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Color name
HEX #8D4F2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D4F2A it is the complementary color #72B0D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D4F2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D4F2A shade: #924F25, #A36138, #B4734B, #C5855E and #D69771

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D4F2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D4F2A shade: #8D4F2A, #7C3D17, #6B2B04, #5A1900 and #490700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D4F2A shade: #8D4F2A, #8D342A and #8D2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D4F2A shade: #8D4F2A, #8D6A2A, #8D842A, #7B8D2A and #608D2A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D4F2A shade matches the following richer shades: #8D4F2A, #9C4B1B and #AB470C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D4F2A shade: #8D4F2A, #7E5339, #6F5647, #605A56 and #515E65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D4F2A shade: #8D2A3A, #8D342A, #8D4E2A, #8D692A and #8D832A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D4F2A shade: #4D2B17, #6D3D20, #8D4F2A, #AD6133 and #C67443

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D4F2A shade: #8D4F2A, #558D2A and #2A2D8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D4F2A shade: #8D4F2A, #2A8D4E and #4E2A8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D4F2A shade: #8D4F2A, #558D2A, #2A698D and #622A8D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D4F2A shade: #8D4F2A, #378D2A, #2A698D and #802A8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

Complementary color

CMYK 46 / 17 / 0 / 16

HEX #72B0D5

RGB 114 176 213

HSL 202.42, 0.54%, 0.64%

LAB 69.06, -10.07, -24.92

 

CMYK 0 / 46 / 75 / 43

HEX #924F25

RGB 146 79 37

HSL 23.12, 0.6%, 0.36%

LAB 40.96, 24.61, 36.19

 

CMYK 0 / 40 / 66 / 36

HEX #A36138

RGB 163 97 56

HSL 22.99, 0.49%, 0.43%

LAB 47.78, 22.94, 34.32

 

CMYK 0 / 36 / 58 / 29

HEX #B4734B

RGB 180 115 75

HSL 22.86, 0.41%, 0.5%

LAB 54.53, 21.51, 32.54

 

CMYK 0 / 32 / 52 / 23

HEX #C5855E

RGB 197 133 94

HSL 22.72, 0.47%, 0.57%

LAB 61.18, 20.28, 30.91

 

CMYK 0 / 29 / 47 / 16

HEX #D69771

RGB 214 151 113

HSL 22.57, 0.55%, 0.64%

LAB 67.74, 19.22, 29.41

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 51 / 81 / 51

HEX #7C3D17

RGB 124 61 23

HSL 22.57, 0.69%, 0.29%

LAB 33.32, 24.53, 34.46

 

CMYK 0 / 60 / 96 / 58

HEX #6B2B04

RGB 107 43 4

HSL 22.72, 0.93%, 0.22%

LAB 26.34, 26.58, 35.58

 

CMYK 0 / 72 / 100 / 65

HEX #5A1900

RGB 90 25 0

HSL 16.67, 1%, 0.18%

LAB 19.51, 28.67, 29.16

 

CMYK 0 / 90 / 100 / 71

HEX #490700

RGB 73 7 0

HSL 5.75, 1%, 0.14%

LAB 13.04, 29.7, 20.28

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 63 / 70 / 45

HEX #8D342A

RGB 141 52 42

HSL 6.06, 0.54%, 0.36%

LAB 34.57, 37.17, 25.96

 

CMYK 0 / 70 / 70 / 45

HEX #8D2A2A

RGB 141 42 42

HSL 0, 0.54%, 0.36%

LAB 32.89, 41.7, 23.95

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 25 / 70 / 45

HEX #8D6A2A

RGB 141 106 42

HSL 38.79, 0.54%, 0.36%

LAB 47.15, 7.02, 40.09

 

CMYK 0 / 6 / 70 / 45

HEX #8D842A

RGB 141 132 42

HSL 54.55, 0.54%, 0.36%

LAB 54.38, -7.68, 47.57

 

CMYK 13 / 0 / 70 / 45

HEX #7B8D2A

RGB 123 141 42

HSL 70.91, 0.54%, 0.36%

LAB 55.51, -20.51, 48.22

 

CMYK 32 / 0 / 70 / 45

HEX #608D2A

RGB 96 141 42

HSL 87.27, 0.54%, 0.36%

LAB 53.71, -31.69, 45.81

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 52 / 83 / 39

HEX #9C4B1B

RGB 156 75 27

HSL 22.33, 0.7%, 0.36%

LAB 41.5, 30.65, 42.13

 

CMYK 0 / 58 / 93 / 33

HEX #AB470C

RGB 171 71 12

HSL 22.26, 0.87%, 0.36%

LAB 43.05, 38.41, 50.06

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 34 / 55 / 51

HEX #7E5339

RGB 126 83 57

HSL 22.61, 0.38%, 0.36%

LAB 39.44, 14.86, 22.46

 

