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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A839F it is the complementary color #757C60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A839F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A839F shade: #8F839A, #A095AD, #B1A7C0, #C2B9D3 and #D3CBE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A839F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A839F shade: #8A839F, #79718C, #685F79, #574D66 and #463B53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A839F shade: #8A839F, #91839F, #99839F, #9F839D and #9F8396

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A839F shade: #8A839F and #83839F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A839F shade matches the following richer shades: #8A839F, #8171B1, #785FC3, #6F4DD4 and #663CE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A839F shade: #8A839F, #93948D, #9BA67C, #A4B86A and #ADCA58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A839F shade: #838B9F, #83839F, #8A839F, #91839F and #99839F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A839F shade: #615A75, #746C8C, #8A839F, #A09AB1 and #B6B1C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A839F shade: #8A839F, #9F8392 and #879F83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A839F shade: #8A839F, #9F8A83 and #839F8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A839F shade: #8A839F, #9F8392, #989F83 and #839F8F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A839F shade: #8A839F, #9F838A, #989F83 and #839F98

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

Complementary color

CMYK 6 / 0 / 23 / 51

HEX #757C60

RGB 117 124 96

HSL 75, 0.13%, 0.43%

LAB 50.74, -7.86, 14.44

 

CMYK 7 / 15 / 0 / 40

HEX #8F839A

RGB 143 131 154

HSL 271.3, 0.1%, 0.56%

LAB 56.49, 9.07, -10.64

 

CMYK 8 / 14 / 0 / 32

HEX #A095AD

RGB 160 149 173

HSL 267.5, 0.13%, 0.63%

LAB 63.33, 8.72, -11.06

 

CMYK 8 / 13 / 0 / 25

HEX #B1A7C0

RGB 177 167 192

HSL 264, 0.17%, 0.7%

LAB 70.03, 8.4, -11.49

 

CMYK 8 / 12 / 0 / 17

HEX #C2B9D3

RGB 194 185 211

HSL 260.77, 0.23%, 0.78%

LAB 76.6, 8.1, -11.92

 

CMYK 8 / 12 / 0 / 10

HEX #D3CBE6

RGB 211 203 230

HSL 257.78, 0.35%, 0.85%

LAB 83.06, 7.82, -12.34

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 14 / 19 / 0 / 45

HEX #79718C

RGB 121 113 140

HSL 257.78, 0.11%, 0.5%

LAB 49.21, 8.79, -13.62

 

CMYK 14 / 21 / 0 / 53

HEX #685F79

RGB 104 95 121

HSL 260.77, 0.12%, 0.42%

LAB 42.01, 9.22, -13.3

 

CMYK 15 / 25 / 0 / 60

HEX #574D66

RGB 87 77 102

HSL 264, 0.14%, 0.35%

LAB 34.59, 9.71, -13

 

CMYK 16 / 29 / 0 / 67

HEX #463B53

RGB 70 59 83

HSL 267.5, 0.17%, 0.28%

LAB 26.89, 10.28, -12.72

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 9 / 18 / 0 / 38

HEX #91839F

RGB 145 131 159

HSL 270, 0.13%, 0.57%

LAB 56.84, 10.84, -12.98

 

CMYK 4 / 18 / 0 / 38

HEX #99839F

RGB 153 131 159

HSL 287.14, 0.13%, 0.57%

LAB 57.57, 13.65, -11.81

 

CMYK 0 / 18 / 1 / 38

HEX #9F839D

RGB 159 131 157

HSL 304.29, 0.13%, 0.57%

LAB 58.07, 15.38, -9.84

 

CMYK 0 / 18 / 6 / 38

HEX #9F8396

RGB 159 131 150

HSL 319.29, 0.13%, 0.57%

LAB 57.85, 14.05, -6.14

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 18 / 18 / 0 / 38

HEX #83839F

RGB 131 131 159

HSL 240, 0.13%, 0.57%

LAB 55.65, 6.04, -14.89

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 27 / 36 / 0 / 31

HEX #8171B1

RGB 129 113 177

HSL 255, 0.29%, 0.57%

LAB 51.44, 20.4, -31.79

 

CMYK 38 / 51 / 0 / 24

HEX #785FC3

RGB 120 95 195

HSL 255, 0.45%, 0.57%

LAB 47.13, 33.43, -49.07

 

CMYK 48 / 64 / 0 / 17

HEX #6F4DD4

RGB 111 77 212

HSL 255.11, 0.61%, 0.57%

LAB 43.42, 46.6, -64.88

 

