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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89DBA8 it is the complementary color #762457. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89DBA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89DBA8 shade: #8EDBA3, #9FEDB6, #B0FFC9, #C1FFDC and #D2FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89DBA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89DBA8 shade: #89DBA8, #78C995, #67B782, #56A56F and #45935C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89DBA8 shade: #89DBA8, #89DB92, #97DB89, #ACDB89 and #C2DB89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89DBA8 shade: #89DBA8, #89DBBE, #89DBD4, #89CBDB and #89B6DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89DBA8 shade matches the following richer shades: #89DBA8, #7DE7A5 and #71F3A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89DBA8 shade: #89DBA8, #96CEAB, #A2C2AE, #AFB5B1 and #BBA9B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89DBA8 shade: #97DB89, #89DB92, #89DBA7, #89DBBD and #89DBD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89DBA8 shade: #4AC77A, #6AD191, #89DBA8, #A9E4BF and #C9EED7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89DBA8 shade: #89DBA8, #89ADDB and #DB898C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89DBA8 shade: #89DBA8, #A789DB and #DBA789

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89DBA8 shade: #89DBA8, #89ADDB, #DB89BD and #DBB789

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89DBA8 shade: #89DBA8, #8994DB, #DB89BD and #DBD089

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

Complementary color

CMYK 0 / 69 / 26 / 54

HEX #762457

RGB 118 36 87

HSL 322.68, 0.53%, 0.3%

LAB 28.91, 41.08, -11.65

 

CMYK 35 / 0 / 26 / 14

HEX #8EDBA3

RGB 142 219 163

HSL 136.36, 0.52%, 0.71%

LAB 81.32, -35.37, 20.18

 

CMYK 33 / 0 / 23 / 7

HEX #9FEDB6

RGB 159 237 182

HSL 137.69, 0.68%, 0.78%

LAB 87.64, -35.11, 19.19

 

CMYK 31 / 0 / 21 / 0

HEX #B0FFC9

RGB 176 255 201

HSL 138.99, 1%, 0.85%

LAB 93.87, -34.86, 18.25

 

CMYK 24 / 0 / 14 / 0

HEX #C1FFDC

RGB 193 255 220

HSL 146.13, 1%, 0.88%

LAB 95.17, -26.22, 10.47

 

CMYK 18 / 0 / 6 / 0

HEX #D2FFEF

RGB 210 255 239

HSL 158.67, 1%, 0.91%

LAB 96.6, -17.38, 2.88

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 40 / 0 / 26 / 21

HEX #78C995

RGB 120 201 149

HSL 141.48, 0.43%, 0.63%

LAB 74.78, -36.18, 18.37

 

CMYK 44 / 0 / 29 / 28

HEX #67B782

RGB 103 183 130

HSL 140.25, 0.36%, 0.56%

LAB 68.29, -36.43, 19.48

 

CMYK 48 / 0 / 33 / 35

HEX #56A56F

RGB 86 165 111

HSL 138.99, 0.31%, 0.49%

LAB 61.69, -36.66, 20.68

 

CMYK 53 / 0 / 37 / 42

HEX #45935C

RGB 69 147 92

HSL 137.69, 0.36%, 0.42%

LAB 54.97, -36.81, 21.99

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 37 / 0 / 33 / 14

HEX #89DB92

RGB 137 219 146

HSL 126.59, 0.53%, 0.7%

LAB 80.77, -39.83, 28.23

 

CMYK 31 / 0 / 37 / 14

HEX #97DB89

RGB 151 219 137

HSL 109.76, 0.53%, 0.7%

LAB 81.32, -36.8, 33.69

 

CMYK 21 / 0 / 37 / 14

HEX #ACDB89

RGB 172 219 137

HSL 94.39, 0.53%, 0.7%

LAB 82.51, -29.61, 35.47

 

CMYK 11 / 0 / 37 / 14

HEX #C2DB89

RGB 194 219 137

HSL 78.29, 0.53%, 0.7%

LAB 83.93, -21.56, 37.6

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 37 / 0 / 13 / 14

HEX #89DBBE

RGB 137 219 190

HSL 158.78, 0.53%, 0.7%

LAB 81.67, -31.48, 6.4

 

CMYK 37 / 0 / 3 / 14

HEX #89DBD4

RGB 137 219 212

HSL 174.88, 0.53%, 0.7%

LAB 82.24, -26.56, -4.47

 

CMYK 37 / 7 / 0 / 14

HEX #89CBDB

RGB 137 203 219

HSL 191.71, 0.53%, 0.7%

LAB 77.96, -16.87, -14.58

 

CMYK 37 / 17 / 0 / 14

HEX #89B6DB

RGB 137 182 219

HSL 207.07, 0.53%, 0.7%

LAB 72.15, -5.81, -23.37

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 46 / 0 / 29 / 9

HEX #7DE7A5

RGB 125 231 165

HSL 142.64, 0.69%, 0.7%

LAB 84.08, -45.12, 22.83

 

