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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A56B8 it is the complementary color #75A947. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A56B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A56B8 shade: #8F56B3, #A068C6, #B17AD9, #C28CEC and #D39EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A56B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A56B8 shade: #8A56B8, #7944A5, #683292, #57207F and #460E6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A56B8 shade: #8A56B8, #A456B8, #B856B1, #B85696 and #B8567C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A56B8 shade: #8A56B8, #6F56B8 and #5656B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A56B8 shade matches the following richer shades: #8A56B8, #8B42CB, #8C2FDF and #8D1BF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A56B8 shade: #8A56B8, #8869A4, #877C91, #86907E and #85A36A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A56B8 shade: #5657B8, #6E56B8, #8856B8, #A256B8 and #B856B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A56B8 shade: #603784, #7543A1, #8A56B8, #9E73C4 and #B290D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A56B8 shade: #8A56B8, #B85671 and #56B861

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A56B8 shade: #8A56B8, #B88856 and #56B888

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A56B8 shade: #8A56B8, #B85671, #85B856 and #56B89C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A56B8 shade: #8A56B8, #B85756, #85B856 and #56B6B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

Complementary color

CMYK 31 / 0 / 58 / 34

HEX #75A947

RGB 117 169 71

HSL 91.84, 0.41%, 0.47%

LAB 63.85, -34.12, 44.34

 

CMYK 20 / 52 / 0 / 30

HEX #8F56B3

RGB 143 86 179

HSL 276.77, 0.38%, 0.52%

LAB 46.64, 40.62, -40.4

 

CMYK 19 / 47 / 0 / 22

HEX #A068C6

RGB 160 104 198

HSL 275.74, 0.45%, 0.59%

LAB 53.44, 39.76, -40.52

 

CMYK 18 / 44 / 0 / 15

HEX #B17AD9

RGB 177 122 217

HSL 274.74, 0.56%, 0.66%

LAB 60.14, 38.92, -40.62

 

CMYK 18 / 41 / 0 / 7

HEX #C28CEC

RGB 194 140 236

HSL 273.75, 0.72%, 0.74%

LAB 66.73, 38.12, -40.71

 

CMYK 17 / 38 / 0 / 0

HEX #D39EFF

RGB 211 158 255

HSL 272.78, 1%, 0.81%

LAB 73.23, 37.36, -40.8

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 27 / 59 / 0 / 35

HEX #7944A5

RGB 121 68 165

HSL 272.78, 0.42%, 0.46%

LAB 39.44, 41.33, -43.76

 

CMYK 29 / 66 / 0 / 43

HEX #683292

RGB 104 50 146

HSL 273.75, 0.49%, 0.38%

LAB 32.48, 42.13, -43.55

 

CMYK 31 / 75 / 0 / 50

HEX #57207F

RGB 87 32 127

HSL 274.74, 0.6%, 0.31%

LAB 25.54, 42.59, -43.07

 

CMYK 35 / 87 / 0 / 58

HEX #460E6C

RGB 70 14 108

HSL 275.74, 0.77%, 0.24%

LAB 18.8, 42.11, -41.96

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 11 / 53 / 0 / 28

HEX #A456B8

RGB 164 86 184

HSL 287.76, 0.41%, 0.53%

LAB 49.51, 47.5, -38.62

 

CMYK 0 / 53 / 4 / 28

HEX #B856B1

RGB 184 86 177

HSL 304.29, 0.41%, 0.53%

LAB 51.86, 51.79, -30.67

 

CMYK 0 / 53 / 18 / 28

HEX #B85696

RGB 184 86 150

HSL 320.82, 0.41%, 0.53%

LAB 50.74, 47.37, -16.53

 

CMYK 0 / 53 / 33 / 28

HEX #B8567C

RGB 184 86 124

HSL 336.73, 0.41%, 0.53%

LAB 49.86, 43.72, -2.35

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 40 / 53 / 0 / 28

HEX #6F56B8

RGB 111 86 184

HSL 255.31, 0.41%, 0.53%

LAB 43.5, 33.48, -48.54

 

CMYK 53 / 53 / 0 / 28

HEX #5656B8

RGB 86 86 184

HSL 240, 0.41%, 0.53%

LAB 41.37, 27.75, -52.08

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 32 / 67 / 0 / 20

HEX #8B42CB

RGB 139 66 203

HSL 271.97, 0.57%, 0.53%

LAB 43.8, 55.52, -58.95

 

CMYK 37 / 79 / 0 / 13

HEX #8C2FDF

RGB 140 47 223

HSL 271.7, 0.73%, 0.53%

LAB 42.67, 68.13, -72.27

 

