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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BE6C6 it is the complementary color #741939. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BE6C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BE6C6 shade: #90E6C1, #A1F8D4, #B2FFE7, #C3FFFA and #D4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BE6C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BE6C6 shade: #8BE6C6, #7AD4B3, #69C2A0, #58B08D and #479E7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BE6C6 shade: #89E6C5, #89E6AC, #89E693, #98E689 and #B1E689

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BE6C6 shade: #89E6C5, #89E6DE, #89D4E6, #89BBE6 and #89A2E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BE6C6 shade matches the following richer shades: #89E6C5, #7DF1C8 and #72FDCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BE6C6 shade: #89E6C5, #94DAC1, #A0CEBE, #ABC3BB and #B7B7B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BE6C6 shade: #89E692, #89E6AB, #89E6C3, #89E6DC and #89D6E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BE6C6 shade: #45D7A4, #67DEB4, #89E6C5, #ABEDD6 and #CDF4E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BE6C6 shade: #8BE6C6, #8998E6 and #E69E89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BE6C6 shade: #8BE6C6, #C389E6 and #E6C389

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BE6C6 shade: #8BE6C6, #8998E6, #E689AB and #E6D689

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BE6C6 shade: #8BE6C6, #9589E6, #E689AB and #D9E689

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

Complementary color

CMYK 0 / 78 / 51 / 55

HEX #741939

RGB 116 25 57

HSL 338.9, 0.65%, 0.28%

LAB 25.87, 41.24, 3.87

 

CMYK 37 / 0 / 16 / 10

HEX #90E6C1

RGB 144 230 193

HSL 154.19, 0.63%, 0.73%

LAB 85.19, -34.08, 9.89

 

CMYK 35 / 0 / 15 / 3

HEX #A1F8D4

RGB 161 248 212

HSL 155.17, 0.86%, 0.8%

LAB 91.44, -33.85, 9.05

 

CMYK 30 / 0 / 9 / 0

HEX #B2FFE7

RGB 178 255 231

HSL 161.3, 1%, 0.85%

LAB 94.63, -28.49, 3.94

 

CMYK 24 / 0 / 2 / 0

HEX #C3FFFA

RGB 195 255 250

HSL 175, 1%, 0.88%

LAB 96.01, -19.68, -3.75

 

CMYK 17 / 0 / 0 / 0

HEX #D4FFFF

RGB 212 255 255

HSL 180, 1%, 0.92%

LAB 97.12, -13.62, -4.57

 

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

CMYK 42 / 0 / 16 / 17

HEX #7AD4B3

RGB 122 212 179

HSL 158, 0.51%, 0.65%

LAB 78.74, -34.59, 7.95

 

CMYK 46 / 0 / 18 / 24

HEX #69C2A0

RGB 105 194 160

HSL 157.08, 0.42%, 0.59%

LAB 72.31, -34.78, 8.88

 

CMYK 50 / 0 / 20 / 31

HEX #58B08D

RGB 88 176 141

HSL 156.14, 0.36%, 0.52%

LAB 65.79, -34.94, 9.89

 

CMYK 55 / 0 / 23 / 38

HEX #479E7A

RGB 71 158 122

HSL 155.17, 0.38%, 0.45%

LAB 59.16, -35.04, 11

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C5

RGB 137 230 197

HSL 158.71, 0.65%, 0.72%

LAB 84.97, -35.13, 7.44

 

CMYK 40 / 0 / 25 / 10

HEX #89E6AC

RGB 137 230 172

HSL 142.58, 0.65%, 0.72%

LAB 84.43, -40.14, 19.75

 

CMYK 40 / 0 / 36 / 10

HEX #89E693

RGB 137 230 147

HSL 126.45, 0.65%, 0.72%

LAB 83.98, -44.49, 32

 

CMYK 34 / 0 / 40 / 10

HEX #98E689

RGB 152 230 137

HSL 110.32, 0.65%, 0.72%

LAB 84.52, -41.4, 37.87

 

CMYK 23 / 0 / 40 / 10

HEX #B1E689

RGB 177 230 137

HSL 94.19, 0.65%, 0.72%

LAB 85.88, -32.99, 39.89

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C5

RGB 137 230 197

HSL 158.71, 0.65%, 0.72%

LAB 84.97, -35.13, 7.44

 

CMYK 40 / 0 / 3 / 10

HEX #89E6DE

RGB 137 230 222

HSL 174.84, 0.65%, 0.72%

LAB 85.6, -29.51, -4.81

 

CMYK 40 / 8 / 0 / 10

HEX #89D4E6

RGB 137 212 230

HSL 191.61, 0.65%, 0.72%

LAB 80.8, -18.69, -16.19

 

CMYK 40 / 19 / 0 / 10

HEX #89BBE6

RGB 137 187 230

HSL 207.74, 0.65%, 0.72%

LAB 73.92, -5.61, -26.65

 

CMYK 40 / 30 / 0 / 10

HEX #89A2E6

RGB 137 162 230

HSL 223.87, 0.65%, 0.72%

LAB 67.18, 8.25, -37.06

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C5

RGB 137 230 197

HSL 158.71, 0.65%, 0.72%

LAB 84.97, -35.13, 7.44

 

CMYK 48 / 0 / 17 / 5

HEX #7DF1C8

RGB 125 241 200

HSL 158.79, 0.81%, 0.72%

LAB 87.7, -42.44, 9.72

 

