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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CEBED it is the complementary color #731412. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CEBED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CEBED shade: #91EBE8, #A2FDFB, #B3FFFF, #C4FFFF and #D5FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CEBED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CEBED shade: #8CEBED, #7BD9DA, #6AC7C7, #59B5B4 and #48A3A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CEBED shade: #8CEBED, #8CD0ED, #8CB6ED, #8C9CED and #958CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CEBED shade: #8CEBED, #8CD0ED, #8CB6ED, #8C9CED and #8C8CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CEBED shade matches the following richer shades: #8CEBED and #81F5F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CEBED shade: #8CEBED, #97E0E2, #A1D6D7, #ACCCCC and #B7C1C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CEBED shade: #8CEDBB, #8CEDD4, #8CEBED, #8CD1ED and #8CB7ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CEBED shade: #44DEE1, #68E4E7, #8CEBED, #AFF1F2 and #D3F7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CEBED shade: #8CEBED, #A18CED and #EDC78C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CEBED shade: #8CEBED, #ED8CEB and #EBED8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CEBED shade: #8CEBED, #A18CED, #ED8D8C and #D8ED8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CEBED shade: #8CEBED, #BE8CED, #ED8D8C and #BBED8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

Complementary color

CMYK 0 / 83 / 84 / 55

HEX #731412

RGB 115 20 18

HSL 1.24, 0.73%, 0.26%

LAB 24.29, 40.14, 27.73

 

CMYK 38 / 0 / 1 / 8

HEX #91EBE8

RGB 145 235 232

HSL 178, 0.69%, 0.75%

LAB 87.61, -27.56, -7.05

 

CMYK 36 / 0 / 1 / 1

HEX #A2FDFB

RGB 162 253 251

HSL 178.68, 0.96%, 0.81%

LAB 93.84, -27.49, -7.65

 

CMYK 30 / 0 / 0 / 0

HEX #B3FFFF

RGB 179 255 255

HSL 180, 1%, 0.85%

LAB 95.3, -23.09, -7.47

 

CMYK 23 / 0 / 0 / 0

HEX #C4FFFF

RGB 196 255 255

HSL 180, 1%, 0.88%

LAB 96.19, -18.34, -6.04

 

CMYK 16 / 0 / 0 / 0

HEX #D5FFFF

RGB 213 255 255

HSL 180, 1%, 0.92%

LAB 97.18, -13.32, -4.47

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 44 / 0 / 0 / 15

HEX #7BD9DA

RGB 123 217 218

HSL 180.63, 0.56%, 0.67%

LAB 81.24, -27.59, -9.21

 

CMYK 47 / 0 / 0 / 22

HEX #6AC7C7

RGB 106 199 199

HSL 180, 0.45%, 0.6%

LAB 74.85, -27.57, -8.58

 

CMYK 51 / 0 / 1 / 29

HEX #59B5B4

RGB 89 181 180

HSL 179.35, 0.38%, 0.53%

LAB 68.36, -27.49, -7.9

 

CMYK 56 / 0 / 1 / 36

HEX #48A3A1

RGB 72 163 161

HSL 178.68, 0.39%, 0.46%

LAB 61.78, -27.32, -7.16

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 41 / 12 / 0 / 7

HEX #8CD0ED

RGB 140 208 237

HSL 197.94, 0.73%, 0.74%

LAB 80.07, -14.1, -21.03

 

CMYK 41 / 23 / 0 / 7

HEX #8CB6ED

RGB 140 182 237

HSL 214.02, 0.73%, 0.74%

LAB 72.99, -0.24, -31.86

 

CMYK 41 / 34 / 0 / 7

HEX #8C9CED

RGB 140 156 237

HSL 230.1, 0.73%, 0.74%

LAB 66.11, 14.38, -42.56

 

CMYK 37 / 41 / 0 / 7

HEX #958CED

RGB 149 140 237

HSL 245.57, 0.73%, 0.74%

LAB 62.73, 25.94, -47.84

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 41 / 12 / 0 / 7

HEX #8CD0ED

RGB 140 208 237

HSL 197.94, 0.73%, 0.74%

LAB 80.07, -14.1, -21.03

 

CMYK 41 / 23 / 0 / 7

HEX #8CB6ED

RGB 140 182 237

HSL 214.02, 0.73%, 0.74%

LAB 72.99, -0.24, -31.86

 

CMYK 41 / 34 / 0 / 7

HEX #8C9CED

RGB 140 156 237

HSL 230.1, 0.73%, 0.74%

LAB 66.11, 14.38, -42.56

 

