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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8A0389 it is the complementary color #75FC76. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8A0389. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8A0389 shade: #8F0384, #A01597, #B127AA, #C239BD and #D34BD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8A0389. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8A0389 shade: #8A0389, #790076, #680063, #570050 and #46003D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8A0389 shade: #8B028A, #8B0265, #8B0241, #8B021C and #8B0202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8A0389 shade: #8B028A, #67028B, #43028B, #1E028B and #02028B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8A0389 shade matches the following richer shades: #8B028A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8A0389 shade: #8B028A, #800E7F, #741974, #692568 and #5D315D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8A0389 shade: #42028B, #67028B, #8B028B, #8B0267 and #8B0242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8A0389 shade: #3B013A, #630262, #8B028A, #B403B3 and #DC04DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8A0389 shade: #8A0389, #8B1E02 and #028B55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8A0389 shade: #8A0389, #8B8B02 and #028B8B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8A0389 shade: #8A0389, #8B1E02, #028B02 and #02708B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8A0389 shade: #8A0389, #8B4702, #028B02 and #02478B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

Complementary color

CMYK 54 / 0 / 53 / 1

HEX #75FC76

RGB 117 252 118

HSL 120.44, 0.96%, 0.72%

LAB 89.26, -62.8, 52.55

 

CMYK 0 / 98 / 8 / 44

HEX #8F0384

RGB 143 3 132

HSL 304.71, 0.96%, 0.29%

LAB 33.07, 61.8, -33.59

 

CMYK 0 / 87 / 6 / 37

HEX #A01597

RGB 160 21 151

HSL 303.88, 0.77%, 0.35%

LAB 38.28, 65.17, -36.82

 

CMYK 0 / 78 / 4 / 31

HEX #B127AA

RGB 177 39 170

HSL 303.04, 0.64%, 0.42%

LAB 43.8, 67.28, -39.29

 

CMYK 0 / 71 / 3 / 24

HEX #C239BD

RGB 194 57 189

HSL 302.19, 0.55%, 0.49%

LAB 49.58, 68.38, -41.13

 

CMYK 0 / 64 / 1 / 17

HEX #D34BD0

RGB 211 75 208

HSL 301.32, 0.61%, 0.56%

LAB 55.52, 68.8, -42.51

 

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

CMYK 0 / 100 / 2 / 53

HEX #790076

RGB 121 0 118

HSL 301.49, 1%, 0.24%

LAB 27.77, 56.13, -33.45

 

CMYK 0 / 100 / 5 / 59

HEX #680063

RGB 104 0 99

HSL 302.88, 1%, 0.2%

LAB 23.15, 50.02, -28.73

 

CMYK 0 / 100 / 8 / 66

HEX #570050

RGB 87 0 80

HSL 304.83, 1%, 0.17%

LAB 18.39, 43.73, -23.8

 

CMYK 0 / 100 / 13 / 73

HEX #46003D

RGB 70 0 61

HSL 307.71, 1%, 0.14%

LAB 13.47, 37.22, -18.62

 

CMYK 0 / 99 / 1 / 45

HEX #8B028A

RGB 139 2 138

HSL 300.44, 0.97%, 0.28%

LAB 32.63, 62.13, -38.07

 

CMYK 0 / 99 / 27 / 45

HEX #8B0265

RGB 139 2 101

HSL 316.64, 0.97%, 0.28%

LAB 30.57, 56.99, -17.87

 

CMYK 0 / 99 / 53 / 45

HEX #8B0241

RGB 139 2 65

HSL 332.41, 0.97%, 0.28%

LAB 29.19, 53.38, 3.86

 

CMYK 0 / 99 / 80 / 45

HEX #8B021C

RGB 139 2 28

HSL 348.61, 0.97%, 0.28%

LAB 28.42, 51.29, 27.51

 

CMYK 0 / 99 / 99 / 45

HEX #8B0202

RGB 139 2 2

HSL 0, 0.97%, 0.28%

LAB 28.21, 50.71, 40.59

 

CMYK 0 / 99 / 1 / 45

HEX #8B028A

RGB 139 2 138

HSL 300.44, 0.97%, 0.28%

LAB 32.63, 62.13, -38.07

 

CMYK 26 / 99 / 0 / 45

HEX #67028B

RGB 103 2 139

HSL 284.23, 0.97%, 0.28%

LAB 26.13, 56.59, -49.52

 

CMYK 52 / 99 / 0 / 45

HEX #43028B

RGB 67 2 139

HSL 268.47, 0.97%, 0.28%

LAB 20.44, 52.47, -59.07

 

CMYK 78 / 99 / 0 / 45

HEX #1E028B

RGB 30 2 139

HSL 252.26, 0.97%, 0.28%

LAB 16.42, 50.27, -65.87

 

CMYK 99 / 99 / 0 / 45

HEX #02028B

RGB 2 2 139

HSL 240, 0.97%, 0.28%

LAB 15.06, 49.72, -68.17

 

CMYK 0 / 99 / 1 / 45

HEX #8B028A

RGB 139 2 138

HSL 300.44, 0.97%, 0.28%

LAB 32.63, 62.13, -38.07

 

