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Color name
HEX #8D6D49

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D6D49 it is the complementary color #7292B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D6D49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D6D49 shade: #926D44, #A37F57, #B4916A, #C5A37D and #D6B590

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D6D49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D6D49 shade: #8D6D49, #7C5B36, #6B4923, #5A3710 and #492500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D6D49 shade: #8D6D48, #8D5A48 and #8D4848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D6D49 shade: #8D6D48, #8D7F48, #888D48, #768D48 and #638D48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D6D49 shade matches the following richer shades: #8D6D48, #9E6E37, #B06F26, #C17014 and #D27103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D6D49 shade: #8D6D48, #7C6C5A, #6A6B6B, #596A7C and #48698E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D6D49 shade: #8D4849, #8D5948, #8D6C48, #8D7E48 and #898D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D6D49 shade: #56432C, #72583A, #8D6D48, #A88257 and #B69672

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D6D49 shade: #8D6D49, #5C8D48 and #50488D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D6D49 shade: #8D6D49, #488D6C and #6C488D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D6D49 shade: #8D6D49, #5C8D48, #48698D and #79488D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D6D49 shade: #8D6D49, #488D49, #48698D and #8D488C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

Complementary color

CMYK 37 / 20 / 0 / 29

HEX #7292B6

RGB 114 146 182

HSL 211.76, 0.32%, 0.58%

LAB 59.45, -2.04, -22.36

 

CMYK 0 / 25 / 53 / 43

HEX #926D44

RGB 146 109 68

HSL 31.54, 0.36%, 0.42%

LAB 48.84, 9.58, 28.48

 

CMYK 0 / 22 / 47 / 36

HEX #A37F57

RGB 163 127 87

HSL 31.58, 0.3%, 0.49%

LAB 55.74, 8.62, 27.02

 

CMYK 0 / 19 / 41 / 29

HEX #B4916A

RGB 180 145 106

HSL 31.62, 0.33%, 0.56%

LAB 62.5, 7.82, 25.68

 

CMYK 0 / 17 / 37 / 23

HEX #C5A37D

RGB 197 163 125

HSL 31.67, 0.38%, 0.63%

LAB 69.14, 7.14, 24.44

 

CMYK 0 / 15 / 33 / 16

HEX #D6B590

RGB 214 181 144

HSL 31.71, 0.46%, 0.7%

LAB 75.67, 6.56, 23.29

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 0 / 27 / 56 / 51

HEX #7C5B36

RGB 124 91 54

HSL 31.71, 0.39%, 0.35%

LAB 41.27, 8.9, 26.45

 

CMYK 0 / 32 / 67 / 58

HEX #6B4923

RGB 107 73 35

HSL 31.67, 0.51%, 0.28%

LAB 34.01, 10.21, 28.08

 

CMYK 0 / 39 / 82 / 65

HEX #5A3710

RGB 90 55 16

HSL 31.62, 0.7%, 0.21%

LAB 26.57, 11.93, 29.58

 

CMYK 0 / 49 / 100 / 71

HEX #492500

RGB 73 37 0

HSL 30.41, 1%, 0.14%

LAB 18.97, 14.17, 27.71

 

CMYK 0 / 23 / 49 / 45

HEX #8D6D48

RGB 141 109 72

HSL 32.17, 0.32%, 0.42%

LAB 48.35, 7.76, 25.48

 

CMYK 0 / 36 / 49 / 45

HEX #8D5A48

RGB 141 90 72

HSL 15.65, 0.32%, 0.42%

LAB 43.42, 18.85, 19.06

 

CMYK 0 / 49 / 49 / 45

HEX #8D4848

RGB 141 72 72

HSL 0, 0.32%, 0.42%

LAB 39.18, 29.14, 13.35

 

CMYK 0 / 23 / 49 / 45

HEX #8D6D48

RGB 141 109 72

HSL 32.17, 0.32%, 0.42%

LAB 48.35, 7.76, 25.48

 

CMYK 0 / 10 / 49 / 45

HEX #8D7F48

RGB 141 127 72

HSL 47.83, 0.32%, 0.42%

LAB 53.29, -2.53, 31.69

 

CMYK 4 / 0 / 49 / 45

HEX #888D48

RGB 136 141 72

HSL 64.35, 0.32%, 0.42%

LAB 56.83, -12.39, 35.91

 

CMYK 16 / 0 / 49 / 45

HEX #768D48

RGB 118 141 72

HSL 80, 0.32%, 0.42%

LAB 55.45, -19.97, 33.92

 

CMYK 30 / 0 / 49 / 45

HEX #638D48

RGB 99 141 72

HSL 96.52, 0.32%, 0.42%

LAB 54.21, -27.46, 32.11

 

CMYK 0 / 23 / 49 / 45

HEX #8D6D48

RGB 141 109 72

HSL 32.17, 0.32%, 0.42%

LAB 48.35, 7.76, 25.48

 

CMYK 0 / 30 / 65 / 38

HEX #9E6E37

RGB 158 110 55

HSL 32.04, 0.48%, 0.42%

LAB 50.33, 13.29, 37.63

 

CMYK 0 / 37 / 78 / 31

HEX #B06F26

RGB 176 111 38

HSL 31.74, 0.64%, 0.42%

LAB 52.66, 19.8, 48.85

 

CMYK 0 / 42 / 90 / 24

HEX #C17014

RGB 193 112 20

HSL 31.91, 0.81%, 0.42%

LAB 55.05, 26.11, 58.15

 

