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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C7476 it is the complementary color #738B89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C7476. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C7476 shade: #917471, #A28684, #B39897, #C4AAAA and #D5BCBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C7476. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C7476 shade: #8C7476, #7B6263, #6A5050, #593E3D and #482C2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C7476 shade: #8A7475 and #8A7474

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C7476 shade: #8A7475, #8A747C, #8A7482, #8A7488 and #87748A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C7476 shade matches the following richer shades: #8A7475, #9F5F64, #B44A53, #C83642 and #DD2131

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C7476 shade: #8A7475, #768887, #619D98, #4DB1A9 and #38C6BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C7476 shade: #8A7482, #8A747C, #8A7475, #8A7874 and #8A7E74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C7476 shade: #5E4E4F, #746162, #8A7475, #9D8A8C and #B0A0A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C7476 shade: #8C7476, #888A74 and #747F8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C7476 shade: #8C7476, #758A74 and #74758A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C7476 shade: #8C7476, #888A74, #748A89 and #76748A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C7476 shade: #8C7476, #818A74, #748A89 and #7D748A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

Complementary color

CMYK 17 / 0 / 1 / 45

HEX #738B89

RGB 115 139 137

HSL 175, 0.09%, 0.5%

LAB 56, -8.96, -1.79

 

CMYK 0 / 20 / 22 / 43

HEX #917471

RGB 145 116 113

HSL 5.63, 0.13%, 0.51%

LAB 51.5, 10.86, 5.96

 

CMYK 0 / 17 / 19 / 36

HEX #A28684

RGB 162 134 132

HSL 4, 0.14%, 0.58%

LAB 58.41, 10.32, 5.07

 

CMYK 0 / 15 / 16 / 30

HEX #B39897

RGB 179 152 151

HSL 2.14, 0.16%, 0.65%

LAB 65.18, 9.84, 4.24

 

CMYK 0 / 13 / 13 / 23

HEX #C4AAAA

RGB 196 170 170

HSL 0, 0.18%, 0.72%

LAB 71.82, 9.42, 3.47

 

CMYK 0 / 12 / 11 / 16

HEX #D5BCBD

RGB 213 188 189

HSL 357.6, 0.23%, 0.79%

LAB 78.34, 9.04, 2.75

 

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

CMYK 0 / 20 / 20 / 52

HEX #7B6263

RGB 123 98 99

HSL 357.6, 0.11%, 0.43%

LAB 44.01, 10.25, 3.26

 

CMYK 0 / 25 / 25 / 58

HEX #6A5050

RGB 106 80 80

HSL 0, 0.14%, 0.36%

LAB 36.71, 10.89, 4.21

 

CMYK 0 / 30 / 31 / 65

HEX #593E3D

RGB 89 62 61

HSL 2.14, 0.19%, 0.29%

LAB 29.17, 11.67, 5.31

 

CMYK 0 / 39 / 42 / 72

HEX #482C2A

RGB 72 44 42

HSL 4, 0.26%, 0.22%

LAB 21.38, 12.67, 6.66

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 0 / 16 / 16 / 46

HEX #8A7474

RGB 138 116 116

HSL 0, 0.09%, 0.5%

LAB 50.87, 8.57, 3.19

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 0 / 16 / 10 / 46

HEX #8A747C

RGB 138 116 124

HSL 338.18, 0.09%, 0.5%

LAB 51.09, 10, -1.2

 

CMYK 0 / 16 / 6 / 46

HEX #8A7482

RGB 138 116 130

HSL 321.82, 0.09%, 0.5%

LAB 51.27, 11.12, -4.47

 

CMYK 0 / 16 / 1 / 46

HEX #8A7488

RGB 138 116 136

HSL 305.45, 0.09%, 0.5%

LAB 51.46, 12.29, -7.72

 

CMYK 2 / 16 / 0 / 46

HEX #87748A

RGB 135 116 138

HSL 291.82, 0.09%, 0.5%

LAB 51.24, 11.6, -9.26

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 0 / 40 / 37 / 38

HEX #9F5F64

RGB 159 95 100

HSL 355.31, 0.25%, 0.5%

LAB 47.59, 26.67, 8.35

 

CMYK 0 / 59 / 54 / 29

HEX #B44A53

RGB 180 74 83

HSL 354.91, 0.42%, 0.5%

LAB 45.94, 43.83, 16.8

 

CMYK 0 / 73 / 67 / 22

HEX #C83642

RGB 200 54 66

HSL 355.07, 0.57%, 0.5%

LAB 46.06, 57.59, 27.91

 

CMYK 0 / 85 / 78 / 13

HEX #DD2131

RGB 221 33 49

HSL 354.89, 0.74%, 0.5%

LAB 47.86, 68.62, 40.97

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 13 / 0 / 1 / 47

HEX #768887

RGB 118 136 135

HSL 176.67, 0.07%, 0.5%

LAB 55.29, -6.7, -1.67

 