CMYK 0 / 99 / 1 / 45

HEX #8B028A

RGB 139 2 138

HSL 300.44, 0.97%, 0.28%

LAB 32.63, 62.13, -38.07

 

CMYK 0 / 89 / 1 / 50

HEX #800E7F

RGB 128 14 127

HSL 300.53, 0.8%, 0.28%

LAB 30.49, 56.52, -34.74

 

CMYK 0 / 78 / 0 / 55

HEX #741974

RGB 116 25 116

HSL 300, 0.65%, 0.28%

LAB 28.56, 49.37, -30.98

 

CMYK 0 / 65 / 1 / 59

HEX #692568

RGB 105 37 104

HSL 300.88, 0.48%, 0.28%

LAB 27.64, 39.66, -24.85

 

CMYK 0 / 47 / 0 / 64

HEX #5D315D

RGB 93 49 93

HSL 300, 0.31%, 0.28%

LAB 27.61, 27.32, -17.9

 

CMYK 53 / 99 / 0 / 45

HEX #42028B

RGB 66 2 139

HSL 268.03, 0.97%, 0.28%

LAB 20.31, 52.38, -59.3

 

CMYK 26 / 99 / 0 / 45

HEX #67028B

RGB 103 2 139

HSL 284.23, 0.97%, 0.28%

LAB 26.13, 56.59, -49.52

 

CMYK 0 / 99 / 0 / 45

HEX #8B028B

RGB 139 2 139

HSL 300, 0.97%, 0.28%

LAB 32.69, 62.28, -38.59

 

CMYK 0 / 99 / 26 / 45

HEX #8B0267

RGB 139 2 103

HSL 315.77, 0.97%, 0.28%

LAB 30.67, 57.23, -19.01

 

CMYK 0 / 99 / 53 / 45

HEX #8B0242

RGB 139 2 66

HSL 331.97, 0.97%, 0.28%

LAB 29.22, 53.46, 3.23

 

CMYK 0 / 98 / 2 / 77

HEX #3B013A

RGB 59 1 58

HSL 301.03, 0.97%, 0.12%

LAB 10.97, 33.98, -20.59

 

CMYK 0 / 98 / 1 / 61

HEX #630262

RGB 99 2 98

HSL 300.62, 0.96%, 0.2%

LAB 22.22, 48.47, -29.6

 

CMYK 0 / 99 / 1 / 45

HEX #8B028A

RGB 139 2 138

HSL 300.44, 0.97%, 0.28%

LAB 32.63, 62.13, -38.07

 

CMYK 0 / 98 / 1 / 29

HEX #B403B3

RGB 180 3 179

HSL 300.34, 0.97%, 0.36%

LAB 42.8, 75.21, -46.19

 

CMYK 0 / 98 / 0 / 14

HEX #DC04DB

RGB 220 4 219

HSL 300.28, 0.96%, 0.44%

LAB 52.31, 87.46, -53.79

 

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

CMYK 0 / 78 / 99 / 45

HEX #8B1E02

RGB 139 30 2

HSL 12.26, 0.97%, 0.28%

LAB 30.45, 44.34, 42.34

 

CMYK 99 / 0 / 39 / 45

HEX #028B55

RGB 2 139 85

HSL 156.35, 0.97%, 0.28%

LAB 50.84, -45.22, 20.13

 

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

CMYK 0 / 0 / 99 / 45

HEX #8B8B02

RGB 139 139 2

HSL 60, 0.97%, 0.28%

LAB 56.05, -13.69, 59.83

 

CMYK 99 / 0 / 0 / 45

HEX #028B8B

RGB 2 139 139

HSL 180, 0.97%, 0.28%

LAB 52.22, -30.52, -8.98

 

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

CMYK 0 / 78 / 99 / 45

HEX #8B1E02

RGB 139 30 2

HSL 12.26, 0.97%, 0.28%

LAB 30.45, 44.34, 42.34

 

CMYK 99 / 0 / 99 / 45

HEX #028B02

RGB 2 139 2

HSL 120, 0.97%, 0.28%

LAB 50.08, -54.67, 52.62

 

CMYK 99 / 19 / 0 / 45

HEX #02708B

RGB 2 112 139

HSL 191.82, 0.97%, 0.28%

LAB 43.46, -16.52, -22.32

 

CMYK 0 / 98 / 1 / 46

HEX #8A0389

RGB 138 3 137

HSL 300.44, 0.96%, 0.28%

LAB 32.42, 61.65, -37.79

 

CMYK 0 / 49 / 99 / 45

HEX #8B4702

RGB 139 71 2

HSL 30.22, 0.97%, 0.28%

LAB 37.84, 24.95, 47.04

 

CMYK 99 / 0 / 99 / 45

HEX #028B02

RGB 2 139 2

HSL 120, 0.97%, 0.28%

LAB 50.08, -54.67, 52.62

 

CMYK 99 / 49 / 0 / 45

HEX #02478B

RGB 2 71 139

HSL 209.78, 0.97%, 0.28%

LAB 30.36, 9.14, -43.01

 

Description

Color code: HEX #8A0389 | qconv.com Color code: HEX #8A0389 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 138 red, 3 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
138 3 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 1 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 1% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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