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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8AE669 it is the complementary color #751996. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8AE669. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8AE669 shade: #8FE664, #A0F877, #B1FF8A, #C2FF9D and #D3FFB0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8AE669. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8AE669 shade: #8AE669, #79D456, #68C243, #57B030 and #469E1D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8AE669 shade: #8BE56A, #ACE56A, #CDE56A, #E5DC6A and #E5BB6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8AE669 shade: #8BE56A, #6AE56B, #6AE58C, #6AE5AD and #6AE5CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8AE669 shade matches the following richer shades: #8BE56A and #84F35C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8AE669 shade: #8BE56A, #91D778, #98C986, #9FBB94 and #A5ADA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8AE669 shade: #CDE56A, #ACE56A, #8BE56A, #6AE56A and #6AE58B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8AE669 shade: #54D924, #6FDF47, #8BE56A, #A6EB8E and #C2F1B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8AE669 shade: #8AE669, #6AE5DD and #E56ABC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8AE669 shade: #8AE669, #6A8BE5 and #E56A8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8AE669 shade: #8AE669, #6AE5DD, #C56AE5 and #E56A72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8AE669 shade: #8AE669, #6AC9E5, #C56AE5 and #E5876A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

Complementary color

CMYK 22 / 83 / 0 / 41

HEX #751996

RGB 117 25 150

HSL 284.16, 0.71%, 0.34%

LAB 31.07, 55.99, -48.19

 

CMYK 38 / 0 / 57 / 10

HEX #8FE664

RGB 143 230 100

HSL 100.15, 0.72%, 0.65%

LAB 83.63, -48.82, 54.28

 

CMYK 35 / 0 / 52 / 3

HEX #A0F877

RGB 160 248 119

HSL 100.93, 0.9%, 0.72%

LAB 89.83, -48.83, 53.2

 

CMYK 31 / 0 / 46 / 0

HEX #B1FF8A

RGB 177 255 138

HSL 100, 1%, 0.77%

LAB 92.88, -44.06, 48.26

 

CMYK 24 / 0 / 38 / 0

HEX #C2FF9D

RGB 194 255 157

HSL 97.35, 1%, 0.81%

LAB 94.07, -35.96, 40.78

 

CMYK 17 / 0 / 31 / 0

HEX #D3FFB0

RGB 211 255 176

HSL 93.42, 1%, 0.85%

LAB 95.37, -27.53, 33.28

 

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

CMYK 43 / 0 / 59 / 17

HEX #79D456

RGB 121 212 86

HSL 103.33, 0.59%, 0.58%

LAB 77.18, -49.81, 52.82

 

CMYK 46 / 0 / 65 / 24

HEX #68C243

RGB 104 194 67

HSL 102.52, 0.51%, 0.51%

LAB 70.82, -49.61, 53.72

 

CMYK 51 / 0 / 73 / 31

HEX #57B030

RGB 87 176 48

HSL 101.72, 0.57%, 0.44%

LAB 64.4, -49.19, 54.26

 

CMYK 56 / 0 / 82 / 38

HEX #469E1D

RGB 70 158 29

HSL 100.93, 0.69%, 0.37%

LAB 57.89, -48.44, 54.09

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 25 / 0 / 54 / 10

HEX #ACE56A

RGB 172 229 106

HSL 87.8, 0.7%, 0.66%

LAB 84.92, -37.84, 53.46

 

CMYK 10 / 0 / 54 / 10

HEX #CDE56A

RGB 205 229 106

HSL 71.71, 0.7%, 0.66%

LAB 87.03, -25.41, 56.45

 

CMYK 0 / 4 / 54 / 10

HEX #E5DC6A

RGB 229 220 106

HSL 55.61, 0.7%, 0.66%

LAB 86.45, -11.46, 56.25

 

CMYK 0 / 18 / 54 / 10

HEX #E5BB6A

RGB 229 187 106

HSL 39.51, 0.7%, 0.66%

LAB 78.02, 5.48, 46.3

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 54 / 0 / 53 / 10

HEX #6AE56B

RGB 106 229 107

HSL 120.49, 0.7%, 0.66%

LAB 81.93, -58.28, 48.71

 

CMYK 54 / 0 / 39 / 10

HEX #6AE58C

RGB 106 229 140

HSL 136.59, 0.7%, 0.66%

LAB 82.38, -53.46, 33.21

 

CMYK 54 / 0 / 24 / 10

HEX #6AE5AD

RGB 106 229 173

HSL 152.68, 0.7%, 0.66%

LAB 82.98, -47.29, 17.03

 

CMYK 54 / 0 / 10 / 10

HEX #6AE5CF

RGB 106 229 207

HSL 169.27, 0.7%, 0.66%

LAB 83.76, -39.66, 0.28

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 46 / 0 / 62 / 5

HEX #84F35C

RGB 132 243 92

HSL 104.11, 0.86%, 0.66%

LAB 86.89, -58.17, 61.29

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 33 / 0 / 44 / 16

HEX #91D778

RGB 145 215 120

HSL 104.21, 0.54%, 0.66%

LAB 79.6, -39.36, 39.96

 

