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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89D838 it is the complementary color #7627C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89D838. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89D838 shade: #8ED833, #9FEA46, #B0FC59, #C1FF6C and #D2FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89D838. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89D838 shade: #89D838, #78C625, #67B412, #56A200 and #459000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89D838 shade: #88D736, #B3D736, #D7D036, #D7A436 and #D77936

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89D838 shade: #88D736, #5CD736, #36D73C, #36D767 and #36D792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89D838 shade matches the following richer shades: #88D736, #88EA23 and #88FE10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89D838 shade: #88D736, #87C44A, #87B05D, #879D71 and #878984

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89D838 shade: #D7CF36, #B4D736, #89D736, #5FD736 and #36D739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89D838 shade: #5E9C1E, #73BF25, #88D736, #9CDE59 and #B1E57B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89D838 shade: #89D838, #36D7A4 and #D736CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89D838 shade: #89D838, #3689D7 and #D73689

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89D838 shade: #89D838, #36D7A4, #8436D7 and #D73669

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89D838 shade: #89D838, #36D7D4, #8436D7 and #D73639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

Complementary color

CMYK 41 / 80 / 0 / 22

HEX #7627C7

RGB 118 39 199

HSL 269.63, 0.67%, 0.47%

LAB 36.79, 62.24, -68.14

 

CMYK 34 / 0 / 76 / 15

HEX #8ED833

RGB 142 216 51

HSL 86.91, 0.68%, 0.52%

LAB 79.1, -47.12, 68.47

 

CMYK 32 / 0 / 70 / 8

HEX #9FEA46

RGB 159 234 70

HSL 87.44, 0.8%, 0.6%

LAB 85.33, -47.58, 68.52

 

CMYK 30 / 0 / 65 / 1

HEX #B0FC59

RGB 176 252 89

HSL 87.98, 0.96%, 0.67%

LAB 91.49, -47.89, 68.09

 

CMYK 24 / 0 / 58 / 0

HEX #C1FF6C

RGB 193 255 108

HSL 85.31, 1%, 0.71%

LAB 93.42, -41.65, 62.7

 

CMYK 18 / 0 / 50 / 0

HEX #D2FF7F

RGB 210 255 127

HSL 81.09, 1%, 0.75%

LAB 94.63, -33.73, 55.95

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 39 / 0 / 81 / 22

HEX #78C625

RGB 120 198 37

HSL 89.07, 0.69%, 0.46%

LAB 72.57, -48, 66.07

 

CMYK 43 / 0 / 90 / 29

HEX #67B412

RGB 103 180 18

HSL 88.52, 0.82%, 0.39%

LAB 66.19, -47.16, 64.45

 

CMYK 47 / 0 / 100 / 36

HEX #56A200

RGB 86 162 0

HSL 88.15, 1%, 0.32%

LAB 59.72, -46.03, 61.48

 

CMYK 52 / 0 / 100 / 44

HEX #459000

RGB 69 144 0

HSL 91.25, 1%, 0.28%

LAB 53.18, -44.41, 56.05

 

CMYK 37 / 0 / 75 / 16

HEX #88D736

RGB 136 215 54

HSL 89.44, 0.67%, 0.53%

LAB 78.52, -48.63, 66.86

 

CMYK 17 / 0 / 75 / 16

HEX #B3D736

RGB 179 215 54

HSL 73.42, 0.67%, 0.53%

LAB 80.99, -32.57, 70.08

 

CMYK 0 / 3 / 75 / 16

HEX #D7D036

RGB 215 208 54

HSL 57.39, 0.67%, 0.53%

LAB 81.74, -14.35, 71.75

 

CMYK 0 / 24 / 75 / 16

HEX #D7A436

RGB 215 164 54

HSL 40.99, 0.67%, 0.53%

LAB 70.36, 8.49, 61

 

CMYK 0 / 44 / 75 / 16

HEX #D77936

RGB 215 121 54

HSL 24.97, 0.67%, 0.53%

LAB 60.24, 31.56, 50.96

 

CMYK 37 / 0 / 75 / 16

HEX #88D736

RGB 136 215 54

HSL 89.44, 0.67%, 0.53%

LAB 78.52, -48.63, 66.86

 

CMYK 57 / 0 / 75 / 16

HEX #5CD736

RGB 92 215 54

HSL 105.84, 0.67%, 0.53%

LAB 76.77, -61.78, 64.55

 

