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Color name
HEX #8CD60E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CD60E it is the complementary color #7329F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CD60E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CD60E shade: #91D609, #A2E81C, #B3FA2F, #C4FF42 and #D5FF55

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CD60E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CD60E shade: #8CD60E, #7BC400, #6AB200, #59A000 and #488E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CD60E shade: #8DD70D, #C3D70D, #D7B50D, #D77F0D and #D7480D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CD60E shade: #8DD70D, #56D70D, #20D70D, #0DD731 and #0DD768

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CD60E shade matches the following richer shades: #8DD70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CD60E shade: #8DD70D, #88C520, #83B232, #7EA045 and #798D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CD60E shade: #D7B60D, #C3D70D, #8DD70D, #57D70D and #21D70D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CD60E shade: #5A8A08, #73B00B, #8DD70D, #A2F01E and #B2F344

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CD60E shade: #8CD60E, #0DD780 and #D00DD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CD60E shade: #8CD60E, #0D8DD7 and #D70D8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CD60E shade: #8CD60E, #0DD780, #570DD7 and #D70D65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CD60E shade: #8CD60E, #0DD7BC, #570DD7 and #D70D28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

Complementary color

CMYK 52 / 83 / 0 / 5

HEX #7329F1

RGB 115 41 241

HSL 262.2, 0.88%, 0.55%

LAB 40.54, 71.16, -86.09

 

CMYK 32 / 0 / 96 / 16

HEX #91D609

RGB 145 214 9

HSL 80.2, 0.92%, 0.44%

LAB 78.54, -46.49, 76.46

 

CMYK 30 / 0 / 88 / 9

HEX #A2E81C

RGB 162 232 28

HSL 80.59, 0.82%, 0.51%

LAB 84.73, -47.49, 79.35

 

CMYK 28 / 0 / 81 / 2

HEX #B3FA2F

RGB 179 250 47

HSL 80.99, 0.95%, 0.58%

LAB 90.85, -48.28, 81.01

 

CMYK 23 / 0 / 74 / 0

HEX #C4FF42

RGB 196 255 66

HSL 78.73, 1%, 0.63%

LAB 93.3, -43.37, 78.35

 

CMYK 16 / 0 / 67 / 0

HEX #D5FF55

RGB 213 255 85

HSL 74.82, 1%, 0.67%

LAB 94.45, -35.92, 73.36

 

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

CMYK 37 / 0 / 100 / 23

HEX #7BC400

RGB 123 196 0

HSL 82.35, 1%, 0.38%

LAB 72.02, -47.07, 71.78

 

CMYK 40 / 0 / 100 / 30

HEX #6AB200

RGB 106 178 0

HSL 84.27, 1%, 0.35%

LAB 65.67, -45.68, 66.51

 

CMYK 44 / 0 / 100 / 37

HEX #59A000

RGB 89 160 0

HSL 86.63, 1%, 0.31%

LAB 59.22, -44.23, 61.14

 

CMYK 49 / 0 / 100 / 44

HEX #488E00

RGB 72 142 0

HSL 89.58, 1%, 0.28%

LAB 52.65, -42.67, 55.69

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 9 / 0 / 94 / 16

HEX #C3D70D

RGB 195 215 13

HSL 65.94, 0.89%, 0.45%

LAB 81.96, -27.21, 80.09

 

CMYK 0 / 16 / 94 / 16

HEX #D7B50D

RGB 215 181 13

HSL 49.9, 0.89%, 0.45%

LAB 74.52, -1.59, 75.19

 

CMYK 0 / 41 / 94 / 16

HEX #D77F0D

RGB 215 127 13

HSL 33.86, 0.89%, 0.45%

LAB 61.36, 27.28, 65.67

 

CMYK 0 / 67 / 94 / 16

HEX #D7480D

RGB 215 72 13

HSL 17.52, 0.89%, 0.45%

LAB 50.82, 53.99, 58.61

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 60 / 0 / 94 / 16

HEX #56D70D

RGB 86 215 13

HSL 98.32, 0.89%, 0.45%

LAB 76.44, -64.93, 73.36

 

CMYK 85 / 0 / 94 / 16

HEX #20D70D

RGB 32 215 13

HSL 114.36, 0.89%, 0.45%

LAB 75.41, -73.79, 72.09

 

CMYK 94 / 0 / 77 / 16

HEX #0DD731

RGB 13 215 49

HSL 130.69, 0.89%, 0.45%

LAB 75.39, -73.49, 64.35

 

CMYK 94 / 0 / 52 / 16

HEX #0DD768

RGB 13 215 104

HSL 147.03, 0.89%, 0.45%

LAB 75.88, -67.48, 42.37

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 31 / 0 / 84 / 23

HEX #88C520

RGB 136 197 32

HSL 82.18, 0.72%, 0.45%

LAB 73.07, -42.06, 68.08

 