CMYK 41 / 41 / 0 / 7

HEX #8C8CED

RGB 140 140 237

HSL 240, 0.73%, 0.74%

LAB 62.04, 23.64, -48.98

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 48 / 1 / 0 / 3

HEX #81F5F7

RGB 129 245 247

HSL 181.02, 0.88%, 0.74%

LAB 90.18, -32.36, -11.16

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 33 / 1 / 0 / 11

HEX #97E0E2

RGB 151 224 226

HSL 181.6, 0.56%, 0.74%

LAB 84.68, -22.05, -8.21

 

CMYK 25 / 0 / 0 / 16

HEX #A1D6D7

RGB 161 214 215

HSL 181.11, 0.4%, 0.74%

LAB 82.15, -16.74, -6.06

 

CMYK 16 / 0 / 0 / 20

HEX #ACCCCC

RGB 172 204 204

HSL 180, 0.24%, 0.74%

LAB 79.79, -10.61, -3.58

 

CMYK 6 / 1 / 0 / 24

HEX #B7C1C2

RGB 183 193 194

HSL 185.45, 0.08%, 0.74%

LAB 77.34, -3.24, -1.7

 

CMYK 41 / 0 / 21 / 7

HEX #8CEDBB

RGB 140 237 187

HSL 149.07, 0.73%, 0.74%

LAB 86.87, -39.57, 15.38

 

CMYK 41 / 0 / 11 / 7

HEX #8CEDD4

RGB 140 237 212

HSL 164.54, 0.73%, 0.74%

LAB 87.44, -34.34, 3.15

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 41 / 12 / 0 / 7

HEX #8CD1ED

RGB 140 209 237

HSL 197.32, 0.73%, 0.74%

LAB 80.34, -14.62, -20.61

 

CMYK 41 / 23 / 0 / 7

HEX #8CB7ED

RGB 140 183 237

HSL 213.4, 0.73%, 0.74%

LAB 73.26, -0.79, -31.44

 

CMYK 70 / 1 / 0 / 12

HEX #44DEE1

RGB 68 222 225

HSL 181.15, 0.72%, 0.57%

LAB 81.24, -38.01, -13.1

 

CMYK 55 / 1 / 0 / 9

HEX #68E4E7

RGB 104 228 231

HSL 181.42, 0.73%, 0.66%

LAB 84.07, -33.5, -11.96

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 28 / 0 / 0 / 5

HEX #AFF1F2

RGB 175 241 242

HSL 180.9, 0.72%, 0.82%

LAB 90.98, -20.23, -7.14

 

CMYK 15 / 0 / 0 / 3

HEX #D3F7F8

RGB 211 247 248

HSL 181.62, 0.73%, 0.9%

LAB 94.8, -11.34, -4.38

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 32 / 41 / 0 / 7

HEX #A18CED

RGB 161 140 237

HSL 252.99, 0.73%, 0.74%

LAB 63.71, 29.11, -46.22

 

CMYK 0 / 16 / 41 / 7

HEX #EDC78C

RGB 237 199 140

HSL 36.49, 0.73%, 0.74%

LAB 82.24, 5.66, 34.54

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 0 / 41 / 1 / 7

HEX #ED8CEB

RGB 237 140 235

HSL 301.24, 0.73%, 0.74%

LAB 71.39, 50.55, -32.56

 

CMYK 1 / 0 / 41 / 7

HEX #EBED8C

RGB 235 237 140

HSL 61.24, 0.73%, 0.74%

LAB 91.74, -14.42, 46.67

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 32 / 41 / 0 / 7

HEX #A18CED

RGB 161 140 237

HSL 252.99, 0.73%, 0.74%

LAB 63.71, 29.11, -46.22

 

CMYK 0 / 41 / 41 / 7

HEX #ED8D8C

RGB 237 141 140

HSL 0.62, 0.73%, 0.74%

LAB 68.71, 36.27, 16.3

 

CMYK 9 / 0 / 41 / 7

HEX #D8ED8C

RGB 216 237 140

HSL 72.99, 0.73%, 0.74%

LAB 90.35, -21.68, 44.62

 

CMYK 41 / 1 / 0 / 7

HEX #8CEBED

RGB 140 235 237

HSL 181.24, 0.73%, 0.74%

LAB 87.54, -27.59, -9.81

 

CMYK 20 / 41 / 0 / 7

HEX #BE8CED

RGB 190 140 237

HSL 270.93, 0.73%, 0.74%

LAB 66.38, 37.19, -41.84

 

CMYK 0 / 41 / 41 / 7

HEX #ED8D8C

RGB 237 141 140

HSL 0.62, 0.73%, 0.74%

LAB 68.71, 36.27, 16.3

 

CMYK 21 / 0 / 41 / 7

HEX #BBED8C

RGB 187 237 140

HSL 90.93, 0.73%, 0.74%

LAB 88.46, -32.32, 41.83

 

Description

Color code: HEX #8CEBED | qconv.com Color code: HEX #8CEBED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 235 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 235 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 1 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 1% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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