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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8ADFFE it is the complementary color #752001. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8ADFFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8ADFFE shade: #8FDFF9, #A0F1FF, #B1FFFF, #C2FFFF and #D3FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8ADFFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8ADFFE shade: #8ADFFE, #79CDEB, #68BBD8, #57A9C5 and #4697B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8ADFFE shade: #8ADFFD, #8AC0FD, #8AA1FD, #938AFD and #B28AFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8ADFFE shade: #8ADFFD, #8AC0FD, #8AA1FD and #8A8AFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8ADFFE shade matches the following richer shades: #8ADFFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8ADFFE shade: #8ADFFD, #94DAF4, #9DD6EA, #A7D1E1 and #B0CDD7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8ADFFE shade: #8AFDDF, #8AFDFD, #8ADFFD, #8AC0FD and #8AA1FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8ADFFE shade: #39C8FD, #62D3FD, #8ADFFD, #B3EAFE and #DCF5FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8ADFFE shade: #8ADFFE, #C08AFD and #FDEE8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8ADFFE shade: #8ADFFE, #FD8ADF and #DFFD8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8ADFFE shade: #8ADFFE, #C08AFD, #FDA98A and #C8FD8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8ADFFE shade: #8ADFFE, #E38AFD, #FDA98A and #A5FD8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

Complementary color

CMYK 0 / 73 / 99 / 54

HEX #752001

RGB 117 32 1

HSL 16.03, 0.98%, 0.23%

LAB 26.21, 35.89, 37.4

 

CMYK 43 / 10 / 0 / 2

HEX #8FDFF9

RGB 143 223 249

HSL 194.72, 0.9%, 0.77%

LAB 84.72, -17.94, -20.34

 

CMYK 37 / 5 / 0 / 0

HEX #A0F1FF

RGB 160 241 255

HSL 188.84, 1%, 0.81%

LAB 90.6, -21.23, -14.56

 

CMYK 31 / 0 / 0 / 0

HEX #B1FFFF

RGB 177 255 255

HSL 180, 1%, 0.85%

LAB 95.2, -23.63, -7.63

 

CMYK 24 / 0 / 0 / 0

HEX #C2FFFF

RGB 194 255 255

HSL 180, 1%, 0.88%

LAB 96.08, -18.92, -6.22

 

CMYK 17 / 0 / 0 / 0

HEX #D3FFFF

RGB 211 255 255

HSL 180, 1%, 0.91%

LAB 97.06, -13.92, -4.67

 

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

CMYK 49 / 13 / 0 / 8

HEX #79CDEB

RGB 121 205 235

HSL 195.79, 0.74%, 0.7%

LAB 78.3, -17.61, -22.72

 

CMYK 52 / 13 / 0 / 15

HEX #68BBD8

RGB 104 187 216

HSL 195.54, 0.59%, 0.63%

LAB 71.85, -17.34, -22.33

 

CMYK 56 / 14 / 0 / 23

HEX #57A9C5

RGB 87 169 197

HSL 195.27, 0.49%, 0.56%

LAB 65.31, -16.98, -21.93

 

CMYK 61 / 15 / 0 / 30

HEX #4697B2

RGB 70 151 178

HSL 195, 0.44%, 0.49%

LAB 58.65, -16.51, -21.5

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 45 / 24 / 0 / 1

HEX #8AC0FD

RGB 138 192 253

HSL 211.83, 0.97%, 0.77%

LAB 76.19, -1.81, -35.55

 

CMYK 45 / 36 / 0 / 1

HEX #8AA1FD

RGB 138 161 253

HSL 228, 0.97%, 0.77%

LAB 68.01, 15.55, -48.32

 

CMYK 42 / 45 / 0 / 1

HEX #938AFD

RGB 147 138 253

HSL 244.7, 0.97%, 0.77%

LAB 62.9, 30.97, -56.37

 

CMYK 30 / 45 / 0 / 1

HEX #B28AFD

RGB 178 138 253

HSL 260.87, 0.97%, 0.77%

LAB 65.54, 38.74, -52.02

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 45 / 24 / 0 / 1

HEX #8AC0FD

RGB 138 192 253

HSL 211.83, 0.97%, 0.77%

LAB 76.19, -1.81, -35.55

 

CMYK 45 / 36 / 0 / 1

HEX #8AA1FD

RGB 138 161 253

HSL 228, 0.97%, 0.77%

LAB 68.01, 15.55, -48.32

 

CMYK 45 / 45 / 0 / 1

HEX #8A8AFD

RGB 138 138 253

HSL 240, 0.97%, 0.77%

LAB 62.23, 28.87, -57.49

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 39 / 11 / 0 / 4

HEX #94DAF4

RGB 148 218 244

HSL 196.25, 0.81%, 0.77%

LAB 83.43, -15.44, -19.63

 

