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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B3D22 it is the complementary color #74C2DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B3D22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B3D22 shade: #903D1D, #A14F30, #B26143, #C37356 and #D48569

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B3D22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B3D22 shade: #8B3D22, #7A2B0F, #691900, #580700 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B3D22 shade: #8B3D21 and #8B2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B3D22 shade: #8B3D21, #8B5921, #8B7621, #848B21 and #688B21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B3D22 shade matches the following richer shades: #8B3D21, #993613 and #A72F05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B3D22 shade: #8B3D21, #7D432F, #6F4A3D, #61514B and #535859

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B3D22 shade: #8B213F, #8B2123, #8B3C21, #8B5821 and #8B7421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B3D22 shade: #491F11, #6A2E19, #8B3D21, #AC4B29 and #CD5A32

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B3D22 shade: #8B3D22, #5B8B21 and #21318B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B3D22 shade: #8B3D22, #218B3C and #3C218B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B3D22 shade: #8B3D22, #5B8B21, #21718B and #51218B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B3D22 shade: #8B3D22, #3C8B21, #21718B and #71218B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

Complementary color

CMYK 48 / 12 / 0 / 13

HEX #74C2DD

RGB 116 194 221

HSL 195.43, 0.61%, 0.66%

LAB 74.52, -16.9, -20.95

 

CMYK 0 / 58 / 80 / 44

HEX #903D1D

RGB 144 61 29

HSL 16.7, 0.66%, 0.34%

LAB 36.66, 33.2, 35.81

 

CMYK 0 / 51 / 70 / 37

HEX #A14F30

RGB 161 79 48

HSL 16.46, 0.54%, 0.41%

LAB 43.33, 31.53, 33.52

 

CMYK 0 / 46 / 62 / 30

HEX #B26143

RGB 178 97 67

HSL 16.22, 0.45%, 0.48%

LAB 50, 29.99, 31.38

 

CMYK 0 / 41 / 56 / 24

HEX #C37356

RGB 195 115 86

HSL 15.96, 0.48%, 0.55%

LAB 56.62, 28.61, 29.47

 

CMYK 0 / 37 / 50 / 17

HEX #D48569

RGB 212 133 105

HSL 15.7, 0.55%, 0.62%

LAB 63.17, 27.38, 27.77

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

CMYK 0 / 65 / 88 / 52

HEX #7A2B0F

RGB 122 43 15

HSL 15.7, 0.78%, 0.27%

LAB 29.16, 33.05, 34.39

 

CMYK 0 / 76 / 100 / 59

HEX #691900

RGB 105 25 0

HSL 14.29, 1%, 0.21%

LAB 22.65, 34.4, 33.49

 

CMYK 0 / 92 / 100 / 65

HEX #580700

RGB 88 7 0

HSL 4.77, 1%, 0.17%

LAB 16.63, 34.7, 25.62

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D21

RGB 139 61 33

HSL 15.85, 0.62%, 0.34%

LAB 35.86, 31.34, 32.57

 

CMYK 0 / 76 / 76 / 45

HEX #8B2121

RGB 139 33 33

HSL 0, 0.62%, 0.34%

LAB 31.08, 44.11, 27.33

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D21

RGB 139 61 33

HSL 15.85, 0.62%, 0.34%

LAB 35.86, 31.34, 32.57

 

CMYK 0 / 36 / 76 / 45

HEX #8B5921

RGB 139 89 33

HSL 31.7, 0.62%, 0.34%

LAB 42.37, 15.52, 39.35

 

CMYK 0 / 15 / 76 / 45

HEX #8B7621

RGB 139 118 33

HSL 48.11, 0.62%, 0.34%

LAB 50.16, -1.28, 47.02

 

CMYK 5 / 0 / 76 / 45

HEX #848B21

RGB 132 139 33

HSL 63.96, 0.62%, 0.34%

LAB 55.56, -15.99, 51.92

 

CMYK 25 / 0 / 76 / 45

HEX #688B21

RGB 104 139 33

HSL 79.81, 0.62%, 0.34%

LAB 53.51, -28.13, 49.24

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D21

RGB 139 61 33

HSL 15.85, 0.62%, 0.34%

LAB 35.86, 31.34, 32.57

 

CMYK 0 / 65 / 88 / 40

HEX #993613

RGB 153 54 19

HSL 15.67, 0.78%, 0.34%

LAB 36.85, 39.81, 41.4

 

CMYK 0 / 72 / 97 / 35

HEX #A72F05

RGB 167 47 5

HSL 15.56, 0.94%, 0.34%

LAB 38.3, 47.53, 48.77

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D21

RGB 139 61 33

HSL 15.85, 0.62%, 0.34%

LAB 35.86, 31.34, 32.57

 

CMYK 0 / 46 / 62 / 51

HEX #7D432F

RGB 125 67 47

HSL 15.38, 0.45%, 0.34%

LAB 35.16, 22.97, 23.04

 

