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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B90F8 it is the complementary color #746F07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B90F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B90F8 shade: #9090F3, #A1A2FF, #B2B4FF, #C3C6FF and #D4D8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B90F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B90F8 shade: #8B90F8, #7A7EE5, #696CD2, #585ABF and #4748AC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B90F8 shade: #8B90F8, #A38BF8, #C18BF8, #DE8BF8 and #F88BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B90F8 shade: #8B90F8 and #8B8BF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B90F8 shade matches the following richer shades: #8B90F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B90F8 shade: #8B90F8, #9599EE, #9FA2E4, #A9ABDA and #B2B4D0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B90F8 shade: #8BCAF8, #8BADF8, #8B90F8, #A28BF8 and #BF8BF8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B90F8 shade: #3D45F3, #646BF5, #8B90F8, #B2B5FA and #D9DAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B90F8 shade: #8B90F8, #F88BE7 and #BCF88B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B90F8 shade: #8B90F8, #F88B90 and #90F88B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B90F8 shade: #8B90F8, #F88BE7, #F8F28B and #8BF89B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B90F8 shade: #8B90F8, #F88BC7, #F8F28B and #8BF8BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

Complementary color

CMYK 0 / 4 / 94 / 55

HEX #746F07

RGB 116 111 7

HSL 57.25, 0.89%, 0.24%

LAB 45.77, -9.12, 50.16

 

CMYK 41 / 41 / 0 / 5

HEX #9090F3

RGB 144 144 243

HSL 240, 0.8%, 0.76%

LAB 63.63, 23.99, -49.75

 

CMYK 37 / 36 / 0 / 0

HEX #A1A2FF

RGB 161 162 255

HSL 239.36, 1%, 0.82%

LAB 69.92, 21.27, -46.29

 

CMYK 30 / 29 / 0 / 0

HEX #B2B4FF

RGB 178 180 255

HSL 238.44, 1%, 0.85%

LAB 75.65, 15.78, -37.25

 

CMYK 24 / 22 / 0 / 0

HEX #C3C6FF

RGB 195 198 255

HSL 237, 1%, 0.88%

LAB 81.41, 10.84, -28.28

 

CMYK 17 / 15 / 0 / 0

HEX #D4D8FF

RGB 212 216 255

HSL 234.42, 1%, 0.92%

LAB 87.16, 6.36, -19.42

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 47 / 45 / 0 / 10

HEX #7A7EE5

RGB 122 126 229

HSL 237.76, 0.67%, 0.69%

LAB 56.8, 25.24, -52.93

 

CMYK 50 / 49 / 0 / 18

HEX #696CD2

RGB 105 108 210

HSL 238.29, 0.54%, 0.62%

LAB 49.96, 26.48, -53.22

 

CMYK 54 / 53 / 0 / 25

HEX #585ABF

RGB 88 90 191

HSL 238.83, 0.45%, 0.55%

LAB 42.99, 27.93, -53.55

 

CMYK 59 / 58 / 0 / 33

HEX #4748AC

RGB 71 72 172

HSL 239.41, 0.42%, 0.48%

LAB 35.89, 29.65, -53.89

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 34 / 44 / 0 / 3

HEX #A38BF8

RGB 163 139 248

HSL 253.21, 0.89%, 0.76%

LAB 64.18, 33.03, -51.52

 

CMYK 22 / 44 / 0 / 3

HEX #C18BF8

RGB 193 139 248

HSL 269.72, 0.89%, 0.76%

LAB 66.96, 41.05, -46.95

 

CMYK 10 / 44 / 0 / 3

HEX #DE8BF8

RGB 222 139 248

HSL 285.69, 0.89%, 0.76%

LAB 70.02, 49.16, -41.94

 

CMYK 0 / 44 / 2 / 3

HEX #F88BF4

RGB 248 139 244

HSL 302.2, 0.89%, 0.76%

LAB 72.86, 55.85, -35.1

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 44 / 44 / 0 / 3

HEX #8B8BF8

RGB 139 139 248

HSL 240, 0.89%, 0.76%

LAB 62.28, 27.09, -54.66

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 37 / 36 / 0 / 7

HEX #9599EE

RGB 149 153 238

HSL 237.3, 0.72%, 0.76%

LAB 66.02, 18.72, -43.21

 

