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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AF765 it is the complementary color #75089A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AF765. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AF765 shade: #8FF760, #A0FF73, #B1FF86, #C2FF99 and #D3FFAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AF765. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AF765 shade: #8AF765, #79E552, #68D33F, #57C12C and #46AF19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AF765 shade: #89F663, #B0F663, #D8F663, #F6ED63 and #F6C663

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AF765 shade: #89F663, #63F666, #63F68D, #63F6B5 and #63F6DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AF765 shade matches the following richer shades: #89F663

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AF765 shade: #89F663, #8FE971, #96DC7E, #9CCF8B and #A3C298

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AF765 shade: #D9F663, #B2F663, #8BF663, #63F663 and #63F68B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AF765 shade: #4DF215, #6BF43C, #89F663, #A6F88B and #C4FAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AF765 shade: #8AF765, #63F6ED and #F663C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AF765 shade: #8AF765, #638BF6 and #F6638B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AF765 shade: #8AF765, #63F6ED, #CF63F6 and #F6636D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AF765 shade: #8AF765, #63D4F6, #CF63F6 and #F68663

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

Complementary color

CMYK 24 / 95 / 0 / 40

HEX #75089A

RGB 117 8 154

HSL 284.79, 0.9%, 0.32%

LAB 30.13, 60.46, -52.16

 

CMYK 42 / 0 / 61 / 3

HEX #8FF760

RGB 143 247 96

HSL 101.32, 0.9%, 0.67%

LAB 88.55, -56.08, 61.6

 

CMYK 37 / 0 / 55 / 0

HEX #A0FF73

RGB 160 255 115

HSL 100.71, 1%, 0.73%

LAB 91.79, -52.15, 57.32

 

CMYK 31 / 0 / 47 / 0

HEX #B1FF86

RGB 177 255 134

HSL 98.68, 1%, 0.76%

LAB 92.83, -44.54, 50.08

 

CMYK 24 / 0 / 40 / 0

HEX #C2FF99

RGB 194 255 153

HSL 95.88, 1%, 0.8%

LAB 94.01, -36.48, 42.66

 

CMYK 17 / 0 / 33 / 0

HEX #D3FFAC

RGB 211 255 172

HSL 91.81, 1%, 0.84%

LAB 95.31, -28.09, 35.19

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 47 / 0 / 64 / 10

HEX #79E552

RGB 121 229 82

HSL 104.08, 0.74%, 0.61%

LAB 82.22, -56.9, 60.14

 

CMYK 51 / 0 / 70 / 17

HEX #68D33F

RGB 104 211 63

HSL 103.38, 0.63%, 0.54%

LAB 76, -56.51, 60.76

 

CMYK 55 / 0 / 77 / 24

HEX #57C12C

RGB 87 193 44

HSL 102.68, 0.63%, 0.46%

LAB 69.72, -55.85, 60.88

 

CMYK 60 / 0 / 86 / 31

HEX #46AF19

RGB 70 175 25

HSL 102, 0.75%, 0.39%

LAB 63.37, -54.81, 60.1

 

CMYK 44 / 0 / 60 / 4

HEX #89F663

RGB 137 246 99

HSL 104.49, 0.89%, 0.68%

LAB 88.03, -57.21, 59.69

 

CMYK 28 / 0 / 60 / 4

HEX #B0F663

RGB 176 246 99

HSL 88.57, 0.89%, 0.68%

LAB 89.88, -44.54, 62.27

 

CMYK 12 / 0 / 60 / 4

HEX #D8F663

RGB 216 246 99

HSL 72.24, 0.89%, 0.68%

LAB 92.31, -29.71, 65.65

 

CMYK 0 / 4 / 60 / 4

HEX #F6ED63

RGB 246 237 99

HSL 56.33, 0.89%, 0.68%

LAB 92.16, -13.51, 66.12

 

CMYK 0 / 20 / 60 / 4

HEX #F6C663

RGB 246 198 99

HSL 40.41, 0.89%, 0.68%

LAB 82.32, 6.22, 55.12

 

CMYK 44 / 0 / 60 / 4

HEX #89F663

RGB 137 246 99

HSL 104.49, 0.89%, 0.68%

LAB 88.03, -57.21, 59.69

 

CMYK 60 / 0 / 59 / 4

HEX #63F666

RGB 99 246 102

HSL 121.22, 0.89%, 0.68%

LAB 86.76, -66.69, 56.61

 

CMYK 60 / 0 / 43 / 4

HEX #63F68D

RGB 99 246 141

HSL 137.14, 0.89%, 0.68%

LAB 87.24, -61.41, 39

 

CMYK 60 / 0 / 26 / 4

HEX #63F6B5

RGB 99 246 181

HSL 153.47, 0.89%, 0.68%

LAB 87.92, -54.12, 19.75

 

CMYK 60 / 0 / 10 / 4

HEX #63F6DD

RGB 99 246 221

HSL 169.8, 0.89%, 0.68%

LAB 88.82, -45.11, 0.29

 

CMYK 44 / 0 / 60 / 4

HEX #89F663

RGB 137 246 99

HSL 104.49, 0.89%, 0.68%

LAB 88.03, -57.21, 59.69

 

