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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A4943 it is the complementary color #75B6BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A4943. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A4943 shade: #8F493E, #A05B51, #B16D64, #C27F77 and #D3918A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A4943. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A4943 shade: #8A4943, #793730, #68251D, #57130A and #460100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A4943 shade: #894842 and #894242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A4943 shade: #894842, #895B42, #896E42, #898242 and #7E8942

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A4943 shade matches the following richer shades: #894842, #9A3A31, #AA2C21, #BB1F10 and #CB1100

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A4943 shade: #894842, #795652, #686363, #587173 and #477F84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A4943 shade: #894262, #89424F, #894842, #895B42 and #896E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A4943 shade: #522B27, #6D3934, #894842, #A5564F and #B66E68

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A4943 shade: #8A4943, #758942 and #425889

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A4943 shade: #8A4943, #428948 and #484289

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A4943 shade: #8A4943, #758942, #428389 and #564289

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A4943 shade: #8A4943, #608942, #428389 and #6B4289

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

Complementary color

CMYK 38 / 3 / 0 / 26

HEX #75B6BC

RGB 117 182 188

HSL 185.07, 0.35%, 0.6%

LAB 70.08, -19.13, -9.61

 

CMYK 0 / 49 / 57 / 44

HEX #8F493E

RGB 143 73 62

HSL 8.15, 0.4%, 0.4%

LAB 39.5, 28.43, 20

 

CMYK 0 / 43 / 49 / 37

HEX #A05B51

RGB 160 91 81

HSL 7.59, 0.33%, 0.47%

LAB 46.38, 27.15, 18.08

 

CMYK 0 / 38 / 44 / 31

HEX #B16D64

RGB 177 109 100

HSL 7.01, 0.33%, 0.54%

LAB 53.17, 26, 16.47

 

CMYK 0 / 35 / 39 / 24

HEX #C27F77

RGB 194 127 119

HSL 6.4, 0.38%, 0.61%

LAB 59.87, 24.99, 15.07

 

CMYK 0 / 31 / 35 / 17

HEX #D3918A

RGB 211 145 138

HSL 5.75, 0.45%, 0.68%

LAB 66.47, 24.08, 13.82

 

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

CMYK 0 / 55 / 60 / 53

HEX #793730

RGB 121 55 48

HSL 5.75, 0.43%, 0.33%

LAB 31.83, 28.17, 18.08

 

CMYK 0 / 64 / 72 / 59

HEX #68251D

RGB 104 37 29

HSL 6.4, 0.56%, 0.26%

LAB 24.81, 29.52, 20.82

 

CMYK 0 / 78 / 89 / 66

HEX #57130A

RGB 87 19 10

HSL 7.01, 0.79%, 0.19%

LAB 17.98, 30.55, 23.13

 

CMYK 0 / 99 / 100 / 73

HEX #460100

RGB 70 1 0

HSL 0.86, 1%, 0.14%

LAB 11.44, 31.14, 17.98

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 52 / 52 / 46

HEX #894242

RGB 137 66 66

HSL 0, 0.35%, 0.4%

LAB 37.13, 30.24, 14.2

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 34 / 52 / 46

HEX #895B42

RGB 137 91 66

HSL 21.13, 0.35%, 0.4%

LAB 43.05, 15.9, 22.05

 

CMYK 0 / 20 / 52 / 46

HEX #896E42

RGB 137 110 66

HSL 37.18, 0.35%, 0.4%

LAB 48.09, 4.79, 28.44

 

CMYK 0 / 5 / 52 / 46

HEX #898242

RGB 137 130 66

HSL 54.08, 0.35%, 0.4%

LAB 53.68, -6.56, 35.27

 

CMYK 8 / 0 / 52 / 46

HEX #7E8942

RGB 126 137 66

HSL 69.3, 0.35%, 0.4%

LAB 54.78, -15.16, 36.35

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 62 / 68 / 40

HEX #9A3A31

RGB 154 58 49

HSL 5.14, 0.52%, 0.4%

LAB 38.05, 39.56, 26.45

 

CMYK 0 / 74 / 81 / 33

HEX #AA2C21

RGB 170 44 33

HSL 4.82, 0.67%, 0.4%

LAB 38.65, 50.25, 37.22

 

CMYK 0 / 83 / 91 / 27

HEX #BB1F10

RGB 187 31 16

HSL 5.26, 0.84%, 0.4%

LAB 40.54, 58.92, 48.35

 

CMYK 0 / 92 / 100 / 20

HEX #CB1100

RGB 203 17 0

HSL 5.02, 1%, 0.4%

LAB 42.91, 65.71, 56.82

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 29 / 32 / 53

HEX #795652

RGB 121 86 82

HSL 6.15, 0.19%, 0.4%

LAB 40.13, 13.92, 8.08

 