CMYK 0 / 46 / 99 / 18

HEX #D27103

RGB 210 113 3

HSL 31.88, 0.97%, 0.42%

LAB 57.58, 32.49, 64.51

 

CMYK 0 / 23 / 49 / 45

HEX #8D6D48

RGB 141 109 72

HSL 32.17, 0.32%, 0.42%

LAB 48.35, 7.76, 25.48

 

CMYK 0 / 13 / 27 / 51

HEX #7C6C5A

RGB 124 108 90

HSL 31.76, 0.16%, 0.42%

LAB 46.64, 3.28, 12.4

 

CMYK 1 / 0 / 0 / 58

HEX #6A6B6B

RGB 106 107 107

HSL 180, 0%, 0.42%

LAB 45.14, -0.38, -0.14

 

CMYK 28 / 15 / 0 / 51

HEX #596A7C

RGB 89 106 124

HSL 210.86, 0.16%, 0.42%

LAB 44.07, -1.89, -12.11

 

CMYK 49 / 26 / 0 / 44

HEX #48698E

RGB 72 105 142

HSL 211.71, 0.33%, 0.42%

LAB 43.41, -1.09, -24.02

 

CMYK 0 / 49 / 48 / 45

HEX #8D4849

RGB 141 72 73

HSL 359.13, 0.32%, 0.42%

LAB 39.2, 29.24, 12.76

 

CMYK 0 / 37 / 49 / 45

HEX #8D5948

RGB 141 89 72

HSL 14.78, 0.32%, 0.42%

LAB 43.18, 19.43, 18.74

 

CMYK 0 / 23 / 49 / 45

HEX #8D6C48

RGB 141 108 72

HSL 31.3, 0.32%, 0.42%

LAB 48.08, 8.34, 25.13

 

CMYK 0 / 11 / 49 / 45

HEX #8D7E48

RGB 141 126 72

HSL 46.96, 0.32%, 0.42%

LAB 53.01, -1.97, 31.34

 

CMYK 3 / 0 / 49 / 45

HEX #898D48

RGB 137 141 72

HSL 63.48, 0.32%, 0.42%

LAB 56.92, -11.97, 36.03

 

CMYK 0 / 22 / 49 / 66

HEX #56432C

RGB 86 67 44

HSL 32.86, 0.32%, 0.25%

LAB 29.85, 4.72, 17.06

 

CMYK 0 / 23 / 49 / 55

HEX #72583A

RGB 114 88 58

HSL 32.14, 0.33%, 0.34%

LAB 39.35, 6.51, 21.45

 

CMYK 0 / 23 / 49 / 45

HEX #8D6D48

RGB 141 109 72

HSL 32.17, 0.32%, 0.42%

LAB 48.35, 7.76, 25.48

 

CMYK 0 / 23 / 48 / 34

HEX #A88257

RGB 168 130 87

HSL 31.85, 0.32%, 0.5%

LAB 57.05, 9.07, 28.82

 

CMYK 0 / 18 / 37 / 29

HEX #B69672

RGB 182 150 114

HSL 31.76, 0.32%, 0.58%

LAB 64.14, 6.83, 23.48

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 35 / 0 / 49 / 45

HEX #5C8D48

RGB 92 141 72

HSL 102.61, 0.32%, 0.42%

LAB 53.81, -30.04, 31.52

 

CMYK 43 / 49 / 0 / 45

HEX #50488D

RGB 80 72 141

HSL 246.96, 0.32%, 0.42%

LAB 34.53, 21.62, -37.35

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 49 / 0 / 23 / 45

HEX #488D6C

RGB 72 141 108

HSL 151.3, 0.32%, 0.42%

LAB 53.5, -29.96, 10.98

 

CMYK 23 / 49 / 0 / 45

HEX #6C488D

RGB 108 72 141

HSL 271.3, 0.32%, 0.42%

LAB 37.38, 29.55, -32.64

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 35 / 0 / 49 / 45

HEX #5C8D48

RGB 92 141 72

HSL 102.61, 0.32%, 0.42%

LAB 53.81, -30.04, 31.52

 

CMYK 49 / 26 / 0 / 45

HEX #48698D

RGB 72 105 141

HSL 211.3, 0.32%, 0.42%

LAB 43.37, -1.4, -23.49

 

CMYK 14 / 49 / 0 / 45

HEX #79488D

RGB 121 72 141

HSL 282.61, 0.32%, 0.42%

LAB 38.94, 33.46, -30.08

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D49

RGB 141 109 73

HSL 31.76, 0.32%, 0.42%

LAB 48.36, 7.87, 24.93

 

CMYK 49 / 0 / 48 / 45

HEX #488D49

RGB 72 141 73

HSL 120.87, 0.32%, 0.42%

LAB 52.85, -36.53, 29.59

 

CMYK 49 / 26 / 0 / 45

HEX #48698D

RGB 72 105 141

HSL 211.3, 0.32%, 0.42%

LAB 43.37, -1.4, -23.49

 

CMYK 0 / 49 / 1 / 45

HEX #8D488C

RGB 141 72 140

HSL 300.87, 0.32%, 0.42%

LAB 41.52, 39.4, -25.25

 

Description

Color code: HEX #8D6D49 | qconv.com Color code: HEX #8D6D49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 109 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 109 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 45% C M Y K

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Provide designers and agencies with accurate color values.

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