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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D466C it is the complementary color #72B993. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D466C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D466C shade: #924667, #A3587A, #B46A8D, #C57CA0 and #D68EB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D466C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D466C shade: #8D466C, #7C3459, #6B2246, #5A1033 and #490020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D466C shade: #8C456B, #8C4557 and #8C4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D466C shade: #8C456B, #8C457E, #86458C, #73458C and #60458C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D466C shade matches the following richer shades: #8C456B, #9D346C, #AD236D, #BE126E and #CF016F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D466C shade: #8C456B, #7B5569, #6A6668, #597767 and #488866

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D466C shade: #86458C, #8C457F, #8C456C, #8C4559 and #8C4546

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D466C shade: #542940, #703755, #8C456B, #A75280 and #B66C94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D466C shade: #8D466C, #8C7345 and #45888C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D466C shade: #8D466C, #6C8C45 and #456C8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D466C shade: #8D466C, #8C7345, #458C64 and #455D8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D466C shade: #8D466C, #8C8845, #458C64 and #45488C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

Complementary color

CMYK 38 / 0 / 21 / 27

HEX #72B993

RGB 114 185 147

HSL 147.89, 0.34%, 0.59%

LAB 69.74, -30.83, 12.35

 

CMYK 0 / 52 / 29 / 43

HEX #924667

RGB 146 70 103

HSL 333.95, 0.35%, 0.42%

LAB 40.36, 35.94, -4.19

 

CMYK 0 / 46 / 25 / 36

HEX #A3587A

RGB 163 88 122

HSL 332.8, 0.3%, 0.49%

LAB 47.2, 35.09, -5.42

 

CMYK 0 / 41 / 22 / 29

HEX #B46A8D

RGB 180 106 141

HSL 331.62, 0.33%, 0.56%

LAB 53.96, 34.23, -6.44

 

CMYK 0 / 37 / 19 / 23

HEX #C57CA0

RGB 197 124 160

HSL 330.41, 0.39%, 0.63%

LAB 60.63, 33.41, -7.32

 

CMYK 0 / 34 / 16 / 16

HEX #D68EB3

RGB 214 142 179

HSL 329.17, 0.47%, 0.7%

LAB 67.2, 32.64, -8.1

 

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

CMYK 0 / 58 / 28 / 51

HEX #7C3459

RGB 124 52 89

HSL 329.17, 0.41%, 0.35%

LAB 32.84, 35.67, -6.91

 

CMYK 0 / 68 / 35 / 58

HEX #6B2246

RGB 107 34 70

HSL 330.41, 0.52%, 0.28%

LAB 25.9, 36.14, -5.1

 

CMYK 0 / 82 / 43 / 65

HEX #5A1033

RGB 90 16 51

HSL 331.62, 0.7%, 0.21%

LAB 19.15, 35.81, -2.4

 

CMYK 0 / 100 / 56 / 71

HEX #490020

RGB 73 0 32

HSL 333.7, 1%, 0.14%

LAB 12.74, 34.28, 1.59

 

CMYK 0 / 51 / 24 / 45

HEX #8C456B

RGB 140 69 107

HSL 327.89, 0.34%, 0.41%

LAB 39.4, 34.95, -8.21

 

CMYK 0 / 51 / 38 / 45

HEX #8C4557

RGB 140 69 87

HSL 344.79, 0.34%, 0.41%

LAB 38.76, 32.13, 3.36

 

CMYK 0 / 51 / 51 / 45

HEX #8C4545

RGB 140 69 69

HSL 0, 0.34%, 0.41%

LAB 38.31, 30.08, 14

 

CMYK 0 / 51 / 24 / 45

HEX #8C456B

RGB 140 69 107

HSL 327.89, 0.34%, 0.41%

LAB 39.4, 34.95, -8.21

 

CMYK 0 / 51 / 10 / 45

HEX #8C457E

RGB 140 69 126

HSL 311.83, 0.34%, 0.41%

LAB 40.14, 38.1, -18.84

 

CMYK 4 / 51 / 0 / 45

HEX #86458C

RGB 134 69 140

HSL 294.93, 0.34%, 0.41%

LAB 39.95, 38.86, -27.78

 

CMYK 18 / 51 / 0 / 45

HEX #73458C

RGB 115 69 140

HSL 278.87, 0.34%, 0.41%

LAB 37.47, 33.15, -31.84

 

CMYK 31 / 51 / 0 / 45

HEX #60458C

RGB 96 69 140

HSL 262.82, 0.34%, 0.41%

LAB 35.27, 27.61, -35.46

 

CMYK 0 / 51 / 24 / 45

HEX #8C456B

RGB 140 69 107

HSL 327.89, 0.34%, 0.41%

LAB 39.4, 34.95, -8.21

 

CMYK 0 / 67 / 31 / 38

HEX #9D346C

RGB 157 52 108

HSL 328, 0.5%, 0.41%

LAB 39.08, 48.85, -9.04

 

CMYK 0 / 80 / 37 / 32

HEX #AD236D

RGB 173 35 109

HSL 327.83, 0.66%, 0.41%

LAB 39.9, 59.37, -8.15

 

CMYK 0 / 91 / 42 / 25

HEX #BE126E

RGB 190 18 110

HSL 327.91, 0.83%, 0.41%

LAB 42.01, 67.16, -5.28

 