CMYK 30 / 29 / 0 / 11

HEX #9FA2E4

RGB 159 162 228

HSL 237.39, 0.56%, 0.76%

LAB 68.62, 13.75, -33.61

 

CMYK 22 / 22 / 0 / 15

HEX #A9ABDA

RGB 169 171 218

HSL 237.55, 0.4%, 0.76%

LAB 71.3, 9.27, -23.94

 

CMYK 14 / 13 / 0 / 18

HEX #B2B4D0

RGB 178 180 208

HSL 236, 0.24%, 0.76%

LAB 73.97, 4.94, -14.35

 

CMYK 44 / 19 / 0 / 3

HEX #8BCAF8

RGB 139 202 248

HSL 205.32, 0.89%, 0.76%

LAB 78.76, -8.3, -28.91

 

CMYK 44 / 30 / 0 / 3

HEX #8BADF8

RGB 139 173 248

HSL 221.28, 0.89%, 0.76%

LAB 70.98, 7.55, -40.95

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 35 / 44 / 0 / 3

HEX #A28BF8

RGB 162 139 248

HSL 252.66, 0.89%, 0.76%

LAB 64.1, 32.77, -51.66

 

CMYK 23 / 44 / 0 / 3

HEX #BF8BF8

RGB 191 139 248

HSL 268.62, 0.89%, 0.76%

LAB 66.76, 40.5, -47.27

 

CMYK 75 / 72 / 0 / 5

HEX #3D45F3

RGB 61 69 243

HSL 237.36, 0.88%, 0.6%

LAB 40.77, 53.85, -86.99

 

CMYK 59 / 56 / 0 / 4

HEX #646BF5

RGB 100 107 245

HSL 237.1, 0.88%, 0.68%

LAB 51.63, 37.15, -70.25

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 29 / 28 / 0 / 2

HEX #B2B5FA

RGB 178 181 250

HSL 237.5, 0.88%, 0.84%

LAB 75.71, 14.01, -34.48

 

CMYK 14 / 13 / 0 / 1

HEX #D9DAFC

RGB 217 218 252

HSL 238.29, 0.85%, 0.92%

LAB 87.93, 6.24, -16.64

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 0 / 44 / 7 / 3

HEX #F88BE7

RGB 248 139 231

HSL 309.36, 0.89%, 0.76%

LAB 72.36, 53.64, -28.76

 

CMYK 24 / 0 / 44 / 3

HEX #BCF88B

RGB 188 248 139

HSL 93.03, 0.89%, 0.76%

LAB 91.55, -37.12, 46.24

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 0 / 44 / 42 / 3

HEX #F88B90

RGB 248 139 144

HSL 357.25, 0.89%, 0.76%

LAB 69.78, 41.75, 15.76

 

CMYK 42 / 0 / 44 / 3

HEX #90F88B

RGB 144 248 139

HSL 117.25, 0.89%, 0.76%

LAB 89.36, -51.24, 43.02

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 0 / 44 / 7 / 3

HEX #F88BE7

RGB 248 139 231

HSL 309.36, 0.89%, 0.76%

LAB 72.36, 53.64, -28.76

 

CMYK 0 / 2 / 44 / 3

HEX #F8F28B

RGB 248 242 139

HSL 56.7, 0.89%, 0.76%

LAB 94.02, -11.94, 50.21

 

CMYK 44 / 0 / 38 / 3

HEX #8BF89B

RGB 139 248 155

HSL 128.81, 0.89%, 0.76%

LAB 89.39, -50.28, 35.15

 

CMYK 44 / 42 / 0 / 3

HEX #8B90F8

RGB 139 144 248

HSL 237.25, 0.89%, 0.76%

LAB 63.52, 24.18, -52.69

 

CMYK 0 / 44 / 20 / 3

HEX #F88BC7

RGB 248 139 199

HSL 326.97, 0.89%, 0.76%

LAB 71.25, 48.66, -12.79

 

CMYK 0 / 2 / 44 / 3

HEX #F8F28B

RGB 248 242 139

HSL 56.7, 0.89%, 0.76%

LAB 94.02, -11.94, 50.21

 

CMYK 44 / 0 / 24 / 3

HEX #8BF8BC

RGB 139 248 188

HSL 146.97, 0.89%, 0.76%

LAB 89.98, -44.5, 19.22

 

Description

Color code: HEX #8B90F8 | qconv.com Color code: HEX #8B90F8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 144 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 144 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 42 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 42% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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