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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8BA602 it is the complementary color #7459FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8BA602. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8BA602 shade: #90A600, #A1B810, #B2CA23, #C3DC36 and #D4EE49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8BA602. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8BA602 shade: #8BA602, #7A9400, #698200, #587000 and #475E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8BA602 shade: #8BA601, #A69501, #A66801, #A63C01 and #A60F01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8BA602 shade: #8BA601, #5EA601, #32A601, #06A601 and #01A629

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8BA602 shade matches the following richer shades: #8BA601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8BA602 shade: #8BA601, #82990F, #798B1C, #707D2A and #667038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8BA602 shade: #A66701, #A69301, #8DA601, #61A601 and #35A601

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8BA602 shade: #475400, #697D01, #8BA601, #ADCF02 and #CFF802

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8BA602 shade: #8BA602, #01A63B and #7D01A6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8BA602 shade: #8BA602, #018DA6 and #A6018D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8BA602 shade: #8BA602, #01A63B, #1A01A6 and #A6016C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8BA602 shade: #8BA602, #01A66C, #1A01A6 and #A6013B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

Complementary color

CMYK 54 / 65 / 0 / 1

HEX #7459FD

RGB 116 89 253

HSL 249.88, 0.98%, 0.67%

LAB 49.43, 52.63, -78.22

 

CMYK 13 / 0 / 100 / 35

HEX #90A600

RGB 144 166 0

HSL 67.95, 1%, 0.33%

LAB 64.32, -25.28, 66.47

 

CMYK 13 / 0 / 91 / 28

HEX #A1B810

RGB 161 184 16

HSL 68.21, 0.84%, 0.39%

LAB 70.8, -26.54, 69.94

 

CMYK 12 / 0 / 83 / 21

HEX #B2CA23

RGB 178 202 35

HSL 68.62, 0.7%, 0.46%

LAB 77.18, -27.61, 71.95

 

CMYK 11 / 0 / 75 / 14

HEX #C3DC36

RGB 195 220 54

HSL 69.04, 0.7%, 0.54%

LAB 83.47, -28.48, 72.79

 

CMYK 11 / 0 / 69 / 7

HEX #D4EE49

RGB 212 238 73

HSL 69.45, 0.83%, 0.61%

LAB 89.69, -29.19, 72.87

 

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

CMYK 18 / 0 / 100 / 42

HEX #7A9400

RGB 122 148 0

HSL 70.54, 1%, 0.29%

LAB 57.38, -25.94, 60.56

 

CMYK 19 / 0 / 100 / 49

HEX #698200

RGB 105 130 0

HSL 71.54, 1%, 0.25%

LAB 50.65, -24.44, 54.96

 

CMYK 21 / 0 / 100 / 56

HEX #587000

RGB 88 112 0

HSL 72.86, 1%, 0.22%

LAB 43.75, -22.92, 49.21

 

CMYK 24 / 0 / 100 / 63

HEX #475E00

RGB 71 94 0

HSL 74.68, 1%, 0.18%

LAB 36.64, -21.37, 43.29

 

CMYK 16 / 0 / 99 / 35

HEX #8BA601

RGB 139 166 1

HSL 69.82, 0.99%, 0.33%

LAB 63.97, -27.4, 65.91

 

CMYK 0 / 10 / 99 / 35

HEX #A69501

RGB 166 149 1

HSL 53.82, 0.99%, 0.33%

LAB 61.31, -6.68, 64.94

 

CMYK 0 / 37 / 99 / 35

HEX #A66801

RGB 166 104 1

HSL 37.45, 0.99%, 0.33%

LAB 49.51, 18.37, 56.75

 

CMYK 0 / 64 / 99 / 35

HEX #A63C01

RGB 166 60 1

HSL 21.45, 0.99%, 0.33%

LAB 40.15, 41.6, 51.06

 

CMYK 0 / 91 / 99 / 35

HEX #A60F01

RGB 166 15 1

HSL 5.09, 0.99%, 0.33%

LAB 34.9, 56.1, 48.43

 

CMYK 16 / 0 / 99 / 35

HEX #8BA601

RGB 139 166 1

HSL 69.82, 0.99%, 0.33%

LAB 63.97, -27.4, 65.91

 

CMYK 43 / 0 / 99 / 35

HEX #5EA601

RGB 94 166 1

HSL 86.18, 0.99%, 0.33%

LAB 61.35, -44.93, 62.77

 

CMYK 70 / 0 / 99 / 35

HEX #32A601

RGB 50 166 1

HSL 102.18, 0.99%, 0.33%

LAB 59.85, -56.98, 60.93

 

CMYK 96 / 0 / 99 / 35

HEX #06A601

RGB 6 166 1

HSL 118.18, 0.99%, 0.33%

LAB 59.26, -62.14, 60.22

 

CMYK 99 / 0 / 75 / 35

HEX #01A629

RGB 1 166 41

HSL 134.55, 0.99%, 0.33%

LAB 59.38, -60.54, 51.19

 

CMYK 16 / 0 / 99 / 35

HEX #8BA601

RGB 139 166 1

HSL 69.82, 0.99%, 0.33%

LAB 63.97, -27.4, 65.91

 

