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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C5FBD it is the complementary color #73A042. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C5FBD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C5FBD shade: #915FB8, #A271CB, #B383DE, #C495F1 and #D5A7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C5FBD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C5FBD shade: #8C5FBD, #7B4DAA, #6A3B97, #592984 and #481771

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C5FBD shade: #8C5FBD, #A65FBD, #BD5FBC, #BD5FA2 and #BD5F89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C5FBD shade: #8C5FBD, #735FBD and #5F5FBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C5FBD shade matches the following richer shades: #8C5FBD, #8C4DD0, #8B3BE2 and #8A29F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C5FBD shade: #8C5FBD, #8D71AB, #8E8399, #8F9687 and #8FA875

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C5FBD shade: #5F65BD, #725FBD, #8B5FBD, #A45FBD and #BD5FBD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C5FBD shade: #633A90, #7746AD, #8C5FBD, #A17CC9 and #B69AD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C5FBD shade: #8C5FBD, #BD5F7F and #5FBD65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C5FBD shade: #8C5FBD, #BD8B5F and #5FBD8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C5FBD shade: #8C5FBD, #BD5F7F, #91BD5F and #5FBD9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C5FBD shade: #8C5FBD, #BD5F62, #91BD5F and #5FBDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

Complementary color

CMYK 28 / 0 / 59 / 37

HEX #73A042

RGB 115 160 66

HSL 88.72, 0.42%, 0.44%

LAB 60.94, -31.18, 43.33

 

CMYK 21 / 48 / 0 / 28

HEX #915FB8

RGB 145 95 184

HSL 273.71, 0.39%, 0.55%

LAB 49.09, 37.32, -39.43

 

CMYK 20 / 44 / 0 / 20

HEX #A271CB

RGB 162 113 203

HSL 272.67, 0.46%, 0.62%

LAB 55.89, 36.45, -39.5

 

CMYK 19 / 41 / 0 / 13

HEX #B383DE

RGB 179 131 222

HSL 271.65, 0.58%, 0.69%

LAB 62.58, 35.63, -39.56

 

CMYK 19 / 38 / 0 / 5

HEX #C495F1

RGB 196 149 241

HSL 270.65, 0.77%, 0.76%

LAB 69.17, 34.86, -39.63

 

CMYK 16 / 35 / 0 / 0

HEX #D5A7FF

RGB 213 167 255

HSL 271.36, 1%, 0.83%

LAB 75.45, 33.07, -37.34

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 28 / 55 / 0 / 33

HEX #7B4DAA

RGB 123 77 170

HSL 269.68, 0.38%, 0.48%

LAB 41.88, 38.07, -42.82

 

CMYK 30 / 61 / 0 / 41

HEX #6A3B97

RGB 106 59 151

HSL 270.65, 0.44%, 0.41%

LAB 34.86, 39.03, -42.77

 

CMYK 33 / 69 / 0 / 48

HEX #592984

RGB 89 41 132

HSL 271.65, 0.53%, 0.34%

LAB 27.78, 39.85, -42.57

 

CMYK 36 / 80 / 0 / 56

HEX #481771

RGB 72 23 113

HSL 272.67, 0.66%, 0.27%

LAB 20.76, 40.18, -41.99

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 12 / 50 / 0 / 26

HEX #A65FBD

RGB 166 95 189

HSL 285.32, 0.42%, 0.56%

LAB 51.8, 44.39, -37.89

 

CMYK 0 / 50 / 1 / 26

HEX #BD5FBC

RGB 189 95 188

HSL 300.64, 0.42%, 0.56%

LAB 54.69, 50.76, -32.56

 

CMYK 0 / 50 / 14 / 26

HEX #BD5FA2

RGB 189 95 162

HSL 317.23, 0.42%, 0.56%

LAB 53.61, 46.33, -19.15

 

CMYK 0 / 50 / 28 / 26

HEX #BD5F89

RGB 189 95 137

HSL 333.19, 0.42%, 0.56%

LAB 52.74, 42.59, -5.76

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 39 / 50 / 0 / 26

HEX #735FBD

RGB 115 95 189

HSL 252.77, 0.42%, 0.56%

LAB 46.32, 30.51, -46.92

 

CMYK 50 / 50 / 0 / 26

HEX #5F5FBD

RGB 95 95 189

HSL 240, 0.42%, 0.56%

LAB 44.65, 25.7, -49.69

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 33 / 63 / 0 / 18

HEX #8C4DD0

RGB 140 77 208

HSL 268.85, 0.58%, 0.56%

LAB 46.23, 51.51, -57.9

 

CMYK 38 / 74 / 0 / 11

HEX #8B3BE2

RGB 139 59 226

HSL 268.74, 0.74%, 0.56%

LAB 44.39, 64.03, -71.17

 

