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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D61B5 it is the complementary color #729E4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D61B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D61B5 shade: #9261B0, #A373C3, #B485D6, #C597E9 and #D6A9FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D61B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D61B5 shade: #8D61B5, #7C4FA2, #6B3D8F, #5A2B7C and #491969

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D61B5 shade: #8E62B5, #A462B5, #B562B0, #B5629A and #B56283

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D61B5 shade: #8E62B5, #7762B5 and #6262B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D61B5 shade matches the following richer shades: #8E62B5, #8F50C8, #8F3DDA and #902BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D61B5 shade: #8E62B5, #8D75A2, #8C8890, #8B9A7D and #8AAD6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D61B5 shade: #6264B5, #7762B5, #8D62B5, #A362B5 and #B562B1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D61B5 shade: #643F86, #794CA2, #8E62B5, #A27EC2 and #B69BCF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D61B5 shade: #8D61B5, #B5627A and #62B56C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D61B5 shade: #8D61B5, #B58D62 and #62B58D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D61B5 shade: #8D61B5, #B5627A, #8AB562 and #62B59E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D61B5 shade: #8D61B5, #B56462, #8AB562 and #62B4B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

Complementary color

CMYK 28 / 0 / 53 / 38

HEX #729E4A

RGB 114 158 74

HSL 91.43, 0.36%, 0.45%

LAB 60.36, -29.76, 38.76

 

CMYK 17 / 45 / 0 / 31

HEX #9261B0

RGB 146 97 176

HSL 277.22, 0.33%, 0.54%

LAB 49.25, 34.64, -34.52

 

CMYK 16 / 41 / 0 / 24

HEX #A373C3

RGB 163 115 195

HSL 276, 0.4%, 0.61%

LAB 56.08, 33.82, -34.65

 

CMYK 16 / 38 / 0 / 16

HEX #B485D6

RGB 180 133 214

HSL 274.81, 0.5%, 0.68%

LAB 62.79, 33.04, -34.77

 

CMYK 15 / 35 / 0 / 9

HEX #C597E9

RGB 197 151 233

HSL 273.66, 0.65%, 0.75%

LAB 69.39, 32.32, -34.9

 

CMYK 15 / 33 / 0 / 1

HEX #D6A9FC

RGB 214 169 252

HSL 272.53, 0.93%, 0.83%

LAB 75.88, 31.64, -35.04

 

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

CMYK 23 / 51 / 0 / 36

HEX #7C4FA2

RGB 124 79 162

HSL 272.53, 0.34%, 0.47%

LAB 41.98, 35.24, -37.9

 

CMYK 25 / 57 / 0 / 44

HEX #6B3D8F

RGB 107 61 143

HSL 273.66, 0.4%, 0.4%

LAB 34.9, 36.17, -37.82

 

CMYK 27 / 65 / 0 / 51

HEX #5A2B7C

RGB 90 43 124

HSL 274.81, 0.49%, 0.33%

LAB 27.73, 37.01, -37.62

 

CMYK 30 / 76 / 0 / 59

HEX #491969

RGB 73 25 105

HSL 276, 0.62%, 0.25%

LAB 20.56, 37.48, -37.11

 

CMYK 22 / 46 / 0 / 29

HEX #8E62B5

RGB 142 98 181

HSL 271.81, 0.36%, 0.55%

LAB 49.28, 34.05, -37.41

 

CMYK 9 / 46 / 0 / 29

HEX #A462B5

RGB 164 98 181

HSL 287.71, 0.36%, 0.55%

LAB 51.8, 40.54, -33.28

 

CMYK 0 / 46 / 3 / 29

HEX #B562B0

RGB 181 98 176

HSL 303.61, 0.36%, 0.55%

LAB 53.7, 44.7, -27.26

 

CMYK 0 / 46 / 15 / 29

HEX #B5629A

RGB 181 98 154

HSL 319.52, 0.36%, 0.55%

LAB 52.83, 40.91, -15.75

 

CMYK 0 / 46 / 28 / 29

HEX #B56283

RGB 181 98 131

HSL 336.14, 0.36%, 0.55%

LAB 52.06, 37.42, -3.33

 

CMYK 22 / 46 / 0 / 29

HEX #8E62B5

RGB 142 98 181

HSL 271.81, 0.36%, 0.55%

LAB 49.28, 34.05, -37.41

 

CMYK 34 / 46 / 0 / 29

HEX #7762B5

RGB 119 98 181

HSL 255.18, 0.36%, 0.55%

LAB 46.97, 27.55, -41.22

 

CMYK 46 / 46 / 0 / 29

HEX #6262B5

RGB 98 98 181

HSL 240, 0.36%, 0.55%

LAB 45.18, 22.08, -44.17

 

CMYK 22 / 46 / 0 / 29

HEX #8E62B5

RGB 142 98 181

HSL 271.81, 0.36%, 0.55%

LAB 49.28, 34.05, -37.41

 

CMYK 29 / 60 / 0 / 22

HEX #8F50C8

RGB 143 80 200

HSL 271.5, 0.52%, 0.55%

LAB 46.64, 48.73, -52.61

 

CMYK 34 / 72 / 0 / 15

HEX #8F3DDA

RGB 143 61 218

HSL 271.34, 0.68%, 0.55%

LAB 44.57, 62.02, -66.29

 

