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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF7BD it is the complementary color #730842. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF7BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF7BD shade: #91F7B8, #A2FFCB, #B3FFDE, #C4FFF1 and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF7BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF7BD shade: #8CF7BD, #7BE5AA, #6AD397, #59C184 and #48AF71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF7BD shade: #8CF7BD, #8CF7A0, #95F78C, #B1F78C and #CEF78C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF7BD shade: #8CF7BD, #8CF7DA, #8CF7F6, #8CDAF7 and #8CBDF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF7BD shade matches the following richer shades: #8CF7BD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF7BD shade: #8CF7BD, #96EDBE, #A0E3BE, #AAD9BF and #B4CFC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF7BD shade: #95F78C, #8CF7A0, #8CF7BC, #8CF7D8 and #8CF7F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF7BD shade: #3FF191, #65F4A7, #8CF7BD, #B3F9D3 and #D9FCE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF7BD shade: #8CF7BD, #8CB1F7 and #F7918C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF7BD shade: #8CF7BD, #BC8CF7 and #F7BC8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF7BD shade: #8CF7BD, #8CB1F7, #F78CC7 and #F7D18C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF7BD shade: #8CF7BD, #8C91F7, #F78CC7 and #F7F18C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

Complementary color

CMYK 0 / 93 / 43 / 55

HEX #730842

RGB 115 8 66

HSL 327.48, 0.87%, 0.24%

LAB 24.36, 46.43, -4.52

 

CMYK 41 / 0 / 26 / 3

HEX #91F7B8

RGB 145 247 184

HSL 142.94, 0.86%, 0.77%

LAB 89.86, -43.23, 21.15

 

CMYK 36 / 0 / 20 / 0

HEX #A2FFCB

RGB 162 255 203

HSL 146.45, 1%, 0.82%

LAB 93.24, -38.53, 16.24

 

CMYK 30 / 0 / 13 / 0

HEX #B3FFDE

RGB 179 255 222

HSL 153.95, 1%, 0.85%

LAB 94.47, -30.01, 8.35

 

CMYK 23 / 0 / 5 / 0

HEX #C4FFF1

RGB 196 255 241

HSL 165.76, 1%, 0.88%

LAB 95.83, -21.23, 0.64

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 46 / 0 / 26 / 10

HEX #7BE5AA

RGB 123 229 170

HSL 146.6, 0.67%, 0.69%

LAB 83.52, -43.82, 19.45

 

CMYK 50 / 0 / 28 / 17

HEX #6AD397

RGB 106 211 151

HSL 145.71, 0.54%, 0.62%

LAB 77.21, -44, 20.57

 

CMYK 54 / 0 / 32 / 24

HEX #59C184

RGB 89 193 132

HSL 144.81, 0.46%, 0.55%

LAB 70.82, -44.12, 21.79

 

CMYK 59 / 0 / 35 / 31

HEX #48AF71

RGB 72 175 113

HSL 143.88, 0.42%, 0.48%

LAB 64.35, -44.13, 23.1

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 0 / 35 / 3

HEX #8CF7A0

RGB 140 247 160

HSL 131.21, 0.87%, 0.76%

LAB 89.22, -48.78, 32.43

 

CMYK 40 / 0 / 43 / 3

HEX #95F78C

RGB 149 247 140

HSL 114.95, 0.87%, 0.76%

LAB 89.3, -49.21, 42.5

 

CMYK 28 / 0 / 43 / 3

HEX #B1F78C

RGB 177 247 140

HSL 99.25, 0.87%, 0.76%

LAB 90.67, -40.31, 44.52

 

CMYK 17 / 0 / 43 / 3

HEX #CEF78C

RGB 206 247 140

HSL 82.99, 0.87%, 0.76%

LAB 92.37, -30.13, 47.02

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 0 / 12 / 3

HEX #8CF7DA

RGB 140 247 218

HSL 163.74, 0.87%, 0.76%

LAB 90.39, -37.62, 4.31

 

CMYK 43 / 0 / 0 / 3

HEX #8CF7F6

RGB 140 247 246

HSL 179.44, 0.87%, 0.76%

LAB 91.12, -31.13, -9.19

 

CMYK 43 / 12 / 0 / 3

HEX #8CDAF7

RGB 140 218 247

HSL 196.26, 0.87%, 0.76%

LAB 83.14, -16.64, -21.68

 

CMYK 43 / 23 / 0 / 3

HEX #8CBDF7

RGB 140 189 247

HSL 212.52, 0.87%, 0.76%

LAB 75.26, -1.35, -33.76

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 37 / 0 / 20 / 7

HEX #96EDBE

RGB 150 237 190

HSL 147.59, 0.71%, 0.76%

LAB 87.37, -36.23, 14.6

 