CMYK 0 / 100 / 46 / 19

HEX #CF016F

RGB 207 1 111

HSL 327.96, 0.99%, 0.41%

LAB 44.85, 72.81, -1.32

 

CMYK 0 / 51 / 24 / 45

HEX #8C456B

RGB 140 69 107

HSL 327.89, 0.34%, 0.41%

LAB 39.4, 34.95, -8.21

 

CMYK 0 / 31 / 15 / 52

HEX #7B5569

RGB 123 85 105

HSL 328.42, 0.18%, 0.41%

LAB 40.78, 19.11, -5.15

 

CMYK 0 / 4 / 2 / 58

HEX #6A6668

RGB 106 102 104

HSL 330, 0.02%, 0.41%

LAB 43.6, 1.97, -0.57

 

CMYK 25 / 0 / 13 / 53

HEX #597767

RGB 89 119 103

HSL 148, 0.14%, 0.41%

LAB 47.36, -14.41, 5.3

 

CMYK 47 / 0 / 25 / 47

HEX #488866

RGB 72 136 102

HSL 148.13, 0.31%, 0.41%

LAB 51.78, -28.87, 12

 

CMYK 4 / 51 / 0 / 45

HEX #86458C

RGB 134 69 140

HSL 294.93, 0.34%, 0.41%

LAB 39.95, 38.86, -27.78

 

CMYK 0 / 51 / 9 / 45

HEX #8C457F

RGB 140 69 127

HSL 310.99, 0.34%, 0.41%

LAB 40.19, 38.27, -19.39

 

CMYK 0 / 51 / 23 / 45

HEX #8C456C

RGB 140 69 108

HSL 327.04, 0.34%, 0.41%

LAB 39.44, 35.1, -8.78

 

CMYK 0 / 51 / 36 / 45

HEX #8C4559

RGB 140 69 89

HSL 343.1, 0.34%, 0.41%

LAB 38.82, 32.39, 2.19

 

CMYK 0 / 51 / 50 / 45

HEX #8C4546

RGB 140 69 70

HSL 359.15, 0.34%, 0.41%

LAB 38.33, 30.19, 13.41

 

CMYK 0 / 51 / 24 / 67

HEX #542940

RGB 84 41 64

HSL 327.91, 0.34%, 0.25%

LAB 23.14, 23.21, -5.58

 

CMYK 0 / 51 / 24 / 56

HEX #703755

RGB 112 55 85

HSL 328.42, 0.34%, 0.33%

LAB 31.42, 29.15, -6.64

 

CMYK 0 / 51 / 24 / 45

HEX #8C456B

RGB 140 69 107

HSL 327.89, 0.34%, 0.41%

LAB 39.4, 34.95, -8.21

 

CMYK 0 / 51 / 23 / 35

HEX #A75280

RGB 167 82 128

HSL 327.53, 0.34%, 0.49%

LAB 46.72, 40.54, -9.69

 

CMYK 0 / 41 / 19 / 29

HEX #B66C94

RGB 182 108 148

HSL 327.57, 0.34%, 0.57%

LAB 54.87, 34.94, -9.15

 

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

CMYK 0 / 18 / 51 / 45

HEX #8C7345

RGB 140 115 69

HSL 38.87, 0.34%, 0.41%

LAB 49.82, 3.54, 29

 

CMYK 51 / 3 / 0 / 45

HEX #45888C

RGB 69 136 140

HSL 183.38, 0.34%, 0.41%

LAB 52.69, -20.06, -8.71

 

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

CMYK 23 / 0 / 51 / 45

HEX #6C8C45

RGB 108 140 69

HSL 87.04, 0.34%, 0.41%

LAB 54.42, -23.85, 34.06

 

CMYK 51 / 23 / 0 / 45

HEX #456C8C

RGB 69 108 140

HSL 207.04, 0.34%, 0.41%

LAB 44.07, -4.29, -21.82

 

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

CMYK 0 / 18 / 51 / 45

HEX #8C7345

RGB 140 115 69

HSL 38.87, 0.34%, 0.41%

LAB 49.82, 3.54, 29

 

CMYK 51 / 0 / 29 / 45

HEX #458C64

RGB 69 140 100

HSL 146.2, 0.34%, 0.41%

LAB 52.89, -32.03, 14.67

 

CMYK 51 / 34 / 0 / 45

HEX #455D8C

RGB 69 93 140

HSL 219.72, 0.34%, 0.41%

LAB 39.56, 4.94, -28.84

 

CMYK 0 / 50 / 23 / 45

HEX #8D466C

RGB 141 70 108

HSL 327.89, 0.34%, 0.41%

LAB 39.79, 34.91, -8.23

 

CMYK 0 / 3 / 51 / 45

HEX #8C8845

RGB 140 136 69

HSL 56.62, 0.34%, 0.41%

LAB 55.7, -8.25, 36.18

 

CMYK 51 / 0 / 29 / 45

HEX #458C64

RGB 69 140 100

HSL 146.2, 0.34%, 0.41%

LAB 52.89, -32.03, 14.67

 

CMYK 51 / 49 / 0 / 45

HEX #45488C

RGB 69 72 140

HSL 237.46, 0.34%, 0.41%

LAB 33.55, 18.51, -38.35

 

Description

Color code: HEX #8D466C | qconv.com Color code: HEX #8D466C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 70 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 70 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 23 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 23% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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