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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8C15D1 it is the complementary color #73EA2E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8C15D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8C15D1 shade: #9115CC, #A227DF, #B339F2, #C44BFF and #D55DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8C15D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8C15D1 shade: #8C15D1, #7B03BE, #6A00AB, #590098 and #480085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8C15D1 shade: #8B14D0, #BE14D0, #D014B0, #D0147D and #D0144A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8C15D1 shade: #8B14D0, #5914D0, #2614D0 and #1414D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8C15D1 shade matches the following richer shades: #8B14D0 and #9002E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8C15D1 shade: #8B14D0, #8627BE, #8139AB, #7C4C99 and #785E86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8C15D1 shade: #2414D0, #5614D0, #8814D0, #BA14D0 and #D014B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8C15D1 shade: #590D85, #7210AB, #8B14D0, #A125E9 and #B14AED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8C15D1 shade: #8C15D1, #D01437 and #14D03D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8C15D1 shade: #8C15D1, #D08814 and #14D088

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8C15D1 shade: #8C15D1, #D01437, #5CD014 and #14D0AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8C15D1 shade: #8C15D1, #D02A14, #5CD014 and #14BAD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

Complementary color

CMYK 51 / 0 / 80 / 8

HEX #73EA2E

RGB 115 234 46

HSL 97.98, 0.82%, 0.55%

LAB 83.28, -62.88, 73.36

 

CMYK 29 / 90 / 0 / 20

HEX #9115CC

RGB 145 21 204

HSL 280.66, 0.81%, 0.44%

LAB 39.44, 71.92, -66.57

 

CMYK 27 / 83 / 0 / 13

HEX #A227DF

RGB 162 39 223

HSL 280.11, 0.74%, 0.51%

LAB 44.89, 73.96, -68.52

 

CMYK 26 / 76 / 0 / 5

HEX #B339F2

RGB 179 57 242

HSL 279.57, 0.88%, 0.59%

LAB 50.59, 74.99, -69.88

 

CMYK 23 / 71 / 0 / 0

HEX #C44BFF

RGB 196 75 255

HSL 280.33, 1%, 0.65%

LAB 56.08, 74.15, -68.14

 

CMYK 16 / 64 / 0 / 0

HEX #D55DFF

RGB 213 93 255

HSL 284.44, 1%, 0.68%

LAB 60.95, 70.32, -60.19

 

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

CMYK 35 / 98 / 0 / 25

HEX #7B03BE

RGB 123 3 190

HSL 278.5, 0.97%, 0.38%

LAB 33.97, 69.03, -67.46

 

CMYK 38 / 100 / 0 / 33

HEX #6A00AB

RGB 106 0 171

HSL 277.19, 1%, 0.34%

LAB 29.42, 63.75, -63.7

 

CMYK 41 / 100 / 0 / 40

HEX #590098

RGB 89 0 152

HSL 275.13, 1%, 0.3%

LAB 24.92, 57.96, -59.64

 

CMYK 46 / 100 / 0 / 48

HEX #480085

RGB 72 0 133

HSL 272.48, 1%, 0.26%

LAB 20.33, 52.06, -55.47

 

CMYK 33 / 90 / 0 / 18

HEX #8B14D0

RGB 139 20 208

HSL 277.98, 0.82%, 0.45%

LAB 38.8, 72.1, -69.97

 

CMYK 9 / 90 / 0 / 18

HEX #BE14D0

RGB 190 20 208

HSL 294.26, 0.82%, 0.45%

LAB 46.98, 79.51, -56.32

 

CMYK 0 / 90 / 15 / 18

HEX #D014B0

RGB 208 20 176

HSL 310.21, 0.82%, 0.45%

LAB 48.32, 78.05, -35.35

 

CMYK 0 / 90 / 40 / 18

HEX #D0147D

RGB 208 20 125

HSL 326.49, 0.82%, 0.45%

LAB 46.16, 72.34, -7.99

 

CMYK 0 / 90 / 64 / 18

HEX #D0144A

RGB 208 20 74

HSL 342.77, 0.82%, 0.45%

LAB 44.81, 68.59, 21.74

 

CMYK 33 / 90 / 0 / 18

HEX #8B14D0

RGB 139 20 208

HSL 277.98, 0.82%, 0.45%

LAB 38.8, 72.1, -69.97

 

CMYK 57 / 90 / 0 / 18

HEX #5914D0

RGB 89 20 208

HSL 262.02, 0.82%, 0.45%

LAB 32.21, 66.86, -81.06

 

CMYK 82 / 90 / 0 / 18

HEX #2614D0

RGB 38 20 208

HSL 245.74, 0.82%, 0.45%

LAB 28.02, 64.07, -88.13

 

CMYK 90 / 90 / 0 / 18

HEX #1414D0

RGB 20 20 208

HSL 240, 0.82%, 0.45%

LAB 27.31, 63.64, -89.35

 

CMYK 33 / 90 / 0 / 18

HEX #8B14D0

RGB 139 20 208

HSL 277.98, 0.82%, 0.45%

LAB 38.8, 72.1, -69.97

 

CMYK 37 / 99 / 0 / 11

HEX #9002E3

RGB 144 2 227

HSL 277.87, 0.98%, 0.45%

LAB 40.44, 78.73, -78.18

 

