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Color name
HEX #8C5AD4

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C5AD4 it is the complementary color #73A52B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C5AD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C5AD4 shade: #915ACF, #A26CE2, #B37EF5, #C490FF and #D5A2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C5AD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C5AD4 shade: #8C5AD4, #7B48C1, #6A36AE, #59249B and #481288

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C5AD4 shade: #8B58D4, #AC58D4, #CD58D4, #D458B9 and #D45897

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C5AD4 shade: #8B58D4, #6A58D4 and #5858D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C5AD4 shade matches the following richer shades: #8B58D4, #8847E5 and #8536F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C5AD4 shade: #8B58D4, #8E69C3, #917AB2, #948BA1 and #979C90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C5AD4 shade: #5869D4, #6958D4, #8A58D4, #AB58D4 and #CB58D4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C5AD4 shade: #612CAD, #7437CB, #8B58D4, #A279DC and #B89AE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C5AD4 shade: #8C5AD4, #D4588A and #58D458

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C5AD4 shade: #8C5AD4, #D48A58 and #58D48A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C5AD4 shade: #8C5AD4, #D4588A, #A2D458 and #58D4A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C5AD4 shade: #8C5AD4, #D45865, #A2D458 and #58D4C7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

Complementary color

CMYK 30 / 0 / 74 / 35

HEX #73A52B

RGB 115 165 43

HSL 84.59, 0.59%, 0.41%

LAB 62.28, -35.32, 54.42

 

CMYK 30 / 57 / 0 / 19

HEX #915ACF

RGB 145 90 207

HSL 268.21, 0.55%, 0.58%

LAB 49.3, 45.58, -52.36

 

CMYK 28 / 52 / 0 / 11

HEX #A26CE2

RGB 162 108 226

HSL 267.46, 0.67%, 0.65%

LAB 55.99, 44.62, -52.34

 

CMYK 27 / 49 / 0 / 4

HEX #B37EF5

RGB 179 126 245

HSL 266.72, 0.86%, 0.73%

LAB 62.59, 43.69, -52.3

 

CMYK 23 / 44 / 0 / 0

HEX #C490FF

RGB 196 144 255

HSL 268.11, 1%, 0.78%

LAB 68.68, 40.74, -48.04

 

CMYK 16 / 36 / 0 / 0

HEX #D5A2FF

RGB 213 162 255

HSL 272.9, 1%, 0.82%

LAB 74.32, 35.78, -39.09

 

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

CMYK 36 / 63 / 0 / 24

HEX #7B48C1

RGB 123 72 193

HSL 265.29, 0.49%, 0.52%

LAB 42.3, 46.65, -55.65

 

CMYK 39 / 69 / 0 / 32

HEX #6A36AE

RGB 106 54 174

HSL 266, 0.53%, 0.45%

LAB 35.52, 47.57, -55.55

 

CMYK 43 / 77 / 0 / 39

HEX #59249B

RGB 89 36 155

HSL 266.72, 0.62%, 0.37%

LAB 28.78, 48.17, -55.15

 

CMYK 47 / 87 / 0 / 47

HEX #481288

RGB 72 18 136

HSL 267.46, 0.77%, 0.3%

LAB 22.26, 47.94, -54.17

 

CMYK 34 / 58 / 0 / 17

HEX #8B58D4

RGB 139 88 212

HSL 264.68, 0.59%, 0.59%

LAB 48.54, 46.48, -56.47

 

CMYK 19 / 58 / 0 / 17

HEX #AC58D4

RGB 172 88 212

HSL 280.65, 0.59%, 0.59%

LAB 52.4, 54.4, -50.07

 

CMYK 3 / 58 / 0 / 17

HEX #CD58D4

RGB 205 88 212

HSL 296.61, 0.59%, 0.59%

LAB 56.79, 62.64, -42.83

 

CMYK 0 / 58 / 13 / 17

HEX #D458B9

RGB 212 88 185

HSL 313.06, 0.59%, 0.59%

LAB 56.56, 60.03, -27.68

 

CMYK 0 / 58 / 29 / 17

HEX #D45897

RGB 212 88 151

HSL 329.52, 0.59%, 0.59%

LAB 55.29, 55.24, -9.85

 

CMYK 34 / 58 / 0 / 17

HEX #8B58D4

RGB 139 88 212

HSL 264.68, 0.59%, 0.59%

LAB 48.54, 46.48, -56.47

 

CMYK 50 / 58 / 0 / 17

HEX #6A58D4

RGB 106 88 212

HSL 248.71, 0.59%, 0.59%

LAB 45.36, 39.32, -61.77

 

CMYK 58 / 58 / 0 / 17

HEX #5858D4

RGB 88 88 212

HSL 240, 0.59%, 0.59%

LAB 43.96, 35.95, -64.1

 

CMYK 34 / 58 / 0 / 17

HEX #8B58D4

RGB 139 88 212

HSL 264.68, 0.59%, 0.59%

LAB 48.54, 46.48, -56.47

 

CMYK 41 / 69 / 0 / 10

HEX #8847E5

RGB 136 71 229

HSL 264.68, 0.75%, 0.59%

LAB 46.17, 58.85, -69.98

 

CMYK 46 / 78 / 0 / 4

HEX #8536F5

RGB 133 54 245

HSL 264.82, 0.91%, 0.59%

LAB 44.54, 69.63, -81.69

 

