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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CF75D it is the complementary color #7308A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CF75D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CF75D shade: #91F758, #A2FF6B, #B3FF7E, #C4FF91 and #D5FFA4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CF75D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CF75D shade: #8CF75D, #7BE54A, #6AD337, #59C124 and #48AF11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CF75D shade: #8DF75E, #B6F75E, #DFF75E, #F7E55E and #F7BC5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CF75D shade: #8DF75E, #63F75E, #5EF782, #5EF7AB and #5EF7D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CF75D shade matches the following richer shades: #8DF75E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CF75D shade: #8DF75E, #92E96B, #97DC79, #9CCE87 and #A2C094

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CF75D shade: #E0F75E, #B7F75E, #8EF75E, #65F75E and #5EF77F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CF75D shade: #55F30F, #71F536, #8DF75E, #A8F985 and #C4FBAD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CF75D shade: #8CF75D, #5EF7E5 and #F75ECC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CF75D shade: #8CF75D, #5E8EF7 and #F75E8E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CF75D shade: #8CF75D, #5EF7E5, #C65EF7 and #F75E70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CF75D shade: #8CF75D, #5EDBF7, #C65EF7 and #F77A5E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

Complementary color

CMYK 29 / 95 / 0 / 36

HEX #7308A2

RGB 115 8 162

HSL 281.69, 0.91%, 0.33%

LAB 30.47, 61.74, -56.5

 

CMYK 41 / 0 / 64 / 3

HEX #91F758

RGB 145 247 88

HSL 98.49, 0.91%, 0.66%

LAB 88.56, -56.17, 64.9

 

CMYK 36 / 0 / 58 / 0

HEX #A2FF6B

RGB 162 255 107

HSL 97.7, 1%, 0.71%

LAB 91.8, -52.31, 60.85

 

CMYK 30 / 0 / 51 / 0

HEX #B3FF7E

RGB 179 255 126

HSL 95.35, 1%, 0.75%

LAB 92.84, -44.77, 53.83

 

CMYK 23 / 0 / 43 / 0

HEX #C4FF91

RGB 196 255 145

HSL 92.18, 1%, 0.78%

LAB 94.01, -36.78, 46.56

 

CMYK 16 / 0 / 36 / 0

HEX #D5FFA4

RGB 213 255 164

HSL 87.69, 1%, 0.82%

LAB 95.31, -28.45, 39.18

 

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

CMYK 46 / 0 / 68 / 10

HEX #7BE54A

RGB 123 229 74

HSL 101.03, 0.75%, 0.59%

LAB 82.24, -56.98, 63.34

 

CMYK 50 / 0 / 74 / 17

HEX #6AD337

RGB 106 211 55

HSL 100.38, 0.64%, 0.52%

LAB 76.03, -56.5, 63.65

 

CMYK 54 / 0 / 81 / 24

HEX #59C124

RGB 89 193 36

HSL 99.75, 0.69%, 0.45%

LAB 69.75, -55.74, 63.29

 

CMYK 59 / 0 / 90 / 31

HEX #48AF11

RGB 72 175 17

HSL 99.11, 0.82%, 0.38%

LAB 63.41, -54.59, 61.8

 

CMYK 43 / 0 / 62 / 3

HEX #8DF75E

RGB 141 247 94

HSL 101.57, 0.91%, 0.67%

LAB 88.44, -56.87, 62.29

 

CMYK 26 / 0 / 62 / 3

HEX #B6F75E

RGB 182 247 94

HSL 85.49, 0.91%, 0.67%

LAB 90.45, -43.25, 65.06

 

CMYK 10 / 0 / 62 / 3

HEX #DFF75E

RGB 223 247 94

HSL 69.41, 0.91%, 0.67%

LAB 93.02, -27.8, 68.6

 

CMYK 0 / 7 / 62 / 3

HEX #F7E55E

RGB 247 229 94

HSL 52.94, 0.91%, 0.67%

LAB 90.15, -9.47, 66.06

 

CMYK 0 / 24 / 62 / 3

HEX #F7BC5E

RGB 247 188 94

HSL 36.86, 0.91%, 0.67%

LAB 79.93, 11.51, 54.76

 

CMYK 43 / 0 / 62 / 3

HEX #8DF75E

RGB 141 247 94

HSL 101.57, 0.91%, 0.67%

LAB 88.44, -56.87, 62.29

 

CMYK 60 / 0 / 62 / 3

HEX #63F75E

RGB 99 247 94

HSL 118.04, 0.91%, 0.67%

LAB 86.99, -67.89, 60.27

 

CMYK 62 / 0 / 47 / 3

HEX #5EF782

RGB 94 247 130

HSL 134.12, 0.91%, 0.67%

LAB 87.25, -64.48, 44.32

 

CMYK 62 / 0 / 31 / 3

HEX #5EF7AB

RGB 94 247 171

HSL 150.2, 0.91%, 0.67%

LAB 87.89, -57.46, 24.81

 

CMYK 62 / 0 / 14 / 3

HEX #5EF7D4

RGB 94 247 212

HSL 166.27, 0.91%, 0.67%

LAB 88.76, -48.57, 4.87

 

CMYK 43 / 0 / 62 / 3

HEX #8DF75E

RGB 141 247 94

HSL 101.57, 0.91%, 0.67%

LAB 88.44, -56.87, 62.29

 

