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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D958F it is the complementary color #726A70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D958F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D958F shade: #92958A, #A3A79D, #B4B9B0, #C5CBC3 and #D6DDD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D958F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D958F shade: #8D958F, #7C837C, #6B7169, #5A5F56 and #494D43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D958F shade: #8C958F, #8D958C, #8F958C, #91958C and #94958C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D958F shade: #8C958F, #8C9591, #8C9593, #8C9595 and #8C9295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D958F shade matches the following richer shades: #8C958F, #7BA786, #69B97D, #57CA74 and #45DC6B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D958F shade: #8C958F, #9E8398, #B072A0, #C260A9 and #D34EB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D958F shade: #8F958C, #8D958C, #8C958F, #8C9591 and #8C9593

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D958F shade: #636C66, #77817A, #8C958F, #A2A9A4 and #B7BDB9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D958F shade: #8D958F, #8C9195 and #958C8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D958F shade: #8D958F, #8F8C95 and #958F8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D958F shade: #8D958F, #8C9195, #958C93 and #95908C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D958F shade: #8D958F, #8C8F95, #958C93 and #95938C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

Complementary color

CMYK 0 / 7 / 2 / 55

HEX #726A70

RGB 114 106 112

HSL 315, 0.04%, 0.43%

LAB 45.71, 4.32, -2.23

 

CMYK 2 / 0 / 7 / 42

HEX #92958A

RGB 146 149 138

HSL 76.36, 0.05%, 0.56%

LAB 61.17, -3.18, 5.42

 

CMYK 2 / 0 / 6 / 35

HEX #A3A79D

RGB 163 167 157

HSL 84, 0.05%, 0.64%

LAB 67.92, -3.29, 4.67

 

CMYK 3 / 0 / 5 / 27

HEX #B4B9B0

RGB 180 185 176

HSL 93.33, 0.06%, 0.71%

LAB 74.53, -3.41, 3.95

 

CMYK 3 / 0 / 4 / 20

HEX #C5CBC3

RGB 197 203 195

HSL 105, 0.07%, 0.78%

LAB 81.03, -3.52, 3.26

 

CMYK 3 / 0 / 3 / 13

HEX #D6DDD6

RGB 214 221 214

HSL 120, 0.09%, 0.85%

LAB 87.42, -3.62, 2.6

 

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

CMYK 5 / 0 / 5 / 49

HEX #7C837C

RGB 124 131 124

HSL 120, 0.03%, 0.5%

LAB 54, -3.99, 2.88

 

CMYK 5 / 0 / 7 / 56

HEX #6B7169

RGB 107 113 105

HSL 105, 0.04%, 0.43%

LAB 46.92, -3.91, 3.65

 

CMYK 5 / 0 / 9 / 63

HEX #5A5F56

RGB 90 95 86

HSL 93.33, 0.05%, 0.35%

LAB 39.63, -3.84, 4.47

 

CMYK 5 / 0 / 13 / 70

HEX #494D43

RGB 73 77 67

HSL 84, 0.07%, 0.28%

LAB 32.1, -3.76, 5.38

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 5 / 0 / 6 / 42

HEX #8D958C

RGB 141 149 140

HSL 113.33, 0.04%, 0.57%

LAB 60.83, -4.65, 3.75

 

CMYK 4 / 0 / 6 / 42

HEX #8F958C

RGB 143 149 140

HSL 100, 0.04%, 0.57%

LAB 60.98, -3.91, 3.99

 

CMYK 3 / 0 / 6 / 42

HEX #91958C

RGB 145 149 140

HSL 86.67, 0.04%, 0.57%

LAB 61.14, -3.18, 4.24

 

CMYK 1 / 0 / 6 / 42

HEX #94958C

RGB 148 149 140

HSL 66.67, 0.04%, 0.57%

LAB 61.38, -2.06, 4.62

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 6 / 0 / 3 / 42

HEX #8C9591

RGB 140 149 145

HSL 153.33, 0.04%, 0.57%

LAB 60.88, -4.04, 0.98

 

CMYK 6 / 0 / 1 / 42

HEX #8C9593

RGB 140 149 147

HSL 166.67, 0.04%, 0.57%

LAB 60.94, -3.64, -0.07

 

CMYK 6 / 0 / 0 / 42

HEX #8C9595

RGB 140 149 149

HSL 180, 0.04%, 0.57%

LAB 60.99, -3.23, -1.13

 

CMYK 6 / 2 / 0 / 42

HEX #8C9295

RGB 140 146 149

HSL 200, 0.04%, 0.57%

LAB 60.16, -1.56, -2.35

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 26 / 0 / 20 / 35

HEX #7BA786

RGB 123 167 134

HSL 135, 0.2%, 0.57%

LAB 64.62, -21.72, 12.35

 

CMYK 43 / 0 / 32 / 27

HEX #69B97D

RGB 105 185 125

HSL 135, 0.36%, 0.57%

LAB 68.88, -37.69, 22.99

 

CMYK 57 / 0 / 43 / 21

HEX #57CA74

RGB 87 202 116

HSL 135.13, 0.52%, 0.57%

LAB 73.24, -51.15, 33.34

 