CMYK 30 / 0 / 16 / 11

HEX #A0E3BE

RGB 160 227 190

HSL 146.87, 0.54%, 0.76%

LAB 85.06, -28.62, 11.4

 

CMYK 22 / 0 / 12 / 15

HEX #AAD9BF

RGB 170 217 191

HSL 146.81, 0.38%, 0.76%

LAB 82.88, -20.44, 7.83

 

CMYK 13 / 0 / 7 / 19

HEX #B4CFC0

RGB 180 207 192

HSL 146.67, 0.22%, 0.76%

LAB 80.81, -11.93, 4.4

 

CMYK 40 / 0 / 43 / 3

HEX #95F78C

RGB 149 247 140

HSL 114.95, 0.87%, 0.76%

LAB 89.3, -49.21, 42.5

 

CMYK 43 / 0 / 35 / 3

HEX #8CF7A0

RGB 140 247 160

HSL 131.21, 0.87%, 0.76%

LAB 89.22, -48.78, 32.43

 

CMYK 43 / 0 / 24 / 3

HEX #8CF7BC

RGB 140 247 188

HSL 146.92, 0.87%, 0.76%

LAB 89.73, -43.81, 18.88

 

CMYK 43 / 0 / 13 / 3

HEX #8CF7D8

RGB 140 247 216

HSL 162.62, 0.87%, 0.76%

LAB 90.35, -38.05, 5.28

 

CMYK 43 / 0 / 1 / 3

HEX #8CF7F5

RGB 140 247 245

HSL 178.88, 0.87%, 0.76%

LAB 91.09, -31.37, -8.71

 

CMYK 74 / 0 / 40 / 5

HEX #3FF191

RGB 63 241 145

HSL 147.64, 0.86%, 0.6%

LAB 85, -65.03, 33.96

 

CMYK 59 / 0 / 32 / 4

HEX #65F4A7

RGB 101 244 167

HSL 147.69, 0.87%, 0.68%

LAB 87.12, -55.69, 25.83

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 28 / 0 / 15 / 2

HEX #B3F9D3

RGB 179 249 211

HSL 147.43, 0.85%, 0.84%

LAB 92.59, -29.31, 11.32

 

CMYK 14 / 0 / 8 / 1

HEX #D9FCE9

RGB 217 252 233

HSL 147.43, 0.85%, 0.92%

LAB 96.1, -14.82, 5.31

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 28 / 0 / 3

HEX #8CB1F7

RGB 140 177 247

HSL 219.25, 0.87%, 0.76%

LAB 72.05, 5.27, -38.73

 

CMYK 0 / 41 / 43 / 3

HEX #F7918C

RGB 247 145 140

HSL 2.8, 0.87%, 0.76%

LAB 70.81, 37.9, 19.4

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 24 / 43 / 0 / 3

HEX #BC8CF7

RGB 188 140 247

HSL 266.92, 0.87%, 0.76%

LAB 66.64, 38.9, -46.93

 

CMYK 0 / 24 / 43 / 3

HEX #F7BC8C

RGB 247 188 140

HSL 26.92, 0.87%, 0.76%

LAB 80.53, 15.36, 32.48

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 28 / 0 / 3

HEX #8CB1F7

RGB 140 177 247

HSL 219.25, 0.87%, 0.76%

LAB 72.05, 5.27, -38.73

 

CMYK 0 / 43 / 19 / 3

HEX #F78CC7

RGB 247 140 199

HSL 326.92, 0.87%, 0.76%

LAB 71.32, 47.83, -12.69

 

CMYK 0 / 15 / 43 / 3

HEX #F7D18C

RGB 247 209 140

HSL 38.69, 0.87%, 0.76%

LAB 85.64, 4.42, 39.13

 

CMYK 43 / 0 / 23 / 3

HEX #8CF7BD

RGB 140 247 189

HSL 147.48, 0.87%, 0.76%

LAB 89.75, -43.61, 18.4

 

CMYK 43 / 41 / 0 / 3

HEX #8C91F7

RGB 140 145 247

HSL 237.2, 0.87%, 0.76%

LAB 63.79, 23.55, -51.71

 

CMYK 0 / 43 / 19 / 3

HEX #F78CC7

RGB 247 140 199

HSL 326.92, 0.87%, 0.76%

LAB 71.32, 47.83, -12.69

 

CMYK 0 / 2 / 43 / 3

HEX #F7F18C

RGB 247 241 140

HSL 56.64, 0.87%, 0.76%

LAB 93.7, -11.74, 49.31

 

Description

Color code: HEX #8CF7BD | qconv.com Color code: HEX #8CF7BD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 247 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 247 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 23 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 23% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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