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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B27D7 it is the complementary color #74D828. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B27D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B27D7 shade: #9027D2, #A139E5, #B24BF8, #C35DFF and #D46FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B27D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B27D7 shade: #8B27D7, #7A15C4, #6903B1, #58009E and #47008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B27D7 shade: #8B27D7, #BA27D7, #D727C4, #D72795 and #D72765

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B27D7 shade: #8B27D7, #5C27D7, #2C27D7 and #2727D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B27D7 shade matches the following richer shades: #8B27D7 and #8E12EC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B27D7 shade: #8B27D7, #883CC2, #8550AE, #836599 and #807A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B27D7 shade: #2D27D7, #5C27D7, #8B27D7, #BA27D7 and #D727C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B27D7 shade: #5E1A91, #7421B4, #8B27D7, #9E4ADD and #B06DE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B27D7 shade: #8B27D7, #D72750 and #27D744

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B27D7 shade: #8B27D7, #D78B27 and #27D78B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B27D7 shade: #8B27D7, #D72750, #73D727 and #27D7AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B27D7 shade: #8B27D7, #D73327, #73D727 and #27CBD7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

Complementary color

CMYK 46 / 0 / 81 / 15

HEX #74D828

RGB 116 216 40

HSL 94.09, 0.69%, 0.5%

LAB 77.86, -56.23, 70

 

CMYK 31 / 81 / 0 / 18

HEX #9027D2

RGB 144 39 210

HSL 276.84, 0.69%, 0.49%

LAB 41.27, 68.56, -67.06

 

CMYK 30 / 75 / 0 / 10

HEX #A139E5

RGB 161 57 229

HSL 276.28, 0.77%, 0.56%

LAB 47.18, 69.23, -68.2

 

CMYK 28 / 70 / 0 / 3

HEX #B24BF8

RGB 178 75 248

HSL 275.72, 0.93%, 0.63%

LAB 53.25, 69.27, -68.94

 

CMYK 24 / 64 / 0 / 0

HEX #C35DFF

RGB 195 93 255

HSL 277.78, 1%, 0.68%

LAB 58.65, 66.4, -64.01

 

CMYK 17 / 56 / 0 / 0

HEX #D46FFF

RGB 212 111 255

HSL 282.08, 1%, 0.72%

LAB 63.82, 61.93, -55.61

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 38 / 89 / 0 / 23

HEX #7A15C4

RGB 122 21 196

HSL 274.63, 0.81%, 0.43%

LAB 35.32, 67.29, -68.78

 

CMYK 41 / 98 / 0 / 31

HEX #6903B1

RGB 105 3 177

HSL 275.17, 0.97%, 0.35%

LAB 30.02, 64.41, -66.33

 

CMYK 44 / 100 / 0 / 38

HEX #58009E

RGB 88 0 158

HSL 273.42, 1%, 0.31%

LAB 25.39, 59.16, -62.55

 

CMYK 49 / 100 / 0 / 45

HEX #47008B

RGB 71 0 139

HSL 270.65, 1%, 0.27%

LAB 20.84, 53.33, -58.39

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 13 / 82 / 0 / 16

HEX #BA27D7

RGB 186 39 215

HSL 290.11, 0.69%, 0.5%

LAB 48, 76.4, -58.72

 

CMYK 0 / 82 / 9 / 16

HEX #D727C4

RGB 215 39 196

HSL 306.48, 0.69%, 0.5%

LAB 51.71, 78.8, -41.6

 

CMYK 0 / 82 / 31 / 16

HEX #D72795

RGB 215 39 149

HSL 322.5, 0.69%, 0.5%

LAB 49.58, 72.88, -17.25

 

CMYK 0 / 82 / 53 / 16

HEX #D72765

RGB 215 39 101

HSL 338.86, 0.69%, 0.5%

LAB 48.05, 68.44, 9.68

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 57 / 82 / 0 / 16

HEX #5C27D7

RGB 92 39 215

HSL 258.07, 0.69%, 0.5%

LAB 35.27, 62.95, -80.04

 

CMYK 80 / 82 / 0 / 16

HEX #2C27D7

RGB 44 39 215

HSL 241.7, 0.69%, 0.5%

LAB 31.56, 59.24, -86.3

 

CMYK 82 / 82 / 0 / 16

HEX #2727D7

RGB 39 39 215

HSL 240, 0.69%, 0.5%

LAB 31.32, 59, -86.7

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 40 / 92 / 0 / 7

HEX #8E12EC

RGB 142 18 236

HSL 274.13, 0.86%, 0.5%

LAB 41.59, 78.44, -81.41

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 30 / 69 / 0 / 24

HEX #883CC2

RGB 136 60 194

HSL 274.03, 0.53%, 0.5%

LAB 41.78, 55.61, -56.99

 

