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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CAEF7 it is the complementary color #735108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CAEF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CAEF7 shade: #91AEF2, #A2C0FF, #B3D2FF, #C4E4FF and #D5F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CAEF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CAEF7 shade: #8CAEF7, #7B9CE4, #6A8AD1, #5978BE and #4866AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CAEF7 shade: #8CAEF7, #8C91F7, #A48CF7, #C08CF7 and #DD8CF7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CAEF7 shade: #8CAEF7, #8C91F7 and #8C8CF7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CAEF7 shade matches the following richer shades: #8CAEF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CAEF7 shade: #8CAEF7, #96B2ED, #A0B5E3, #AAB9D9 and #B4BCCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CAEF7 shade: #8CE8F7, #8CCCF7, #8CB0F7, #8C93F7 and #A18CF7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CAEF7 shade: #3F78F1, #6593F4, #8CAEF7, #B3C9F9 and #D9E4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CAEF7 shade: #8CAEF7, #E88CF7 and #DAF78C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CAEF7 shade: #8CAEF7, #F78CB0 and #B0F78C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CAEF7 shade: #8CAEF7, #E88CF7, #F7D38C and #9AF78C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CAEF7 shade: #8CAEF7, #F78CE5, #F7D38C and #8CF79E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

Complementary color

CMYK 0 / 30 / 93 / 55

HEX #735108

RGB 115 81 8

HSL 40.93, 0.87%, 0.24%

LAB 37.02, 7.96, 43.02

 

CMYK 40 / 28 / 0 / 5

HEX #91AEF2

RGB 145 174 242

HSL 222.06, 0.79%, 0.76%

LAB 71.35, 6.84, -37.08

 

CMYK 36 / 25 / 0 / 0

HEX #A2C0FF

RGB 162 192 255

HSL 220.65, 1%, 0.82%

LAB 77.64, 4.8, -34.27

 

CMYK 30 / 18 / 0 / 0

HEX #B3D2FF

RGB 179 210 255

HSL 215.53, 1%, 0.85%

LAB 83.39, -0.23, -25.35

 

CMYK 23 / 11 / 0 / 0

HEX #C4E4FF

RGB 196 228 255

HSL 207.46, 1%, 0.88%

LAB 89.13, -4.74, -16.56

 

CMYK 16 / 4 / 0 / 0

HEX #D5F6FF

RGB 213 246 255

HSL 192.86, 1%, 0.92%

LAB 94.86, -8.82, -7.91

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 46 / 32 / 0 / 11

HEX #7B9CE4

RGB 123 156 228

HSL 221.14, 0.66%, 0.69%

LAB 64.64, 7.58, -39.99

 

CMYK 49 / 34 / 0 / 18

HEX #6A8AD1

RGB 106 138 209

HSL 221.36, 0.53%, 0.62%

LAB 57.89, 8.32, -40.06

 

CMYK 53 / 37 / 0 / 25

HEX #5978BE

RGB 89 120 190

HSL 221.58, 0.44%, 0.55%

LAB 51.01, 9.22, -40.17

 

CMYK 58 / 40 / 0 / 33

HEX #4866AB

RGB 72 102 171

HSL 221.82, 0.41%, 0.48%

LAB 43.97, 10.33, -40.33

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 43 / 41 / 0 / 3

HEX #8C91F7

RGB 140 145 247

HSL 237.2, 0.87%, 0.76%

LAB 63.79, 23.55, -51.71

 

CMYK 34 / 43 / 0 / 3

HEX #A48CF7

RGB 164 140 247

HSL 253.46, 0.87%, 0.76%

LAB 64.45, 32.46, -50.53

 

CMYK 22 / 43 / 0 / 3

HEX #C08CF7

RGB 192 140 247

HSL 269.16, 0.87%, 0.76%

LAB 67.03, 40, -46.29

 

CMYK 11 / 43 / 0 / 3

HEX #DD8CF7

RGB 221 140 247

HSL 285.42, 0.87%, 0.76%

LAB 70.07, 48.15, -41.32

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 43 / 41 / 0 / 3

HEX #8C91F7

RGB 140 145 247

HSL 237.2, 0.87%, 0.76%

LAB 63.79, 23.55, -51.71

 

CMYK 43 / 43 / 0 / 3

HEX #8C8CF7

RGB 140 140 247

HSL 240, 0.87%, 0.76%

LAB 62.55, 26.46, -53.68

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 37 / 25 / 0 / 7

HEX #96B2ED

RGB 150 178 237

HSL 220.69, 0.71%, 0.76%

LAB 72.52, 4.6, -32.53

 