CMYK 55 / 0 / 19 / 1

HEX #72FDCC

RGB 114 253 204

HSL 158.85, 0.97%, 0.72%

LAB 90.87, -49.18, 12.11

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C5

RGB 137 230 197

HSL 158.71, 0.65%, 0.72%

LAB 84.97, -35.13, 7.44

 

CMYK 32 / 0 / 11 / 15

HEX #94DAC1

RGB 148 218 193

HSL 158.57, 0.49%, 0.72%

LAB 82, -27.26, 5.34

 

CMYK 22 / 0 / 8 / 19

HEX #A0CEBE

RGB 160 206 190

HSL 159.13, 0.32%, 0.72%

LAB 79.23, -18.32, 3.03

 

CMYK 12 / 0 / 4 / 24

HEX #ABC3BB

RGB 171 195 187

HSL 160, 0.17%, 0.72%

LAB 76.85, -9.7, 1.26

 

CMYK 0 / 0 / 0 / 28

HEX #B7B7B7

RGB 183 183 183

HSL 0, 0%, 0.72%

LAB 74.42, 0, -0.01

 

CMYK 40 / 0 / 37 / 10

HEX #89E692

RGB 137 230 146

HSL 125.81, 0.65%, 0.72%

LAB 83.96, -44.65, 32.48

 

CMYK 40 / 0 / 26 / 10

HEX #89E6AB

RGB 137 230 171

HSL 141.94, 0.65%, 0.72%

LAB 84.41, -40.33, 20.25

 

CMYK 40 / 0 / 15 / 10

HEX #89E6C3

RGB 137 230 195

HSL 157.42, 0.65%, 0.72%

LAB 84.92, -35.55, 8.42

 

CMYK 40 / 0 / 4 / 10

HEX #89E6DC

RGB 137 230 220

HSL 173.55, 0.65%, 0.72%

LAB 85.54, -29.98, -3.83

 

CMYK 40 / 7 / 0 / 10

HEX #89D6E6

RGB 137 214 230

HSL 190.32, 0.65%, 0.72%

LAB 81.36, -19.7, -15.36

 

CMYK 68 / 0 / 24 / 16

HEX #45D7A4

RGB 69 215 164

HSL 159.04, 0.65%, 0.56%

LAB 77.61, -50.44, 14.09

 

CMYK 54 / 0 / 19 / 13

HEX #67DEB4

RGB 103 222 180

HSL 158.82, 0.64%, 0.64%

LAB 80.97, -43.44, 10.51

 

CMYK 40 / 0 / 14 / 10

HEX #89E6C5

RGB 137 230 197

HSL 158.71, 0.65%, 0.72%

LAB 84.97, -35.13, 7.44

 

CMYK 28 / 0 / 10 / 7

HEX #ABEDD6

RGB 171 237 214

HSL 159.09, 0.65%, 0.8%

LAB 88.96, -25.38, 4.5

 

CMYK 16 / 0 / 6 / 4

HEX #CDF4E6

RGB 205 244 230

HSL 158.46, 0.64%, 0.88%

LAB 93.19, -15.24, 2.54

 

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

CMYK 40 / 34 / 0 / 10

HEX #8998E6

RGB 137 152 230

HSL 230.32, 0.65%, 0.72%

LAB 64.55, 13.97, -41.16

 

CMYK 0 / 31 / 40 / 10

HEX #E69E89

RGB 230 158 137

HSL 13.55, 0.65%, 0.72%

LAB 71.61, 24.31, 21.81

 

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

CMYK 15 / 40 / 0 / 10

HEX #C389E6

RGB 195 137 230

HSL 277.42, 0.65%, 0.72%

LAB 65.91, 38.75, -38.68

 

CMYK 0 / 15 / 40 / 10

HEX #E6C389

RGB 230 195 137

HSL 37.42, 0.65%, 0.72%

LAB 80.55, 4.66, 33.76

 

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

CMYK 40 / 34 / 0 / 10

HEX #8998E6

RGB 137 152 230

HSL 230.32, 0.65%, 0.72%

LAB 64.55, 13.97, -41.16

 

CMYK 0 / 40 / 26 / 10

HEX #E689AB

RGB 230 137 171

HSL 338.06, 0.65%, 0.72%

LAB 67.77, 39.67, -2.56

 

CMYK 0 / 7 / 40 / 10

HEX #E6D689

RGB 230 214 137

HSL 49.68, 0.65%, 0.72%

LAB 85.36, -5.16, 39.99

 

CMYK 40 / 0 / 14 / 10

HEX #8BE6C6

RGB 139 230 198

HSL 158.9, 0.65%, 0.72%

LAB 85.08, -34.39, 7.08

 

CMYK 35 / 40 / 0 / 10

HEX #9589E6

RGB 149 137 230

HSL 247.74, 0.65%, 0.72%

LAB 61.65, 25.8, -45.67

 

CMYK 0 / 40 / 26 / 10

HEX #E689AB

RGB 230 137 171

HSL 338.06, 0.65%, 0.72%

LAB 67.77, 39.67, -2.56

 

CMYK 6 / 0 / 40 / 10

HEX #D9E689

RGB 217 230 137

HSL 68.39, 0.65%, 0.72%

LAB 88.52, -18.22, 43.79

 

Description

Color code: HEX #8BE6C6 | qconv.com Color code: HEX #8BE6C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 230 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 230 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 14 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 14% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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