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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5061 it is the complementary color #74AF9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5061. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5061 shade: #90505C, #A1626F, #B27482, #C38695 and #D498A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5061. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5061 shade: #8B5061, #7A3E4E, #692C3B, #581A28 and #470815

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5061 shade: #8B5061, #8B5051 and #8B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5061 shade: #8B5061, #8B5071, #8B5081, #85508B and #75508B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5061 shade matches the following richer shades: #8B5061, #9C3E59, #AE2C52, #C01A4A and #D20943

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5061 shade: #8B5061, #796168, #677370, #568577 and #44977F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5061 shade: #8B5081, #8B5071, #8B5061, #8B5052 and #8B5D50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5061 shade: #56313C, #71404E, #8B5061, #A36074 and #B37A8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5061 shade: #8B5061, #8B8550 and #50798B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5061 shade: #8B5061, #618B50 and #50618B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5061 shade: #8B5061, #8B8550, #508B79 and #50558B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5061 shade: #8B5061, #7F8B50, #508B79 and #5B508B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

Complementary color

CMYK 34 / 0 / 10 / 31

HEX #74AF9E

RGB 116 175 158

HSL 162.71, 0.27%, 0.57%

LAB 67.16, -22.98, 2.63

 

CMYK 0 / 44 / 36 / 44

HEX #90505C

RGB 144 80 92

HSL 348.75, 0.29%, 0.44%

LAB 41.91, 28.21, 4.84

 

CMYK 0 / 39 / 31 / 37

HEX #A1626F

RGB 161 98 111

HSL 347.62, 0.25%, 0.51%

LAB 48.83, 27.23, 3.56

 

CMYK 0 / 35 / 27 / 30

HEX #B27482

RGB 178 116 130

HSL 346.45, 0.29%, 0.58%

LAB 55.65, 26.34, 2.46

 

CMYK 0 / 31 / 24 / 24

HEX #C38695

RGB 195 134 149

HSL 345.25, 0.34%, 0.65%

LAB 62.36, 25.54, 1.49

 

CMYK 0 / 28 / 21 / 17

HEX #D498A8

RGB 212 152 168

HSL 344, 0.41%, 0.71%

LAB 68.95, 24.8, 0.62

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 49 / 36 / 52

HEX #7A3E4E

RGB 122 62 78

HSL 344, 0.33%, 0.36%

LAB 34.26, 27.94, 2.22

 

CMYK 0 / 58 / 44 / 59

HEX #692C3B

RGB 105 44 59

HSL 345.25, 0.41%, 0.29%

LAB 27.08, 28.94, 3.96

 

CMYK 0 / 70 / 55 / 65

HEX #581A28

RGB 88 26 40

HSL 346.45, 0.54%, 0.22%

LAB 19.91, 29.73, 6.4

 

CMYK 0 / 89 / 70 / 72

HEX #470815

RGB 71 8 21

HSL 347.62, 0.8%, 0.15%

LAB 13.03, 29.67, 10.12

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 42 / 42 / 45

HEX #8B5051

RGB 139 80 81

HSL 358.98, 0.27%, 0.43%

LAB 40.93, 24.82, 10.15

 

CMYK 0 / 42 / 42 / 45

HEX #8B5050

RGB 139 80 80

HSL 0, 0.27%, 0.43%

LAB 40.91, 24.7, 10.74

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 42 / 19 / 45

HEX #8B5071

RGB 139 80 113

HSL 326.44, 0.27%, 0.43%

LAB 41.87, 29.45, -8.23

 

CMYK 0 / 42 / 7 / 45

HEX #8B5081

RGB 139 80 129

HSL 310.17, 0.27%, 0.43%

LAB 42.48, 32.27, -17.1

 

CMYK 4 / 42 / 0 / 45

HEX #85508B

RGB 133 80 139

HSL 293.9, 0.27%, 0.43%

LAB 42.14, 32.24, -23.76

 

CMYK 16 / 42 / 0 / 45

HEX #75508B

RGB 117 80 139

HSL 277.63, 0.27%, 0.43%

LAB 40.22, 27.07, -26.9

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 60 / 43 / 39

HEX #9C3E59

RGB 156 62 89

HSL 342.77, 0.43%, 0.43%

LAB 39.97, 41.75, 4.18

 

CMYK 0 / 75 / 53 / 32

HEX #AE2C52

RGB 174 44 82

HSL 342.46, 0.6%, 0.43%

LAB 40.26, 54.29, 9.44

 

