.35%

LAB 32.99, 50.66, 35.49

 

CMYK 7 / 0 / 84 / 40

HEX #8F9918

RGB 143 153 24

HSL 64.65, 0.73%, 0.35%

LAB 60.51, -18.71, 59.36

 

CMYK 29 / 0 / 84 / 40

HEX #6C9918

RGB 108 153 24

HSL 80.93, 0.73%, 0.35%

LAB 58.07, -33.53, 56.31

 

CMYK 52 / 0 / 84 / 40

HEX #499918

RGB 73 153 24

HSL 97.21, 0.73%, 0.35%

LAB 56.35, -45.91, 54.12

 

CMYK 75 / 0 / 84 / 40

HEX #279918

RGB 39 153 24

HSL 113.02, 0.73%, 0.35%

LAB 55.36, -54.04, 52.85

 

CMYK 84 / 0 / 71 / 40

HEX #18992D

RGB 24 153 45

HSL 129.77, 0.73%, 0.35%

LAB 55.24, -54.58, 45.44

 

CMYK 7 / 0 / 84 / 40

HEX #8F9918

RGB 143 153 24

HSL 64.65, 0.73%, 0.35%

LAB 60.51, -18.71, 59.36

 

CMYK 7 / 0 / 94 / 35

HEX #9BA70A

RGB 155 167 10

HSL 64.59, 0.89%, 0.35%

LAB 65.46, -20.85, 66.39

 

CMYK 7 / 0 / 84 / 40

HEX #8F9918

RGB 143 153 24

HSL 64.65, 0.73%, 0.35%

LAB 60.51, -18.71, 59.36

 

CMYK 6 / 0 / 72 / 45

HEX #838B27

RGB 131 139 39

HSL 64.8, 0.56%, 0.35%

LAB 55.52, -16.13, 49.63

 

CMYK 4 / 0 / 57 / 51

HEX #777C35

RGB 119 124 53

HSL 64.23, 0.4%, 0.35%

LAB 50.21, -12.46, 37.45

 

CMYK 4 / 0 / 38 / 57

HEX #6A6E44

RGB 106 110 68

HSL 65.71, 0.24%, 0.35%

LAB 45.13, -8.79, 22.93

 

CMYK 1 / 0 / 14 / 63

HEX #5E5F52

RGB 94 95 82

HSL 64.62, 0.07%, 0.35%

LAB 39.87, -2.97, 7.31

 

CMYK 0 / 39 / 84 / 40

HEX #995D18

RGB 153 93 24

HSL 32.09, 0.73%, 0.35%

LAB 45.17, 19.22, 46.53

 

CMYK 0 / 17 / 84 / 40

HEX #997F18

RGB 153 127 24

HSL 47.91, 0.73%, 0.35%

LAB 54.05, -0.17, 54.21

 

CMYK 6 / 0 / 84 / 40

HEX #909918

RGB 144 153 24

HSL 64.19, 0.73%, 0.35%

LAB 60.58, -18.27, 59.46

 

CMYK 28 / 0 / 84 / 40

HEX #6E9918

RGB 110 153 24

HSL 80, 0.73%, 0.35%

LAB 58.19, -32.73, 56.46

 

CMYK 50 / 0 / 84 / 40

HEX #4C9918

RGB 76 153 24

HSL 95.81, 0.73%, 0.35%

LAB 56.47, -44.99, 54.28

 

CMYK 6 / 0 / 84 / 68

HEX #4D520D

RGB 77 82 13

HSL 64.35, 0.73%, 0.19%

LAB 33.22, -11.44, 36.59

 

CMYK 7 / 0 / 84 / 54

HEX #6E7613

RGB 110 118 19

HSL 64.85, 0.72%, 0.27%

LAB 47.39, -15.44, 48.36

 

CMYK 7 / 0 / 84 / 40

HEX #8F9918

RGB 143 153 24

HSL 64.65, 0.73%, 0.35%

LAB 60.51, -18.71, 59.36

 

CMYK 6 / 0 / 84 / 26

HEX #B0BC1E

RGB 176 188 30

HSL 64.56, 0.72%, 0.43%

LAB 73.08, -21.8, 69.59

 

CMYK 7 / 0 / 82 / 14

HEX #CDDC28

RGB 205 220 40

HSL 65, 0.72%, 0.51%

LAB 84.13, -24.89, 77.49

 

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

CMYK 84 / 0 / 61 / 40

HEX #18993B

RGB 24 153 59

HSL 136.28, 0.73%, 0.35%

LAB 55.37, -52.98, 39.39

 

CMYK 28 / 84 / 0 / 40

HEX #6E1899

RGB 110 24 153

HSL 280, 0.73%, 0.35%

LAB 30.08, 55.7, -51.68

 

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

CMYK 84 / 6 / 0 / 40

HEX #189099

RGB 24 144 153

HSL 184.19, 0.73%, 0.35%

LAB 54.49, -27.19, -13.64

 

CMYK 0 / 84 / 6 / 40

HEX #991890

RGB 153 24 144

HSL 304.19, 0.73%, 0.35%

LAB 36.82, 62.1, -34.95

 

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

CMYK 84 / 0 / 61 / 40

HEX #18993B

RGB 24 153 59

HSL 136.28, 0.73%, 0.35%

LAB 55.37, -52.98, 39.39

 

CMYK 78 / 84 / 0 / 40

HEX #211899

RGB 33 24 153

HSL 244.19, 0.73%, 0.35%

LAB 21.12, 46.59, -66.74

 

CMYK 0 / 84 / 22 / 40

HEX #991877

RGB 153 24 119

HSL 315.81, 0.73%, 0.35%

LAB 35.51, 58.53, -21.47

 

CMYK 7 / 0 / 83 / 41

HEX #8D9719

RGB 141 151 25

HSL 64.76, 0.72%, 0.35%

LAB 59.77, -18.54, 58.41

 

CMYK 84 / 0 / 37 / 40

HEX #189961

RGB 24 153 97

HSL 153.95, 0.73%, 0.35%

LAB 55.93, -46.44, 20.31

 

CMYK 78 / 84 / 0 / 40

HEX #211899

RGB 33 24 153

HSL 244.19, 0.73%, 0.35%

LAB 21.12, 46.59, -66.74

 

CMYK 0 / 84 / 48 / 40

HEX #991850

RGB 153 24 80

HSL 333.95, 0.73%, 0.35%

LAB 33.99, 54.18, 1.23

 

Description

Color code: HEX #8D9719 | qconv.com Color code: HEX #8D9719 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 151 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 151 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 83 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 83% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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