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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D1FF9 it is the complementary color #72E006. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D1FF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D1FF9 shade: #921FF4, #A331FF, #B443FF, #C555FF and #D667FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D1FF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D1FF9 shade: #8D1FF9, #7C0DE6, #6B00D3, #5A00C0 and #4900AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D1FF9 shade: #8D1FF9, #C81FF9, #F91FEF, #F91FB4 and #F91F7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D1FF9 shade: #8D1FF9, #521FF9 and #1F1FF9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D1FF9 shade matches the following richer shades: #8D1FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D1FF9 shade: #8D1FF9, #8D31E6, #8C44D4, #8C56C1 and #8C69AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D1FF9 shade: #1F26F9, #521FF9, #8C1FF9, #C61FF9 and #F91FF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D1FF9 shade: #6304C1, #7805E9, #8D1FF9, #A147FA and #B66FFB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D1FF9 shade: #8D1FF9, #F91F60 and #1FF935

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D1FF9 shade: #8D1FF9, #F98C1F and #1FF98C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D1FF9 shade: #8D1FF9, #F91F60, #8CF91F and #1FF9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D1FF9 shade: #8D1FF9, #F91F1F, #8CF91F and #1FF9F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

Complementary color

CMYK 49 / 0 / 97 / 12

HEX #72E006

RGB 114 224 6

HSL 90.28, 0.95%, 0.45%

LAB 80.12, -60.69, 77.39

 

CMYK 40 / 87 / 0 / 4

HEX #921FF4

RGB 146 31 244

HSL 272.39, 0.91%, 0.54%

LAB 43.69, 78.07, -82.47

 

CMYK 36 / 81 / 0 / 0

HEX #A331FF

RGB 163 49 255

HSL 273.2, 1%, 0.6%

LAB 48.51, 77.73, -80.63

 

CMYK 29 / 74 / 0 / 0

HEX #B443FF

RGB 180 67 255

HSL 276.06, 1%, 0.63%

LAB 52.88, 74.26, -73.42

 

CMYK 23 / 67 / 0 / 0

HEX #C555FF

RGB 197 85 255

HSL 279.53, 1%, 0.67%

LAB 57.64, 70.31, -65.61

 

CMYK 16 / 60 / 0 / 0

HEX #D667FF

RGB 214 103 255

HSL 283.82, 1%, 0.7%

LAB 62.69, 66.14, -57.41

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 46 / 94 / 0 / 10

HEX #7C0DE6

RGB 124 13 230

HSL 270.69, 0.89%, 0.48%

LAB 38.35, 76.12, -83.43

 

CMYK 49 / 100 / 0 / 17

HEX #6B00D3

RGB 107 0 211

HSL 270.43, 1%, 0.41%

LAB 33.62, 72.28, -80.39

 

CMYK 53 / 100 / 0 / 25

HEX #5A00C0

RGB 90 0 192

HSL 268.13, 1%, 0.38%

LAB 29.36, 66.84, -76.4

 

CMYK 58 / 100 / 0 / 32

HEX #4900AD

RGB 73 0 173

HSL 265.32, 1%, 0.34%

LAB 25.06, 61.34, -72.27

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 20 / 88 / 0 / 2

HEX #C81FF9

RGB 200 31 249

HSL 286.51, 0.95%, 0.55%

LAB 51.95, 86.16, -71.46

 

CMYK 0 / 88 / 4 / 2

HEX #F91FEF

RGB 249 31 239

HSL 302.75, 0.95%, 0.55%

LAB 59.3, 92.44, -53.63

 

CMYK 0 / 88 / 28 / 2

HEX #F91FB4

RGB 249 31 180

HSL 318.99, 0.95%, 0.55%

LAB 56.5, 85.1, -24.38

 

CMYK 0 / 88 / 51 / 2

HEX #F91F7A

RGB 249 31 122

HSL 334.95, 0.95%, 0.55%

LAB 54.58, 79.82, 7.08

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 67 / 88 / 0 / 2

HEX #521FF9

RGB 82 31 249

HSL 254.04, 0.95%, 0.55%

LAB 37.14, 73.55, -96.33

 

CMYK 88 / 88 / 0 / 2

HEX #1F1FF9

RGB 31 31 249

HSL 240, 0.95%, 0.55%

LAB 34.21, 71.51, -101.28

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 39 / 79 / 0 / 10

HEX #8D31E6

RGB 141 49 230

HSL 270.5, 0.78%, 0.55%

LAB 43.61, 69.13, -74.7

 