CMYK 38 / 0 / 3 / 38

HEX #619D98

RGB 97 157 152

HSL 175, 0.24%, 0.5%

LAB 60.71, -20.65, -3.55

 

CMYK 56 / 0 / 5 / 31

HEX #4DB1A9

RGB 77 177 169

HSL 175.2, 0.39%, 0.5%

LAB 66.43, -30.97, -4.72

 

CMYK 72 / 0 / 6 / 22

HEX #38C6BA

RGB 56 198 186

HSL 174.93, 0.56%, 0.5%

LAB 72.74, -39.5, -4.79

 

CMYK 0 / 16 / 6 / 46

HEX #8A7482

RGB 138 116 130

HSL 321.82, 0.09%, 0.5%

LAB 51.27, 11.12, -4.47

 

CMYK 0 / 16 / 10 / 46

HEX #8A747C

RGB 138 116 124

HSL 338.18, 0.09%, 0.5%

LAB 51.09, 10, -1.2

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 0 / 13 / 16 / 46

HEX #8A7874

RGB 138 120 116

HSL 10.91, 0.09%, 0.5%

LAB 51.95, 6.25, 4.75

 

CMYK 0 / 9 / 16 / 46

HEX #8A7E74

RGB 138 126 116

HSL 27.27, 0.09%, 0.5%

LAB 53.58, 2.79, 7.09

 

CMYK 0 / 17 / 16 / 63

HEX #5E4E4F

RGB 94 78 79

HSL 356.25, 0.09%, 0.34%

LAB 34.79, 6.87, 1.9

 

CMYK 0 / 16 / 16 / 55

HEX #746162

RGB 116 97 98

HSL 356.84, 0.09%, 0.42%

LAB 42.98, 7.82, 2.28

 

CMYK 0 / 16 / 15 / 46

HEX #8A7475

RGB 138 116 117

HSL 357.27, 0.09%, 0.5%

LAB 50.9, 8.74, 2.64

 

CMYK 0 / 12 / 11 / 38

HEX #9D8A8C

RGB 157 138 140

HSL 353.68, 0.09%, 0.58%

LAB 59.19, 7.49, 1.55

 

CMYK 0 / 9 / 8 / 31

HEX #B0A0A2

RGB 176 160 162

HSL 352.5, 0.09%, 0.66%

LAB 67.26, 6.18, 1.07

 

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

CMYK 1 / 0 / 16 / 46

HEX #888A74

RGB 136 138 116

HSL 65.45, 0.09%, 0.5%

LAB 56.75, -4.78, 11.55

 

CMYK 16 / 8 / 0 / 46

HEX #747F8A

RGB 116 127 138

HSL 210, 0.09%, 0.5%

LAB 52.65, -1.62, -7.33

 

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

CMYK 15 / 0 / 16 / 46

HEX #758A74

RGB 117 138 116

HSL 117.27, 0.09%, 0.5%

LAB 55.3, -12.04, 9.29

 

CMYK 16 / 15 / 0 / 46

HEX #74758A

RGB 116 117 138

HSL 237.27, 0.09%, 0.5%

LAB 49.82, 4.22, -11.56

 

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

CMYK 1 / 0 / 16 / 46

HEX #888A74

RGB 136 138 116

HSL 65.45, 0.09%, 0.5%

LAB 56.75, -4.78, 11.55

 

CMYK 16 / 0 / 1 / 46

HEX #748A89

RGB 116 138 137

HSL 177.27, 0.09%, 0.5%

LAB 55.78, -8.07, -2.11

 

CMYK 14 / 16 / 0 / 46

HEX #76748A

RGB 118 116 138

HSL 245.45, 0.09%, 0.5%

LAB 49.71, 5.5, -11.72

 

CMYK 0 / 17 / 16 / 45

HEX #8C7476

RGB 140 116 118

HSL 355, 0.09%, 0.5%

LAB 51.12, 9.71, 2.4

 

CMYK 7 / 0 / 16 / 46

HEX #818A74

RGB 129 138 116

HSL 84.55, 0.09%, 0.5%

LAB 56.19, -7.5, 10.68

 

CMYK 16 / 0 / 1 / 46

HEX #748A89

RGB 116 138 137

HSL 177.27, 0.09%, 0.5%

LAB 55.78, -8.07, -2.11

 

CMYK 9 / 16 / 0 / 46

HEX #7D748A

RGB 125 116 138

HSL 264.55, 0.09%, 0.5%

LAB 50.32, 7.98, -10.74

 

Description

Color code: HEX #8C7476 | qconv.com Color code: HEX #8C7476 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 116 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 116 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 16 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 16% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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