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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B6911 it is the complementary color #7496EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B6911. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B6911 shade: #90690C, #A17B1F, #B28D32, #C39F45 and #D4B158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B6911. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B6911 shade: #8B6911, #7A5700, #694500, #583300 and #472100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B6911 shade: #8C6A11, #8C4911, #8C2711 and #8C1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B6911 shade: #8C6A11, #8C8B11, #6C8C11, #4B8C11 and #2A8C11

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B6911 shade matches the following richer shades: #8C6A11 and #997004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B6911 shade: #8C6A11, #7F641E, #735F2A, #665937 and #595344

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B6911 shade: #8C2711, #8C4811, #8C6911, #8C8A11 and #6D8C11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B6911 shade: #433208, #674E0C, #8C6A11, #B18615 and #D6A11A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B6911 shade: #8B6911, #1B8C11 and #38118C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B6911 shade: #8B6911, #118C69 and #69118C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B6911 shade: #8B6911, #1B8C11, #11348C and #82118C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B6911 shade: #8B6911, #118C2C, #11348C and #8C1171

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

Complementary color

CMYK 51 / 37 / 0 / 7

HEX #7496EE

RGB 116 150 238

HSL 223.28, 0.78%, 0.69%

LAB 63.09, 12.41, -47.96

 

CMYK 0 / 27 / 92 / 44

HEX #90690C

RGB 144 105 12

HSL 42.27, 0.85%, 0.31%

LAB 47.05, 7.82, 51.33

 

CMYK 0 / 24 / 81 / 37

HEX #A17B1F

RGB 161 123 31

HSL 42.46, 0.68%, 0.38%

LAB 53.86, 6.01, 52.07

 

CMYK 0 / 21 / 72 / 30

HEX #B28D32

RGB 178 141 50

HSL 42.66, 0.56%, 0.45%

LAB 60.56, 4.52, 51.62

 

CMYK 0 / 18 / 65 / 24

HEX #C39F45

RGB 195 159 69

HSL 42.86, 0.51%, 0.52%

LAB 67.15, 3.29, 50.66

 

CMYK 0 / 17 / 58 / 17

HEX #D4B158

RGB 212 177 88

HSL 43.06, 0.59%, 0.59%

LAB 73.64, 2.26, 49.48

 

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

CMYK 0 / 29 / 100 / 52

HEX #7A5700

RGB 122 87 0

HSL 42.79, 1%, 0.24%

LAB 39.5, 7.59, 47.63

 

CMYK 0 / 34 / 100 / 59

HEX #694500

RGB 105 69 0

HSL 39.43, 1%, 0.21%

LAB 32.39, 10.12, 41.8

 

CMYK 0 / 42 / 100 / 65

HEX #583300

RGB 88 51 0

HSL 34.77, 1%, 0.17%

LAB 25.08, 12.83, 34.91

 

CMYK 0 / 54 / 100 / 72

HEX #472100

RGB 71 33 0

HSL 27.89, 1%, 0.14%

LAB 17.59, 15.71, 25.99

 

CMYK 0 / 24 / 88 / 45

HEX #8C6A11

RGB 140 106 17

HSL 43.41, 0.78%, 0.31%

LAB 46.87, 5.47, 49.68

 

CMYK 0 / 48 / 88 / 45

HEX #8C4911

RGB 140 73 17

HSL 27.32, 0.78%, 0.31%

LAB 38.52, 24.58, 42.74

 

CMYK 0 / 72 / 88 / 45

HEX #8C2711

RGB 140 39 17

HSL 10.73, 0.78%, 0.31%

LAB 31.96, 41.59, 37.2

 

CMYK 0 / 88 / 88 / 45

HEX #8C1111

RGB 140 17 17

HSL 0, 0.78%, 0.31%

LAB 29.45, 48.6, 35.06

 

CMYK 0 / 24 / 88 / 45

HEX #8C6A11

RGB 140 106 17

HSL 43.41, 0.78%, 0.31%

LAB 46.87, 5.47, 49.68

 

CMYK 0 / 1 / 88 / 45

HEX #8C8B11

RGB 140 139 17

HSL 59.51, 0.78%, 0.31%

LAB 56.17, -12.94, 57.3

 

CMYK 23 / 0 / 88 / 45

HEX #6C8C11

RGB 108 140 17

HSL 75.61, 0.78%, 0.31%

LAB 54.01, -27.64, 54.51

 

CMYK 46 / 0 / 88 / 45

HEX #4B8C11

RGB 75 140 17

HSL 91.71, 0.78%, 0.31%

LAB 52.17, -40.36, 52.2

 

CMYK 70 / 0 / 88 / 45

HEX #2A8C11

RGB 42 140 17

HSL 107.8, 0.78%, 0.31%

LAB 51.02, -49.48, 50.76

 

CMYK 0 / 24 / 88 / 45

HEX #8C6A11

RGB 140 106 17

HSL 43.41, 0.78%, 0.31%

LAB 46.87, 5.47, 49.68

 

CMYK 0 / 27 / 97 / 40

HEX #997004

RGB 153 112 4

HSL 43.49, 0.95%, 0.31%

LAB 49.94, 7.88, 55.65

 

