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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C34C4 it is the complementary color #73CB3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C34C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C34C4 shade: #9134BF, #A246D2, #B358E5, #C46AF8 and #D57CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C34C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C34C4 shade: #8C34C4, #7B22B1, #6A109E, #59008B and #480078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C34C4 shade: #8D34C5, #B434C5, #C534AF, #C53488 and #C53461

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C34C4 shade: #8D34C5, #6534C5, #3E34C5 and #3434C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C34C4 shade matches the following richer shades: #8D34C5, #9120D9 and #960CED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C34C4 shade: #8D34C5, #8848B1, #845C9C, #7F7188 and #7B8574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C34C4 shade: #3E34C5, #6434C5, #8B34C5, #B234C5 and #C534B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C34C4 shade: #5E2384, #752BA4, #8D34C5, #9F52D1 and #B172D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C34C4 shade: #8C34C4, #C53451 and #34C551

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C34C4 shade: #8C34C4, #C58B34 and #34C58B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C34C4 shade: #8C34C4, #C53451, #6EC534 and #34C5A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C34C4 shade: #8C34C4, #C54234, #6EC534 and #34B6C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

Complementary color

CMYK 43 / 0 / 71 / 20

HEX #73CB3B

RGB 115 203 59

HSL 96.67, 0.58%, 0.51%

LAB 73.98, -50.4, 60.31

 

CMYK 24 / 73 / 0 / 25

HEX #9134BF

RGB 145 52 191

HSL 280.14, 0.57%, 0.48%

LAB 41.59, 60.19, -55.49

 

CMYK 23 / 67 / 0 / 18

HEX #A246D2

RGB 162 70 210

HSL 279.43, 0.61%, 0.55%

LAB 47.9, 60.11, -56.21

 

CMYK 22 / 62 / 0 / 10

HEX #B358E5

RGB 179 88 229

HSL 278.72, 0.73%, 0.62%

LAB 54.26, 59.66, -56.67

 

CMYK 21 / 57 / 0 / 3

HEX #C46AF8

RGB 196 106 248

HSL 278.03, 0.91%, 0.69%

LAB 60.62, 59.03, -56.97

 

CMYK 16 / 51 / 0 / 0

HEX #D57CFF

RGB 213 124 255

HSL 280.76, 1%, 0.74%

LAB 66.35, 55.79, -51.6

 

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

CMYK 31 / 81 / 0 / 31

HEX #7B22B1

RGB 123 34 177

HSL 277.34, 0.68%, 0.41%

LAB 35.06, 59.82, -57.97

 

CMYK 33 / 90 / 0 / 38

HEX #6A109E

RGB 106 16 158

HSL 278.03, 0.82%, 0.34%

LAB 29.17, 58.22, -56.25

 

CMYK 36 / 100 / 0 / 45

HEX #59008B

RGB 89 0 139

HSL 278.42, 1%, 0.27%

LAB 23.63, 55.2, -53.7

 

CMYK 40 / 100 / 0 / 53

HEX #480078

RGB 72 0 120

HSL 276, 1%, 0.24%

LAB 18.94, 49.15, -49.47

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 9 / 74 / 0 / 23

HEX #B434C5

RGB 180 52 197

HSL 292.97, 0.58%, 0.49%

LAB 47.22, 68.4, -49.66

 

CMYK 0 / 74 / 11 / 23

HEX #C534AF

RGB 197 52 175

HSL 309.1, 0.58%, 0.49%

LAB 48.79, 68.55, -34.16

 

CMYK 0 / 74 / 31 / 23

HEX #C53488

RGB 197 52 136

HSL 325.24, 0.58%, 0.49%

LAB 47.11, 63.41, -13.47

 

CMYK 0 / 74 / 51 / 23

HEX #C53461

RGB 197 52 97

HSL 341.38, 0.58%, 0.49%

LAB 45.89, 59.5, 8.61

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 49 / 74 / 0 / 23

HEX #6534C5

RGB 101 52 197

HSL 260.28, 0.58%, 0.49%

LAB 36.47, 53.74, -67.58

 

CMYK 69 / 74 / 0 / 23

HEX #3E34C5

RGB 62 52 197

HSL 244.14, 0.58%, 0.49%

LAB 32.94, 48.57, -73.51

 

CMYK 74 / 74 / 0 / 23

HEX #3434C5

RGB 52 52 197

HSL 240, 0.58%, 0.49%

LAB 32.3, 47.59, -74.59

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 33 / 85 / 0 / 15

HEX #9120D9

RGB 145 32 217

HSL 276.65, 0.74%, 0.49%

LAB 41.32, 72.1, -71.01

 

CMYK 37 / 95 / 0 / 7

HEX #960CED

RGB 150 12 237

HSL 276.8, 0.9%, 0.49%

LAB 42.55, 80.29, -80.36

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 23 / 59 / 0 / 31

HEX #8848B1

RGB 136 72 177

HSL 276.57, 0.42%, 0.49%

LAB 42.83, 45.83, -45.35

 

