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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A79AA it is the complementary color #758655. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A79AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A79AA shade: #8F79A5, #A08BB8, #B19DCB, #C2AFDE and #D3C1F1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A79AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A79AA shade: #8A79AA, #796797, #685584, #574371 and #46315E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A79AA shade: #8979A9, #9679A9, #A379A9, #A979A1 and #A97994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A79AA shade: #8979A9, #7C79A9 and #7979A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A79AA shade matches the following richer shades: #8979A9, #8467BB, #7F55CC, #7944DE and #7432F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A79AA shade: #8979A9, #8F8A97, #949C85, #9AAE74 and #9FC062

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A79AA shade: #7982A9, #7C79A9, #8979A9, #9679A9 and #A379A9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A79AA shade: #61517E, #746198, #8979A9, #9F92B9 and #B6ABC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A79AA shade: #8A79AA, #A9798F and #7CA979

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A79AA shade: #8A79AA, #A98979 and #79A989

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A79AA shade: #8A79AA, #A9798F, #99A979 and #79A992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A79AA shade: #8A79AA, #A97981, #99A979 and #79A9A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

Complementary color

CMYK 13 / 0 / 37 / 47

HEX #758655

RGB 117 134 85

HSL 80.82, 0.22%, 0.43%

LAB 53.48, -15.03, 24.39

 

CMYK 13 / 27 / 0 / 35

HEX #8F79A5

RGB 143 121 165

HSL 270, 0.2%, 0.56%

LAB 54.27, 17.28, -20.36

 

CMYK 13 / 24 / 0 / 28

HEX #A08BB8

RGB 160 139 184

HSL 268, 0.24%, 0.63%

LAB 61.13, 16.74, -20.61

 

CMYK 13 / 23 / 0 / 20

HEX #B19DCB

RGB 177 157 203

HSL 266.09, 0.31%, 0.71%

LAB 67.85, 16.26, -20.87

 

CMYK 13 / 21 / 0 / 13

HEX #C2AFDE

RGB 194 175 222

HSL 264.26, 0.42%, 0.78%

LAB 74.45, 15.81, -21.14

 

CMYK 12 / 20 / 0 / 5

HEX #D3C1F1

RGB 211 193 241

HSL 262.5, 0.63%, 0.85%

LAB 80.93, 15.4, -21.43

 

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

CMYK 20 / 32 / 0 / 41

HEX #796797

RGB 121 103 151

HSL 262.5, 0.19%, 0.5%

LAB 46.97, 17.39, -23.56

 

CMYK 21 / 36 / 0 / 48

HEX #685584

RGB 104 85 132

HSL 264.26, 0.22%, 0.43%

LAB 39.76, 18.08, -23.46

 

CMYK 23 / 41 / 0 / 56

HEX #574371

RGB 87 67 113

HSL 266.09, 0.26%, 0.35%

LAB 32.33, 18.88, -23.4

 

CMYK 26 / 48 / 0 / 63

HEX #46315E

RGB 70 49 94

HSL 268, 0.31%, 0.28%

LAB 24.66, 19.81, -23.39

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 11 / 28 / 0 / 34

HEX #9679A9

RGB 150 121 169

HSL 276.25, 0.22%, 0.57%

LAB 55.1, 20.51, -21.35

 

CMYK 4 / 28 / 0 / 34

HEX #A379A9

RGB 163 121 169

HSL 292.5, 0.22%, 0.57%

LAB 56.41, 24.88, -19.22

 

CMYK 0 / 28 / 5 / 34

HEX #A979A1

RGB 169 121 161

HSL 310, 0.22%, 0.57%

LAB 56.77, 25.39, -14.01

 

CMYK 0 / 28 / 12 / 34

HEX #A97994

RGB 169 121 148

HSL 326.25, 0.22%, 0.57%

LAB 56.34, 23.05, -7.13

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 27 / 28 / 0 / 34

HEX #7C79A9

RGB 124 121 169

HSL 243.75, 0.22%, 0.57%

LAB 52.76, 12.07, -25.15

 

CMYK 28 / 28 / 0 / 34

HEX #7979A9

RGB 121 121 169

HSL 240, 0.22%, 0.57%

LAB 52.51, 11.14, -25.54

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 29 / 45 / 0 / 27

HEX #8467BB

RGB 132 103 187

HSL 260.71, 0.38%, 0.57%

LAB 49.73, 29.77, -40.24

 

CMYK 38 / 58 / 0 / 20

HEX #7F55CC

RGB 127 85 204

HSL 261.18, 0.54%, 0.57%

LAB 46.14, 43.3, -55.82

 

CMYK 45 / 69 / 0 / 13

HEX #7944DE

RGB 121 68 222

HSL 260.65, 0.7%, 0.57%

LAB 43.47, 55.87, -70.48

 

