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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D951D it is the complementary color #726AE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D951D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D951D shade: #929518, #A3A72B, #B4B93E, #C5CB51 and #D6DD64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D951D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D951D shade: #8D951D, #7C830A, #6B7100, #5A5F00 and #494D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D951D shade: #8D951D, #957C1D, #955C1D, #953C1D and #951D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D951D shade: #8D951D, #6C951D, #4C951D, #2C951D and #1D952E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D951D shade matches the following richer shades: #8D951D, #99A30F and #A6B100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D951D shade: #8D951D, #80862B, #74783A, #676948 and #5B5B57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D951D shade: #955D1D, #957D1D, #8D951D, #6D951D and #4D951D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D951D shade: #4B500F, #6C7216, #8D951D, #ADB724 and #CAD52F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D951D shade: #8D951D, #1D953D and #6D1D95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D951D shade: #8D951D, #1D8D95 and #951D8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D951D shade: #8D951D, #1D953D, #251D95 and #951D75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D951D shade: #8D951D, #1D9561, #251D95 and #951D51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

Complementary color

CMYK 50 / 53 / 0 / 11

HEX #726AE2

RGB 114 106 226

HSL 244, 0.67%, 0.65%

LAB 51.12, 34.5, -60.37

 

CMYK 2 / 0 / 84 / 42

HEX #929518

RGB 146 149 24

HSL 61.44, 0.72%, 0.34%

LAB 59.59, -15.3, 58.68

 

CMYK 2 / 0 / 74 / 35

HEX #A3A72B

RGB 163 167 43

HSL 61.94, 0.59%, 0.41%

LAB 66.21, -16.37, 59.36

 

CMYK 3 / 0 / 66 / 27

HEX #B4B93E

RGB 180 185 62

HSL 62.44, 0.5%, 0.48%

LAB 72.73, -17.22, 59.15

 

CMYK 3 / 0 / 60 / 20

HEX #C5CB51

RGB 197 203 81

HSL 62.95, 0.54%, 0.56%

LAB 79.14, -17.91, 58.46

 

CMYK 3 / 0 / 55 / 13

HEX #D6DD64

RGB 214 221 100

HSL 63.47, 0.64%, 0.63%

LAB 85.47, -18.48, 57.53

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 5 / 0 / 92 / 49

HEX #7C830A

RGB 124 131 10

HSL 63.47, 0.86%, 0.28%

LAB 52.44, -16.18, 55.13

 

CMYK 5 / 0 / 100 / 56

HEX #6B7100

RGB 107 113 0

HSL 63.19, 1%, 0.22%

LAB 45.55, -14.67, 51.21

 

CMYK 5 / 0 / 100 / 63

HEX #5A5F00

RGB 90 95 0

HSL 63.16, 1%, 0.19%

LAB 38.48, -12.91, 45.34

 

CMYK 5 / 0 / 100 / 70

HEX #494D00

RGB 73 77 0

HSL 63.12, 1%, 0.15%

LAB 31.17, -11.09, 39.26

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 0 / 17 / 81 / 42

HEX #957C1D

RGB 149 124 29

HSL 47.5, 0.67%, 0.35%

LAB 52.83, -0.17, 51.37

 

CMYK 0 / 38 / 81 / 42

HEX #955C1D

RGB 149 92 29

HSL 31.5, 0.67%, 0.35%

LAB 44.42, 18.16, 43.61

 

CMYK 0 / 60 / 81 / 42

HEX #953C1D

RGB 149 60 29

HSL 15.5, 0.67%, 0.35%

LAB 37.32, 35.7, 36.75

 

CMYK 0 / 81 / 81 / 42

HEX #951D1D

RGB 149 29 29

HSL 0, 0.67%, 0.35%

LAB 32.61, 48.47, 31.98

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 28 / 0 / 81 / 42

HEX #6C951D

RGB 108 149 29

HSL 80.5, 0.67%, 0.35%

LAB 56.85, -31.46, 53.8

 

CMYK 49 / 0 / 81 / 42

HEX #4C951D

RGB 76 149 29

HSL 96.5, 0.67%, 0.35%

LAB 55.2, -43.14, 51.66

 

CMYK 70 / 0 / 81 / 42

HEX #2C951D

RGB 44 149 29

HSL 112.5, 0.67%, 0.35%

LAB 54.15, -51.5, 50.31

 

CMYK 81 / 0 / 69 / 42

HEX #1D952E

RGB 29 149 46

HSL 128.5, 0.67%, 0.35%

LAB 53.98, -52.57, 43.69

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 6 / 0 / 91 / 36

HEX #99A30F

RGB 153 163 15

HSL 64.05, 0.83%, 0.35%

LAB 64.16, -19.62, 64.57

 

