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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BEF66 it is the complementary color #741099. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BEF66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BEF66 shade: #90EF61, #A1FF74, #B2FF87, #C3FF9A and #D4FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BEF66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BEF66 shade: #8BEF66, #7ADD53, #69CB40, #58B92D and #47A71A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BEF66 shade: #8BEF66, #B0EF66, #D5EF66, #EFE466 and #EFBF66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BEF66 shade: #8BEF66, #66EF66, #66EF8B, #66EFB0 and #66EFD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BEF66 shade matches the following richer shades: #8BEF66 and #85FC59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BEF66 shade: #8BEF66, #91E174, #98D381, #9EC68F and #A4B89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BEF66 shade: #D6EF66, #B1EF66, #8DEF66, #68EF66 and #66EF88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BEF66 shade: #52E71C, #6FEB41, #8BEF66, #A7F28C and #C4F6B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BEF66 shade: #8BEF66, #66EFE3 and #EF66C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BEF66 shade: #8BEF66, #668DEF and #EF668D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BEF66 shade: #8BEF66, #66EFE3, #C866EF and #EF6672

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BEF66 shade: #8BEF66, #66D1EF, #C866EF and #EF8466

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

Complementary color

CMYK 24 / 90 / 0 / 40

HEX #741099

RGB 116 16 153

HSL 283.8, 0.81%, 0.33%

LAB 30.36, 58.69, -51.18

 

CMYK 40 / 0 / 59 / 6

HEX #90EF61

RGB 144 239 97

HSL 100.14, 0.82%, 0.66%

LAB 86.27, -52.49, 58.63

 

CMYK 37 / 0 / 55 / 0

HEX #A1FF74

RGB 161 255 116

HSL 100.58, 1%, 0.73%

LAB 91.85, -51.73, 56.95

 

CMYK 30 / 0 / 47 / 0

HEX #B2FF87

RGB 178 255 135

HSL 98.5, 1%, 0.76%

LAB 92.9, -44.09, 49.7

 

CMYK 24 / 0 / 40 / 0

HEX #C3FF9A

RGB 195 255 154

HSL 95.64, 1%, 0.8%

LAB 94.08, -36.01, 42.28

 

CMYK 17 / 0 / 32 / 0

HEX #D4FFAD

RGB 212 255 173

HSL 91.46, 1%, 0.84%

LAB 95.39, -27.6, 34.81

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 45 / 0 / 62 / 13

HEX #7ADD53

RGB 122 221 83

HSL 103.04, 0.67%, 0.6%

LAB 79.88, -53.4, 57.17

 

CMYK 48 / 0 / 68 / 20

HEX #69CB40

RGB 105 203 64

HSL 102.3, 0.57%, 0.52%

LAB 73.6, -53.09, 57.9

 

CMYK 52 / 0 / 76 / 27

HEX #58B92D

RGB 88 185 45

HSL 101.57, 0.61%, 0.45%

LAB 67.25, -52.55, 58.17

 

CMYK 57 / 0 / 84 / 35

HEX #47A71A

RGB 71 167 26

HSL 100.85, 0.73%, 0.38%

LAB 60.83, -51.64, 57.6

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 26 / 0 / 57 / 6

HEX #B0EF66

RGB 176 239 102

HSL 87.59, 0.81%, 0.67%

LAB 87.93, -41.23, 58.79

 

CMYK 11 / 0 / 57 / 6

HEX #D5EF66

RGB 213 239 102

HSL 71.39, 0.81%, 0.67%

LAB 90.25, -27.37, 62.03

 

CMYK 0 / 5 / 57 / 6

HEX #EFE466

RGB 239 228 102

HSL 55.18, 0.81%, 0.67%

LAB 89.3, -11.69, 61.51

 

CMYK 0 / 20 / 57 / 6

HEX #EFBF66

RGB 239 191 102

HSL 38.98, 0.81%, 0.67%

LAB 79.94, 7.2, 50.77

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 57 / 0 / 57 / 6

HEX #66EF66

RGB 102 239 102

HSL 120, 0.81%, 0.67%

LAB 84.75, -63.53, 54.29

 

CMYK 57 / 0 / 42 / 6

HEX #66EF8B

RGB 102 239 139

HSL 136.2, 0.81%, 0.67%

LAB 85.21, -58.44, 37.39

 

CMYK 57 / 0 / 26 / 6

HEX #66EFB0

RGB 102 239 176

HSL 152.41, 0.81%, 0.67%

LAB 85.85, -51.7, 19.47

 

CMYK 57 / 0 / 11 / 6

HEX #66EFD4

RGB 102 239 212

HSL 168.18, 0.81%, 0.67%

LAB 86.66, -43.68, 1.85

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 47 / 0 / 65 / 1

HEX #85FC59

RGB 133 252 89

HSL 103.8, 0.96%, 0.67%

LAB 89.55, -61.57, 65.42

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 36 / 0 / 48 / 12

HEX #91E174

RGB 145 225 116

HSL 104.04, 0.64%, 0.67%

LAB 82.45, -44.25, 45.47

 