CMYK 43 / 0 / 62 / 3

HEX #8DF75E

RGB 141 247 94

HSL 101.57, 0.91%, 0.67%

LAB 88.44, -56.87, 62.29

 

CMYK 37 / 0 / 54 / 9

HEX #92E96B

RGB 146 233 107

HSL 101.43, 0.74%, 0.67%

LAB 84.72, -48.37, 52.43

 

CMYK 31 / 0 / 45 / 14

HEX #97DC79

RGB 151 220 121

HSL 101.82, 0.59%, 0.67%

LAB 81.37, -39.45, 41.77

 

CMYK 24 / 0 / 34 / 19

HEX #9CCE87

RGB 156 206 135

HSL 102.25, 0.42%, 0.67%

LAB 77.85, -29.35, 30.2

 

CMYK 16 / 0 / 23 / 25

HEX #A2C094

RGB 162 192 148

HSL 100.91, 0.26%, 0.67%

LAB 74.52, -18.33, 18.9

 

CMYK 9 / 0 / 62 / 3

HEX #E0F75E

RGB 224 247 94

HSL 69.02, 0.91%, 0.67%

LAB 93.09, -27.41, 68.69

 

CMYK 26 / 0 / 62 / 3

HEX #B7F75E

RGB 183 247 94

HSL 85.1, 0.91%, 0.67%

LAB 90.5, -42.89, 65.14

 

CMYK 43 / 0 / 62 / 3

HEX #8EF75E

RGB 142 247 94

HSL 101.18, 0.91%, 0.67%

LAB 88.49, -56.57, 62.35

 

CMYK 59 / 0 / 62 / 3

HEX #65F75E

RGB 101 247 94

HSL 117.25, 0.91%, 0.67%

LAB 87.04, -67.45, 60.34

 

CMYK 62 / 0 / 49 / 3

HEX #5EF77F

RGB 94 247 127

HSL 132.94, 0.91%, 0.67%

LAB 87.21, -64.91, 45.71

 

CMYK 65 / 0 / 94 / 5

HEX #55F30F

RGB 85 243 15

HSL 101.58, 0.9%, 0.51%

LAB 85.03, -74.11, 80.17

 

CMYK 54 / 0 / 78 / 4

HEX #71F536

RGB 113 245 54

HSL 101.47, 0.91%, 0.59%

LAB 86.54, -66.91, 74.18

 

CMYK 43 / 0 / 62 / 3

HEX #8DF75E

RGB 141 247 94

HSL 101.57, 0.91%, 0.67%

LAB 88.44, -56.87, 62.29

 

CMYK 33 / 0 / 47 / 2

HEX #A8F985

RGB 168 249 133

HSL 101.9, 0.91%, 0.75%

LAB 90.67, -45.03, 47.78

 

CMYK 22 / 0 / 31 / 2

HEX #C4FBAD

RGB 196 251 173

HSL 102.31, 0.91%, 0.83%

LAB 93.34, -31.22, 31.9

 

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

CMYK 62 / 0 / 7 / 3

HEX #5EF7E5

RGB 94 247 229

HSL 172.94, 0.91%, 0.67%

LAB 89.19, -44.4, -3.36

 

CMYK 0 / 62 / 17 / 3

HEX #F75ECC

RGB 247 94 204

HSL 316.86, 0.91%, 0.67%

LAB 63.46, 69.72, -27.45

 

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

CMYK 62 / 43 / 0 / 3

HEX #5E8EF7

RGB 94 142 247

HSL 221.18, 0.91%, 0.67%

LAB 60.29, 15.65, -57.45

 

CMYK 0 / 62 / 43 / 3

HEX #F75E8E

RGB 247 94 142

HSL 341.18, 0.91%, 0.67%

LAB 61.42, 62.35, 5.04

 

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

CMYK 62 / 0 / 7 / 3

HEX #5EF7E5

RGB 94 247 229

HSL 172.94, 0.91%, 0.67%

LAB 89.19, -44.4, -3.36

 

CMYK 20 / 62 / 0 / 3

HEX #C65EF7

RGB 198 94 247

HSL 280.78, 0.91%, 0.67%

LAB 58.72, 64.95, -59.44

 

CMYK 0 / 62 / 55 / 3

HEX #F75E70

RGB 247 94 112

HSL 352.94, 0.91%, 0.67%

LAB 60.74, 59.76, 21.47

 

CMYK 43 / 0 / 62 / 3

HEX #8CF75D

RGB 140 247 93

HSL 101.69, 0.91%, 0.67%

LAB 88.39, -57.26, 62.63

 

CMYK 62 / 11 / 0 / 3

HEX #5EDBF7

RGB 94 219 247

HSL 190.98, 0.91%, 0.67%

LAB 81.71, -26.5, -24.03

 

CMYK 20 / 62 / 0 / 3

HEX #C65EF7

RGB 198 94 247

HSL 280.78, 0.91%, 0.67%

LAB 58.72, 64.95, -59.44

 

CMYK 0 / 51 / 62 / 3

HEX #F77A5E

RGB 247 122 94

HSL 10.98, 0.91%, 0.67%

LAB 65.36, 45.65, 37.55

 

Description

Color code: HEX #8CF75D | qconv.com Color code: HEX #8CF75D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 247 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 247 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 62 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 62% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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