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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A8C30 it is the complementary color #7573CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A8C30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A8C30 shade: #8F8C2B, #A09E3E, #B1B051, #C2C264 and #D3D477

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A8C30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A8C30 shade: #8A8C30, #797A1D, #68680A, #575600 and #464400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A8C30 shade: #8A8C30, #8C7530, #8C5C30, #8C4330 and #8C3030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A8C30 shade: #8A8C30, #718C30, #588C30, #3F8C30 and #308C39

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A8C30 shade matches the following richer shades: #8A8C30, #999B20, #A7AB11 and #B6BA02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A8C30 shade: #8A8C30, #7B7D3F, #6D6E4E, #5E5E5D and #504F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A8C30 shade: #8C5C30, #8C7530, #8B8C30, #728C30 and #598C30

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A8C30 shade: #4D4F1B, #6C6D25, #8A8C30, #A8AB3A and #BFC24D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A8C30 shade: #8A8C30, #308C44 and #69308C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A8C30 shade: #8A8C30, #308B8C and #8C308B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A8C30 shade: #8A8C30, #308C44, #31308C and #8C3078

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A8C30 shade: #8A8C30, #308C5F, #31308C and #8C305C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

Complementary color

CMYK 43 / 44 / 0 / 19

HEX #7573CF

RGB 117 115 207

HSL 241.3, 0.49%, 0.63%

LAB 52.45, 24.15, -47.48

 

CMYK 0 / 2 / 70 / 44

HEX #8F8C2B

RGB 143 140 43

HSL 58.2, 0.54%, 0.36%

LAB 56.85, -11.06, 49.7

 

CMYK 0 / 1 / 61 / 37

HEX #A09E3E

RGB 160 158 62

HSL 58.78, 0.44%, 0.44%

LAB 63.57, -11.9, 49.01

 

CMYK 0 / 1 / 54 / 31

HEX #B1B051

RGB 177 176 81

HSL 59.38, 0.38%, 0.51%

LAB 70.17, -12.56, 48

 

CMYK 0 / 0 / 48 / 24

HEX #C2C264

RGB 194 194 100

HSL 60, 0.44%, 0.58%

LAB 76.66, -13.09, 46.87

 

CMYK 0 / 0 / 44 / 17

HEX #D3D477

RGB 211 212 119

HSL 60.65, 0.52%, 0.65%

LAB 83.06, -13.52, 45.7

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 1 / 0 / 76 / 52

HEX #797A1D

RGB 121 122 29

HSL 60.65, 0.62%, 0.3%

LAB 49.58, -12.09, 47.39

 

CMYK 0 / 0 / 90 / 59

HEX #68680A

RGB 104 104 10

HSL 60, 0.82%, 0.22%

LAB 42.56, -10.88, 46.44

 

CMYK 0 / 1 / 100 / 66

HEX #575600

RGB 87 86 0

HSL 59.31, 1%, 0.17%

LAB 35.36, -9.27, 42.93

 

CMYK 0 / 3 / 100 / 73

HEX #464400

RGB 70 68 0

HSL 58.29, 1%, 0.14%

LAB 27.94, -7.29, 36.63

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 0 / 16 / 66 / 45

HEX #8C7530

RGB 140 117 48

HSL 45, 0.49%, 0.37%

LAB 50.11, 0.62, 40.34

 

CMYK 0 / 34 / 66 / 45

HEX #8C5C30

RGB 140 92 48

HSL 28.7, 0.49%, 0.37%

LAB 43.42, 15.12, 32.84

 

CMYK 0 / 52 / 66 / 45

HEX #8C4330

RGB 140 67 48

HSL 12.39, 0.49%, 0.37%

LAB 37.49, 29.4, 25.82

 

CMYK 0 / 66 / 66 / 45

HEX #8C3030

RGB 140 48 48

HSL 0, 0.49%, 0.37%

LAB 33.78, 39.06, 21.23

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 19 / 0 / 66 / 45

HEX #718C30

RGB 113 140 48

HSL 77.61, 0.49%, 0.37%

LAB 54.53, -23.85, 44.44

 

CMYK 37 / 0 / 66 / 45

HEX #588C30

RGB 88 140 48

HSL 93.91, 0.49%, 0.37%

LAB 53, -33.75, 42.33

 

CMYK 55 / 0 / 66 / 45

HEX #3F8C30

RGB 63 140 48

HSL 110.22, 0.49%, 0.37%

LAB 51.87, -41.97, 40.77

 

CMYK 66 / 0 / 59 / 45

HEX #308C39

RGB 48 140 57

HSL 125.87, 0.49%, 0.37%

LAB 51.47, -44.72, 35.94

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 1 / 0 / 79 / 39

HEX #999B20

RGB 153 155 32

HSL 60.98, 0.66%, 0.37%

LAB 61.93, -15.03, 58.7

 

CMYK 2 / 0 / 90 / 33

HEX #A7AB11

RGB 167 171 17

HSL 61.56, 0.82%, 0.37%

LAB 67.56, -17.49, 67.41

 