CMYK 0 / 33 / 45 / 56

HEX #6F4A3D

RGB 111 74 61

HSL 15.6, 0.29%, 0.34%

LAB 35.23, 14.01, 14.13

 

CMYK 0 / 16 / 23 / 62

HEX #61514B

RGB 97 81 75

HSL 16.36, 0.13%, 0.34%

LAB 35.86, 5.57, 6

 

CMYK 7 / 1 / 0 / 65

HEX #535859

RGB 83 88 89

HSL 190, 0.03%, 0.34%

LAB 37, -1.75, -1.27

 

CMYK 0 / 76 / 55 / 45

HEX #8B213F

RGB 139 33 63

HSL 343.02, 0.62%, 0.34%

LAB 31.66, 46.02, 8.67

 

CMYK 0 / 76 / 75 / 45

HEX #8B2123

RGB 139 33 35

HSL 358.87, 0.62%, 0.34%

LAB 31.11, 44.2, 26.12

 

CMYK 0 / 57 / 76 / 45

HEX #8B3C21

RGB 139 60 33

HSL 15.28, 0.62%, 0.34%

LAB 35.66, 31.87, 32.35

 

CMYK 0 / 37 / 76 / 45

HEX #8B5821

RGB 139 88 33

HSL 31.13, 0.62%, 0.34%

LAB 42.12, 16.1, 39.09

 

CMYK 0 / 17 / 76 / 45

HEX #8B7421

RGB 139 116 33

HSL 46.98, 0.62%, 0.34%

LAB 49.6, -0.14, 46.48

 

CMYK 0 / 58 / 77 / 71

HEX #491F11

RGB 73 31 17

HSL 15, 0.62%, 0.18%

LAB 17.63, 18.79, 18.6

 

CMYK 0 / 57 / 76 / 58

HEX #6A2E19

RGB 106 46 25

HSL 15.56, 0.62%, 0.26%

LAB 26.99, 25.26, 25.87

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D21

RGB 139 61 33

HSL 15.85, 0.62%, 0.34%

LAB 35.86, 31.34, 32.57

 

CMYK 0 / 56 / 76 / 33

HEX #AC4B29

RGB 172 75 41

HSL 15.57, 0.62%, 0.42%

LAB 44.18, 37.65, 38.73

 

CMYK 0 / 56 / 76 / 20

HEX #CD5A32

RGB 205 90 50

HSL 15.48, 0.61%, 0.5%

LAB 52.42, 43.26, 44.36

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

CMYK 35 / 0 / 76 / 45

HEX #5B8B21

RGB 91 139 33

HSL 87.17, 0.62%, 0.34%

LAB 52.73, -33.31, 48.22

 

CMYK 76 / 65 / 0 / 45

HEX #21318B

RGB 33 49 139

HSL 230.94, 0.62%, 0.34%

LAB 24.9, 26.96, -51.84

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

CMYK 76 / 0 / 57 / 45

HEX #218B3C

RGB 33 139 60

HSL 135.28, 0.62%, 0.34%

LAB 50.82, -46.78, 33.58

 

CMYK 57 / 76 / 0 / 45

HEX #3C218B

RGB 60 33 139

HSL 255.28, 0.62%, 0.34%

LAB 23.38, 40.51, -54.26

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

CMYK 35 / 0 / 76 / 45

HEX #5B8B21

RGB 91 139 33

HSL 87.17, 0.62%, 0.34%

LAB 52.73, -33.31, 48.22

 

CMYK 76 / 19 / 0 / 45

HEX #21718B

RGB 33 113 139

HSL 194.72, 0.62%, 0.34%

LAB 44.23, -14.53, -21.09

 

CMYK 42 / 76 / 0 / 45

HEX #51218B

RGB 81 33 139

HSL 267.17, 0.62%, 0.34%

LAB 25.87, 43.99, -50.09

 

CMYK 0 / 56 / 76 / 45

HEX #8B3D22

RGB 139 61 34

HSL 15.43, 0.61%, 0.34%

LAB 35.87, 31.39, 32.03

 

CMYK 57 / 0 / 76 / 45

HEX #3C8B21

RGB 60 139 33

HSL 104.72, 0.62%, 0.34%

LAB 51.31, -43.75, 46.34

 

CMYK 76 / 19 / 0 / 45

HEX #21718B

RGB 33 113 139

HSL 194.72, 0.62%, 0.34%

LAB 44.23, -14.53, -21.09

 

CMYK 19 / 76 / 0 / 45

HEX #71218B

RGB 113 33 139

HSL 285.28, 0.62%, 0.34%

LAB 30.55, 50.28, -42.27

 

Description

Color code: HEX #8B3D22 | qconv.com Color code: HEX #8B3D22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 61 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 61 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 76 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 76% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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