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Color name
HEX #8AF990

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AF990 it is the complementary color #75066F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AF990. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AF990 shade: #8FF98B, #A0FF9E, #B1FFB1, #C2FFC4 and #D3FFD7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AF990. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AF990 shade: #8AF990, #79E77D, #68D56A, #57C357 and #46B144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AF990 shade: #8AF890, #A2F88A, #C0F88A, #DDF88A and #F8F68A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AF990 shade: #8AF890, #8AF8AE, #8AF8CC, #8AF8E9 and #8AEAF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AF990 shade matches the following richer shades: #8AF890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AF990 shade: #8AF890, #94EE99, #9EE5A2, #A8DBAB and #B2D1B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AF990 shade: #BFF88A, #A2F88A, #8AF890, #8AF8AD and #8AF8CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AF990 shade: #3CF446, #63F66B, #8AF890, #B1FAB5 and #D9FDDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AF990 shade: #8AF990, #8ADDF8 and #F88AB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AF990 shade: #8AF990, #908AF8 and #F8908A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AF990 shade: #8AF990, #8ADDF8, #F88AF3 and #F8A68A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AF990 shade: #8AF990, #8ABCF8, #F88AF3 and #F8C78A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

Complementary color

CMYK 0 / 95 / 5 / 54

HEX #75066F

RGB 117 6 111

HSL 303.24, 0.9%, 0.24%

LAB 26.9, 53.22, -30.4

 

CMYK 43 / 0 / 44 / 2

HEX #8FF98B

RGB 143 249 139

HSL 117.82, 0.9%, 0.76%

LAB 89.61, -51.94, 43.32

 

CMYK 37 / 0 / 38 / 0

HEX #A0FF9E

RGB 160 255 158

HSL 118.76, 1%, 0.81%

LAB 92.34, -46.74, 37.71

 

CMYK 31 / 0 / 31 / 0

HEX #B1FFB1

RGB 177 255 177

HSL 120, 1%, 0.85%

LAB 93.47, -38.62, 29.89

 

CMYK 24 / 0 / 23 / 0

HEX #C2FFC4

RGB 194 255 196

HSL 121.97, 1%, 0.88%

LAB 94.73, -30.14, 22.14

 

CMYK 17 / 0 / 16 / 0

HEX #D3FFD7

RGB 211 255 215

HSL 125.45, 1%, 0.91%

LAB 96.11, -21.42, 14.52

 

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

CMYK 48 / 0 / 46 / 9

HEX #79E77D

RGB 121 231 125

HSL 122.18, 0.7%, 0.69%

LAB 83.28, -52.74, 41.93

 

CMYK 51 / 0 / 50 / 16

HEX #68D56A

RGB 104 213 106

HSL 121.1, 0.56%, 0.62%

LAB 77.02, -52.75, 43.21

 

CMYK 55 / 0 / 55 / 24

HEX #57C357

RGB 87 195 87

HSL 120, 0.47%, 0.55%

LAB 70.69, -52.62, 44.49

 

CMYK 60 / 0 / 62 / 31

HEX #46B144

RGB 70 177 68

HSL 118.9, 0.44%, 0.48%

LAB 64.29, -52.25, 45.7

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 35 / 0 / 44 / 3

HEX #A2F88A

RGB 162 248 138

HSL 106.91, 0.89%, 0.76%

LAB 90.16, -45.9, 44.68

 

CMYK 23 / 0 / 44 / 3

HEX #C0F88A

RGB 192 248 138

HSL 90.55, 0.89%, 0.76%

LAB 91.76, -35.84, 47.04

 

CMYK 11 / 0 / 44 / 3

HEX #DDF88A

RGB 221 248 138

HSL 74.73, 0.89%, 0.76%

LAB 93.6, -25.27, 49.72

 

CMYK 0 / 1 / 44 / 3

HEX #F8F68A

RGB 248 246 138

HSL 58.91, 0.89%, 0.76%

LAB 95.04, -14, 51.93

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 44 / 0 / 30 / 3

HEX #8AF8AE

RGB 138 248 174

HSL 139.64, 0.89%, 0.76%

LAB 89.67, -47.36, 25.95

 

CMYK 44 / 0 / 18 / 3

HEX #8AF8CC

RGB 138 248 204

HSL 156, 0.89%, 0.76%

LAB 90.27, -41.56, 11.38

 

CMYK 44 / 0 / 6 / 3

HEX #8AF8E9

RGB 138 248 233

HSL 171.82, 0.89%, 0.76%

LAB 90.97, -35.15, -2.66

 

CMYK 44 / 6 / 0 / 3

HEX #8AEAF8

RGB 138 234 248

HSL 187.64, 0.89%, 0.76%

LAB 87.5, -24.84, -15.65

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 38 / 0 / 36 / 7

HEX #94EE99

RGB 148 238 153

HSL 123.33, 0.73%, 0.76%

LAB 86.87, -43.76, 32.89

 