CMYK 0 / 5 / 5 / 59

HEX #686363

RGB 104 99 99

HSL 0, 0.02%, 0.4%

LAB 42.41, 1.97, 0.7

 

CMYK 23 / 2 / 0 / 55

HEX #587173

RGB 88 113 115

HSL 184.44, 0.13%, 0.4%

LAB 45.8, -8.61, -4.12

 

CMYK 46 / 4 / 0 / 48

HEX #477F84

RGB 71 127 132

HSL 184.92, 0.3%, 0.4%

LAB 49.72, -17.01, -8.48

 

CMYK 0 / 52 / 28 / 46

HEX #894262

RGB 137 66 98

HSL 332.96, 0.35%, 0.4%

LAB 38.02, 34.15, -4.7

 

CMYK 0 / 52 / 42 / 46

HEX #89424F

RGB 137 66 79

HSL 349.01, 0.35%, 0.4%

LAB 37.44, 31.65, 6.45

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 34 / 52 / 46

HEX #895B42

RGB 137 91 66

HSL 21.13, 0.35%, 0.4%

LAB 43.05, 15.9, 22.05

 

CMYK 0 / 20 / 52 / 46

HEX #896E42

RGB 137 110 66

HSL 37.18, 0.35%, 0.4%

LAB 48.09, 4.79, 28.44

 

CMYK 0 / 48 / 52 / 68

HEX #522B27

RGB 82 43 39

HSL 5.58, 0.36%, 0.24%

LAB 22.54, 17.52, 10.54

 

CMYK 0 / 48 / 52 / 57

HEX #6D3934

RGB 109 57 52

HSL 5.26, 0.35%, 0.32%

LAB 30.46, 22.36, 13.36

 

CMYK 0 / 47 / 52 / 46

HEX #894842

RGB 137 72 66

HSL 5.07, 0.35%, 0.4%

LAB 38.46, 26.9, 15.99

 

CMYK 0 / 48 / 52 / 35

HEX #A5564F

RGB 165 86 79

HSL 4.88, 0.35%, 0.48%

LAB 45.93, 31.71, 18.81

 

CMYK 0 / 40 / 43 / 29

HEX #B66E68

RGB 182 110 104

HSL 4.62, 0.35%, 0.56%

LAB 54.13, 27.88, 15.55

 

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

CMYK 15 / 0 / 52 / 46

HEX #758942

RGB 117 137 66

HSL 76.9, 0.35%, 0.4%

LAB 54.1, -18.97, 35.37

 

CMYK 52 / 36 / 0 / 46

HEX #425889

RGB 66 88 137

HSL 221.41, 0.35%, 0.4%

LAB 37.74, 6.36, -29.89

 

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

CMYK 52 / 0 / 47 / 46

HEX #428948

RGB 66 137 72

HSL 125.07, 0.35%, 0.4%

LAB 51.29, -36.7, 28.1

 

CMYK 47 / 52 / 0 / 46

HEX #484289

RGB 72 66 137

HSL 245.07, 0.35%, 0.4%

LAB 31.99, 22.19, -38.99

 

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

CMYK 15 / 0 / 52 / 46

HEX #758942

RGB 117 137 66

HSL 76.9, 0.35%, 0.4%

LAB 54.1, -18.97, 35.37

 

CMYK 52 / 4 / 0 / 46

HEX #428389

RGB 66 131 137

HSL 185.07, 0.35%, 0.4%

LAB 50.92, -18.97, -9.63

 

CMYK 37 / 52 / 0 / 46

HEX #564289

RGB 86 66 137

HSL 256.9, 0.35%, 0.4%

LAB 33.31, 25.85, -36.81

 

CMYK 0 / 47 / 51 / 46

HEX #8A4943

RGB 138 73 67

HSL 5.07, 0.35%, 0.4%

LAB 38.85, 26.85, 15.93

 

CMYK 30 / 0 / 52 / 46

HEX #608942

RGB 96 137 66

HSL 94.65, 0.35%, 0.4%

LAB 52.7, -27.4, 33.35

 

CMYK 52 / 4 / 0 / 46

HEX #428389

RGB 66 131 137

HSL 185.07, 0.35%, 0.4%

LAB 50.92, -18.97, -9.63

 

CMYK 22 / 52 / 0 / 46

HEX #6B4289

RGB 107 66 137

HSL 274.65, 0.35%, 0.4%

LAB 35.65, 31.82, -32.94

 

Description

Color code: HEX #8A4943 | qconv.com Color code: HEX #8A4943 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 73 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 73 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 47 magenta, 51 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 47% 51% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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