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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89EFDC it is the complementary color #761023. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89EFDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89EFDC shade: #8EEFD7, #9FFFEA, #B0FFFD, #C1FFFF and #D2FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89EFDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89EFDC shade: #89EFDC, #78DDC9, #67CBB6, #56B9A3 and #45A790

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89EFDC shade: #8AEFDC, #8AEFC1, #8AEFA5, #8AEF8A and #A5EF8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89EFDC shade: #8AEFDC, #8AE6EF, #8ACBEF, #8AB0EF and #8A95EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89EFDC shade matches the following richer shades: #8AEFDC and #7FF9E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89EFDC shade: #8AEFDC, #95E4D5, #9FD9CE, #AACEC8 and #B5C4C1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89EFDC shade: #8AEFA5, #8AEFC0, #8AEFDA, #8AE8EF and #8ACDEF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89EFDC shade: #41E5C6, #66EAD1, #8AEFDC, #AEF4E7 and #D2F8F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89EFDC shade: #89EFDC, #8A8AEF and #EFB28A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89EFDC shade: #89EFDC, #DA8AEF and #EFDA8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89EFDC shade: #89EFDC, #8A8AEF, #EF8A9E and #EFEF8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89EFDC shade: #89EFDC, #A88AEF, #EF8A9E and #D0EF8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

Complementary color

CMYK 0 / 86 / 70 / 54

HEX #761023

RGB 118 16 35

HSL 348.82, 0.76%, 0.26%

LAB 24.78, 43, 17.45

 

CMYK 41 / 0 / 10 / 6

HEX #8EEFD7

RGB 142 239 215

HSL 165.15, 0.75%, 0.75%

LAB 88.16, -34.1, 2.64

 

CMYK 38 / 0 / 8 / 0

HEX #9FFFEA

RGB 159 255 234

HSL 166.88, 1%, 0.81%

LAB 93.81, -33.01, 1.08

 

CMYK 31 / 0 / 1 / 0

HEX #B0FFFD

RGB 176 255 253

HSL 178.48, 1%, 0.85%

LAB 95.09, -24.34, -6.75

 

CMYK 24 / 0 / 0 / 0

HEX #C1FFFF

RGB 193 255 255

HSL 180, 1%, 0.88%

LAB 96.03, -19.2, -6.3

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

CMYK 46 / 0 / 9 / 13

HEX #78DDC9

RGB 120 221 201

HSL 168.12, 0.6%, 0.67%

LAB 81.8, -34.32, 0.65

 

CMYK 49 / 0 / 10 / 20

HEX #67CBB6

RGB 103 203 182

HSL 167.4, 0.49%, 0.6%

LAB 75.43, -34.4, 1.47

 

CMYK 54 / 0 / 12 / 27

HEX #56B9A3

RGB 86 185 163

HSL 166.67, 0.41%, 0.53%

LAB 68.98, -34.42, 2.36

 

CMYK 59 / 0 / 14 / 35

HEX #45A790

RGB 69 167 144

HSL 165.92, 0.42%, 0.46%

LAB 62.44, -34.35, 3.34

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 42 / 0 / 19 / 6

HEX #8AEFC1

RGB 138 239 193

HSL 152.67, 0.76%, 0.74%

LAB 87.48, -39.8, 13.12

 

CMYK 42 / 0 / 31 / 6

HEX #8AEFA5

RGB 138 239 165

HSL 136.04, 0.76%, 0.74%

LAB 86.92, -45.08, 26.8

 

CMYK 42 / 0 / 42 / 6

HEX #8AEF8A

RGB 138 239 138

HSL 120, 0.76%, 0.74%

LAB 86.49, -49.39, 39.79

 

CMYK 31 / 0 / 42 / 6

HEX #A5EF8A

RGB 165 239 138

HSL 103.96, 0.76%, 0.74%

LAB 87.76, -41.02, 41.67

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 42 / 4 / 0 / 6

HEX #8AE6EF

RGB 138 230 239

HSL 185.35, 0.76%, 0.74%

LAB 86.12, -25.15, -12.98

 

CMYK 42 / 15 / 0 / 6

HEX #8ACBEF

RGB 138 203 239

HSL 201.39, 0.76%, 0.74%

LAB 78.66, -11.48, -24.24

 

CMYK 42 / 26 / 0 / 6

HEX #8AB0EF

RGB 138 176 239

HSL 217.43, 0.76%, 0.74%

LAB 71.34, 3.11, -35.5

 

CMYK 42 / 38 / 0 / 6

HEX #8A95EF

RGB 138 149 239

HSL 233.47, 0.76%, 0.74%

LAB 64.27, 18.48, -46.57

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 49 / 0 / 9 / 2

HEX #7FF9E3

RGB 127 249 227

HSL 169.18, 0.91%, 0.74%

LAB 90.69, -39.49, 0.01

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 35 / 0 / 7 / 11

HEX #95E4D5

RGB 149 228 213

HSL 168.61, 0.59%, 0.74%

LAB 85.34, -27.49, -0.38

 