CMYK 33 / 9 / 0 / 8

HEX #9DD6EA

RGB 157 214 234

HSL 195.58, 0.65%, 0.77%

LAB 82.49, -13.48, -15.69

 

CMYK 26 / 7 / 0 / 12

HEX #A7D1E1

RGB 167 209 225

HSL 196.55, 0.49%, 0.77%

LAB 81.43, -10.16, -12.42

 

CMYK 18 / 5 / 0 / 16

HEX #B0CDD7

RGB 176 205 215

HSL 195.38, 0.33%, 0.77%

LAB 80.63, -7.55, -8.21

 

CMYK 45 / 0 / 12 / 1

HEX #8AFDDF

RGB 138 253 223

HSL 164.35, 0.97%, 0.77%

LAB 92.12, -39.71, 4.21

 

CMYK 45 / 0 / 0 / 1

HEX #8AFDFD

RGB 138 253 253

HSL 180, 0.97%, 0.77%

LAB 92.9, -32.68, -10.18

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 45 / 24 / 0 / 1

HEX #8AC0FD

RGB 138 192 253

HSL 211.83, 0.97%, 0.77%

LAB 76.19, -1.81, -35.55

 

CMYK 45 / 36 / 0 / 1

HEX #8AA1FD

RGB 138 161 253

HSL 228, 0.97%, 0.77%

LAB 68.01, 15.55, -48.32

 

CMYK 77 / 21 / 0 / 1

HEX #39C8FD

RGB 57 200 253

HSL 196.22, 0.98%, 0.61%

LAB 75.62, -19.99, -36.65

 

CMYK 61 / 17 / 0 / 1

HEX #62D3FD

RGB 98 211 253

HSL 196.26, 0.97%, 0.69%

LAB 79.77, -20.07, -30.16

 

CMYK 45 / 12 / 0 / 1

HEX #8ADFFD

RGB 138 223 253

HSL 195.65, 0.97%, 0.77%

LAB 84.62, -18.08, -22.62

 

CMYK 30 / 8 / 0 / 0

HEX #B3EAFE

RGB 179 234 254

HSL 196, 0.97%, 0.85%

LAB 89.67, -12.91, -15.34

 

CMYK 13 / 4 / 0 / 0

HEX #DCF5FE

RGB 220 245 254

HSL 195.88, 0.94%, 0.93%

LAB 95.02, -6.36, -7.09

 

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

CMYK 24 / 45 / 0 / 1

HEX #C08AFD

RGB 192 138 253

HSL 268.17, 0.97%, 0.77%

LAB 66.88, 42.46, -49.81

 

CMYK 0 / 6 / 45 / 1

HEX #FDEE8A

RGB 253 238 138

HSL 52.17, 0.97%, 0.77%

LAB 93.39, -8.11, 50

 

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

CMYK 0 / 45 / 12 / 1

HEX #FD8ADF

RGB 253 138 223

HSL 315.65, 0.97%, 0.77%

LAB 72.49, 54.35, -24.12

 

CMYK 12 / 0 / 45 / 1

HEX #DFFD8A

RGB 223 253 138

HSL 75.65, 0.97%, 0.77%

LAB 95.07, -26.89, 51.56

 

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

CMYK 24 / 45 / 0 / 1

HEX #C08AFD

RGB 192 138 253

HSL 268.17, 0.97%, 0.77%

LAB 66.88, 42.46, -49.81

 

CMYK 0 / 33 / 45 / 1

HEX #FDA98A

RGB 253 169 138

HSL 16.17, 0.97%, 0.77%

LAB 76.74, 27.48, 28.63

 

CMYK 21 / 0 / 45 / 1

HEX #C8FD8A

RGB 200 253 138

HSL 87.65, 0.97%, 0.77%

LAB 93.61, -35.28, 49.44

 

CMYK 46 / 12 / 0 / 0

HEX #8ADFFE

RGB 138 223 254

HSL 196.03, 0.98%, 0.77%

LAB 84.66, -17.82, -23.1

 

CMYK 10 / 45 / 0 / 1

HEX #E38AFD

RGB 227 138 253

HSL 286.43, 0.97%, 0.77%

LAB 70.59, 52.06, -43.72

 

CMYK 0 / 33 / 45 / 1

HEX #FDA98A

RGB 253 169 138

HSL 16.17, 0.97%, 0.77%

LAB 76.74, 27.48, 28.63

 

CMYK 35 / 0 / 45 / 1

HEX #A5FD8A

RGB 165 253 138

HSL 105.91, 0.97%, 0.77%

LAB 91.72, -47.09, 46.68

 

Description

Color code: HEX #8ADFFE | qconv.com Color code: HEX #8ADFFE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 223 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 223 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 12 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 12% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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