CMYK 43 / 83 / 0 / 4

HEX #8A29F4

RGB 138 41 244

HSL 268.67, 0.9%, 0.56%

LAB 43.54, 74.49, -82.75

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 18 / 34 / 0 / 33

HEX #8D71AB

RGB 141 113 171

HSL 268.97, 0.26%, 0.56%

LAB 52.3, 22.68, -26.89

 

CMYK 7 / 14 / 0 / 40

HEX #8E8399

RGB 142 131 153

HSL 270, 0.1%, 0.56%

LAB 56.37, 8.51, -10.25

 

CMYK 5 / 0 / 10 / 41

HEX #8F9687

RGB 143 150 135

HSL 88, 0.07%, 0.56%

LAB 61.13, -5.39, 7.04

 

CMYK 15 / 0 / 30 / 34

HEX #8FA875

RGB 143 168 117

HSL 89.41, 0.23%, 0.56%

LAB 65.85, -17.98, 23.57

 

CMYK 50 / 47 / 0 / 26

HEX #5F65BD

RGB 95 101 189

HSL 236.17, 0.42%, 0.56%

LAB 46.2, 21.98, -47.21

 

CMYK 40 / 50 / 0 / 26

HEX #725FBD

RGB 114 95 189

HSL 252.13, 0.42%, 0.56%

LAB 46.23, 30.25, -47.07

 

CMYK 26 / 50 / 0 / 26

HEX #8B5FBD

RGB 139 95 189

HSL 268.09, 0.42%, 0.56%

LAB 48.69, 36.84, -43

 

CMYK 13 / 50 / 0 / 26

HEX #A45FBD

RGB 164 95 189

HSL 284.04, 0.42%, 0.56%

LAB 51.55, 43.82, -38.29

 

CMYK 0 / 50 / 0 / 26

HEX #BD5FBD

RGB 189 95 189

HSL 300, 0.42%, 0.56%

LAB 54.74, 50.94, -33.07

 

CMYK 31 / 60 / 0 / 44

HEX #633A90

RGB 99 58 144

HSL 268.6, 0.43%, 0.4%

LAB 33.33, 36.03, -40.99

 

CMYK 31 / 60 / 0 / 32

HEX #7746AD

RGB 119 70 173

HSL 268.54, 0.42%, 0.48%

LAB 40.11, 41.72, -47.45

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 20 / 38 / 0 / 21

HEX #A17CC9

RGB 161 124 201

HSL 268.83, 0.42%, 0.64%

LAB 58.24, 29.47, -34.7

 

CMYK 15 / 28 / 0 / 16

HEX #B69AD5

RGB 182 154 213

HSL 268.47, 0.41%, 0.72%

LAB 67.92, 21.7, -26.27

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 50 / 0 / 47 / 26

HEX #5FBD65

RGB 95 189 101

HSL 123.83, 0.42%, 0.56%

LAB 69.3, -46.2, 35.99

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 0 / 26 / 50 / 26

HEX #BD8B5F

RGB 189 139 95

HSL 28.09, 0.42%, 0.56%

LAB 61.75, 13.74, 30.9

 

CMYK 50 / 0 / 26 / 26

HEX #5FBD8B

RGB 95 189 139

HSL 148.09, 0.42%, 0.56%

LAB 69.96, -39.51, 16.88

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 0 / 50 / 33 / 26

HEX #BD5F7F

RGB 189 95 127

HSL 339.57, 0.42%, 0.56%

LAB 52.44, 41.27, -0.28

 

CMYK 23 / 0 / 50 / 26

HEX #91BD5F

RGB 145 189 95

HSL 88.09, 0.42%, 0.56%

LAB 71.72, -30.48, 42.52

 

CMYK 50 / 0 / 16 / 26

HEX #5FBD9E

RGB 95 189 158

HSL 160.21, 0.42%, 0.56%

LAB 70.38, -35.39, 7.16

 

CMYK 26 / 50 / 0 / 26

HEX #8C5FBD

RGB 140 95 189

HSL 268.72, 0.42%, 0.56%

LAB 48.8, 37.12, -42.82

 

CMYK 0 / 50 / 48 / 26

HEX #BD5F62

RGB 189 95 98

HSL 358.09, 0.42%, 0.56%

LAB 51.71, 37.99, 15.9

 

CMYK 23 / 0 / 50 / 26

HEX #91BD5F

RGB 145 189 95

HSL 88.09, 0.42%, 0.56%

LAB 71.72, -30.48, 42.52

 

CMYK 50 / 0 / 2 / 26

HEX #5FBDBA

RGB 95 189 186

HSL 178.09, 0.42%, 0.56%

LAB 71.13, -28.51, -7.07

 

Description

Color code: HEX #8C5FBD | qconv.com Color code: HEX #8C5FBD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 95 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 95 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 50 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 50% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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