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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A574F it is the complementary color #75A8B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A574F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A574F shade: #8F574A, #A0695D, #B17B70, #C28D83 and #D39F96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A574F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A574F shade: #8A574F, #79453C, #683329, #572116 and #460F03

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A574F shade: #8B5850 and #8B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A574F shade: #8B5850, #8B6850, #8B7850, #8B8750 and #7E8B50

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A574F shade matches the following richer shades: #8B5850, #9C4B3E, #AE3E2C, #C0311A and #D22409

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A574F shade: #8B5850, #796561, #677173, #567E85 and #448B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A574F shade: #8B5067, #8B5057, #8B5750, #8B6750 and #8B7750

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A574F shade: #563631, #714740, #8B5850, #A36960 and #B3827A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A574F shade: #8A574F, #778B50 and #505F8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A574F shade: #8A574F, #508B57 and #57508B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A574F shade: #8A574F, #778B50, #50838B and #63508B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A574F shade: #8A574F, #658B50, #50838B and #75508B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

Complementary color

CMYK 34 / 5 / 0 / 31

HEX #75A8B0

RGB 117 168 176

HSL 188.14, 0.27%, 0.57%

LAB 65.69, -14.82, -9.53

 

CMYK 0 / 39 / 48 / 44

HEX #8F574A

RGB 143 87 74

HSL 11.3, 0.32%, 0.43%

LAB 42.99, 21.65, 17.33

 

CMYK 0 / 34 / 42 / 37

HEX #A0695D

RGB 160 105 93

HSL 10.75, 0.26%, 0.5%

LAB 49.94, 20.55, 15.8

 

CMYK 0 / 31 / 37 / 31

HEX #B17B70

RGB 177 123 112

HSL 10.15, 0.29%, 0.57%

LAB 56.77, 19.6, 14.46

 

CMYK 0 / 27 / 32 / 24

HEX #C28D83

RGB 194 141 131

HSL 9.52, 0.34%, 0.64%

LAB 63.47, 18.77, 13.28

 

CMYK 0 / 25 / 29 / 17

HEX #D39F96

RGB 211 159 150

HSL 8.85, 0.41%, 0.71%

LAB 70.07, 18.04, 12.21

 

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

CMYK 0 / 43 / 50 / 53

HEX #79453C

RGB 121 69 60

HSL 8.85, 0.34%, 0.35%

LAB 35.3, 21.29, 15.08

 

CMYK 0 / 51 / 61 / 59

HEX #683329

RGB 104 51 41

HSL 9.52, 0.43%, 0.28%

LAB 28.04, 22.66, 17.11

 

CMYK 0 / 62 / 75 / 66

HEX #572116

RGB 87 33 22

HSL 10.15, 0.6%, 0.21%

LAB 20.72, 24.19, 19.71

 

CMYK 0 / 79 / 96 / 73

HEX #460F03

RGB 70 15 3

HSL 10.75, 0.92%, 0.14%

LAB 13.53, 25.51, 19.59

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 0 / 42 / 42 / 45

HEX #8B5050

RGB 139 80 80

HSL 0, 0.27%, 0.43%

LAB 40.91, 24.7, 10.74

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 0 / 25 / 42 / 45

HEX #8B6850

RGB 139 104 80

HSL 24.41, 0.27%, 0.43%

LAB 46.93, 10.7, 18.96

 

CMYK 0 / 14 / 42 / 45

HEX #8B7850

RGB 139 120 80

HSL 40.68, 0.27%, 0.43%

LAB 51.27, 1.44, 24.67

 

CMYK 0 / 3 / 42 / 45

HEX #8B8750

RGB 139 135 80

HSL 55.93, 0.27%, 0.43%

LAB 55.48, -6.98, 30.06

 

CMYK 9 / 0 / 42 / 45

HEX #7E8B50

RGB 126 139 80

HSL 73.22, 0.27%, 0.43%

LAB 55.56, -14.66, 29.94

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 0 / 52 / 60 / 39

HEX #9C4B3E

RGB 156 75 62

HSL 8.3, 0.43%, 0.43%

LAB 41.92, 32.59, 23.5

 

CMYK 0 / 64 / 75 / 32

HEX #AE3E2C

RGB 174 62 44

HSL 8.31, 0.6%, 0.43%

LAB 42.19, 44.73, 35.06

 

CMYK 0 / 74 / 86 / 25

HEX #C0311A

RGB 192 49 26

HSL 8.31, 0.76%, 0.43%

LAB 43.47, 55.33, 46.74

 

CMYK 0 / 83 / 96 / 18

HEX #D22409

RGB 210 36 9

HSL 8.06, 0.92%, 0.43%

LAB 45.61, 64.16, 56.1

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 0 / 17 / 20 / 53

HEX #796561

RGB 121 101 97

HSL 10, 0.11%, 0.43%

LAB 44.57, 7.3, 5.24

 