CMYK 24 / 54 / 0 / 32

HEX #8550AE

RGB 133 80 174

HSL 273.83, 0.37%, 0.5%

LAB 43.92, 40.04, -41.87

 

CMYK 14 / 34 / 0 / 40

HEX #836599

RGB 131 101 153

HSL 274.62, 0.2%, 0.5%

LAB 47.54, 22.35, -23.79

 

CMYK 3 / 8 / 0 / 48

HEX #807A84

RGB 128 122 132

HSL 276, 0.04%, 0.5%

LAB 52.03, 4.28, -4.62

 

CMYK 79 / 82 / 0 / 16

HEX #2D27D7

RGB 45 39 215

HSL 242.05, 0.69%, 0.5%

LAB 31.61, 59.29, -86.21

 

CMYK 57 / 82 / 0 / 16

HEX #5C27D7

RGB 92 39 215

HSL 258.07, 0.69%, 0.5%

LAB 35.27, 62.95, -80.04

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 13 / 82 / 0 / 16

HEX #BA27D7

RGB 186 39 215

HSL 290.11, 0.69%, 0.5%

LAB 48, 76.4, -58.72

 

CMYK 0 / 82 / 8 / 16

HEX #D727C5

RGB 215 39 197

HSL 306.14, 0.69%, 0.5%

LAB 51.76, 78.94, -42.09

 

CMYK 35 / 82 / 0 / 43

HEX #5E1A91

RGB 94 26 145

HSL 274.29, 0.7%, 0.34%

LAB 27.19, 50.62, -51.57

 

CMYK 36 / 82 / 0 / 29

HEX #7421B4

RGB 116 33 180

HSL 273.88, 0.69%, 0.42%

LAB 34.18, 59.69, -61.23

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 29 / 67 / 0 / 13

HEX #9E4ADD

RGB 158 74 221

HSL 274.29, 0.68%, 0.58%

LAB 48.74, 59.84, -61.15

 

CMYK 23 / 52 / 0 / 11

HEX #B06DE4

RGB 176 109 228

HSL 273.78, 0.69%, 0.66%

LAB 57.82, 48.14, -50.45

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 0 / 82 / 63 / 16

HEX #D72750

RGB 215 39 80

HSL 346.02, 0.69%, 0.5%

LAB 47.59, 67.06, 21.95

 

CMYK 82 / 0 / 68 / 16

HEX #27D744

RGB 39 215 68

HSL 129.89, 0.69%, 0.5%

LAB 75.73, -70.06, 58.1

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 0 / 35 / 82 / 16

HEX #D78B27

RGB 215 139 39

HSL 34.09, 0.69%, 0.5%

LAB 64.21, 21.39, 60.86

 

CMYK 82 / 0 / 35 / 16

HEX #27D78B

RGB 39 215 139

HSL 154.09, 0.69%, 0.5%

LAB 76.62, -59.54, 25.78

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 0 / 82 / 63 / 16

HEX #D72750

RGB 215 39 80

HSL 346.02, 0.69%, 0.5%

LAB 47.59, 67.06, 21.95

 

CMYK 47 / 0 / 82 / 16

HEX #73D727

RGB 115 215 39

HSL 94.09, 0.69%, 0.5%

LAB 77.51, -56.2, 69.93

 

CMYK 82 / 0 / 19 / 16

HEX #27D7AE

RGB 39 215 174

HSL 166.02, 0.69%, 0.5%

LAB 77.33, -51.67, 8.31

 

CMYK 35 / 82 / 0 / 16

HEX #8B27D7

RGB 139 39 215

HSL 274.09, 0.69%, 0.5%

LAB 40.97, 68.87, -70.46

 

CMYK 0 / 76 / 82 / 16

HEX #D73327

RGB 215 51 39

HSL 4.09, 0.69%, 0.5%

LAB 48.21, 62.04, 46.31

 

CMYK 47 / 0 / 82 / 16

HEX #73D727

RGB 115 215 39

HSL 94.09, 0.69%, 0.5%

LAB 77.51, -56.2, 69.93

 

CMYK 82 / 6 / 0 / 16

HEX #27CBD7

RGB 39 203 215

HSL 184.09, 0.69%, 0.5%

LAB 74.86, -35.1, -17.39

 

Description

Color code: HEX #8B27D7 | qconv.com Color code: HEX #8B27D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 39 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 39 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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