CMYK 53 / 0 / 33 / 5

HEX #71F3A2

RGB 113 243 162

HSL 142.62, 0.84%, 0.7%

LAB 87.1, -53.62, 28.41

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 27 / 0 / 17 / 19

HEX #96CEAB

RGB 150 206 171

HSL 142.5, 0.36%, 0.7%

LAB 78.21, -25.23, 11.65

 

CMYK 16 / 0 / 10 / 24

HEX #A2C2AE

RGB 162 194 174

HSL 142.5, 0.21%, 0.7%

LAB 75.65, -14.72, 6.48

 

CMYK 3 / 0 / 2 / 29

HEX #AFB5B1

RGB 175 181 177

HSL 140, 0.04%, 0.7%

LAB 73.11, -2.85, 1.3

 

CMYK 0 / 10 / 4 / 27

HEX #BBA9B4

RGB 187 169 180

HSL 323.33, 0.12%, 0.7%

LAB 71.03, 8.45, -3.28

 

CMYK 31 / 0 / 37 / 14

HEX #97DB89

RGB 151 219 137

HSL 109.76, 0.53%, 0.7%

LAB 81.32, -36.8, 33.69

 

CMYK 37 / 0 / 33 / 14

HEX #89DB92

RGB 137 219 146

HSL 126.59, 0.53%, 0.7%

LAB 80.77, -39.83, 28.23

 

CMYK 37 / 0 / 24 / 14

HEX #89DBA7

RGB 137 219 167

HSL 141.95, 0.53%, 0.7%

LAB 81.17, -36.11, 17.83

 

CMYK 37 / 0 / 14 / 14

HEX #89DBBD

RGB 137 219 189

HSL 158.05, 0.53%, 0.7%

LAB 81.65, -31.69, 6.9

 

CMYK 37 / 0 / 4 / 14

HEX #89DBD2

RGB 137 219 210

HSL 173.41, 0.53%, 0.7%

LAB 82.18, -27.02, -3.49

 

CMYK 63 / 0 / 39 / 22

HEX #4AC77A

RGB 74 199 122

HSL 143.04, 0.53%, 0.54%

LAB 72.03, -51.74, 28.6

 

CMYK 49 / 0 / 31 / 18

HEX #6AD191

RGB 106 209 145

HSL 142.72, 0.53%, 0.62%

LAB 76.5, -44.29, 22.76

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 26 / 0 / 16 / 11

HEX #A9E4BF

RGB 169 228 191

HSL 142.37, 0.52%, 0.78%

LAB 85.85, -26.14, 12.06

 

CMYK 16 / 0 / 10 / 7

HEX #C9EED7

RGB 201 238 215

HSL 142.7, 0.52%, 0.86%

LAB 91, -16.36, 7.13

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 37 / 21 / 0 / 14

HEX #89ADDB

RGB 137 173 219

HSL 213.66, 0.53%, 0.7%

LAB 69.7, -0.89, -27.13

 

CMYK 0 / 37 / 36 / 14

HEX #DB898C

RGB 219 137 140

HSL 357.8, 0.53%, 0.7%

LAB 65.63, 31.67, 11.65

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 24 / 37 / 0 / 14

HEX #A789DB

RGB 167 137 219

HSL 261.95, 0.53%, 0.7%

LAB 62.69, 28.07, -37.8

 

CMYK 0 / 24 / 37 / 14

HEX #DBA789

RGB 219 167 137

HSL 21.95, 0.53%, 0.7%

LAB 72.56, 15.18, 22.92

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 37 / 21 / 0 / 14

HEX #89ADDB

RGB 137 173 219

HSL 213.66, 0.53%, 0.7%

LAB 69.7, -0.89, -27.13

 

CMYK 0 / 37 / 14 / 14

HEX #DB89BD

RGB 219 137 189

HSL 321.95, 0.53%, 0.7%

LAB 67, 38.61, -13.95

 

CMYK 0 / 16 / 37 / 14

HEX #DBB789

RGB 219 183 137

HSL 33.66, 0.53%, 0.7%

LAB 76.52, 6.62, 28.24

 

CMYK 37 / 0 / 23 / 14

HEX #89DBA8

RGB 137 219 168

HSL 142.68, 0.53%, 0.7%

LAB 81.19, -35.92, 17.33

 

CMYK 37 / 32 / 0 / 14

HEX #8994DB

RGB 137 148 219

HSL 231.95, 0.53%, 0.7%

LAB 63.02, 13.25, -37.47

 

CMYK 0 / 37 / 14 / 14

HEX #DB89BD

RGB 219 137 189

HSL 321.95, 0.53%, 0.7%

LAB 67, 38.61, -13.95

 

CMYK 0 / 5 / 37 / 14

HEX #DBD089

RGB 219 208 137

HSL 51.95, 0.53%, 0.7%

LAB 82.9, -6.42, 36.64

 

Description

Color code: HEX #89DBA8 | qconv.com Color code: HEX #89DBA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 219 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 219 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 23 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 23% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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