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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BDB8C it is the complementary color #742473. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BDB8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BDB8C shade: #90DB87, #A1ED9A, #B2FFAD, #C3FFC0 and #D4FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BDB8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BDB8C shade: #8BDB8C, #7AC979, #69B766, #58A553 and #479340

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BDB8C shade: #89DB8A, #9EDB89, #B4DB89, #CADB89 and #DBD589

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BDB8C shade: #89DB8A, #89DBA0, #89DBB6, #89DBCC and #89D3DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BDB8C shade matches the following richer shades: #89DB8A, #7DE77E and #71F372

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BDB8C shade: #89DB8A, #96CE97, #A2C2A3, #AFB5AF and #BBA9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BDB8C shade: #B5DB89, #9FDB89, #89DB89, #89DB9F and #89DBB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BDB8C shade: #4AC74C, #6AD16B, #89DB8A, #A9E4AA and #C9EEC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BDB8C shade: #8BDB8C, #89CADB and #DB89AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BDB8C shade: #8BDB8C, #8989DB and #DB8989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BDB8C shade: #8BDB8C, #89CADB, #DB89DB and #DB9A89

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BDB8C shade: #8BDB8C, #89B2DB, #DB89DB and #DBB289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

Complementary color

CMYK 0 / 69 / 1 / 55

HEX #742473

RGB 116 36 115

HSL 300.75, 0.53%, 0.3%

LAB 29.94, 45.1, -28.15

 

CMYK 34 / 0 / 38 / 14

HEX #90DB87

RGB 144 219 135

HSL 113.57, 0.54%, 0.69%

LAB 80.93, -39.37, 34.13

 

CMYK 32 / 0 / 35 / 7

HEX #A1ED9A

RGB 161 237 154

HSL 114.94, 0.7%, 0.77%

LAB 87.23, -39.15, 32.98

 

CMYK 30 / 0 / 32 / 0

HEX #B2FFAD

RGB 178 255 173

HSL 116.34, 1%, 0.84%

LAB 93.45, -38.93, 31.88

 

CMYK 24 / 0 / 25 / 0

HEX #C3FFC0

RGB 195 255 192

HSL 117.14, 1%, 0.88%

LAB 94.71, -30.48, 24.15

 

CMYK 17 / 0 / 17 / 0

HEX #D4FFD3

RGB 212 255 211

HSL 118.64, 1%, 0.91%

LAB 96.09, -21.78, 16.54

 

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

CMYK 39 / 0 / 40 / 21

HEX #7AC979

RGB 122 201 121

HSL 119.25, 0.43%, 0.63%

LAB 74.38, -40.4, 32.52

 

CMYK 43 / 0 / 44 / 28

HEX #69B766

RGB 105 183 102

HSL 117.78, 0.36%, 0.56%

LAB 67.89, -40.59, 33.78

 

CMYK 47 / 0 / 50 / 35

HEX #58A553

RGB 88 165 83

HSL 116.34, 0.33%, 0.49%

LAB 61.32, -40.69, 35.09

 

CMYK 52 / 0 / 56 / 42

HEX #479340

RGB 71 147 64

HSL 114.94, 0.39%, 0.41%

LAB 54.63, -40.67, 36.4

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 28 / 0 / 37 / 14

HEX #9EDB89

RGB 158 219 137

HSL 104.63, 0.53%, 0.7%

LAB 81.7, -34.47, 34.26

 

CMYK 18 / 0 / 37 / 14

HEX #B4DB89

RGB 180 219 137

HSL 88.54, 0.53%, 0.7%

LAB 83.01, -26.73, 36.22

 

CMYK 8 / 0 / 37 / 14

HEX #CADB89

RGB 202 219 137

HSL 72.44, 0.53%, 0.7%

LAB 84.5, -18.54, 38.44

 

CMYK 0 / 3 / 37 / 14

HEX #DBD589

RGB 219 213 137

HSL 55.61, 0.53%, 0.7%

LAB 84.2, -8.97, 38.32

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 37 / 0 / 27 / 14

HEX #89DBA0

RGB 137 219 160

HSL 136.83, 0.53%, 0.7%

LAB 81.03, -37.4, 21.31

 

CMYK 37 / 0 / 17 / 14

HEX #89DBB6

RGB 137 219 182

HSL 152.93, 0.53%, 0.7%

LAB 81.49, -33.15, 10.37

 

CMYK 37 / 0 / 7 / 14

HEX #89DBCC

RGB 137 219 204

HSL 169.02, 0.53%, 0.7%

LAB 82.02, -28.4, -0.53

 

CMYK 37 / 4 / 0 / 14

HEX #89D3DB

RGB 137 211 219

HSL 185.85, 0.53%, 0.7%

LAB 80.19, -20.93, -11.24

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 46 / 0 / 45 / 9

HEX #7DE77E

RGB 125 231 126

HSL 120.57, 0.69%, 0.7%

LAB 83.45, -51.5, 41.69

 

