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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C2587 it is the complementary color #73DA78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C2587. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C2587 shade: #912582, #A23795, #B349A8, #C45BBB and #D56DCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C2587. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C2587 shade: #8C2587, #7B1374, #6A0161, #59004E and #48003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C2587 shade: #8D2587, #8D256C, #8D2550, #8D2534 and #8D2525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C2587 shade: #8D2587, #76258D, #5A258D, #3E258D and #25258D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C2587 shade matches the following richer shades: #8D2587, #9B1795 and #A908A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C2587 shade: #8D2587, #7E337A, #70426D, #615060 and #535F53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C2587 shade: #59258D, #74258D, #8D2589, #8D256D and #8D2552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C2587 shade: #4B1449, #6C1C68, #8D2587, #AD2EA7 and #CA3AC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C2587 shade: #8C2587, #8D3D25 and #258D67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C2587 shade: #8C2587, #898D25 and #25898D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C2587 shade: #8C2587, #8D3D25, #258D28 and #25748D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C2587 shade: #8C2587, #8D5C25, #258D28 and #25558D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

Complementary color

CMYK 47 / 0 / 45 / 15

HEX #73DA78

RGB 115 218 120

HSL 122.91, 0.58%, 0.65%

LAB 79.12, -49.83, 39.07

 

CMYK 0 / 74 / 10 / 43

HEX #912582

RGB 145 37 130

HSL 308.33, 0.59%, 0.36%

LAB 35.9, 54.48, -27.86

 

CMYK 0 / 66 / 8 / 36

HEX #A23795

RGB 162 55 149

HSL 307.29, 0.49%, 0.43%

LAB 42.13, 55, -29.51

 

CMYK 0 / 59 / 6 / 30

HEX #B349A8

RGB 179 73 168

HSL 306.23, 0.42%, 0.49%

LAB 48.48, 54.92, -30.72

 

CMYK 0 / 54 / 5 / 23

HEX #C45BBB

RGB 196 91 187

HSL 305.14, 0.47%, 0.56%

LAB 54.87, 54.52, -31.64

 

CMYK 0 / 49 / 3 / 16

HEX #D56DCE

RGB 213 109 206

HSL 304.04, 0.55%, 0.63%

LAB 61.25, 53.94, -32.37

 

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

CMYK 0 / 85 / 6 / 52

HEX #7B1374

RGB 123 19 116

HSL 304.04, 0.73%, 0.28%

LAB 29.25, 52.62, -29.8

 

CMYK 0 / 99 / 8 / 58

HEX #6A0161

RGB 106 1 97

HSL 305.14, 0.98%, 0.21%

LAB 23.5, 49.88, -26.82

 

CMYK 0 / 100 / 12 / 65

HEX #59004E

RGB 89 0 78

HSL 307.42, 1%, 0.17%

LAB 18.69, 43.82, -21.94

 

CMYK 0 / 100 / 18 / 72

HEX #48003B

RGB 72 0 59

HSL 310.83, 1%, 0.14%

LAB 13.79, 37.34, -16.65

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 0 / 74 / 23 / 45

HEX #8D256C

RGB 141 37 108

HSL 319.04, 0.58%, 0.35%

LAB 34.13, 50.2, -16.84

 

CMYK 0 / 74 / 43 / 45

HEX #8D2550

RGB 141 37 80

HSL 335.19, 0.58%, 0.35%

LAB 33.06, 46.77, -0.42

 

CMYK 0 / 74 / 63 / 45

HEX #8D2534

RGB 141 37 52

HSL 351.35, 0.58%, 0.35%

LAB 32.33, 44.34, 16.86

 

CMYK 0 / 74 / 74 / 45

HEX #8D2525

RGB 141 37 37

HSL 0, 0.58%, 0.35%

LAB 32.08, 43.46, 26.1

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 16 / 74 / 0 / 45

HEX #76258D

RGB 118 37 141

HSL 286.73, 0.58%, 0.35%

LAB 32.03, 50.2, -41.09

 

CMYK 36 / 74 / 0 / 45

HEX #5A258D

RGB 90 37 141

HSL 270.58, 0.58%, 0.35%

LAB 27.9, 44.32, -47.97

 

CMYK 56 / 74 / 0 / 45

HEX #3E258D

RGB 62 37 141

HSL 254.42, 0.58%, 0.35%

LAB 24.55, 39.27, -53.58

 

CMYK 74 / 74 / 0 / 45

HEX #25258D

RGB 37 37 141

HSL 240, 0.58%, 0.35%

LAB 22.44, 35.92, -57.12

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 0 / 85 / 4 / 39

HEX #9B1795

RGB 155 23 149

HSL 302.73, 0.74%, 0.35%

LAB 37.39, 63.48, -37.07

 

CMYK 0 / 95 / 4 / 34

HEX #A908A2

RGB 169 8 162

HSL 302.61, 0.91%, 0.35%

LAB 39.94, 70.31, -40.73

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 0 / 60 / 3 / 51

HEX #7E337A

RGB 126 51 122

HSL 303.2, 0.42%, 0.35%

LAB 34.41, 42.29, -25.42

 