CMYK 30 / 20 / 0 / 11

HEX #A0B5E3

RGB 160 181 227

HSL 221.19, 0.54%, 0.76%

LAB 73.59, 3.21, -25.4

 

CMYK 22 / 15 / 0 / 15

HEX #AAB9D9

RGB 170 185 217

HSL 220.85, 0.38%, 0.76%

LAB 74.98, 1.67, -17.78

 

CMYK 13 / 9 / 0 / 19

HEX #B4BCCF

RGB 180 188 207

HSL 222.22, 0.22%, 0.76%

LAB 76.18, 1.05, -10.49

 

CMYK 43 / 6 / 0 / 3

HEX #8CE8F7

RGB 140 232 247

HSL 188.41, 0.87%, 0.76%

LAB 87, -23.65, -15.87

 

CMYK 43 / 17 / 0 / 3

HEX #8CCCF7

RGB 140 204 247

HSL 204.11, 0.87%, 0.76%

LAB 79.31, -9.39, -27.52

 

CMYK 43 / 29 / 0 / 3

HEX #8CB0F7

RGB 140 176 247

HSL 219.81, 0.87%, 0.76%

LAB 71.79, 5.83, -39.14

 

CMYK 43 / 40 / 0 / 3

HEX #8C93F7

RGB 140 147 247

HSL 236.07, 0.87%, 0.76%

LAB 64.29, 22.39, -50.92

 

CMYK 35 / 43 / 0 / 3

HEX #A18CF7

RGB 161 140 247

HSL 251.78, 0.87%, 0.76%

LAB 64.2, 31.68, -50.95

 

CMYK 74 / 50 / 0 / 5

HEX #3F78F1

RGB 63 120 241

HSL 220.79, 0.86%, 0.6%

LAB 52.77, 22.39, -66.26

 

CMYK 59 / 40 / 0 / 4

HEX #6593F4

RGB 101 147 244

HSL 220.7, 0.87%, 0.68%

LAB 61.8, 12.97, -53.37

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 28 / 19 / 0 / 2

HEX #B3C9F9

RGB 179 201 249

HSL 221.14, 0.85%, 0.84%

LAB 80.85, 3.15, -26.04

 

CMYK 14 / 10 / 0 / 1

HEX #D9E4FC

RGB 217 228 252

HSL 221.14, 0.85%, 0.92%

LAB 90.44, 1.02, -12.88

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 6 / 43 / 0 / 3

HEX #E88CF7

RGB 232 140 247

HSL 291.59, 0.87%, 0.76%

LAB 71.3, 51.29, -39.3

 

CMYK 12 / 0 / 43 / 3

HEX #DAF78C

RGB 218 247 140

HSL 76.26, 0.87%, 0.76%

LAB 93.15, -25.71, 48.17

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 0 / 43 / 29 / 3

HEX #F78CB0

RGB 247 140 176

HSL 339.81, 0.87%, 0.76%

LAB 70.64, 44.65, -0.9

 

CMYK 29 / 0 / 43 / 3

HEX #B0F78C

RGB 176 247 140

HSL 99.81, 0.87%, 0.76%

LAB 90.62, -40.65, 44.45

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 6 / 43 / 0 / 3

HEX #E88CF7

RGB 232 140 247

HSL 291.59, 0.87%, 0.76%

LAB 71.3, 51.29, -39.3

 

CMYK 0 / 15 / 43 / 3

HEX #F7D38C

RGB 247 211 140

HSL 39.81, 0.87%, 0.76%

LAB 86.13, 3.39, 39.76

 

CMYK 38 / 0 / 43 / 3

HEX #9AF78C

RGB 154 247 140

HSL 112.15, 0.87%, 0.76%

LAB 89.53, -47.7, 42.83

 

CMYK 43 / 30 / 0 / 3

HEX #8CAEF7

RGB 140 174 247

HSL 220.93, 0.87%, 0.76%

LAB 71.26, 6.95, -39.97

 

CMYK 0 / 43 / 7 / 3

HEX #F78CE5

RGB 247 140 229

HSL 310.09, 0.87%, 0.76%

LAB 72.35, 52.51, -27.68

 

CMYK 0 / 15 / 43 / 3

HEX #F7D38C

RGB 247 211 140

HSL 39.81, 0.87%, 0.76%

LAB 86.13, 3.39, 39.76

 

CMYK 43 / 0 / 36 / 3

HEX #8CF79E

RGB 140 247 158

HSL 130.09, 0.87%, 0.76%

LAB 89.19, -49.11, 33.39

 

Description

Color code: HEX #8CAEF7 | qconv.com Color code: HEX #8CAEF7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 174 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 174 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 30 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 30% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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