CMYK 0 / 86 / 61 / 25

HEX #C01A4A

RGB 192 26 74

HSL 342.65, 0.76%, 0.43%

LAB 41.91, 63.52, 17.31

 

CMYK 0 / 96 / 68 / 18

HEX #D20943

RGB 210 9 67

HSL 342.69, 0.92%, 0.43%

LAB 44.66, 69.98, 25.98

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 20 / 14 / 53

HEX #796168

RGB 121 97 104

HSL 342.5, 0.11%, 0.43%

LAB 43.67, 10.92, -0.3

 

CMYK 10 / 0 / 3 / 55

HEX #677370

RGB 103 115 112

HSL 165, 0.06%, 0.43%

LAB 47.38, -5.13, 0.12

 

CMYK 35 / 0 / 11 / 48

HEX #568577

RGB 86 133 119

HSL 162.13, 0.21%, 0.43%

LAB 51.93, -19.32, 2.48

 

CMYK 55 / 0 / 16 / 41

HEX #44977F

RGB 68 151 127

HSL 162.65, 0.38%, 0.43%

LAB 56.97, -31.28, 5.05

 

CMYK 0 / 42 / 7 / 45

HEX #8B5081

RGB 139 80 129

HSL 310.17, 0.27%, 0.43%

LAB 42.48, 32.27, -17.1

 

CMYK 0 / 42 / 19 / 45

HEX #8B5071

RGB 139 80 113

HSL 326.44, 0.27%, 0.43%

LAB 41.87, 29.45, -8.23

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 42 / 41 / 45

HEX #8B5052

RGB 139 80 82

HSL 357.97, 0.27%, 0.43%

LAB 40.95, 24.95, 9.57

 

CMYK 0 / 33 / 42 / 45

HEX #8B5D50

RGB 139 93 80

HSL 13.22, 0.27%, 0.43%

LAB 44.08, 17.15, 15.11

 

CMYK 0 / 43 / 30 / 66

HEX #56313C

RGB 86 49 60

HSL 342.16, 0.27%, 0.26%

LAB 25.26, 18.44, 0.29

 

CMYK 0 / 43 / 31 / 56

HEX #71404E

RGB 113 64 78

HSL 342.86, 0.28%, 0.35%

LAB 33.41, 23.22, 0.83

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 41 / 29 / 36

HEX #A36074

RGB 163 96 116

HSL 342.09, 0.27%, 0.51%

LAB 48.78, 29.82, 0.51

 

CMYK 0 / 32 / 22 / 30

HEX #B37A8B

RGB 179 122 139

HSL 342.11, 0.27%, 0.59%

LAB 57.43, 24.71, -0.17

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 30 / 0 / 42 / 45

HEX #618B50

RGB 97 139 80

HSL 102.71, 0.27%, 0.43%

LAB 53.58, -26.12, 27.01

 

CMYK 42 / 30 / 0 / 45

HEX #50618B

RGB 80 97 139

HSL 222.71, 0.27%, 0.43%

LAB 41.4, 5.08, -25.3

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 0 / 4 / 42 / 45

HEX #8B8550

RGB 139 133 80

HSL 53.9, 0.27%, 0.43%

LAB 54.91, -5.88, 29.34

 

CMYK 42 / 0 / 13 / 45

HEX #508B79

RGB 80 139 121

HSL 161.69, 0.27%, 0.43%

LAB 53.55, -23.74, 3.62

 

CMYK 42 / 39 / 0 / 45

HEX #50558B

RGB 80 85 139

HSL 234.92, 0.27%, 0.43%

LAB 37.96, 12.66, -30.69

 

CMYK 0 / 42 / 30 / 45

HEX #8B5061

RGB 139 80 97

HSL 342.71, 0.27%, 0.43%

LAB 41.36, 26.96, 0.88

 

CMYK 9 / 0 / 42 / 45

HEX #7F8B50

RGB 127 139 80

HSL 72.2, 0.27%, 0.43%

LAB 55.64, -14.24, 30.06

 

CMYK 42 / 0 / 13 / 45

HEX #508B79

RGB 80 139 121

HSL 161.69, 0.27%, 0.43%

LAB 53.55, -23.74, 3.62

 

CMYK 35 / 42 / 0 / 45

HEX #5B508B

RGB 91 80 139

HSL 251.19, 0.27%, 0.43%

LAB 37.53, 19.01, -31.31

 

Description

Color code: HEX #8B5061 | qconv.com Color code: HEX #8B5061 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 80 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 80 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 30 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 30% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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