CMYK 53 / 0 / 53 / 5

HEX #71F372

RGB 113 243 114

HSL 120.46, 0.84%, 0.7%

LAB 86.42, -60.93, 50.94

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 27 / 0 / 27 / 19

HEX #96CE97

RGB 150 206 151

HSL 121.07, 0.36%, 0.7%

LAB 77.79, -28.85, 21.69

 

CMYK 16 / 0 / 16 / 24

HEX #A2C2A3

RGB 162 194 163

HSL 121.88, 0.21%, 0.7%

LAB 75.39, -16.76, 12.06

 

CMYK 3 / 0 / 3 / 29

HEX #AFB5AF

RGB 175 181 175

HSL 120, 0.04%, 0.7%

LAB 73.06, -3.22, 2.31

 

CMYK 0 / 10 / 0 / 27

HEX #BBA9BB

RGB 187 169 187

HSL 300, 0.12%, 0.7%

LAB 71.23, 9.76, -6.85

 

CMYK 17 / 0 / 37 / 14

HEX #B5DB89

RGB 181 219 137

HSL 87.8, 0.53%, 0.7%

LAB 83.07, -26.37, 36.31

 

CMYK 27 / 0 / 37 / 14

HEX #9FDB89

RGB 159 219 137

HSL 103.9, 0.53%, 0.7%

LAB 81.75, -34.13, 34.34

 

CMYK 37 / 0 / 37 / 14

HEX #89DB89

RGB 137 219 137

HSL 120, 0.53%, 0.7%

LAB 80.62, -41.26, 32.65

 

CMYK 37 / 0 / 27 / 14

HEX #89DB9F

RGB 137 219 159

HSL 136.1, 0.53%, 0.7%

LAB 81.01, -37.58, 21.8

 

CMYK 37 / 0 / 17 / 14

HEX #89DBB5

RGB 137 219 181

HSL 152.2, 0.53%, 0.7%

LAB 81.47, -33.36, 10.87

 

CMYK 63 / 0 / 62 / 22

HEX #4AC74C

RGB 74 199 76

HSL 120.96, 0.53%, 0.54%

LAB 71.44, -58.44, 50.27

 

CMYK 49 / 0 / 49 / 18

HEX #6AD16B

RGB 106 209 107

HSL 120.58, 0.53%, 0.62%

LAB 75.9, -50.48, 41.35

 

CMYK 37 / 0 / 37 / 14

HEX #89DB8A

RGB 137 219 138

HSL 120.73, 0.53%, 0.7%

LAB 80.64, -41.11, 32.16

 

CMYK 26 / 0 / 25 / 11

HEX #A9E4AA

RGB 169 228 170

HSL 121.02, 0.52%, 0.78%

LAB 85.42, -29.88, 22.4

 

CMYK 16 / 0 / 16 / 7

HEX #C9EEC9

RGB 201 238 201

HSL 120, 0.52%, 0.86%

LAB 90.68, -18.85, 13.96

 

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

CMYK 37 / 8 / 0 / 14

HEX #89CADB

RGB 137 202 219

HSL 192.44, 0.53%, 0.7%

LAB 77.68, -16.36, -14.99

 

CMYK 0 / 37 / 22 / 14

HEX #DB89AA

RGB 219 137 170

HSL 335.85, 0.53%, 0.7%

LAB 66.41, 35.68, -4.15

 

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

CMYK 37 / 37 / 0 / 14

HEX #8989DB

RGB 137 137 219

HSL 240, 0.53%, 0.7%

LAB 60.18, 19.65, -41.92

 

CMYK 0 / 37 / 37 / 14

HEX #DB8989

RGB 219 137 137

HSL 0, 0.53%, 0.7%

LAB 65.56, 31.32, 13.25

 

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

CMYK 37 / 8 / 0 / 14

HEX #89CADB

RGB 137 202 219

HSL 192.44, 0.53%, 0.7%

LAB 77.68, -16.36, -14.99

 

CMYK 0 / 37 / 0 / 14

HEX #DB89DB

RGB 219 137 219

HSL 300, 0.53%, 0.7%

LAB 68.07, 43.79, -29.04

 

CMYK 0 / 30 / 37 / 14

HEX #DB9A89

RGB 219 154 137

HSL 12.44, 0.53%, 0.7%

LAB 69.45, 22.18, 18.66

 

CMYK 37 / 0 / 36 / 14

HEX #8BDB8C

RGB 139 219 140

HSL 120.75, 0.53%, 0.7%

LAB 80.76, -40.18, 31.32

 

CMYK 37 / 19 / 0 / 14

HEX #89B2DB

RGB 137 178 219

HSL 210, 0.53%, 0.7%

LAB 71.06, -3.64, -25.04

 

CMYK 0 / 37 / 0 / 14

HEX #DB89DB

RGB 219 137 219

HSL 300, 0.53%, 0.7%

LAB 68.07, 43.79, -29.04

 

CMYK 0 / 19 / 37 / 14

HEX #DBB289

RGB 219 178 137

HSL 30, 0.53%, 0.7%

LAB 75.27, 9.28, 26.57

 

Description

Color code: HEX #8BDB8C | qconv.com Color code: HEX #8BDB8C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 219 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 219 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 36 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 36% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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