CMYK 69 / 0 / 51 / 14

HEX #45DC6B

RGB 69 220 107

HSL 135.1, 0.68%, 0.57%

LAB 78.18, -62.87, 43.92

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 0 / 17 / 4 / 38

HEX #9E8398

RGB 158 131 152

HSL 313.33, 0.12%, 0.57%

LAB 57.82, 14.06, -7.36

 

CMYK 0 / 35 / 9 / 31

HEX #B072A0

RGB 176 114 160

HSL 315.48, 0.28%, 0.57%

LAB 55.89, 31.57, -14.68

 

CMYK 0 / 51 / 13 / 24

HEX #C260A9

RGB 194 96 169

HSL 315.31, 0.45%, 0.57%

LAB 54.76, 48.51, -21.41

 

CMYK 0 / 63 / 16 / 17

HEX #D34EB2

RGB 211 78 178

HSL 314.89, 0.6%, 0.57%

LAB 54.57, 62.96, -26.74

 

CMYK 4 / 0 / 6 / 42

HEX #8F958C

RGB 143 149 140

HSL 100, 0.04%, 0.57%

LAB 60.98, -3.91, 3.99

 

CMYK 5 / 0 / 6 / 42

HEX #8D958C

RGB 141 149 140

HSL 113.33, 0.04%, 0.57%

LAB 60.83, -4.65, 3.75

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 6 / 0 / 3 / 42

HEX #8C9591

RGB 140 149 145

HSL 153.33, 0.04%, 0.57%

LAB 60.88, -4.04, 0.98

 

CMYK 6 / 0 / 1 / 42

HEX #8C9593

RGB 140 149 147

HSL 166.67, 0.04%, 0.57%

LAB 60.94, -3.64, -0.07

 

CMYK 8 / 0 / 6 / 58

HEX #636C66

RGB 99 108 102

HSL 140, 0.04%, 0.41%

LAB 44.71, -4.7, 2.18

 

CMYK 8 / 0 / 5 / 49

HEX #77817A

RGB 119 129 122

HSL 138, 0.04%, 0.49%

LAB 52.98, -5.12, 2.52

 

CMYK 6 / 0 / 4 / 42

HEX #8C958F

RGB 140 149 143

HSL 140, 0.04%, 0.57%

LAB 60.83, -4.43, 2.04

 

CMYK 4 / 0 / 3 / 34

HEX #A2A9A4

RGB 162 169 164

HSL 137.14, 0.04%, 0.65%

LAB 68.56, -3.43, 1.71

 

CMYK 3 / 0 / 2 / 26

HEX #B7BDB9

RGB 183 189 185

HSL 140, 0.04%, 0.73%

LAB 76.05, -2.83, 1.28

 

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

CMYK 6 / 3 / 0 / 42

HEX #8C9195

RGB 140 145 149

HSL 206.67, 0.04%, 0.57%

LAB 59.89, -1, -2.75

 

CMYK 0 / 6 / 5 / 42

HEX #958C8E

RGB 149 140 142

HSL 346.67, 0.04%, 0.57%

LAB 59.07, 3.72, 0.13

 

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

CMYK 4 / 6 / 0 / 42

HEX #8F8C95

RGB 143 140 149

HSL 260, 0.04%, 0.57%

LAB 58.76, 2.89, -4.39

 

CMYK 0 / 4 / 6 / 42

HEX #958F8C

RGB 149 143 140

HSL 20, 0.04%, 0.57%

LAB 59.82, 1.66, 2.38

 

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

CMYK 6 / 3 / 0 / 42

HEX #8C9195

RGB 140 145 149

HSL 206.67, 0.04%, 0.57%

LAB 59.89, -1, -2.75

 

CMYK 0 / 6 / 1 / 42

HEX #958C93

RGB 149 140 147

HSL 313.33, 0.04%, 0.57%

LAB 59.21, 4.67, -2.52

 

CMYK 0 / 3 / 6 / 42

HEX #95908C

RGB 149 144 140

HSL 26.67, 0.04%, 0.57%

LAB 60.1, 1.1, 2.77

 

CMYK 5 / 0 / 4 / 42

HEX #8D958F

RGB 141 149 143

HSL 135, 0.04%, 0.57%

LAB 60.91, -4.07, 2.16

 

CMYK 6 / 4 / 0 / 42

HEX #8C8F95

RGB 140 143 149

HSL 220, 0.04%, 0.57%

LAB 59.33, 0.12, -3.56

 

CMYK 0 / 6 / 1 / 42

HEX #958C93

RGB 149 140 147

HSL 313.33, 0.04%, 0.57%

LAB 59.21, 4.67, -2.52

 

CMYK 0 / 1 / 6 / 42

HEX #95938C

RGB 149 147 140

HSL 46.67, 0.04%, 0.57%

LAB 60.91, -0.58, 3.95

 

Description

Color code: HEX #8D958F | qconv.com Color code: HEX #8D958F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 149 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 149 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 4 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 4% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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