CMYK 42 / 89 / 0 / 5

HEX #8D1BF2

RGB 141 27 242

HSL 271.81, 0.89%, 0.53%

LAB 42.55, 77.95, -83.24

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 17 / 36 / 0 / 36

HEX #8869A4

RGB 136 105 164

HSL 271.53, 0.24%, 0.53%

LAB 49.52, 24.15, -27.16

 

CMYK 7 / 14 / 0 / 43

HEX #877C91

RGB 135 124 145

HSL 271.43, 0.09%, 0.53%

LAB 53.61, 8.38, -9.81

 

CMYK 7 / 0 / 13 / 44

HEX #86907E

RGB 134 144 126

HSL 93.33, 0.08%, 0.53%

LAB 58.53, -7.11, 8.33

 

CMYK 18 / 0 / 35 / 36

HEX #85A36A

RGB 133 163 106

HSL 91.58, 0.24%, 0.53%

LAB 63.53, -20.84, 26.3

 

CMYK 53 / 53 / 0 / 28

HEX #5657B8

RGB 86 87 184

HSL 239.39, 0.41%, 0.53%

LAB 41.62, 27.13, -51.67

 

CMYK 40 / 53 / 0 / 28

HEX #6E56B8

RGB 110 86 184

HSL 254.69, 0.41%, 0.53%

LAB 43.41, 33.23, -48.69

 

CMYK 26 / 53 / 0 / 28

HEX #8856B8

RGB 136 86 184

HSL 270.61, 0.41%, 0.53%

LAB 46.11, 39.89, -44.22

 

CMYK 12 / 53 / 0 / 28

HEX #A256B8

RGB 162 86 184

HSL 286.53, 0.41%, 0.53%

LAB 49.25, 46.95, -39.04

 

CMYK 0 / 53 / 3 / 28

HEX #B856B3

RGB 184 86 179

HSL 303.06, 0.41%, 0.53%

LAB 51.95, 52.14, -31.69

 

CMYK 27 / 58 / 0 / 48

HEX #603784

RGB 96 55 132

HSL 271.95, 0.41%, 0.37%

LAB 31.54, 33.87, -36.47

 

CMYK 27 / 58 / 0 / 37

HEX #7543A1

RGB 117 67 161

HSL 271.91, 0.41%, 0.45%

LAB 38.5, 39.88, -42.9

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 19 / 41 / 0 / 23

HEX #9E73C4

RGB 158 115 196

HSL 271.85, 0.41%, 0.61%

LAB 55.6, 32.55, -36

 

CMYK 14 / 31 / 0 / 18

HEX #B290D0

RGB 178 144 208

HSL 271.88, 0.41%, 0.69%

LAB 64.94, 24.95, -28.11

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 0 / 53 / 39 / 28

HEX #B85671

RGB 184 86 113

HSL 343.47, 0.41%, 0.53%

LAB 49.54, 42.38, 3.79

 

CMYK 53 / 0 / 47 / 28

HEX #56B861

RGB 86 184 97

HSL 126.73, 0.41%, 0.53%

LAB 67.37, -47.16, 35.51

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 0 / 26 / 53 / 28

HEX #B88856

RGB 184 136 86

HSL 30.61, 0.41%, 0.53%

LAB 60.31, 12.45, 33.84

 

CMYK 53 / 0 / 26 / 28

HEX #56B888

RGB 86 184 136

HSL 150.61, 0.41%, 0.53%

LAB 68.05, -40.12, 15.8

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 0 / 53 / 39 / 28

HEX #B85671

RGB 184 86 113

HSL 343.47, 0.41%, 0.53%

LAB 49.54, 42.38, 3.79

 

CMYK 28 / 0 / 53 / 28

HEX #85B856

RGB 133 184 86

HSL 91.22, 0.41%, 0.53%

LAB 69.43, -33.58, 43.97

 

CMYK 53 / 0 / 15 / 28

HEX #56B89C

RGB 86 184 156

HSL 162.86, 0.41%, 0.53%

LAB 68.5, -35.64, 5.51

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B8

RGB 138 86 184

HSL 271.84, 0.41%, 0.53%

LAB 46.34, 40.43, -43.84

 

CMYK 0 / 53 / 53 / 28

HEX #B85756

RGB 184 87 86

HSL 0.61, 0.41%, 0.53%

LAB 49.1, 39.12, 19.37

 

CMYK 28 / 0 / 53 / 28

HEX #85B856

RGB 133 184 86

HSL 91.22, 0.41%, 0.53%

LAB 69.43, -33.58, 43.97

 

CMYK 53 / 1 / 0 / 28

HEX #56B6B8

RGB 86 182 184

HSL 181.22, 0.41%, 0.53%

LAB 68.68, -27.53, -9.65

 

Description

Color code: HEX #8A56B8 | qconv.com Color code: HEX #8A56B8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 86 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 86 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 53 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 53% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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