CMYK 27 / 0 / 5 / 15

HEX #9FD9CE

RGB 159 217 206

HSL 168.62, 0.43%, 0.74%

LAB 82.62, -20.79, -0.59

 

CMYK 17 / 0 / 3 / 19

HEX #AACEC8

RGB 170 206 200

HSL 170, 0.27%, 0.74%

LAB 80.1, -13.1, -1

 

CMYK 8 / 0 / 2 / 23

HEX #B5C4C1

RGB 181 196 193

HSL 168, 0.11%, 0.74%

LAB 77.97, -5.69, -0.26

 

CMYK 42 / 0 / 31 / 6

HEX #8AEFA5

RGB 138 239 165

HSL 136.04, 0.76%, 0.74%

LAB 86.92, -45.08, 26.8

 

CMYK 42 / 0 / 20 / 6

HEX #8AEFC0

RGB 138 239 192

HSL 152.08, 0.76%, 0.74%

LAB 87.46, -40, 13.61

 

CMYK 42 / 0 / 9 / 6

HEX #8AEFDA

RGB 138 239 218

HSL 167.52, 0.76%, 0.74%

LAB 88.06, -34.43, 0.91

 

CMYK 42 / 3 / 0 / 6

HEX #8AE8EF

RGB 138 232 239

HSL 184.16, 0.76%, 0.74%

LAB 86.68, -26.12, -12.15

 

CMYK 42 / 14 / 0 / 6

HEX #8ACDEF

RGB 138 205 239

HSL 200.2, 0.76%, 0.74%

LAB 79.21, -12.52, -23.41

 

CMYK 72 / 0 / 14 / 10

HEX #41E5C6

RGB 65 229 198

HSL 168.66, 0.76%, 0.58%

LAB 82.51, -48.69, 3.08

 

CMYK 56 / 0 / 11 / 8

HEX #66EAD1

RGB 102 234 209

HSL 168.64, 0.76%, 0.66%

LAB 85.14, -42.2, 1.21

 

CMYK 42 / 0 / 8 / 6

HEX #8AEFDC

RGB 138 239 220

HSL 168.71, 0.76%, 0.74%

LAB 88.11, -33.97, -0.06

 

CMYK 29 / 0 / 5 / 4

HEX #AEF4E7

RGB 174 244 231

HSL 168.86, 0.76%, 0.82%

LAB 91.45, -24.36, -0.73

 

CMYK 15 / 0 / 3 / 3

HEX #D2F8F1

RGB 210 248 241

HSL 168.95, 0.73%, 0.9%

LAB 94.82, -13.53, -0.74

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

CMYK 42 / 42 / 0 / 6

HEX #8A8AEF

RGB 138 138 239

HSL 240, 0.76%, 0.74%

LAB 61.49, 24.88, -50.95

 

CMYK 0 / 26 / 42 / 6

HEX #EFB28A

RGB 239 178 138

HSL 23.76, 0.76%, 0.74%

LAB 77.3, 17.29, 29.1

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

CMYK 9 / 42 / 0 / 6

HEX #DA8AEF

RGB 218 138 239

HSL 287.52, 0.76%, 0.74%

LAB 68.98, 46.76, -38.66

 

CMYK 0 / 9 / 42 / 6

HEX #EFDA8A

RGB 239 218 138

HSL 47.52, 0.76%, 0.74%

LAB 87.16, -3.55, 41.93

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

CMYK 42 / 42 / 0 / 6

HEX #8A8AEF

RGB 138 138 239

HSL 240, 0.76%, 0.74%

LAB 61.49, 24.88, -50.95

 

CMYK 0 / 42 / 34 / 6

HEX #EF8A9E

RGB 239 138 158

HSL 348.12, 0.76%, 0.74%

LAB 68.75, 40.62, 6.31

 

CMYK 0 / 0 / 42 / 6

HEX #EFEF8A

RGB 239 239 138

HSL 60, 0.76%, 0.74%

LAB 92.54, -14.06, 48.7

 

CMYK 43 / 0 / 8 / 6

HEX #89EFDC

RGB 137 239 220

HSL 168.82, 0.76%, 0.74%

LAB 88.07, -34.22, -0.12

 

CMYK 30 / 42 / 0 / 6

HEX #A88AEF

RGB 168 138 239

HSL 257.82, 0.76%, 0.74%

LAB 63.94, 32.64, -46.92

 

CMYK 0 / 42 / 34 / 6

HEX #EF8A9E

RGB 239 138 158

HSL 348.12, 0.76%, 0.74%

LAB 68.75, 40.62, 6.31

 

CMYK 13 / 0 / 42 / 6

HEX #D0EF8A

RGB 208 239 138

HSL 78.42, 0.76%, 0.74%

LAB 90.31, -25.85, 45.43

 

Description

Color code: HEX #89EFDC | qconv.com Color code: HEX #89EFDC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 239 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 239 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 8 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 8% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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