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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B5951 it is the complementary color #74A6AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B5951. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B5951 shade: #90594C, #A16B5F, #B27D72, #C38F85 and #D4A198

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B5951. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B5951 shade: #8B5951, #7A473E, #69352B, #582318 and #471105

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B5951 shade: #8A5951 and #8A5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B5951 shade: #8A5951, #8A6851, #8A7751, #8A8751 and #7D8A51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B5951 shade matches the following richer shades: #8A5951, #9B4C3F, #AD3F2D, #BF321B and #D1250A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B5951 shade: #8A5951, #786562, #667274, #547F86 and #438C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B5951 shade: #8A5167, #8A5158, #8A5851, #8A6751 and #8A7751

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B5951 shade: #563732, #704841, #8A5951, #A26A61 and #B1837B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B5951 shade: #8B5951, #778A51 and #51608A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B5951 shade: #8B5951, #518A58 and #58518A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B5951 shade: #8B5951, #778A51, #51828A and #64518A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B5951 shade: #8B5951, #668A51, #51828A and #75518A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

Complementary color

CMYK 33 / 5 / 0 / 32

HEX #74A6AE

RGB 116 166 174

HSL 188.28, 0.26%, 0.57%

LAB 65, -14.54, -9.45

 

CMYK 0 / 38 / 47 / 44

HEX #90594C

RGB 144 89 76

HSL 11.47, 0.31%, 0.43%

LAB 43.65, 21.14, 17.03

 

CMYK 0 / 34 / 41 / 37

HEX #A16B5F

RGB 161 107 95

HSL 10.91, 0.26%, 0.5%

LAB 50.59, 20.06, 15.54

 

CMYK 0 / 30 / 36 / 30

HEX #B27D72

RGB 178 125 114

HSL 10.31, 0.29%, 0.57%

LAB 57.41, 19.13, 14.23

 

CMYK 0 / 27 / 32 / 24

HEX #C38F85

RGB 195 143 133

HSL 9.68, 0.34%, 0.64%

LAB 64.11, 18.32, 13.06

 

CMYK 0 / 24 / 28 / 17

HEX #D4A198

RGB 212 161 152

HSL 9, 0.41%, 0.71%

LAB 70.7, 17.61, 12.01

 

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

CMYK 0 / 42 / 49 / 52

HEX #7A473E

RGB 122 71 62

HSL 9, 0.33%, 0.36%

LAB 35.97, 20.75, 14.76

 

CMYK 0 / 50 / 59 / 59

HEX #69352B

RGB 105 53 43

HSL 9.68, 0.42%, 0.29%

LAB 28.7, 22.1, 16.72

 

CMYK 0 / 60 / 73 / 65

HEX #582318

RGB 88 35 24

HSL 10.31, 0.57%, 0.22%

LAB 21.37, 23.63, 19.23

 

CMYK 0 / 76 / 93 / 72

HEX #471105

RGB 71 17 5

HSL 10.91, 0.87%, 0.15%

LAB 14.12, 25.06, 19.59

 

CMYK 0 / 36 / 41 / 46

HEX #8A5951

RGB 138 89 81

HSL 8.42, 0.26%, 0.43%

LAB 42.98, 19.19, 12.97

 

CMYK 0 / 41 / 41 / 46

HEX #8A5151

RGB 138 81 81

HSL 0, 0.26%, 0.43%

LAB 41.03, 23.84, 10.27

 

CMYK 0 / 36 / 41 / 46

HEX #8A5951

RGB 138 89 81

HSL 8.42, 0.26%, 0.43%

LAB 42.98, 19.19, 12.97

 

CMYK 0 / 25 / 41 / 46

HEX #8A6851

RGB 138 104 81

HSL 24.21, 0.26%, 0.43%

LAB 46.84, 10.39, 18.23

 

CMYK 0 / 14 / 41 / 46

HEX #8A7751

RGB 138 119 81

HSL 40, 0.26%, 0.43%

LAB 50.91, 1.69, 23.62

 

CMYK 0 / 2 / 41 / 46

HEX #8A8751

RGB 138 135 81

HSL 56.84, 0.26%, 0.43%

LAB 55.41, -7.3, 29.41

 

CMYK 9 / 0 / 41 / 46

HEX #7D8A51

RGB 125 138 81

HSL 73.68, 0.26%, 0.43%

LAB 55.21, -14.41, 28.93

 

CMYK 0 / 36 / 41 / 46

HEX #8A5951

RGB 138 89 81

HSL 8.42, 0.26%, 0.43%

LAB 42.98, 19.19, 12.97

 

CMYK 0 / 51 / 59 / 39

HEX #9B4C3F

RGB 155 76 63

HSL 8.48, 0.42%, 0.43%

LAB 41.99, 31.73, 22.97

 

CMYK 0 / 64 / 74 / 32

HEX #AD3F2D

RGB 173 63 45

HSL 8.44, 0.59%, 0.43%

LAB 42.2, 43.96, 34.45

 

CMYK 0 / 74 / 86 / 25

HEX #BF321B

RGB 191 50 27

HSL 8.41, 0.75%, 0.43%

LAB 43.41, 54.69, 46.15

 

CMYK 0 / 82 / 95 / 18

HEX #D1250A

RGB 209 37 10

HSL 8.14, 0.91%, 0.43%

LAB 45.5, 63.65, 55.66

 