CMYK 2 / 0 / 99 / 27

HEX #B6BA02

RGB 182 186 2

HSL 61.3, 0.98%, 0.37%

LAB 72.94, -18.72, 73.94

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 2 / 0 / 50 / 51

HEX #7B7D3F

RGB 123 125 63

HSL 61.94, 0.33%, 0.37%

LAB 50.96, -10.28, 33.28

 

CMYK 1 / 0 / 29 / 57

HEX #6D6E4E

RGB 109 110 78

HSL 61.88, 0.17%, 0.37%

LAB 45.57, -6.08, 17.78

 

CMYK 0 / 0 / 1 / 63

HEX #5E5E5D

RGB 94 94 93

HSL 60, 0.01%, 0.37%

LAB 39.87, -0.21, 0.57

 

CMYK 27 / 28 / 0 / 57

HEX #504F6D

RGB 80 79 109

HSL 242, 0.16%, 0.37%

LAB 34.81, 7.76, -17.11

 

CMYK 0 / 34 / 66 / 45

HEX #8C5C30

RGB 140 92 48

HSL 28.7, 0.49%, 0.37%

LAB 43.42, 15.12, 32.84

 

CMYK 0 / 16 / 66 / 45

HEX #8C7530

RGB 140 117 48

HSL 45, 0.49%, 0.37%

LAB 50.11, 0.62, 40.34

 

CMYK 1 / 0 / 66 / 45

HEX #8B8C30

RGB 139 140 48

HSL 60.65, 0.49%, 0.37%

LAB 56.54, -12.55, 47.18

 

CMYK 19 / 0 / 66 / 45

HEX #728C30

RGB 114 140 48

HSL 76.96, 0.49%, 0.37%

LAB 54.6, -23.43, 44.54

 

CMYK 36 / 0 / 66 / 45

HEX #598C30

RGB 89 140 48

HSL 93.26, 0.49%, 0.37%

LAB 53.05, -33.38, 42.41

 

CMYK 3 / 0 / 66 / 69

HEX #4D4F1B

RGB 77 79 27

HSL 62.31, 0.49%, 0.21%

LAB 32.37, -8.79, 29.61

 

CMYK 1 / 0 / 66 / 57

HEX #6C6D25

RGB 108 109 37

HSL 60.83, 0.49%, 0.29%

LAB 44.6, -10.47, 38.72

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 2 / 0 / 66 / 33

HEX #A8AB3A

RGB 168 171 58

HSL 61.59, 0.49%, 0.45%

LAB 67.84, -15.46, 55.44

 

CMYK 2 / 0 / 60 / 24

HEX #BFC24D

RGB 191 194 77

HSL 61.54, 0.49%, 0.53%

LAB 76.19, -16.18, 56.84

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 66 / 0 / 51 / 45

HEX #308C44

RGB 48 140 68

HSL 133.04, 0.49%, 0.37%

LAB 51.61, -43.13, 30.51

 

CMYK 25 / 66 / 0 / 45

HEX #69308C

RGB 105 48 140

HSL 277.17, 0.49%, 0.37%

LAB 31.83, 41.96, -40.9

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 66 / 1 / 0 / 45

HEX #308B8C

RGB 48 139 140

HSL 180.65, 0.49%, 0.37%

LAB 52.94, -25.83, -8.42

 

CMYK 0 / 66 / 1 / 45

HEX #8C308B

RGB 140 48 139

HSL 300.65, 0.49%, 0.37%

LAB 37.03, 50.53, -31.69

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 66 / 0 / 51 / 45

HEX #308C44

RGB 48 140 68

HSL 133.04, 0.49%, 0.37%

LAB 51.61, -43.13, 30.51

 

CMYK 65 / 66 / 0 / 45

HEX #31308C

RGB 49 48 140

HSL 240.65, 0.49%, 0.37%

LAB 25.74, 30.22, -51.05

 

CMYK 0 / 66 / 14 / 45

HEX #8C3078

RGB 140 48 120

HSL 313.04, 0.49%, 0.37%

LAB 36.07, 47.32, -21.41

 

CMYK 1 / 0 / 66 / 45

HEX #8A8C30

RGB 138 140 48

HSL 61.3, 0.49%, 0.37%

LAB 56.46, -12.99, 47.06

 

CMYK 66 / 0 / 32 / 45

HEX #308C5F

RGB 48 140 95

HSL 150.65, 0.49%, 0.37%

LAB 52.07, -38.06, 16.28

 

CMYK 65 / 66 / 0 / 45

HEX #31308C

RGB 49 48 140

HSL 240.65, 0.49%, 0.37%

LAB 25.74, 30.22, -51.05

 

CMYK 0 / 66 / 34 / 45

HEX #8C305C

RGB 140 48 92

HSL 331.3, 0.49%, 0.37%

LAB 34.93, 43.31, -5.43

 

Description

Color code: HEX #8A8C30 | qconv.com Color code: HEX #8A8C30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 140 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 140 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, none magenta, 66 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 0% 66% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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