CMYK 24 / 0 / 33 / 21

HEX #98C986

RGB 152 201 134

HSL 103.88, 0.38%, 0.66%

LAB 76.17, -28.51, 28.45

 

CMYK 15 / 0 / 21 / 27

HEX #9FBB94

RGB 159 187 148

HSL 103.08, 0.22%, 0.66%

LAB 72.92, -16.86, 16.65

 

CMYK 5 / 0 / 6 / 32

HEX #A5ADA2

RGB 165 173 162

HSL 103.64, 0.06%, 0.66%

LAB 69.82, -4.89, 4.67

 

CMYK 10 / 0 / 54 / 10

HEX #CDE56A

RGB 205 229 106

HSL 71.71, 0.7%, 0.66%

LAB 87.03, -25.41, 56.45

 

CMYK 25 / 0 / 54 / 10

HEX #ACE56A

RGB 172 229 106

HSL 87.8, 0.7%, 0.66%

LAB 84.92, -37.84, 53.46

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 54 / 0 / 54 / 10

HEX #6AE56A

RGB 106 229 106

HSL 120, 0.7%, 0.66%

LAB 81.92, -58.41, 49.16

 

CMYK 54 / 0 / 39 / 10

HEX #6AE58B

RGB 106 229 139

HSL 136.1, 0.7%, 0.66%

LAB 82.36, -53.62, 33.69

 

CMYK 61 / 0 / 83 / 15

HEX #54D924

RGB 84 217 36

HSL 104.09, 0.72%, 0.5%

LAB 77.06, -65.35, 69.86

 

CMYK 50 / 0 / 68 / 13

HEX #6FDF47

RGB 111 223 71

HSL 104.21, 0.7%, 0.58%

LAB 79.96, -58.4, 61.94

 

CMYK 39 / 0 / 54 / 10

HEX #8BE56A

RGB 139 229 106

HSL 103.9, 0.7%, 0.66%

LAB 83.21, -49.04, 51.03

 

CMYK 29 / 0 / 40 / 8

HEX #A6EB8E

RGB 166 235 142

HSL 104.52, 0.7%, 0.74%

LAB 86.74, -38.37, 38.39

 

CMYK 20 / 0 / 27 / 5

HEX #C2F1B1

RGB 194 241 177

HSL 104.06, 0.7%, 0.82%

LAB 90.58, -26.59, 26.11

 

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DD

RGB 106 229 221

HSL 176.1, 0.7%, 0.66%

LAB 84.13, -36.18, -6.57

 

CMYK 0 / 54 / 18 / 10

HEX #E56ABC

RGB 229 106 188

HSL 320, 0.7%, 0.66%

LAB 62.17, 57.18, -20.58

 

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

CMYK 54 / 39 / 0 / 10

HEX #6A8BE5

RGB 106 139 229

HSL 223.9, 0.7%, 0.66%

LAB 59.15, 13.93, -49.26

 

CMYK 0 / 54 / 39 / 10

HEX #E56A8B

RGB 229 106 139

HSL 343.9, 0.7%, 0.66%

LAB 60.63, 50.91, 5.29

 

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

CMYK 54 / 0 / 3 / 10

HEX #6AE5DD

RGB 106 229 221

HSL 176.1, 0.7%, 0.66%

LAB 84.13, -36.18, -6.57

 

CMYK 14 / 54 / 0 / 10

HEX #C56AE5

RGB 197 106 229

HSL 284.39, 0.7%, 0.66%

LAB 59.74, 55.35, -47.81

 

CMYK 0 / 54 / 50 / 10

HEX #E56A72

RGB 229 106 114

HSL 356.1, 0.7%, 0.66%

LAB 60.05, 48.45, 18.92

 

CMYK 40 / 0 / 54 / 10

HEX #8AE669

RGB 138 230 105

HSL 104.16, 0.71%, 0.66%

LAB 83.45, -49.87, 51.76

 

CMYK 54 / 12 / 0 / 10

HEX #6AC9E5

RGB 106 201 229

HSL 193.66, 0.7%, 0.66%

LAB 76.37, -20.45, -22.49

 

CMYK 14 / 54 / 0 / 10

HEX #C56AE5

RGB 197 106 229

HSL 284.39, 0.7%, 0.66%

LAB 59.74, 55.35, -47.81

 

CMYK 0 / 41 / 54 / 10

HEX #E5876A

RGB 229 135 106

HSL 14.15, 0.7%, 0.66%

LAB 65.77, 33.1, 31.01

 

Description

Color code: HEX #8AE669 | qconv.com Color code: HEX #8AE669 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 230 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 230 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 54 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 54% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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