CMYK 31 / 0 / 29 / 10

HEX #9EE5A2

RGB 158 229 162

HSL 123.38, 0.58%, 0.76%

LAB 84.95, -35.21, 25.81

 

CMYK 23 / 0 / 22 / 14

HEX #A8DBAB

RGB 168 219 171

HSL 123.53, 0.41%, 0.76%

LAB 82.88, -25.73, 18.36

 

CMYK 15 / 0 / 14 / 18

HEX #B2D1B3

RGB 178 209 179

HSL 121.94, 0.25%, 0.76%

LAB 80.92, -16.02, 11.46

 

CMYK 23 / 0 / 44 / 3

HEX #BFF88A

RGB 191 248 138

HSL 91.09, 0.89%, 0.76%

LAB 91.71, -36.19, 46.95

 

CMYK 35 / 0 / 44 / 3

HEX #A2F88A

RGB 162 248 138

HSL 106.91, 0.89%, 0.76%

LAB 90.16, -45.9, 44.68

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 44 / 0 / 30 / 3

HEX #8AF8AD

RGB 138 248 173

HSL 139.09, 0.89%, 0.76%

LAB 89.65, -47.53, 26.43

 

CMYK 44 / 0 / 19 / 3

HEX #8AF8CA

RGB 138 248 202

HSL 154.91, 0.89%, 0.76%

LAB 90.23, -41.97, 12.35

 

CMYK 75 / 0 / 71 / 4

HEX #3CF446

RGB 60 244 70

HSL 123.26, 0.89%, 0.6%

LAB 85.05, -76.09, 67.18

 

CMYK 60 / 0 / 57 / 4

HEX #63F66B

RGB 99 246 107

HSL 123.27, 0.89%, 0.68%

LAB 86.81, -66.12, 54.47

 

CMYK 44 / 0 / 42 / 3

HEX #8AF890

RGB 138 248 144

HSL 123.27, 0.89%, 0.76%

LAB 89.18, -52.23, 40.31

 

CMYK 29 / 0 / 28 / 2

HEX #B1FAB5

RGB 177 250 181

HSL 123.29, 0.88%, 0.84%

LAB 92.16, -35.71, 26.08

 

CMYK 14 / 0 / 13 / 1

HEX #D9FDDB

RGB 217 253 219

HSL 123.33, 0.9%, 0.92%

LAB 96.05, -17.8, 12.43

 

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

CMYK 44 / 11 / 0 / 3

HEX #8ADDF8

RGB 138 221 248

HSL 194.73, 0.89%, 0.76%

LAB 83.91, -18.38, -21.06

 

CMYK 0 / 44 / 29 / 3

HEX #F88AB1

RGB 248 138 177

HSL 338.73, 0.89%, 0.76%

LAB 70.39, 46.13, -1.8

 

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

CMYK 42 / 44 / 0 / 3

HEX #908AF8

RGB 144 138 248

HSL 243.27, 0.89%, 0.76%

LAB 62.41, 28.86, -54.43

 

CMYK 0 / 42 / 44 / 3

HEX #F8908A

RGB 248 144 138

HSL 3.27, 0.89%, 0.76%

LAB 70.69, 38.58, 20.35

 

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

CMYK 44 / 11 / 0 / 3

HEX #8ADDF8

RGB 138 221 248

HSL 194.73, 0.89%, 0.76%

LAB 83.91, -18.38, -21.06

 

CMYK 0 / 44 / 2 / 3

HEX #F88AF3

RGB 248 138 243

HSL 302.73, 0.89%, 0.76%

LAB 72.63, 56.17, -34.91

 

CMYK 0 / 33 / 44 / 3

HEX #F8A68A

RGB 248 166 138

HSL 15.27, 0.89%, 0.76%

LAB 75.49, 27.13, 26.86

 

CMYK 45 / 0 / 42 / 2

HEX #8AF990

RGB 138 249 144

HSL 123.24, 0.9%, 0.76%

LAB 89.47, -52.64, 40.68

 

CMYK 44 / 24 / 0 / 3

HEX #8ABCF8

RGB 138 188 248

HSL 212.73, 0.89%, 0.76%

LAB 74.92, -1.01, -34.83

 

CMYK 0 / 44 / 2 / 3

HEX #F88AF3

RGB 248 138 243

HSL 302.73, 0.89%, 0.76%

LAB 72.63, 56.17, -34.91

 

CMYK 0 / 20 / 44 / 3

HEX #F8C78A

RGB 248 199 138

HSL 33.27, 0.89%, 0.76%

LAB 83.25, 9.8, 37.08

 

Description

Color code: HEX #8AF990 | qconv.com Color code: HEX #8AF990 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 249 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 249 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, none magenta, 42 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 0% 42% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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