CMYK 56 / 74 / 0 / 10

HEX #663CE6

RGB 102 60 230

HSL 254.82, 0.77%, 0.57%

LAB 40.85, 59.04, -79.4

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 1 / 0 / 5 / 42

HEX #93948D

RGB 147 148 141

HSL 68.57, 0.03%, 0.57%

LAB 61.05, -1.69, 3.56

 

CMYK 7 / 0 / 25 / 35

HEX #9BA67C

RGB 155 166 124

HSL 75.71, 0.19%, 0.57%

LAB 66.29, -11.28, 20.5

 

CMYK 11 / 0 / 42 / 28

HEX #A4B86A

RGB 164 184 106

HSL 75.38, 0.35%, 0.57%

LAB 71.7, -19.46, 37.27

 

CMYK 14 / 0 / 56 / 21

HEX #ADCA58

RGB 173 202 88

HSL 75.26, 0.52%, 0.57%

LAB 77.18, -26.58, 52.7

 

CMYK 18 / 13 / 0 / 38

HEX #838B9F

RGB 131 139 159

HSL 222.86, 0.13%, 0.57%

LAB 57.84, 1.44, -11.58

 

CMYK 18 / 18 / 0 / 38

HEX #83839F

RGB 131 131 159

HSL 240, 0.13%, 0.57%

LAB 55.65, 6.04, -14.89

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 9 / 18 / 0 / 38

HEX #91839F

RGB 145 131 159

HSL 270, 0.13%, 0.57%

LAB 56.84, 10.84, -12.98

 

CMYK 4 / 18 / 0 / 38

HEX #99839F

RGB 153 131 159

HSL 287.14, 0.13%, 0.57%

LAB 57.57, 13.65, -11.81

 

CMYK 17 / 23 / 0 / 54

HEX #615A75

RGB 97 90 117

HSL 255.56, 0.13%, 0.41%

LAB 39.81, 8.84, -14.26

 

CMYK 17 / 23 / 0 / 45

HEX #746C8C

RGB 116 108 140

HSL 255, 0.13%, 0.49%

LAB 47.41, 10.05, -16.41

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 10 / 13 / 0 / 31

HEX #A09AB1

RGB 160 154 177

HSL 255.65, 0.13%, 0.65%

LAB 64.77, 6.75, -11.16

 

CMYK 7 / 9 / 0 / 24

HEX #B6B1C3

RGB 182 177 195

HSL 256.67, 0.13%, 0.73%

LAB 73.11, 5.22, -8.5

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 0 / 18 / 8 / 38

HEX #9F8392

RGB 159 131 146

HSL 327.86, 0.13%, 0.57%

LAB 57.73, 13.31, -4.02

 

CMYK 15 / 0 / 18 / 38

HEX #879F83

RGB 135 159 131

HSL 111.43, 0.13%, 0.57%

LAB 63, -13.93, 11.85

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 0 / 13 / 18 / 38

HEX #9F8A83

RGB 159 138 131

HSL 15, 0.13%, 0.57%

LAB 59.15, 6.73, 6.65

 

CMYK 18 / 0 / 13 / 38

HEX #839F8A

RGB 131 159 138

HSL 135, 0.13%, 0.57%

LAB 62.89, -14.04, 7.74

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 0 / 18 / 8 / 38

HEX #9F8392

RGB 159 131 146

HSL 327.86, 0.13%, 0.57%

LAB 57.73, 13.31, -4.02

 

CMYK 4 / 0 / 18 / 38

HEX #989F83

RGB 152 159 131

HSL 75, 0.13%, 0.57%

LAB 64.25, -7.59, 13.79

 

CMYK 18 / 0 / 10 / 38

HEX #839F8F

RGB 131 159 143

HSL 145.71, 0.13%, 0.57%

LAB 63.01, -13.05, 5.12

 

CMYK 13 / 18 / 0 / 38

HEX #8A839F

RGB 138 131 159

HSL 255, 0.13%, 0.57%

LAB 56.23, 8.42, -13.96

 

CMYK 0 / 18 / 13 / 38

HEX #9F838A

RGB 159 131 138

HSL 345, 0.13%, 0.57%

LAB 57.5, 11.88, 0.25

 

CMYK 4 / 0 / 18 / 38

HEX #989F83

RGB 152 159 131

HSL 75, 0.13%, 0.57%

LAB 64.25, -7.59, 13.79

 

CMYK 18 / 0 / 4 / 38

HEX #839F98

RGB 131 159 152

HSL 165, 0.13%, 0.57%

LAB 63.25, -11.2, 0.4

 

Description

Color code: HEX #8A839F | qconv.com Color code: HEX #8A839F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 131 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 131 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 18 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 18% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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