CMYK 15 / 41 / 0 / 39

HEX #845C9C

RGB 132 92 156

HSL 277.5, 0.26%, 0.49%

LAB 45.58, 28.68, -28.6

 

CMYK 7 / 17 / 0 / 47

HEX #7F7188

RGB 127 113 136

HSL 276.52, 0.09%, 0.49%

LAB 49.62, 10.04, -10.6

 

CMYK 8 / 0 / 13 / 48

HEX #7B8574

RGB 123 133 116

HSL 95.29, 0.07%, 0.49%

LAB 54.29, -7.02, 7.92

 

CMYK 69 / 74 / 0 / 23

HEX #3E34C5

RGB 62 52 197

HSL 244.14, 0.58%, 0.49%

LAB 32.94, 48.57, -73.51

 

CMYK 49 / 74 / 0 / 23

HEX #6434C5

RGB 100 52 197

HSL 259.86, 0.58%, 0.49%

LAB 36.36, 53.58, -67.77

 

CMYK 29 / 74 / 0 / 23

HEX #8B34C5

RGB 139 52 197

HSL 276, 0.58%, 0.49%

LAB 41.18, 60.32, -59.71

 

CMYK 10 / 74 / 0 / 23

HEX #B234C5

RGB 178 52 197

HSL 292.14, 0.58%, 0.49%

LAB 46.91, 67.99, -50.17

 

CMYK 0 / 74 / 10 / 23

HEX #C534B2

RGB 197 52 178

HSL 307.86, 0.58%, 0.49%

LAB 48.93, 68.99, -35.69

 

CMYK 29 / 73 / 0 / 48

HEX #5E2384

RGB 94 35 132

HSL 276.49, 0.58%, 0.33%

LAB 27.43, 43.88, -43.1

 

CMYK 29 / 74 / 0 / 36

HEX #752BA4

RGB 117 43 164

HSL 276.69, 0.58%, 0.41%

LAB 34.38, 52.47, -51.34

 

CMYK 28 / 74 / 0 / 23

HEX #8D34C5

RGB 141 52 197

HSL 276.83, 0.58%, 0.49%

LAB 41.45, 60.7, -59.25

 

CMYK 24 / 61 / 0 / 18

HEX #9F52D1

RGB 159 82 209

HSL 276.38, 0.58%, 0.57%

LAB 49.51, 53.57, -53.08

 

CMYK 18 / 47 / 0 / 15

HEX #B172D9

RGB 177 114 217

HSL 276.7, 0.58%, 0.65%

LAB 58.41, 43.29, -43.34

 

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

CMYK 0 / 74 / 59 / 23

HEX #C53451

RGB 197 52 81

HSL 348, 0.58%, 0.49%

LAB 45.52, 58.29, 17.97

 

CMYK 74 / 0 / 59 / 23

HEX #34C551

RGB 52 197 81

HSL 132, 0.58%, 0.49%

LAB 70.36, -61.24, 46.66

 

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

CMYK 0 / 29 / 74 / 23

HEX #C58B34

RGB 197 139 52

HSL 36, 0.58%, 0.49%

LAB 62.15, 14.12, 53.06

 

CMYK 74 / 0 / 29 / 23

HEX #34C58B

RGB 52 197 139

HSL 156, 0.58%, 0.49%

LAB 71.23, -51.25, 18.46

 

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

CMYK 0 / 74 / 59 / 23

HEX #C53451

RGB 197 52 81

HSL 348, 0.58%, 0.49%

LAB 45.52, 58.29, 17.97

 

CMYK 44 / 0 / 74 / 23

HEX #6EC534

RGB 110 197 52

HSL 96, 0.58%, 0.49%

LAB 71.89, -50.09, 60.64

 

CMYK 74 / 0 / 15 / 23

HEX #34C5A8

RGB 52 197 168

HSL 168, 0.58%, 0.49%

LAB 71.89, -44.35, 3.73

 

CMYK 29 / 73 / 0 / 23

HEX #8C34C4

RGB 140 52 196

HSL 276.67, 0.58%, 0.49%

LAB 41.24, 60.29, -59.01

 

CMYK 0 / 66 / 74 / 23

HEX #C54234

RGB 197 66 52

HSL 5.79, 0.58%, 0.49%

LAB 46.99, 51.35, 37.03

 

CMYK 44 / 0 / 74 / 23

HEX #6EC534

RGB 110 197 52

HSL 96, 0.58%, 0.49%

LAB 71.89, -50.09, 60.64

 

CMYK 74 / 8 / 0 / 23

HEX #34B6C5

RGB 52 182 197

HSL 186.21, 0.58%, 0.49%

LAB 68.18, -29.28, -17.65

 

Description

Color code: HEX #8C34C4 | qconv.com Color code: HEX #8C34C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 52 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 52 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 73 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 73% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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