CMYK 16 / 0 / 99 / 35

HEX #8BA601

RGB 139 166 1

HSL 69.82, 0.99%, 0.33%

LAB 63.97, -27.4, 65.91

 

CMYK 15 / 0 / 90 / 40

HEX #82990F

RGB 130 153 15

HSL 70, 0.82%, 0.33%

LAB 59.49, -24.65, 60.09

 

CMYK 13 / 0 / 80 / 45

HEX #798B1C

RGB 121 139 28

HSL 69.73, 0.66%, 0.33%

LAB 54.67, -21.11, 52.44

 

CMYK 10 / 0 / 66 / 51

HEX #707D2A

RGB 112 125 42

HSL 69.4, 0.5%, 0.33%

LAB 49.83, -17.01, 42.09

 

CMYK 9 / 0 / 50 / 56

HEX #667038

RGB 102 112 56

HSL 70.71, 0.33%, 0.33%

LAB 45.22, -13.13, 29.67

 

CMYK 0 / 38 / 99 / 35

HEX #A66701

RGB 166 103 1

HSL 37.09, 0.99%, 0.33%

LAB 49.26, 18.94, 56.59

 

CMYK 0 / 11 / 99 / 35

HEX #A69301

RGB 166 147 1

HSL 53.09, 0.99%, 0.33%

LAB 60.76, -5.61, 64.54

 

CMYK 15 / 0 / 99 / 35

HEX #8DA601

RGB 141 166 1

HSL 69.09, 0.99%, 0.33%

LAB 64.11, -26.55, 66.08

 

CMYK 42 / 0 / 99 / 35

HEX #61A601

RGB 97 166 1

HSL 85.09, 0.99%, 0.33%

LAB 61.5, -43.89, 62.94

 

CMYK 68 / 0 / 99 / 35

HEX #35A601

RGB 53 166 1

HSL 101.09, 0.99%, 0.33%

LAB 59.92, -56.37, 61.02

 

CMYK 15 / 0 / 100 / 67

HEX #475400

RGB 71 84 0

HSL 69.29, 1%, 0.16%

LAB 33.31, -16.04, 40.77

 

CMYK 16 / 0 / 99 / 51

HEX #697D01

RGB 105 125 1

HSL 69.68, 0.98%, 0.25%

LAB 49.1, -21.89, 53.58

 

CMYK 16 / 0 / 99 / 35

HEX #8BA601

RGB 139 166 1

HSL 69.82, 0.99%, 0.33%

LAB 63.97, -27.4, 65.91

 

CMYK 16 / 0 / 99 / 19

HEX #ADCF02

RGB 173 207 2

HSL 69.95, 0.98%, 0.41%

LAB 78.18, -32.63, 77.57

 

CMYK 17 / 0 / 99 / 3

HEX #CFF802

RGB 207 248 2

HSL 70, 0.98%, 0.49%

LAB 91.87, -37.67, 88.9

 

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

CMYK 99 / 0 / 64 / 35

HEX #01A63B

RGB 1 166 59

HSL 141.09, 0.99%, 0.33%

LAB 59.52, -58.74, 44.06

 

CMYK 25 / 99 / 0 / 35

HEX #7D01A6

RGB 125 1 166

HSL 285.09, 0.99%, 0.33%

LAB 32.11, 64.92, -56.17

 

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

CMYK 99 / 15 / 0 / 35

HEX #018DA6

RGB 1 141 166

HSL 189.09, 0.99%, 0.33%

LAB 53.82, -22.49, -22.16

 

CMYK 0 / 99 / 15 / 35

HEX #A6018D

RGB 166 1 141

HSL 309.09, 0.99%, 0.33%

LAB 37.94, 67.59, -31.18

 

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

CMYK 99 / 0 / 64 / 35

HEX #01A63B

RGB 1 166 59

HSL 141.09, 0.99%, 0.33%

LAB 59.52, -58.74, 44.06

 

CMYK 84 / 99 / 0 / 35

HEX #1A01A6

RGB 26 1 166

HSL 249.09, 0.99%, 0.33%

LAB 20.02, 57.46, -76.53

 

CMYK 0 / 99 / 35 / 35

HEX #A6016C

RGB 166 1 108

HSL 321.09, 0.99%, 0.33%

LAB 36.39, 63.66, -12.95

 

CMYK 16 / 0 / 99 / 35

HEX #8BA602

RGB 139 166 2

HSL 69.88, 0.98%, 0.33%

LAB 63.97, -27.38, 65.78

 

CMYK 99 / 0 / 35 / 35

HEX #01A66C

RGB 1 166 108

HSL 158.91, 0.99%, 0.33%

LAB 60.21, -50.4, 20.04

 

CMYK 84 / 99 / 0 / 35

HEX #1A01A6

RGB 26 1 166

HSL 249.09, 0.99%, 0.33%

LAB 20.02, 57.46, -76.53

 

CMYK 0 / 99 / 64 / 35

HEX #A6013B

RGB 166 1 59

HSL 338.91, 0.99%, 0.33%

LAB 34.89, 59.71, 16.62

 

Description

Color code: HEX #8BA602 | qconv.com Color code: HEX #8BA602 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 166 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 166 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 99 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 99% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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