CMYK 28 / 0 / 39 / 17

HEX #98D381

RGB 152 211 129

HSL 103.17, 0.48%, 0.67%

LAB 78.95, -33.95, 34.69

 

CMYK 20 / 0 / 28 / 22

HEX #9EC68F

RGB 158 198 143

HSL 103.64, 0.33%, 0.67%

LAB 75.85, -23.55, 23.34

 

CMYK 11 / 0 / 15 / 28

HEX #A4B89D

RGB 164 184 157

HSL 104.44, 0.16%, 0.67%

LAB 72.63, -11.97, 11.42

 

CMYK 10 / 0 / 57 / 6

HEX #D6EF66

RGB 214 239 102

HSL 70.95, 0.81%, 0.67%

LAB 90.32, -26.98, 62.13

 

CMYK 26 / 0 / 57 / 6

HEX #B1EF66

RGB 177 239 102

HSL 87.15, 0.81%, 0.67%

LAB 87.99, -40.87, 58.87

 

CMYK 41 / 0 / 57 / 6

HEX #8DEF66

RGB 141 239 102

HSL 102.92, 0.81%, 0.67%

LAB 86.18, -52.93, 56.33

 

CMYK 56 / 0 / 57 / 6

HEX #68EF66

RGB 104 239 102

HSL 119.12, 0.81%, 0.67%

LAB 84.81, -63.06, 54.38

 

CMYK 57 / 0 / 43 / 6

HEX #66EF88

RGB 102 239 136

HSL 134.89, 0.81%, 0.67%

LAB 85.17, -58.92, 38.81

 

CMYK 65 / 0 / 88 / 9

HEX #52E71C

RGB 82 231 28

HSL 104.04, 0.81%, 0.51%

LAB 81.31, -70.64, 75.22

 

CMYK 53 / 0 / 72 / 8

HEX #6FEB41

RGB 111 235 65

HSL 103.76, 0.81%, 0.59%

LAB 83.54, -63.24, 67.79

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 31 / 0 / 42 / 5

HEX #A7F28C

RGB 167 242 140

HSL 104.12, 0.8%, 0.75%

LAB 88.74, -41.42, 41.96

 

CMYK 20 / 0 / 28 / 4

HEX #C4F6B1

RGB 196 246 177

HSL 103.48, 0.79%, 0.83%

LAB 92.05, -28.28, 28.14

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 57 / 0 / 5 / 6

HEX #66EFE3

RGB 102 239 227

HSL 174.74, 0.81%, 0.67%

LAB 87.05, -39.98, -5.44

 

CMYK 0 / 57 / 18 / 6

HEX #EF66C3

RGB 239 102 195

HSL 319.27, 0.81%, 0.67%

LAB 63.17, 62.9, -22.89

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 57 / 41 / 0 / 6

HEX #668DEF

RGB 102 141 239

HSL 222.92, 0.81%, 0.67%

LAB 59.98, 15.11, -53.49

 

CMYK 0 / 57 / 41 / 6

HEX #EF668D

RGB 239 102 141

HSL 342.92, 0.81%, 0.67%

LAB 61.46, 56.26, 5.52

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 57 / 0 / 5 / 6

HEX #66EFE3

RGB 102 239 227

HSL 174.74, 0.81%, 0.67%

LAB 87.05, -39.98, -5.44

 

CMYK 16 / 57 / 0 / 6

HEX #C866EF

RGB 200 102 239

HSL 282.92, 0.81%, 0.67%

LAB 59.9, 60.07, -53.1

 

CMYK 0 / 57 / 52 / 6

HEX #EF6672

RGB 239 102 114

HSL 354.74, 0.81%, 0.67%

LAB 60.84, 53.76, 20.25

 

CMYK 42 / 0 / 57 / 6

HEX #8BEF66

RGB 139 239 102

HSL 103.8, 0.81%, 0.67%

LAB 86.1, -53.54, 56.2

 

CMYK 57 / 13 / 0 / 6

HEX #66D1EF

RGB 102 209 239

HSL 193.14, 0.81%, 0.67%

LAB 78.84, -22.43, -24.1

 

CMYK 16 / 57 / 0 / 6

HEX #C866EF

RGB 200 102 239

HSL 282.92, 0.81%, 0.67%

LAB 59.9, 60.07, -53.1

 

CMYK 0 / 45 / 57 / 6

HEX #EF8466

RGB 239 132 102

HSL 13.14, 0.81%, 0.67%

LAB 66.38, 38.19, 34.24

 

Description

Color code: HEX #8BEF66 | qconv.com Color code: HEX #8BEF66 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 239 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 239 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 57 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 57% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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