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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B087D it is the complementary color #74F782. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B087D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B087D shade: #900878, #A11A8B, #B22C9E, #C33EB1 and #D450C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B087D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B087D shade: #8B087D, #7A006A, #690057, #580044 and #470031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B087D shade: #8B087D, #8B085A, #8B0836, #8B0813 and #8B0808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B087D shade: #8B087D, #76088B, #52088B, #2F088B and #0B088B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B087D shade matches the following richer shades: #8B087D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B087D shade: #8B087D, #7F1474, #73206A, #672C61 and #5B3758

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B087D shade: #52088B, #75088B, #8B087E, #8B085B and #8B0838

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B087D shade: #3D0337, #64055A, #8B087D, #B20AA0 and #D90CC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B087D shade: #8B087D, #8B2F08 and #088B64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B087D shade: #8B087D, #7E8B08 and #087E8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B087D shade: #8B087D, #8B2F08, #088B15 and #08648B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B087D shade: #8B087D, #8B5708, #088B15 and #083C8B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

Complementary color

CMYK 53 / 0 / 47 / 3

HEX #74F782

RGB 116 247 130

HSL 126.41, 0.89%, 0.71%

LAB 87.89, -59.59, 45.27

 

CMYK 0 / 94 / 17 / 44

HEX #900878

RGB 144 8 120

HSL 310.59, 0.89%, 0.3%

LAB 32.83, 59.6, -26.42

 

CMYK 0 / 84 / 14 / 37

HEX #A11A8B

RGB 161 26 139

HSL 309.78, 0.72%, 0.37%

LAB 38.16, 62.58, -29.65

 

CMYK 0 / 75 / 11 / 30

HEX #B22C9E

RGB 178 44 158

HSL 308.96, 0.6%, 0.44%

LAB 43.85, 64.22, -32.04

 

CMYK 0 / 68 / 9 / 24

HEX #C33EB1

RGB 195 62 177

HSL 308.12, 0.53%, 0.5%

LAB 49.76, 64.96, -33.82

 

CMYK 0 / 62 / 8 / 17

HEX #D450C4

RGB 212 80 196

HSL 307.27, 0.61%, 0.57%

LAB 55.81, 65.13, -35.18

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 100 / 13 / 52

HEX #7A006A

RGB 122 0 106

HSL 307.87, 1%, 0.24%

LAB 27.24, 54.52, -26.58

 

CMYK 0 / 100 / 17 / 59

HEX #690057

RGB 105 0 87

HSL 310.29, 1%, 0.21%

LAB 22.62, 48.41, -21.59

 

CMYK 0 / 100 / 23 / 65

HEX #580044

RGB 88 0 68

HSL 313.64, 1%, 0.17%

LAB 17.88, 42.15, -16.32

 

CMYK 0 / 100 / 31 / 72

HEX #470031

RGB 71 0 49

HSL 318.59, 1%, 0.14%

LAB 12.99, 35.69, -10.69

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 94 / 35 / 45

HEX #8B085A

RGB 139 8 90

HSL 322.44, 0.89%, 0.29%

LAB 30.4, 54.8, -10.96

 

CMYK 0 / 94 / 61 / 45

HEX #8B0836

RGB 139 8 54

HSL 338.93, 0.89%, 0.29%

LAB 29.23, 51.61, 11.32

 

CMYK 0 / 94 / 86 / 45

HEX #8B0813

RGB 139 8 19

HSL 354.96, 0.89%, 0.29%

LAB 28.67, 50.03, 33.18

 

CMYK 0 / 94 / 94 / 45

HEX #8B0808

RGB 139 8 8

HSL 0, 0.89%, 0.29%

LAB 28.59, 49.81, 38.45

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 15 / 94 / 0 / 45

HEX #76088B

RGB 118 8 139

HSL 290.38, 0.89%, 0.29%

LAB 29.13, 57.81, -44.52

 

CMYK 41 / 94 / 0 / 45

HEX #52088B

RGB 82 8 139

HSL 273.89, 0.89%, 0.29%

LAB 23.11, 52.61, -54.6

 

CMYK 66 / 94 / 0 / 45

HEX #2F088B

RGB 47 8 139

HSL 257.86, 0.89%, 0.29%

LAB 18.55, 49.27, -62.28

 

CMYK 92 / 94 / 0 / 45

HEX #0B088B

RGB 11 8 139

HSL 241.37, 0.89%, 0.29%

LAB 16.05, 47.76, -66.52

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 84 / 9 / 50

HEX #7F1474

RGB 127 20 116

HSL 306.17, 0.73%, 0.29%

LAB 30.09, 53.24, -28.42

 