CMYK 0 / 24 / 88 / 45

HEX #8C6A11

RGB 140 106 17

HSL 43.41, 0.78%, 0.31%

LAB 46.87, 5.47, 49.68

 

CMYK 0 / 21 / 76 / 50

HEX #7F641E

RGB 127 100 30

HSL 43.3, 0.62%, 0.31%

LAB 43.83, 3.28, 41.67

 

CMYK 0 / 17 / 63 / 55

HEX #735F2A

RGB 115 95 42

HSL 43.56, 0.46%, 0.31%

LAB 41.21, 1.28, 32.74

 

CMYK 0 / 13 / 46 / 60

HEX #665937

RGB 102 89 55

HSL 43.4, 0.3%, 0.31%

LAB 38.28, 0.03, 21.59

 

CMYK 0 / 7 / 24 / 65

HEX #595344

RGB 89 83 68

HSL 42.86, 0.13%, 0.31%

LAB 35.45, -0.35, 9.68

 

CMYK 0 / 72 / 88 / 45

HEX #8C2711

RGB 140 39 17

HSL 10.73, 0.78%, 0.31%

LAB 31.96, 41.59, 37.2

 

CMYK 0 / 49 / 88 / 45

HEX #8C4811

RGB 140 72 17

HSL 26.83, 0.78%, 0.31%

LAB 38.29, 25.15, 42.54

 

CMYK 0 / 25 / 88 / 45

HEX #8C6911

RGB 140 105 17

HSL 42.93, 0.78%, 0.31%

LAB 46.6, 6.05, 49.45

 

CMYK 0 / 1 / 88 / 45

HEX #8C8A11

RGB 140 138 17

HSL 59.02, 0.78%, 0.31%

LAB 55.88, -12.41, 57.07

 

CMYK 22 / 0 / 88 / 45

HEX #6D8C11

RGB 109 140 17

HSL 75.12, 0.78%, 0.31%

LAB 54.08, -27.22, 54.59

 

CMYK 0 / 25 / 88 / 74

HEX #433208

RGB 67 50 8

HSL 42.71, 0.79%, 0.15%

LAB 21.92, 2.9, 27.5

 

CMYK 0 / 24 / 88 / 60

HEX #674E0C

RGB 103 78 12

HSL 43.52, 0.79%, 0.23%

LAB 34.72, 3.96, 39.3

 

CMYK 0 / 24 / 88 / 45

HEX #8C6A11

RGB 140 106 17

HSL 43.41, 0.78%, 0.31%

LAB 46.87, 5.47, 49.68

 

CMYK 0 / 24 / 88 / 31

HEX #B18615

RGB 177 134 21

HSL 43.46, 0.79%, 0.39%

LAB 58.46, 6.88, 59.74

 

CMYK 0 / 25 / 88 / 16

HEX #D6A11A

RGB 214 161 26

HSL 43.09, 0.78%, 0.47%

LAB 69.37, 8.78, 68.91

 

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

CMYK 81 / 0 / 88 / 45

HEX #1B8C11

RGB 27 140 17

HSL 115.12, 0.78%, 0.31%

LAB 50.72, -52.09, 50.37

 

CMYK 60 / 88 / 0 / 45

HEX #38118C

RGB 56 17 140

HSL 259.02, 0.78%, 0.31%

LAB 20.58, 47.49, -59.52

 

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

CMYK 88 / 0 / 25 / 45

HEX #118C69

RGB 17 140 105

HSL 162.93, 0.78%, 0.31%

LAB 51.72, -39.95, 9.99

 

CMYK 25 / 88 / 0 / 45

HEX #69118C

RGB 105 17 140

HSL 282.93, 0.78%, 0.31%

LAB 27.57, 54.09, -47.79

 

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

CMYK 81 / 0 / 88 / 45

HEX #1B8C11

RGB 27 140 17

HSL 115.12, 0.78%, 0.31%

LAB 50.72, -52.09, 50.37

 

CMYK 88 / 63 / 0 / 45

HEX #11348C

RGB 17 52 140

HSL 222.93, 0.78%, 0.31%

LAB 25.16, 23.77, -52.06

 

CMYK 7 / 88 / 0 / 45

HEX #82118C

RGB 130 17 140

HSL 295.12, 0.78%, 0.31%

LAB 31.9, 58.48, -40.57

 

CMYK 0 / 24 / 88 / 45

HEX #8B6911

RGB 139 105 17

HSL 43.28, 0.78%, 0.31%

LAB 46.49, 5.58, 49.31

 

CMYK 88 / 0 / 69 / 45

HEX #118C2C

RGB 17 140 44

HSL 133.17, 0.78%, 0.31%

LAB 50.75, -51.19, 41.02

 

CMYK 88 / 63 / 0 / 45

HEX #11348C

RGB 17 52 140

HSL 222.93, 0.78%, 0.31%

LAB 25.16, 23.77, -52.06

 

CMYK 0 / 88 / 19 / 45

HEX #8C1171

RGB 140 17 113

HSL 313.17, 0.78%, 0.31%

LAB 32.19, 56.33, -23.05

 

Description

Color code: HEX #8B6911 | qconv.com Color code: HEX #8B6911 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 105 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 105 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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