CMYK 10 / 2 / 0 / 55

HEX #677173

RGB 103 113 115

HSL 190, 0.06%, 0.43%

LAB 46.88, -3.32, -2.4

 

CMYK 35 / 5 / 0 / 48

HEX #567E85

RGB 86 126 133

HSL 188.94, 0.21%, 0.43%

LAB 50.21, -12.02, -8.25

 

CMYK 55 / 8 / 0 / 41

HEX #448B97

RGB 68 139 151

HSL 188.67, 0.38%, 0.43%

LAB 53.95, -18.69, -13.2

 

CMYK 0 / 42 / 26 / 45

HEX #8B5067

RGB 139 80 103

HSL 336.61, 0.27%, 0.43%

LAB 41.54, 27.85, -2.56

 

CMYK 0 / 42 / 37 / 45

HEX #8B5057

RGB 139 80 87

HSL 352.88, 0.27%, 0.43%

LAB 41.08, 25.58, 6.66

 

CMYK 0 / 37 / 42 / 45

HEX #8B5750

RGB 139 87 80

HSL 7.12, 0.27%, 0.43%

LAB 42.59, 20.65, 13.07

 

CMYK 0 / 26 / 42 / 45

HEX #8B6750

RGB 139 103 80

HSL 23.39, 0.27%, 0.43%

LAB 46.67, 11.29, 18.6

 

CMYK 0 / 14 / 42 / 45

HEX #8B7750

RGB 139 119 80

HSL 39.66, 0.27%, 0.43%

LAB 50.99, 2.01, 24.31

 

CMYK 0 / 37 / 43 / 66

HEX #563631

RGB 86 54 49

HSL 8.11, 0.27%, 0.26%

LAB 26.27, 13.64, 9.05

 

CMYK 0 / 37 / 43 / 56

HEX #714740

RGB 113 71 64

HSL 8.57, 0.28%, 0.35%

LAB 34.78, 17.09, 11.68

 

CMYK 0 / 37 / 42 / 45

HEX #8B5850

RGB 139 88 80

HSL 8.14, 0.27%, 0.43%

LAB 42.83, 20.07, 13.4

 

CMYK 0 / 36 / 41 / 36

HEX #A36960

RGB 163 105 96

HSL 8.06, 0.27%, 0.51%

LAB 50.37, 22.13, 14.69

 

CMYK 0 / 27 / 32 / 30

HEX #B3827A

RGB 179 130 122

HSL 8.42, 0.27%, 0.59%

LAB 58.93, 17.78, 11.78

 

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

CMYK 14 / 0 / 42 / 45

HEX #778B50

RGB 119 139 80

HSL 80.34, 0.27%, 0.43%

LAB 55.04, -17.54, 29.17

 

CMYK 42 / 32 / 0 / 45

HEX #505F8B

RGB 80 95 139

HSL 224.75, 0.27%, 0.43%

LAB 40.82, 6.33, -26.2

 

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

CMYK 42 / 0 / 37 / 45

HEX #508B57

RGB 80 139 87

HSL 127.12, 0.27%, 0.43%

LAB 52.79, -30.84, 21.95

 

CMYK 37 / 42 / 0 / 45

HEX #57508B

RGB 87 80 139

HSL 247.12, 0.27%, 0.43%

LAB 37.17, 17.85, -31.9

 

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

CMYK 14 / 0 / 42 / 45

HEX #778B50

RGB 119 139 80

HSL 80.34, 0.27%, 0.43%

LAB 55.04, -17.54, 29.17

 

CMYK 42 / 6 / 0 / 45

HEX #50838B

RGB 80 131 139

HSL 188.14, 0.27%, 0.43%

LAB 51.61, -14.87, -9.7

 

CMYK 29 / 42 / 0 / 45

HEX #63508B

RGB 99 80 139

HSL 259.32, 0.27%, 0.43%

LAB 38.29, 21.42, -30.05

 

CMYK 0 / 37 / 43 / 46

HEX #8A574F

RGB 138 87 79

HSL 8.14, 0.27%, 0.43%

LAB 42.44, 20.11, 13.44

 

CMYK 27 / 0 / 42 / 45

HEX #658B50

RGB 101 139 80

HSL 98.64, 0.27%, 0.43%

LAB 53.83, -24.62, 27.37

 

CMYK 42 / 6 / 0 / 45

HEX #50838B

RGB 80 131 139

HSL 188.14, 0.27%, 0.43%

LAB 51.61, -14.87, -9.7

 

CMYK 16 / 42 / 0 / 45

HEX #75508B

RGB 117 80 139

HSL 277.63, 0.27%, 0.43%

LAB 40.22, 27.07, -26.9

 

Description

Color code: HEX #8A574F | qconv.com Color code: HEX #8A574F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 87 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 87 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 43 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 43% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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