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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8CAA99 it is the complementary color #735566. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8CAA99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8CAA99 shade: #91AA94, #A2BCA7, #B3CEBA, #C4E0CD and #D5F2E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8CAA99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8CAA99 shade: #8CAA99, #7B9886, #6A8673, #597460 and #48624D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8CAA99 shade: #8CAA99, #8CAA91, #8FAA8C, #97AA8C and #9FAA8C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8CAA99 shade: #8CAA99, #8CAAA1, #8CAAA9, #8CA3AA and #8C9BAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8CAA99 shade matches the following richer shades: #8CAA99, #7CBA97, #6CCA95, #5CDA93 and #4CEA90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8CAA99 shade: #8CAA99, #9C9A9B, #AC8A9D, #BC7A9F and #CC6AA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8CAA99 shade: #8FAA8C, #8CAA91, #8CAA99, #8CAAA1 and #8CAAA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8CAA99 shade: #618370, #749884, #8CAA99, #A4BCAE and #BCCDC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8CAA99 shade: #8CAA99, #8C97AA and #AA8D8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8CAA99 shade: #8CAA99, #998CAA and #AA998C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8CAA99 shade: #8CAA99, #8C97AA, #AA8C9D and #AA9F8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8CAA99 shade: #8CAA99, #8C8EAA, #AA8C9D and #AAA88C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

Complementary color

CMYK 0 / 26 / 11 / 55

HEX #735566

RGB 115 85 102

HSL 326, 0.15%, 0.39%

LAB 39.75, 15.43, -4.93

 

CMYK 15 / 0 / 13 / 33

HEX #91AA94

RGB 145 170 148

HSL 127.2, 0.13%, 0.62%

LAB 67.21, -13.02, 8.46

 

CMYK 14 / 0 / 11 / 26

HEX #A2BCA7

RGB 162 188 167

HSL 131.54, 0.16%, 0.69%

LAB 73.83, -12.94, 7.66

 

CMYK 13 / 0 / 10 / 19

HEX #B3CEBA

RGB 179 206 186

HSL 135.56, 0.22%, 0.75%

LAB 80.33, -12.88, 6.91

 

CMYK 13 / 0 / 8 / 12

HEX #C4E0CD

RGB 196 224 205

HSL 139.29, 0.31%, 0.82%

LAB 86.73, -12.83, 6.18

 

CMYK 12 / 0 / 7 / 5

HEX #D5F2E0

RGB 213 242 224

HSL 142.76, 0.53%, 0.89%

LAB 93.03, -12.8, 5.49

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 19 / 0 / 12 / 40

HEX #7B9886

RGB 123 152 134

HSL 142.76, 0.12%, 0.54%

LAB 60.24, -13.91, 6.13

 

CMYK 21 / 0 / 14 / 47

HEX #6A8673

RGB 106 134 115

HSL 139.29, 0.12%, 0.47%

LAB 53.33, -14.06, 6.97

 

CMYK 23 / 0 / 17 / 55

HEX #597460

RGB 89 116 96

HSL 135.56, 0.13%, 0.4%

LAB 46.26, -14.24, 7.88

 

CMYK 27 / 0 / 21 / 62

HEX #48624D

RGB 72 98 77

HSL 131.54, 0.15%, 0.33%

LAB 38.98, -14.46, 8.87

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 0 / 15 / 33

HEX #8CAA91

RGB 140 170 145

HSL 130, 0.15%, 0.61%

LAB 66.8, -15.33, 9.5

 

CMYK 16 / 0 / 18 / 33

HEX #8FAA8C

RGB 143 170 140

HSL 114, 0.15%, 0.61%

LAB 66.89, -15.2, 12.41

 

CMYK 11 / 0 / 18 / 33

HEX #97AA8C

RGB 151 170 140

HSL 98, 0.15%, 0.61%

LAB 67.44, -12.3, 13.27

 

CMYK 6 / 0 / 18 / 33

HEX #9FAA8C

RGB 159 170 140

HSL 82, 0.15%, 0.61%

LAB 68.03, -9.34, 14.18

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 0 / 5 / 33

HEX #8CAAA1

RGB 140 170 161

HSL 162, 0.15%, 0.61%

LAB 67.2, -12.16, 1.2

 

CMYK 18 / 0 / 1 / 33

HEX #8CAAA9

RGB 140 170 169

HSL 178, 0.15%, 0.61%

LAB 67.42, -10.46, -2.92

 

CMYK 18 / 4 / 0 / 33

HEX #8CA3AA

RGB 140 163 170

HSL 194, 0.15%, 0.61%

LAB 65.49, -6.47, -6.32

 

CMYK 18 / 9 / 0 / 33

HEX #8C9BAA

RGB 140 155 170

HSL 210, 0.15%, 0.61%

LAB 63.28, -2.07, -9.62

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 33 / 0 / 19 / 27

HEX #7CBA97

RGB 124 186 151

HSL 146.13, 0.31%, 0.61%

LAB 70.62, -27.51, 11.49

 