CMYK 0 / 72 / 8 / 55

HEX #73206A

RGB 115 32 106

HSL 306.51, 0.56%, 0.29%

LAB 28.69, 44.88, -24.38

 

CMYK 0 / 57 / 6 / 60

HEX #672C61

RGB 103 44 97

HSL 306.1, 0.4%, 0.29%

LAB 28.24, 34.22, -19.41

 

CMYK 0 / 40 / 3 / 64

HEX #5B3758

RGB 91 55 88

HSL 305, 0.25%, 0.29%

LAB 28.54, 21.92, -13.24

 

CMYK 41 / 94 / 0 / 45

HEX #52088B

RGB 82 8 139

HSL 273.89, 0.89%, 0.29%

LAB 23.11, 52.61, -54.6

 

CMYK 16 / 94 / 0 / 45

HEX #75088B

RGB 117 8 139

HSL 289.92, 0.89%, 0.29%

LAB 28.95, 57.65, -44.82

 

CMYK 0 / 94 / 9 / 45

HEX #8B087E

RGB 139 8 126

HSL 305.95, 0.89%, 0.29%

LAB 32.19, 59.46, -31.28

 

CMYK 0 / 94 / 35 / 45

HEX #8B085B

RGB 139 8 91

HSL 321.98, 0.89%, 0.29%

LAB 30.44, 54.91, -11.56

 

CMYK 0 / 94 / 60 / 45

HEX #8B0838

RGB 139 8 56

HSL 338.02, 0.89%, 0.29%

LAB 29.28, 51.75, 10.04

 

CMYK 0 / 95 / 10 / 76

HEX #3D0337

RGB 61 3 55

HSL 306.21, 0.91%, 0.13%

LAB 11.5, 32.99, -17.55

 

CMYK 0 / 95 / 10 / 61

HEX #64055A

RGB 100 5 90

HSL 306.32, 0.9%, 0.21%

LAB 22.15, 46.7, -24.41

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 94 / 10 / 30

HEX #B20AA0

RGB 178 10 160

HSL 306.43, 0.89%, 0.37%

LAB 41.56, 71.44, -36.85

 

CMYK 0 / 94 / 10 / 15

HEX #D90CC3

RGB 217 12 195

HSL 306.44, 0.9%, 0.45%

LAB 50.63, 83.04, -42.69

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 66 / 94 / 45

HEX #8B2F08

RGB 139 47 8

HSL 17.86, 0.89%, 0.29%

LAB 33, 37.55, 41.68

 

CMYK 94 / 0 / 28 / 45

HEX #088B64

RGB 8 139 100

HSL 162.14, 0.89%, 0.29%

LAB 51.19, -41.38, 12.11

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 9 / 0 / 94 / 45

HEX #7E8B08

RGB 126 139 8

HSL 65.95, 0.89%, 0.29%

LAB 54.99, -19.49, 57.55

 

CMYK 94 / 9 / 0 / 45

HEX #087E8B

RGB 8 126 139

HSL 185.95, 0.89%, 0.29%

LAB 48.05, -23.73, -15.26

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 66 / 94 / 45

HEX #8B2F08

RGB 139 47 8

HSL 17.86, 0.89%, 0.29%

LAB 33, 37.55, 41.68

 

CMYK 94 / 0 / 85 / 45

HEX #088B15

RGB 8 139 21

HSL 125.95, 0.89%, 0.29%

LAB 50.18, -53.48, 48.78

 

CMYK 94 / 28 / 0 / 45

HEX #08648B

RGB 8 100 139

HSL 197.86, 0.89%, 0.29%

LAB 39.63, -9.24, -28.27

 

CMYK 0 / 94 / 10 / 45

HEX #8B087D

RGB 139 8 125

HSL 306.41, 0.89%, 0.29%

LAB 32.13, 59.31, -30.74

 

CMYK 0 / 37 / 94 / 45

HEX #8B5708

RGB 139 87 8

HSL 36.18, 0.89%, 0.29%

LAB 41.72, 15.87, 47.97

 

CMYK 94 / 0 / 85 / 45

HEX #088B15

RGB 8 139 21

HSL 125.95, 0.89%, 0.29%

LAB 50.18, -53.48, 48.78

 

CMYK 94 / 57 / 0 / 45

HEX #083C8B

RGB 8 60 139

HSL 216.18, 0.89%, 0.29%

LAB 27.15, 17.17, -48.21

 

Description

Color code: HEX #8B087D | qconv.com Color code: HEX #8B087D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 8 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 8 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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