CMYK 39 / 82 / 0 / 7

HEX #902BED

RGB 144 43 237

HSL 271.24, 0.84%, 0.55%

LAB 43.9, 73.1, -78.18

 

CMYK 22 / 46 / 0 / 29

HEX #8E62B5

RGB 142 98 181

HSL 271.81, 0.36%, 0.55%

LAB 49.28, 34.05, -37.41

 

CMYK 13 / 28 / 0 / 36

HEX #8D75A2

RGB 141 117 162

HSL 272, 0.19%, 0.55%

LAB 52.94, 18.28, -20.67

 

CMYK 3 / 6 / 0 / 44

HEX #8C8890

RGB 140 136 144

HSL 270, 0.03%, 0.55%

LAB 57.27, 3.06, -3.75

 

CMYK 10 / 0 / 19 / 40

HEX #8B9A7D

RGB 139 154 125

HSL 91.03, 0.13%, 0.55%

LAB 61.72, -10.84, 13.46

 

CMYK 20 / 0 / 38 / 32

HEX #8AAD6B

RGB 138 173 107

HSL 91.82, 0.29%, 0.55%

LAB 66.79, -23.84, 30.11

 

CMYK 46 / 45 / 0 / 29

HEX #6264B5

RGB 98 100 181

HSL 238.55, 0.36%, 0.55%

LAB 45.7, 20.84, -43.34

 

CMYK 34 / 46 / 0 / 29

HEX #7762B5

RGB 119 98 181

HSL 255.18, 0.36%, 0.55%

LAB 46.97, 27.55, -41.22

 

CMYK 22 / 46 / 0 / 29

HEX #8D62B5

RGB 141 98 181

HSL 271.08, 0.36%, 0.55%

LAB 49.17, 33.76, -37.59

 

CMYK 10 / 46 / 0 / 29

HEX #A362B5

RGB 163 98 181

HSL 286.99, 0.36%, 0.55%

LAB 51.68, 40.24, -33.48

 

CMYK 0 / 46 / 2 / 29

HEX #B562B1

RGB 181 98 177

HSL 302.89, 0.36%, 0.55%

LAB 53.74, 44.88, -27.77

 

CMYK 25 / 53 / 0 / 47

HEX #643F86

RGB 100 63 134

HSL 271.27, 0.36%, 0.39%

LAB 33.95, 30.81, -33.84

 

CMYK 25 / 53 / 0 / 36

HEX #794CA2

RGB 121 76 162

HSL 271.4, 0.36%, 0.47%

LAB 40.96, 36.13, -39.53

 

CMYK 22 / 46 / 0 / 29

HEX #8E62B5

RGB 142 98 181

HSL 271.81, 0.36%, 0.55%

LAB 49.28, 34.05, -37.41

 

CMYK 16 / 35 / 0 / 24

HEX #A27EC2

RGB 162 126 194

HSL 271.76, 0.36%, 0.63%

LAB 58.51, 27.04, -30.3

 

CMYK 12 / 25 / 0 / 19

HEX #B69BCF

RGB 182 155 207

HSL 271.15, 0.35%, 0.71%

LAB 67.94, 19.85, -22.91

 

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

CMYK 0 / 46 / 33 / 29

HEX #B5627A

RGB 181 98 122

HSL 342.65, 0.36%, 0.55%

LAB 51.8, 36.2, 1.62

 

CMYK 46 / 0 / 40 / 29

HEX #62B56C

RGB 98 181 108

HSL 127.23, 0.36%, 0.55%

LAB 67.07, -40.87, 29.54

 

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

CMYK 0 / 22 / 46 / 29

HEX #B58D62

RGB 181 141 98

HSL 31.08, 0.36%, 0.55%

LAB 61.44, 9.57, 28.7

 

CMYK 46 / 0 / 22 / 29

HEX #62B58D

RGB 98 181 141

HSL 151.08, 0.36%, 0.55%

LAB 67.7, -34.68, 12.65

 

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

CMYK 0 / 46 / 33 / 29

HEX #B5627A

RGB 181 98 122

HSL 342.65, 0.36%, 0.55%

LAB 51.8, 36.2, 1.62

 

CMYK 24 / 0 / 46 / 29

HEX #8AB562

RGB 138 181 98

HSL 91.08, 0.36%, 0.55%

LAB 68.99, -28.93, 37.57

 

CMYK 46 / 0 / 13 / 29

HEX #62B59E

RGB 98 181 158

HSL 163.37, 0.36%, 0.55%

LAB 68.1, -30.89, 3.9

 

CMYK 22 / 46 / 0 / 29

HEX #8D61B5

RGB 141 97 181

HSL 271.43, 0.36%, 0.55%

LAB 48.94, 34.33, -37.95

 

CMYK 0 / 45 / 46 / 29

HEX #B56462

RGB 181 100 98

HSL 1.45, 0.36%, 0.55%

LAB 51.63, 32.29, 15.61

 

CMYK 24 / 0 / 46 / 29

HEX #8AB562

RGB 138 181 98

HSL 91.08, 0.36%, 0.55%

LAB 68.99, -28.93, 37.57

 

CMYK 46 / 1 / 0 / 29

HEX #62B4B5

RGB 98 180 181

HSL 180.72, 0.36%, 0.55%

LAB 68.44, -24.69, -8.29

 

Description

Color code: HEX #8D61B5 | qconv.com Color code: HEX #8D61B5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 97 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 97 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 46 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 46% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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