CMYK 47 / 0 / 26 / 21

HEX #6CCA95

RGB 108 202 149

HSL 146.17, 0.47%, 0.61%

LAB 74.57, -39.93, 17.99

 

CMYK 58 / 0 / 33 / 15

HEX #5CDA93

RGB 92 218 147

HSL 146.19, 0.63%, 0.61%

LAB 78.77, -50.95, 24.72

 

CMYK 68 / 0 / 38 / 8

HEX #4CEA90

RGB 76 234 144

HSL 145.82, 0.79%, 0.61%

LAB 83.12, -60.74, 32.02

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 0 / 1 / 1 / 39

HEX #9C9A9B

RGB 156 154 155

HSL 330, 0.01%, 0.61%

LAB 63.79, 0.92, -0.27

 

CMYK 0 / 20 / 9 / 33

HEX #AC8A9D

RGB 172 138 157

HSL 326.47, 0.17%, 0.61%

LAB 61.12, 16.11, -5.17

 

CMYK 0 / 35 / 15 / 26

HEX #BC7A9F

RGB 188 122 159

HSL 326.36, 0.33%, 0.61%

LAB 59.08, 31.17, -9.16

 

CMYK 0 / 48 / 21 / 20

HEX #CC6AA2

RGB 204 106 162

HSL 325.71, 0.49%, 0.61%

LAB 57.8, 45.57, -12.6

 

CMYK 16 / 0 / 18 / 33

HEX #8FAA8C

RGB 143 170 140

HSL 114, 0.15%, 0.61%

LAB 66.89, -15.2, 12.41

 

CMYK 18 / 0 / 15 / 33

HEX #8CAA91

RGB 140 170 145

HSL 130, 0.15%, 0.61%

LAB 66.8, -15.33, 9.5

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 0 / 5 / 33

HEX #8CAAA1

RGB 140 170 161

HSL 162, 0.15%, 0.61%

LAB 67.2, -12.16, 1.2

 

CMYK 18 / 0 / 1 / 33

HEX #8CAAA9

RGB 140 170 169

HSL 178, 0.15%, 0.61%

LAB 67.42, -10.46, -2.92

 

CMYK 26 / 0 / 15 / 49

HEX #618370

RGB 97 131 112

HSL 146.47, 0.15%, 0.45%

LAB 51.77, -16.22, 6.4

 

CMYK 24 / 0 / 13 / 40

HEX #749884

RGB 116 152 132

HSL 146.67, 0.15%, 0.53%

LAB 59.74, -16.72, 6.49

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 13 / 0 / 7 / 26

HEX #A4BCAE

RGB 164 188 174

HSL 145, 0.15%, 0.69%

LAB 74.14, -10.93, 4.32

 

CMYK 8 / 0 / 5 / 20

HEX #BCCDC3

RGB 188 205 195

HSL 144.71, 0.15%, 0.77%

LAB 80.9, -7.64, 3

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 11 / 0 / 33

HEX #8C97AA

RGB 140 151 170

HSL 218, 0.15%, 0.61%

LAB 62.18, 0.16, -11.26

 

CMYK 0 / 17 / 18 / 33

HEX #AA8D8C

RGB 170 141 140

HSL 2, 0.15%, 0.61%

LAB 61.21, 10.76, 4.62

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 10 / 18 / 0 / 33

HEX #998CAA

RGB 153 140 170

HSL 266, 0.15%, 0.61%

LAB 60.28, 10.79, -14.02

 

CMYK 0 / 10 / 18 / 33

HEX #AA998C

RGB 170 153 140

HSL 26, 0.15%, 0.61%

LAB 64.34, 4.07, 9.1

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 11 / 0 / 33

HEX #8C97AA

RGB 140 151 170

HSL 218, 0.15%, 0.61%

LAB 62.18, 0.16, -11.26

 

CMYK 0 / 18 / 8 / 33

HEX #AA8C9D

RGB 170 140 157

HSL 326, 0.15%, 0.61%

LAB 61.43, 14.25, -4.74

 

CMYK 0 / 6 / 18 / 33

HEX #AA9F8C

RGB 170 159 140

HSL 38, 0.15%, 0.61%

LAB 65.93, 0.77, 11.36

 

CMYK 18 / 0 / 10 / 33

HEX #8CAA99

RGB 140 170 153

HSL 146, 0.15%, 0.61%

LAB 66.99, -13.78, 5.34

 

CMYK 18 / 16 / 0 / 33

HEX #8C8EAA

RGB 140 142 170

HSL 236, 0.15%, 0.61%

LAB 59.73, 5.26, -14.95

 

CMYK 0 / 18 / 8 / 33

HEX #AA8C9D

RGB 170 140 157

HSL 326, 0.15%, 0.61%

LAB 61.43, 14.25, -4.74

 

CMYK 0 / 1 / 18 / 33

HEX #AAA88C

RGB 170 168 140

HSL 56, 0.15%, 0.61%

LAB 68.35, -4.12, 14.75

 

Description

Color code: HEX #8CAA99 | qconv.com Color code: HEX #8CAA99 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 140 red, 170 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
140 170 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 10 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 10% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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