CMYK 0 / 41 / 3 / 56

HEX #70426D

RGB 112 66 109

HSL 303.91, 0.26%, 0.35%

LAB 34.89, 27.14, -16.68

 

CMYK 0 / 18 / 1 / 62

HEX #615060

RGB 97 80 96

HSL 303.53, 0.1%, 0.35%

LAB 36.22, 10.24, -6.66

 

CMYK 13 / 0 / 13 / 63

HEX #535F53

RGB 83 95 83

HSL 120, 0.07%, 0.35%

LAB 38.98, -7.24, 5.31

 

CMYK 37 / 74 / 0 / 45

HEX #59258D

RGB 89 37 141

HSL 270, 0.58%, 0.35%

LAB 27.76, 44.13, -48.19

 

CMYK 18 / 74 / 0 / 45

HEX #74258D

RGB 116 37 141

HSL 285.58, 0.58%, 0.35%

LAB 31.71, 49.77, -41.61

 

CMYK 0 / 74 / 3 / 45

HEX #8D2589

RGB 141 37 137

HSL 302.31, 0.58%, 0.35%

LAB 35.58, 54.67, -32.73

 

CMYK 0 / 74 / 23 / 45

HEX #8D256D

RGB 141 37 109

HSL 318.46, 0.58%, 0.35%

LAB 34.17, 50.34, -17.41

 

CMYK 0 / 74 / 42 / 45

HEX #8D2552

RGB 141 37 82

HSL 334.04, 0.58%, 0.35%

LAB 33.12, 46.98, -1.62

 

CMYK 0 / 73 / 3 / 71

HEX #4B1449

RGB 75 20 73

HSL 302.18, 0.58%, 0.19%

LAB 17.82, 33.15, -20.07

 

CMYK 0 / 74 / 4 / 58

HEX #6C1C68

RGB 108 28 104

HSL 303, 0.59%, 0.27%

LAB 26.79, 44.3, -26.17

 

CMYK 0 / 74 / 4 / 45

HEX #8D2587

RGB 141 37 135

HSL 303.46, 0.58%, 0.35%

LAB 35.47, 54.34, -31.67

 

CMYK 0 / 73 / 3 / 32

HEX #AD2EA7

RGB 173 46 167

HSL 302.83, 0.58%, 0.43%

LAB 43.7, 63.84, -37.72

 

CMYK 0 / 71 / 3 / 21

HEX #CA3AC3

RGB 202 58 195

HSL 302.92, 0.58%, 0.51%

LAB 51.29, 70.77, -41.81

 

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

CMYK 0 / 57 / 74 / 45

HEX #8D3D25

RGB 141 61 37

HSL 13.85, 0.58%, 0.35%

LAB 36.24, 32.36, 30.84

 

CMYK 74 / 0 / 27 / 45

HEX #258D67

RGB 37 141 103

HSL 158.08, 0.58%, 0.35%

LAB 52.31, -38.59, 12.01

 

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

CMYK 3 / 0 / 74 / 45

HEX #898D25

RGB 137 141 37

HSL 62.31, 0.58%, 0.35%

LAB 56.59, -14.61, 51.6

 

CMYK 74 / 3 / 0 / 45

HEX #25898D

RGB 37 137 141

HSL 182.31, 0.58%, 0.35%

LAB 52.07, -26.15, -10.32

 

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

CMYK 0 / 57 / 74 / 45

HEX #8D3D25

RGB 141 61 37

HSL 13.85, 0.58%, 0.35%

LAB 36.24, 32.36, 30.84

 

CMYK 74 / 0 / 72 / 45

HEX #258D28

RGB 37 141 40

HSL 121.73, 0.58%, 0.35%

LAB 51.38, -49.21, 43.48

 

CMYK 74 / 18 / 0 / 45

HEX #25748D

RGB 37 116 141

HSL 194.42, 0.58%, 0.35%

LAB 45.37, -14.98, -20.51

 

CMYK 0 / 74 / 4 / 45

HEX #8C2587

RGB 140 37 135

HSL 302.91, 0.58%, 0.35%

LAB 35.3, 54.1, -31.96

 

CMYK 0 / 35 / 74 / 45

HEX #8D5C25

RGB 141 92 37

HSL 31.73, 0.58%, 0.35%

LAB 43.43, 14.89, 38.59

 

CMYK 74 / 0 / 72 / 45

HEX #258D28

RGB 37 141 40

HSL 121.73, 0.58%, 0.35%

LAB 51.38, -49.21, 43.48

 

CMYK 74 / 40 / 0 / 45

HEX #25558D

RGB 37 85 141

HSL 212.31, 0.58%, 0.35%

LAB 35.62, 3.85, -35.76

 

Description

Color code: HEX #8C2587 | qconv.com Color code: HEX #8C2587 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 37 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 37 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 4 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 4% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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