CMYK 34 / 58 / 0 / 17

HEX #8B58D4

RGB 139 88 212

HSL 264.68, 0.59%, 0.59%

LAB 48.54, 46.48, -56.47

 

CMYK 27 / 46 / 0 / 24

HEX #8E69C3

RGB 142 105 195

HSL 264.67, 0.43%, 0.59%

LAB 51.6, 33.42, -41.83

 

CMYK 19 / 31 / 0 / 30

HEX #917AB2

RGB 145 122 178

HSL 264.64, 0.27%, 0.59%

LAB 55.23, 20.32, -26.37

 

CMYK 8 / 14 / 0 / 37

HEX #948BA1

RGB 148 139 161

HSL 264.55, 0.1%, 0.59%

LAB 59.28, 7.72, -10.42

 

CMYK 3 / 0 / 8 / 39

HEX #979C90

RGB 151 156 144

HSL 85, 0.06%, 0.59%

LAB 63.65, -4.07, 5.65

 

CMYK 58 / 50 / 0 / 17

HEX #5869D4

RGB 88 105 212

HSL 231.77, 0.59%, 0.59%

LAB 48.17, 25.47, -57.28

 

CMYK 50 / 58 / 0 / 17

HEX #6958D4

RGB 105 88 212

HSL 248.23, 0.59%, 0.59%

LAB 45.27, 39.13, -61.91

 

CMYK 35 / 58 / 0 / 17

HEX #8A58D4

RGB 138 88 212

HSL 264.19, 0.59%, 0.59%

LAB 48.43, 46.25, -56.65

 

CMYK 19 / 58 / 0 / 17

HEX #AB58D4

RGB 171 88 212

HSL 280.16, 0.59%, 0.59%

LAB 52.28, 54.15, -50.28

 

CMYK 4 / 58 / 0 / 17

HEX #CB58D4

RGB 203 88 212

HSL 295.65, 0.59%, 0.59%

LAB 56.52, 62.14, -43.28

 

CMYK 44 / 75 / 0 / 32

HEX #612CAD

RGB 97 44 173

HSL 264.65, 0.59%, 0.43%

LAB 32.61, 50.52, -59.72

 

CMYK 43 / 73 / 0 / 20

HEX #7437CB

RGB 116 55 203

HSL 264.73, 0.59%, 0.51%

LAB 39.17, 56.33, -66.59

 

CMYK 34 / 58 / 0 / 17

HEX #8B58D4

RGB 139 88 212

HSL 264.68, 0.59%, 0.59%

LAB 48.54, 46.48, -56.47

 

CMYK 26 / 45 / 0 / 14

HEX #A279DC

RGB 162 121 220

HSL 264.85, 0.59%, 0.67%

LAB 58.53, 35.95, -44.93

 

CMYK 20 / 33 / 0 / 10

HEX #B89AE5

RGB 184 154 229

HSL 264, 0.59%, 0.75%

LAB 68.72, 25.86, -33.84

 

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

CMYK 0 / 58 / 35 / 17

HEX #D4588A

RGB 212 88 138

HSL 335.81, 0.59%, 0.59%

LAB 54.88, 53.65, -2.81

 

CMYK 58 / 0 / 58 / 17

HEX #58D458

RGB 88 212 88

HSL 120, 0.59%, 0.59%

LAB 75.99, -58.62, 50.25

 

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

CMYK 0 / 35 / 58 / 17

HEX #D48A58

RGB 212 138 88

HSL 24.19, 0.59%, 0.59%

LAB 64.06, 23.25, 38.12

 

CMYK 58 / 0 / 35 / 17

HEX #58D48A

RGB 88 212 138

HSL 144.19, 0.59%, 0.59%

LAB 76.68, -51.07, 26.55

 

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

CMYK 0 / 58 / 35 / 17

HEX #D4588A

RGB 212 88 138

HSL 335.81, 0.59%, 0.59%

LAB 54.88, 53.65, -2.81

 

CMYK 24 / 0 / 58 / 17

HEX #A2D458

RGB 162 212 88

HSL 84.19, 0.59%, 0.59%

LAB 79.31, -35.5, 54.93

 

CMYK 58 / 0 / 24 / 17

HEX #58D4A2

RGB 88 212 162

HSL 155.81, 0.59%, 0.59%

LAB 77.14, -46.23, 14.57

 

CMYK 34 / 58 / 0 / 17

HEX #8C5AD4

RGB 140 90 212

HSL 264.59, 0.59%, 0.59%

LAB 49.06, 45.62, -55.63

 

CMYK 0 / 58 / 52 / 17

HEX #D45865

RGB 212 88 101

HSL 353.71, 0.59%, 0.59%

LAB 53.94, 49.93, 17.74

 

CMYK 24 / 0 / 58 / 17

HEX #A2D458

RGB 162 212 88

HSL 84.19, 0.59%, 0.59%

LAB 79.31, -35.5, 54.93

 

CMYK 58 / 0 / 6 / 17

HEX #58D4C7

RGB 88 212 199

HSL 173.71, 0.59%, 0.59%

LAB 78.04, -37.41, -3.91

 

Description

Color code: HEX #8C5AD4 | qconv.com Color code: HEX #8C5AD4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 90 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 90 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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