CMYK 6 / 0 / 100 / 31

HEX #A6B100

RGB 166 177 0

HSL 63.73, 1%, 0.35%

LAB 69.15, -21.2, 70.8

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 4 / 0 / 68 / 47

HEX #80862B

RGB 128 134 43

HSL 63.96, 0.51%, 0.35%

LAB 53.83, -14.58, 46.22

 

CMYK 3 / 0 / 52 / 53

HEX #74783A

RGB 116 120 58

HSL 63.87, 0.35%, 0.35%

LAB 48.82, -11.13, 33.21

 

CMYK 2 / 0 / 31 / 59

HEX #676948

RGB 103 105 72

HSL 63.64, 0.19%, 0.35%

LAB 43.44, -6.67, 18.35

 

CMYK 0 / 0 / 4 / 64

HEX #5B5B57

RGB 91 91 87

HSL 60, 0.02%, 0.35%

LAB 38.54, -0.83, 2.3

 

CMYK 0 / 38 / 81 / 42

HEX #955D1D

RGB 149 93 29

HSL 32, 0.67%, 0.35%

LAB 44.67, 17.59, 43.85

 

CMYK 0 / 16 / 81 / 42

HEX #957D1D

RGB 149 125 29

HSL 48, 0.67%, 0.35%

LAB 53.11, -0.73, 51.62

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 27 / 0 / 81 / 42

HEX #6D951D

RGB 109 149 29

HSL 80, 0.67%, 0.35%

LAB 56.91, -31.06, 53.88

 

CMYK 48 / 0 / 81 / 42

HEX #4D951D

RGB 77 149 29

HSL 96, 0.67%, 0.35%

LAB 55.24, -42.82, 51.72

 

CMYK 6 / 0 / 81 / 69

HEX #4B500F

RGB 75 80 15

HSL 64.62, 0.68%, 0.19%

LAB 32.41, -11.17, 35.03

 

CMYK 5 / 0 / 81 / 55

HEX #6C7216

RGB 108 114 22

HSL 63.91, 0.68%, 0.27%

LAB 46.02, -14.09, 46.13

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 5 / 0 / 80 / 28

HEX #ADB724

RGB 173 183 36

HSL 64.08, 0.67%, 0.43%

LAB 71.47, -20.42, 66.6

 

CMYK 5 / 0 / 78 / 16

HEX #CAD52F

RGB 202 213 47

HSL 63.98, 0.66%, 0.51%

LAB 82.03, -22.53, 73.73

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 81 / 0 / 59 / 42

HEX #1D953D

RGB 29 149 61

HSL 136, 0.67%, 0.35%

LAB 54.13, -50.76, 36.99

 

CMYK 27 / 81 / 0 / 42

HEX #6D1D95

RGB 109 29 149

HSL 280, 0.67%, 0.35%

LAB 30.16, 53.07, -49.11

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 81 / 5 / 0 / 42

HEX #1D8D95

RGB 29 141 149

HSL 184, 0.67%, 0.35%

LAB 53.47, -26.53, -12.87

 

CMYK 0 / 81 / 5 / 42

HEX #951D8D

RGB 149 29 141

HSL 304, 0.67%, 0.35%

LAB 36.35, 59.57, -33.89

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 81 / 0 / 59 / 42

HEX #1D953D

RGB 29 149 61

HSL 136, 0.67%, 0.35%

LAB 54.13, -50.76, 36.99

 

CMYK 75 / 81 / 0 / 42

HEX #251D95

RGB 37 29 149

HSL 244, 0.67%, 0.35%

LAB 21.73, 43.15, -63.25

 

CMYK 0 / 81 / 21 / 42

HEX #951D75

RGB 149 29 117

HSL 316, 0.67%, 0.35%

LAB 35.11, 56.04, -20.9

 

CMYK 5 / 0 / 81 / 42

HEX #8D951D

RGB 141 149 29

HSL 64, 0.67%, 0.35%

LAB 59.2, -17.37, 56.8

 

CMYK 81 / 0 / 35 / 42

HEX #1D9561

RGB 29 149 97

HSL 154, 0.67%, 0.35%

LAB 54.68, -44.34, 18.64

 

CMYK 75 / 81 / 0 / 42

HEX #251D95

RGB 37 29 149

HSL 244, 0.67%, 0.35%

LAB 21.73, 43.15, -63.25

 

CMYK 0 / 81 / 46 / 42

HEX #951D51

RGB 149 29 81

HSL 334, 0.67%, 0.35%

LAB 33.69, 51.85, 0.04

 

Description

Color code: HEX #8D951D | qconv.com Color code: HEX #8D951D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 149 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 149 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 81 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 81% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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