CMYK 44 / 0 / 60 / 4

HEX #89F663

RGB 137 246 99

HSL 104.49, 0.89%, 0.68%

LAB 88.03, -57.21, 59.69

 

CMYK 39 / 0 / 52 / 9

HEX #8FE971

RGB 143 233 113

HSL 105, 0.73%, 0.68%

LAB 84.64, -48.64, 49.54

 

CMYK 32 / 0 / 43 / 14

HEX #96DC7E

RGB 150 220 126

HSL 104.68, 0.57%, 0.68%

LAB 81.39, -39.13, 39.31

 

CMYK 25 / 0 / 33 / 19

HEX #9CCF8B

RGB 156 207 139

HSL 105, 0.41%, 0.68%

LAB 78.2, -29.23, 28.59

 

CMYK 16 / 0 / 22 / 24

HEX #A3C298

RGB 163 194 152

HSL 104.29, 0.26%, 0.68%

LAB 75.23, -18.32, 17.74

 

CMYK 12 / 0 / 60 / 4

HEX #D9F663

RGB 217 246 99

HSL 71.84, 0.89%, 0.68%

LAB 92.38, -29.32, 65.74

 

CMYK 28 / 0 / 60 / 4

HEX #B2F663

RGB 178 246 99

HSL 87.76, 0.89%, 0.68%

LAB 89.99, -43.84, 62.42

 

CMYK 43 / 0 / 60 / 4

HEX #8BF663

RGB 139 246 99

HSL 103.67, 0.89%, 0.68%

LAB 88.11, -56.61, 59.81

 

CMYK 60 / 0 / 60 / 4

HEX #63F663

RGB 99 246 99

HSL 120, 0.89%, 0.68%

LAB 86.73, -67.02, 57.87

 

CMYK 60 / 0 / 43 / 4

HEX #63F68B

RGB 99 246 139

HSL 136.33, 0.89%, 0.68%

LAB 87.21, -61.73, 39.95

 

CMYK 68 / 0 / 91 / 5

HEX #4DF215

RGB 77 242 21

HSL 104.8, 0.89%, 0.52%

LAB 84.55, -75.22, 78.99

 

CMYK 56 / 0 / 75 / 4

HEX #6BF43C

RGB 107 244 60

HSL 104.67, 0.89%, 0.6%

LAB 86.08, -67.74, 71.89

 

CMYK 44 / 0 / 60 / 4

HEX #89F663

RGB 137 246 99

HSL 104.49, 0.89%, 0.68%

LAB 88.03, -57.21, 59.69

 

CMYK 33 / 0 / 44 / 3

HEX #A6F88B

RGB 166 248 139

HSL 105.14, 0.89%, 0.76%

LAB 90.37, -44.5, 44.51

 

CMYK 22 / 0 / 29 / 2

HEX #C4FAB2

RGB 196 250 178

HSL 105, 0.88%, 0.84%

LAB 93.15, -30.01, 29.13

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 60 / 0 / 4 / 4

HEX #63F6ED

RGB 99 246 237

HSL 176.33, 0.89%, 0.68%

LAB 89.24, -41.09, -7.43

 

CMYK 0 / 60 / 20 / 4

HEX #F663C5

RGB 246 99 197

HSL 320, 0.89%, 0.68%

LAB 63.79, 66.43, -22.99

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 60 / 43 / 0 / 4

HEX #638BF6

RGB 99 139 246

HSL 223.67, 0.89%, 0.68%

LAB 59.68, 18.01, -57.84

 

CMYK 0 / 60 / 43 / 4

HEX #F6638B

RGB 246 99 139

HSL 343.67, 0.89%, 0.68%

LAB 61.98, 59.62, 7.56

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 60 / 0 / 4 / 4

HEX #63F6ED

RGB 99 246 237

HSL 176.33, 0.89%, 0.68%

LAB 89.24, -41.09, -7.43

 

CMYK 16 / 60 / 0 / 4

HEX #CF63F6

RGB 207 99 246

HSL 284.08, 0.89%, 0.68%

LAB 60.64, 64.55, -55.75

 

CMYK 0 / 60 / 56 / 4

HEX #F6636D

RGB 246 99 109

HSL 355.92, 0.89%, 0.68%

LAB 61.33, 57.06, 23.96

 

CMYK 44 / 0 / 59 / 3

HEX #8AF765

RGB 138 247 101

HSL 104.79, 0.9%, 0.68%

LAB 88.38, -57.1, 59.25

 

CMYK 60 / 14 / 0 / 4

HEX #63D4F6

RGB 99 212 246

HSL 193.88, 0.89%, 0.68%

LAB 79.84, -22.46, -26.33

 

CMYK 16 / 60 / 0 / 4

HEX #CF63F6

RGB 207 99 246

HSL 284.08, 0.89%, 0.68%

LAB 60.64, 64.55, -55.75

 

CMYK 0 / 46 / 60 / 4

HEX #F68663

RGB 246 134 99

HSL 14.29, 0.89%, 0.68%

LAB 67.68, 39.62, 37.7

 

Description

Color code: HEX #8AF765 | qconv.com Color code: HEX #8AF765 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 247 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 247 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 59 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 59% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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