CMYK 26 / 0 / 72 / 30

HEX #83B232

RGB 131 178 50

HSL 82.03, 0.56%, 0.45%

LAB 67.2, -34.64, 57.05

 

CMYK 21 / 0 / 57 / 37

HEX #7EA045

RGB 126 160 69

HSL 82.42, 0.4%, 0.45%

LAB 61.66, -26.59, 42.92

 

CMYK 14 / 0 / 38 / 45

HEX #798D58

RGB 121 141 88

HSL 82.64, 0.23%, 0.45%

LAB 55.91, -16.71, 25.95

 

CMYK 0 / 15 / 94 / 16

HEX #D7B60D

RGB 215 182 13

HSL 50.2, 0.89%, 0.45%

LAB 74.78, -2.11, 75.38

 

CMYK 9 / 0 / 94 / 16

HEX #C3D70D

RGB 195 215 13

HSL 65.94, 0.89%, 0.45%

LAB 81.96, -27.21, 80.09

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 60 / 0 / 94 / 16

HEX #57D70D

RGB 87 215 13

HSL 98.02, 0.89%, 0.45%

LAB 76.47, -64.69, 73.4

 

CMYK 85 / 0 / 94 / 16

HEX #21D70D

RGB 33 215 13

HSL 114.06, 0.89%, 0.45%

LAB 75.42, -73.7, 72.11

 

CMYK 35 / 0 / 94 / 46

HEX #5A8A08

RGB 90 138 8

HSL 82.15, 0.89%, 0.29%

LAB 52.25, -34.29, 54.34

 

CMYK 35 / 0 / 94 / 31

HEX #73B00B

RGB 115 176 11

HSL 82.18, 0.88%, 0.37%

LAB 65.53, -41.41, 65.21

 

CMYK 34 / 0 / 94 / 16

HEX #8DD70D

RGB 141 215 13

HSL 81.98, 0.89%, 0.45%

LAB 78.63, -48.3, 76.05

 

CMYK 33 / 0 / 88 / 6

HEX #A2F01E

RGB 162 240 30

HSL 82.29, 0.88%, 0.53%

LAB 87.04, -50.75, 80.93

 

CMYK 27 / 0 / 72 / 5

HEX #B2F344

RGB 178 243 68

HSL 82.29, 0.88%, 0.61%

LAB 88.91, -44.72, 73.11

 

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

CMYK 94 / 0 / 40 / 16

HEX #0DD780

RGB 13 215 128

HSL 154.16, 0.89%, 0.45%

LAB 76.22, -63.37, 30.88

 

CMYK 3 / 94 / 0 / 16

HEX #D00DD7

RGB 208 13 215

HSL 297.92, 0.89%, 0.45%

LAB 50.22, 84.27, -54.96

 

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

CMYK 94 / 34 / 0 / 16

HEX #0D8DD7

RGB 13 141 215

HSL 201.98, 0.89%, 0.45%

LAB 56.13, -4.11, -46.4

 

CMYK 0 / 94 / 34 / 16

HEX #D70D8D

RGB 215 13 141

HSL 321.98, 0.89%, 0.45%

LAB 47.83, 76.22, -15.1

 

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

CMYK 94 / 0 / 40 / 16

HEX #0DD780

RGB 13 215 128

HSL 154.16, 0.89%, 0.45%

LAB 76.22, -63.37, 30.88

 

CMYK 60 / 94 / 0 / 16

HEX #570DD7

RGB 87 13 215

HSL 261.98, 0.89%, 0.45%

LAB 32.3, 69.82, -84.97

 

CMYK 0 / 94 / 53 / 16

HEX #D70D65

RGB 215 13 101

HSL 333.86, 0.89%, 0.45%

LAB 46.54, 72.79, 7.55

 

CMYK 35 / 0 / 93 / 16

HEX #8CD60E

RGB 140 214 14

HSL 82.2, 0.88%, 0.45%

LAB 78.29, -48.23, 75.64

 

CMYK 94 / 0 / 13 / 16

HEX #0DD7BC

RGB 13 215 188

HSL 171.98, 0.89%, 0.45%

LAB 77.47, -49.55, 1

 

CMYK 60 / 94 / 0 / 16

HEX #570DD7

RGB 87 13 215

HSL 261.98, 0.89%, 0.45%

LAB 32.3, 69.82, -84.97

 

CMYK 0 / 94 / 81 / 16

HEX #D70D28

RGB 215 13 40

HSL 351.98, 0.89%, 0.45%

LAB 45.48, 69.86, 43.17

 

Description

Color code: HEX #8CD60E | qconv.com Color code: HEX #8CD60E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 214 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 214 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 93 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 93% 16% C M Y K

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Provide designers and agencies with accurate color values.

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