CMYK 52 / 79 / 0 / 6

HEX #7432F0

RGB 116 50 240

HSL 260.84, 0.86%, 0.57%

LAB 41.67, 67.78, -83.67

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 5 / 9 / 0 / 41

HEX #8F8A97

RGB 143 138 151

HSL 263.08, 0.06%, 0.57%

LAB 58.27, 4.43, -6.25

 

CMYK 5 / 0 / 15 / 39

HEX #949C85

RGB 148 156 133

HSL 80.87, 0.1%, 0.57%

LAB 63.15, -7.15, 11.08

 

CMYK 11 / 0 / 33 / 32

HEX #9AAE74

RGB 154 174 116

HSL 80.69, 0.26%, 0.57%

LAB 68.32, -17, 27.54

 

CMYK 17 / 0 / 49 / 25

HEX #9FC062

RGB 159 192 98

HSL 81.06, 0.43%, 0.57%

LAB 73.51, -26.26, 43.44

 

CMYK 28 / 23 / 0 / 34

HEX #7982A9

RGB 121 130 169

HSL 228.75, 0.22%, 0.57%

LAB 54.96, 5.83, -21.77

 

CMYK 27 / 28 / 0 / 34

HEX #7C79A9

RGB 124 121 169

HSL 243.75, 0.22%, 0.57%

LAB 52.76, 12.07, -25.15

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 11 / 28 / 0 / 34

HEX #9679A9

RGB 150 121 169

HSL 276.25, 0.22%, 0.57%

LAB 55.1, 20.51, -21.35

 

CMYK 4 / 28 / 0 / 34

HEX #A379A9

RGB 163 121 169

HSL 292.5, 0.22%, 0.57%

LAB 56.41, 24.88, -19.22

 

CMYK 23 / 36 / 0 / 51

HEX #61517E

RGB 97 81 126

HSL 261.33, 0.22%, 0.41%

LAB 37.72, 16.73, -23.01

 

CMYK 24 / 36 / 0 / 40

HEX #746198

RGB 116 97 152

HSL 260.73, 0.22%, 0.49%

LAB 44.98, 19.65, -27.28

 

CMYK 19 / 28 / 0 / 34

HEX #8979A9

RGB 137 121 169

HSL 260, 0.22%, 0.57%

LAB 53.88, 16.22, -23.33

 

CMYK 14 / 21 / 0 / 27

HEX #9F92B9

RGB 159 146 185

HSL 260, 0.22%, 0.65%

LAB 62.87, 12.65, -18.53

 

CMYK 9 / 15 / 0 / 21

HEX #B6ABC9

RGB 182 171 201

HSL 262, 0.22%, 0.73%

LAB 71.75, 9.72, -13.83

 

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

CMYK 0 / 28 / 15 / 34

HEX #A9798F

RGB 169 121 143

HSL 332.5, 0.22%, 0.57%

LAB 56.18, 22.19, -4.46

 

CMYK 27 / 0 / 28 / 34

HEX #7CA979

RGB 124 169 121

HSL 116.25, 0.22%, 0.57%

LAB 65, -24.75, 20.03

 

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

CMYK 0 / 19 / 28 / 34

HEX #A98979

RGB 169 137 121

HSL 20, 0.22%, 0.57%

LAB 59.62, 9.71, 13.17

 

CMYK 28 / 0 / 19 / 34

HEX #79A989

RGB 121 169 137

HSL 140, 0.22%, 0.57%

LAB 65.16, -22.81, 11.43

 

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

CMYK 0 / 28 / 15 / 34

HEX #A9798F

RGB 169 121 143

HSL 332.5, 0.22%, 0.57%

LAB 56.18, 22.19, -4.46

 

CMYK 9 / 0 / 28 / 34

HEX #99A979

RGB 153 169 121

HSL 80, 0.22%, 0.57%

LAB 66.92, -14.08, 22.97

 

CMYK 28 / 0 / 14 / 34

HEX #79A992

RGB 121 169 146

HSL 151.25, 0.22%, 0.57%

LAB 65.37, -20.99, 6.74

 

CMYK 19 / 29 / 0 / 33

HEX #8A79AA

RGB 138 121 170

HSL 260.82, 0.22%, 0.57%

LAB 54.01, 16.78, -23.7

 

CMYK 0 / 28 / 24 / 34

HEX #A97981

RGB 169 121 129

HSL 350, 0.22%, 0.57%

LAB 55.78, 19.94, 3.1

 

CMYK 9 / 0 / 28 / 34

HEX #99A979

RGB 153 169 121

HSL 80, 0.22%, 0.57%

LAB 66.92, -14.08, 22.97

 

CMYK 28 / 0 / 5 / 34

HEX #79A9A1

RGB 121 169 161

HSL 170, 0.22%, 0.57%

LAB 65.76, -17.73, -1.04

 

Description

Color code: HEX #8A79AA | qconv.com Color code: HEX #8A79AA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 121 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 121 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 29 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 29% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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