CMYK 0 / 36 / 41 / 46

HEX #8A5951

RGB 138 89 81

HSL 8.42, 0.26%, 0.43%

LAB 42.98, 19.19, 12.97

 

CMYK 0 / 16 / 18 / 53

HEX #786562

RGB 120 101 98

HSL 8.18, 0.1%, 0.43%

LAB 44.49, 7.06, 4.51

 

CMYK 12 / 2 / 0 / 55

HEX #667274

RGB 102 114 116

HSL 188.57, 0.06%, 0.43%

LAB 47.13, -4.04, -2.64

 

CMYK 37 / 5 / 0 / 47

HEX #547F86

RGB 84 127 134

HSL 188.4, 0.23%, 0.43%

LAB 50.43, -12.9, -8.51

 

CMYK 56 / 8 / 0 / 40

HEX #438C98

RGB 67 140 152

HSL 188.47, 0.39%, 0.43%

LAB 54.26, -19.14, -13.32

 

CMYK 0 / 41 / 25 / 46

HEX #8A5167

RGB 138 81 103

HSL 336.84, 0.26%, 0.43%

LAB 41.64, 26.9, -2.44

 

CMYK 0 / 41 / 36 / 46

HEX #8A5158

RGB 138 81 88

HSL 352.63, 0.26%, 0.43%

LAB 41.2, 24.74, 6.2

 

CMYK 0 / 36 / 41 / 46

HEX #8A5851

RGB 138 88 81

HSL 7.37, 0.26%, 0.43%

LAB 42.73, 19.77, 12.63

 

CMYK 0 / 25 / 41 / 46

HEX #8A6751

RGB 138 103 81

HSL 23.16, 0.26%, 0.43%

LAB 46.58, 10.97, 17.87

 

CMYK 0 / 14 / 41 / 46

HEX #8A7751

RGB 138 119 81

HSL 40, 0.26%, 0.43%

LAB 50.91, 1.69, 23.62

 

CMYK 0 / 36 / 42 / 66

HEX #563732

RGB 86 55 50

HSL 8.33, 0.26%, 0.27%

LAB 26.57, 13.14, 8.8

 

CMYK 0 / 36 / 42 / 56

HEX #704841

RGB 112 72 65

HSL 8.94, 0.27%, 0.35%

LAB 34.93, 16.17, 11.23

 

CMYK 0 / 36 / 41 / 46

HEX #8A5951

RGB 138 89 81

HSL 8.42, 0.26%, 0.43%

LAB 42.98, 19.19, 12.97

 

CMYK 0 / 35 / 40 / 36

HEX #A26A61

RGB 162 106 97

HSL 8.31, 0.26%, 0.51%

LAB 50.51, 21.28, 14.27

 

CMYK 0 / 26 / 31 / 31

HEX #B1837B

RGB 177 131 123

HSL 8.89, 0.26%, 0.59%

LAB 58.98, 16.56, 11.25

 

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

CMYK 14 / 0 / 41 / 46

HEX #778A51

RGB 119 138 81

HSL 80, 0.26%, 0.43%

LAB 54.75, -16.88, 28.26

 

CMYK 41 / 30 / 0 / 46

HEX #51608A

RGB 81 96 138

HSL 224.21, 0.26%, 0.43%

LAB 41.14, 5.69, -25.11

 

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

CMYK 41 / 0 / 36 / 46

HEX #518A58

RGB 81 138 88

HSL 127.37, 0.26%, 0.43%

LAB 52.54, -29.87, 21.07

 

CMYK 36 / 41 / 0 / 46

HEX #58518A

RGB 88 81 138

HSL 247.37, 0.26%, 0.43%

LAB 37.47, 17.21, -30.81

 

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

CMYK 14 / 0 / 41 / 46

HEX #778A51

RGB 119 138 81

HSL 80, 0.26%, 0.43%

LAB 54.75, -16.88, 28.26

 

CMYK 41 / 6 / 0 / 46

HEX #51828A

RGB 81 130 138

HSL 188.42, 0.26%, 0.43%

LAB 51.32, -14.32, -9.54

 

CMYK 28 / 41 / 0 / 46

HEX #64518A

RGB 100 81 138

HSL 260, 0.26%, 0.43%

LAB 38.6, 20.84, -28.95

 

CMYK 0 / 36 / 42 / 45

HEX #8B5951

RGB 139 89 81

HSL 8.28, 0.26%, 0.43%

LAB 43.1, 19.61, 13.17

 

CMYK 26 / 0 / 41 / 46

HEX #668A51

RGB 102 138 81

HSL 97.89, 0.26%, 0.43%

LAB 53.6, -23.6, 26.54

 

CMYK 41 / 6 / 0 / 46

HEX #51828A

RGB 81 130 138

HSL 188.42, 0.26%, 0.43%

LAB 51.32, -14.32, -9.54

 

CMYK 15 / 41 / 0 / 46

HEX #75518A

RGB 117 81 138

HSL 277.89, 0.26%, 0.43%

LAB 40.41, 26.23, -25.99

 

Description

Color code: HEX #8B5951 | qconv.com Color code: HEX #8B5951 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 89 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 89 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 42 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 42% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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