CMYK 34 / 68 / 0 / 17

HEX #8C44D4

RGB 140 68 212

HSL 270, 0.63%, 0.55%

LAB 44.89, 56.9, -62.35

 

CMYK 27 / 55 / 0 / 24

HEX #8C56C1

RGB 140 86 193

HSL 270.28, 0.46%, 0.55%

LAB 47.08, 43.11, -47.87

 

CMYK 20 / 40 / 0 / 32

HEX #8C69AE

RGB 140 105 174

HSL 270.43, 0.3%, 0.55%

LAB 50.38, 27.75, -31.63

 

CMYK 88 / 85 / 0 / 2

HEX #1F26F9

RGB 31 38 249

HSL 238.07, 0.95%, 0.55%

LAB 35.04, 69.03, -99.91

 

CMYK 67 / 88 / 0 / 2

HEX #521FF9

RGB 82 31 249

HSL 254.04, 0.95%, 0.55%

LAB 37.14, 73.55, -96.33

 

CMYK 44 / 88 / 0 / 2

HEX #8C1FF9

RGB 140 31 249

HSL 270, 0.95%, 0.55%

LAB 43.35, 78.46, -85.86

 

CMYK 20 / 88 / 0 / 2

HEX #C61FF9

RGB 198 31 249

HSL 285.96, 0.95%, 0.55%

LAB 51.64, 85.87, -71.97

 

CMYK 0 / 88 / 3 / 2

HEX #F91FF1

RGB 249 31 241

HSL 302.2, 0.95%, 0.55%

LAB 59.41, 92.72, -54.57

 

CMYK 49 / 98 / 0 / 24

HEX #6304C1

RGB 99 4 193

HSL 270.16, 0.96%, 0.39%

LAB 30.85, 67.13, -74.48

 

CMYK 48 / 98 / 0 / 9

HEX #7805E9

RGB 120 5 233

HSL 270.26, 0.96%, 0.47%

LAB 37.82, 77.38, -86.04

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 36 / 72 / 0 / 2

HEX #A147FA

RGB 161 71 250

HSL 270.17, 0.95%, 0.63%

LAB 50.67, 68.28, -74.34

 

CMYK 27 / 56 / 0 / 2

HEX #B66FFB

RGB 182 111 251

HSL 270.43, 0.95%, 0.71%

LAB 60.14, 53.82, -59.49

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 0 / 88 / 61 / 2

HEX #F91F60

RGB 249 31 96

HSL 342.11, 0.95%, 0.55%

LAB 53.99, 78.16, 21.91

 

CMYK 88 / 0 / 79 / 2

HEX #1FF935

RGB 31 249 53

HSL 126.06, 0.95%, 0.55%

LAB 86.16, -81.66, 73.53

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 0 / 44 / 88 / 2

HEX #F98C1F

RGB 249 140 31

HSL 30, 0.95%, 0.55%

LAB 68.75, 34.79, 68.94

 

CMYK 88 / 0 / 44 / 2

HEX #1FF98C

RGB 31 249 140

HSL 150, 0.95%, 0.55%

LAB 86.97, -71.72, 38.92

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 0 / 88 / 61 / 2

HEX #F91F60

RGB 249 31 96

HSL 342.11, 0.95%, 0.55%

LAB 53.99, 78.16, 21.91

 

CMYK 44 / 0 / 88 / 2

HEX #8CF91F

RGB 140 249 31

HSL 90, 0.95%, 0.55%

LAB 88.65, -61.56, 81.7

 

CMYK 88 / 0 / 27 / 2

HEX #1FF9B7

RGB 31 249 183

HSL 161.83, 0.95%, 0.55%

LAB 87.71, -63.22, 18.26

 

CMYK 43 / 88 / 0 / 2

HEX #8D1FF9

RGB 141 31 249

HSL 270.28, 0.95%, 0.55%

LAB 43.48, 78.56, -85.64

 

CMYK 0 / 88 / 88 / 2

HEX #F91F1F

RGB 249 31 31

HSL 0, 0.95%, 0.55%

LAB 53.19, 75.86, 56.97

 

CMYK 44 / 0 / 88 / 2

HEX #8CF91F

RGB 140 249 31

HSL 90, 0.95%, 0.55%

LAB 88.65, -61.56, 81.7

 

CMYK 88 / 0 / 0 / 2

HEX #1FF9F9

RGB 31 249 249

HSL 180, 0.95%, 0.55%

LAB 89.34, -46.31, -13.67

 

Description

Color code: HEX #8D1FF9 | qconv.com Color code: HEX #8D1FF9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 31 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 31 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 88 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 88% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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