CMYK 33 / 90 / 0 / 18

HEX #8B14D0

RGB 139 20 208

HSL 277.98, 0.82%, 0.45%

LAB 38.8, 72.1, -69.97

 

CMYK 29 / 79 / 0 / 25

HEX #8627BE

RGB 134 39 190

HSL 277.75, 0.66%, 0.45%

LAB 38.26, 62.76, -60.37

 

CMYK 25 / 67 / 0 / 33

HEX #8139AB

RGB 129 57 171

HSL 277.89, 0.5%, 0.45%

LAB 38.78, 50.29, -48.33

 

CMYK 19 / 50 / 0 / 40

HEX #7C4C99

RGB 124 76 153

HSL 277.4, 0.34%, 0.45%

LAB 40.82, 34.82, -34.35

 

CMYK 10 / 30 / 0 / 47

HEX #785E86

RGB 120 94 134

HSL 279, 0.18%, 0.45%

LAB 43.83, 18.49, -18.26

 

CMYK 83 / 90 / 0 / 18

HEX #2414D0

RGB 36 20 208

HSL 245.11, 0.82%, 0.45%

LAB 27.92, 64.01, -88.3

 

CMYK 59 / 90 / 0 / 18

HEX #5614D0

RGB 86 20 208

HSL 261.06, 0.82%, 0.45%

LAB 31.88, 66.63, -81.61

 

CMYK 35 / 90 / 0 / 18

HEX #8814D0

RGB 136 20 208

HSL 277.02, 0.82%, 0.45%

LAB 38.36, 71.72, -70.72

 

CMYK 11 / 90 / 0 / 18

HEX #BA14D0

RGB 186 20 208

HSL 292.98, 0.82%, 0.45%

LAB 46.3, 78.87, -57.44

 

CMYK 0 / 90 / 13 / 18

HEX #D014B4

RGB 208 20 180

HSL 308.94, 0.82%, 0.45%

LAB 48.52, 78.58, -37.39

 

CMYK 33 / 90 / 0 / 48

HEX #590D85

RGB 89 13 133

HSL 278, 0.82%, 0.29%

LAB 24.02, 51.09, -49.31

 

CMYK 33 / 91 / 0 / 33

HEX #7210AB

RGB 114 16 171

HSL 277.94, 0.83%, 0.37%

LAB 31.55, 62.05, -60.17

 

CMYK 33 / 90 / 0 / 18

HEX #8B14D0

RGB 139 20 208

HSL 277.98, 0.82%, 0.45%

LAB 38.8, 72.1, -69.97

 

CMYK 31 / 84 / 0 / 9

HEX #A125E9

RGB 161 37 233

HSL 277.96, 0.82%, 0.53%

LAB 45.34, 76.31, -73.48

 

CMYK 25 / 69 / 0 / 7

HEX #B14AED

RGB 177 74 237

HSL 277.91, 0.82%, 0.61%

LAB 52.24, 67.17, -64.42

 

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

CMYK 0 / 90 / 74 / 18

HEX #D01437

RGB 208 20 55

HSL 348.83, 0.82%, 0.45%

LAB 44.5, 67.72, 33.01

 

CMYK 90 / 0 / 71 / 18

HEX #14D03D

RGB 20 208 61

HSL 133.09, 0.82%, 0.45%

LAB 73.28, -70.19, 58.13

 

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

CMYK 0 / 35 / 90 / 18

HEX #D08814

RGB 208 136 20

HSL 37.02, 0.82%, 0.45%

LAB 62.57, 19.54, 64.72

 

CMYK 90 / 0 / 35 / 18

HEX #14D088

RGB 20 208 136

HSL 157.02, 0.82%, 0.45%

LAB 74.21, -59, 24.06

 

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

CMYK 0 / 90 / 74 / 18

HEX #D01437

RGB 208 20 55

HSL 348.83, 0.82%, 0.45%

LAB 44.5, 67.72, 33.01

 

CMYK 56 / 0 / 90 / 18

HEX #5CD014

RGB 92 208 20

HSL 97.02, 0.82%, 0.45%

LAB 74.47, -60.88, 70.87

 

CMYK 90 / 0 / 16 / 18

HEX #14D0AE

RGB 20 208 174

HSL 169.15, 0.82%, 0.45%

LAB 75.02, -50.09, 4.97

 

CMYK 33 / 90 / 0 / 18

HEX #8C15D1

RGB 140 21 209

HSL 277.98, 0.82%, 0.45%

LAB 39.1, 72.24, -70.06

 

CMYK 0 / 80 / 90 / 18

HEX #D02A14

RGB 208 42 20

HSL 7.02, 0.82%, 0.45%

LAB 45.79, 62.2, 52.41

 

CMYK 56 / 0 / 90 / 18

HEX #5CD014

RGB 92 208 20

HSL 97.02, 0.82%, 0.45%

LAB 74.47, -60.88, 70.87

 

CMYK 90 / 11 / 0 / 18

HEX #14BAD0

RGB 20 186 208

HSL 187.02, 0.82%, 0.45%

LAB 69.34, -30.35, -21.97

 

Description

Color code: HEX #8C15D1 | qconv.com Color code: HEX #8C15D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 21 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 21 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 90 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 90% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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