CMYK 0 / 23 / 36 / 56

HEX #6F5647

RGB 111 86 71

HSL 22.5, 0.22%, 0.36%

LAB 38.71, 8, 12.69

 

CMYK 0 / 6 / 10 / 62

HEX #605A56

RGB 96 90 86

HSL 24, 0.05%, 0.36%

LAB 38.67, 1.63, 3.17

 

CMYK 20 / 7 / 0 / 60

HEX #515E65

RGB 81 94 101

HSL 201, 0.11%, 0.36%

LAB 39.06, -3.31, -5.68

 

CMYK 0 / 70 / 59 / 45

HEX #8D2A3A

RGB 141 42 58

HSL 350.3, 0.54%, 0.36%

LAB 33.19, 42.77, 14.1

 

CMYK 0 / 63 / 70 / 45

HEX #8D342A

RGB 141 52 42

HSL 6.06, 0.54%, 0.36%

LAB 34.57, 37.17, 25.96

 

CMYK 0 / 45 / 70 / 45

HEX #8D4E2A

RGB 141 78 42

HSL 21.82, 0.54%, 0.36%

LAB 40.05, 23.28, 32.3

 

CMYK 0 / 26 / 70 / 45

HEX #8D692A

RGB 141 105 42

HSL 38.18, 0.54%, 0.36%

LAB 46.89, 7.6, 39.8

 

CMYK 0 / 7 / 70 / 45

HEX #8D832A

RGB 141 131 42

HSL 53.94, 0.54%, 0.36%

LAB 54.09, -7.14, 47.28

 

CMYK 0 / 44 / 70 / 70

HEX #4D2B17

RGB 77 43 23

HSL 22.22, 0.54%, 0.2%

LAB 21.46, 13.6, 19.52

 

CMYK 0 / 44 / 71 / 57

HEX #6D3D20

RGB 109 61 32

HSL 22.6, 0.55%, 0.28%

LAB 31.1, 18.25, 26.53

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 0 / 44 / 71 / 32

HEX #AD6133

RGB 173 97 51

HSL 22.62, 0.54%, 0.44%

LAB 49.1, 26.9, 38.85

 

CMYK 0 / 41 / 66 / 22

HEX #C67443

RGB 198 116 67

HSL 22.44, 0.53%, 0.52%

LAB 56.98, 27.92, 40.33

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 40 / 0 / 70 / 45

HEX #558D2A

RGB 85 141 42

HSL 93.94, 0.54%, 0.36%

LAB 53.11, -35.8, 45

 

CMYK 70 / 68 / 0 / 45

HEX #2A2D8D

RGB 42 45 141

HSL 238.18, 0.54%, 0.36%

LAB 24.61, 31.49, -53.53

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 70 / 0 / 45 / 45

HEX #2A8D4E

RGB 42 141 78

HSL 141.82, 0.54%, 0.36%

LAB 51.94, -43.03, 25.54

 

CMYK 45 / 70 / 0 / 45

HEX #4E2A8D

RGB 78 42 141

HSL 261.82, 0.54%, 0.36%

LAB 27.29, 39.39, -49.02

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 40 / 0 / 70 / 45

HEX #558D2A

RGB 85 141 42

HSL 93.94, 0.54%, 0.36%

LAB 53.11, -35.8, 45

 

CMYK 70 / 26 / 0 / 45

HEX #2A698D

RGB 42 105 141

HSL 201.82, 0.54%, 0.36%

LAB 42.03, -7.84, -25.67

 

CMYK 30 / 70 / 0 / 45

HEX #622A8D

RGB 98 42 141

HSL 273.94, 0.54%, 0.36%

LAB 29.85, 43.59, -44.75

 

CMYK 0 / 44 / 70 / 45

HEX #8D4F2A

RGB 141 79 42

HSL 22.42, 0.54%, 0.36%

LAB 40.28, 22.7, 32.57

 

CMYK 61 / 0 / 70 / 45

HEX #378D2A

RGB 55 141 42

HSL 112.12, 0.54%, 0.36%

LAB 51.87, -45.11, 43.31

 

CMYK 70 / 26 / 0 / 45

HEX #2A698D

RGB 42 105 141

HSL 201.82, 0.54%, 0.36%

LAB 42.03, -7.84, -25.67

 

CMYK 9 / 70 / 0 / 45

HEX #802A8D

RGB 128 42 141

HSL 292.12, 0.54%, 0.36%

LAB 34.33, 50.45, -37.32

 

Description

Color code: HEX #8D4F2A | qconv.com Color code: HEX #8D4F2A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 79 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 79 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 44 magenta, 70 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 44% 70% 45% C M Y K

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Provide designers and agencies with accurate color values.

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