CMYK 75 / 0 / 72 / 16

HEX #36D73C

RGB 54 215 60

HSL 122.24, 0.67%, 0.53%

LAB 75.89, -68.88, 61.32

 

CMYK 75 / 0 / 52 / 16

HEX #36D767

RGB 54 215 103

HSL 138.26, 0.67%, 0.53%

LAB 76.29, -64.05, 43.46

 

CMYK 75 / 0 / 32 / 16

HEX #36D792

RGB 54 215 146

HSL 154.29, 0.67%, 0.53%

LAB 76.96, -56.47, 22.63

 

CMYK 37 / 0 / 75 / 16

HEX #88D736

RGB 136 215 54

HSL 89.44, 0.67%, 0.53%

LAB 78.52, -48.63, 66.86

 

CMYK 42 / 0 / 85 / 8

HEX #88EA23

RGB 136 234 35

HSL 89.55, 0.83%, 0.53%

LAB 84.07, -57.02, 76.97

 

CMYK 46 / 0 / 94 / 0

HEX #88FE10

RGB 136 254 16

HSL 89.75, 0.99%, 0.53%

LAB 89.93, -64.92, 84.71

 

CMYK 37 / 0 / 75 / 16

HEX #88D736

RGB 136 215 54

HSL 89.44, 0.67%, 0.53%

LAB 78.52, -48.63, 66.86

 

CMYK 31 / 0 / 62 / 23

HEX #87C44A

RGB 135 196 74

HSL 90, 0.51%, 0.53%

LAB 72.97, -39.46, 53.54

 

CMYK 23 / 0 / 47 / 31

HEX #87B05D

RGB 135 176 93

HSL 89.64, 0.34%, 0.53%

LAB 67.27, -28.25, 37.93

 

CMYK 14 / 0 / 28 / 38

HEX #879D71

RGB 135 157 113

HSL 90, 0.18%, 0.53%

LAB 62.05, -15.92, 20.53

 

CMYK 1 / 0 / 4 / 46

HEX #878984

RGB 135 137 132

HSL 84, 0.02%, 0.53%

LAB 56.79, -1.71, 2.41

 

CMYK 0 / 4 / 75 / 16

HEX #D7CF36

RGB 215 207 54

HSL 57.02, 0.67%, 0.53%

LAB 81.48, -13.85, 71.5

 

CMYK 16 / 0 / 75 / 16

HEX #B4D736

RGB 180 215 54

HSL 73.04, 0.67%, 0.53%

LAB 81.05, -32.17, 70.17

 

CMYK 36 / 0 / 75 / 16

HEX #89D736

RGB 137 215 54

HSL 89.07, 0.67%, 0.53%

LAB 78.57, -48.28, 66.92

 

CMYK 56 / 0 / 75 / 16

HEX #5FD736

RGB 95 215 54

HSL 104.72, 0.67%, 0.53%

LAB 76.86, -61.02, 64.68

 

CMYK 75 / 0 / 73 / 16

HEX #36D739

RGB 54 215 57

HSL 121.12, 0.67%, 0.53%

LAB 75.87, -69.11, 62.35

 

CMYK 40 / 0 / 81 / 39

HEX #5E9C1E

RGB 94 156 30

HSL 89.52, 0.68%, 0.36%

LAB 58.27, -39.88, 54.52

 

CMYK 40 / 0 / 81 / 25

HEX #73BF25

RGB 115 191 37

HSL 89.61, 0.68%, 0.45%

LAB 70.2, -46.85, 63.83

 

CMYK 37 / 0 / 75 / 16

HEX #88D736

RGB 136 215 54

HSL 89.44, 0.67%, 0.53%

LAB 78.52, -48.63, 66.86

 

CMYK 30 / 0 / 60 / 13

HEX #9CDE59

RGB 156 222 89

HSL 89.77, 0.67%, 0.61%

LAB 81.86, -42.06, 57.26

 

CMYK 23 / 0 / 46 / 10

HEX #B1E57B

RGB 177 229 123

HSL 89.43, 0.67%, 0.69%

LAB 85.41, -34.23, 46.14

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 75 / 0 / 24 / 16

HEX #36D7A4

RGB 54 215 164

HSL 160.99, 0.67%, 0.53%

LAB 77.32, -52.52, 13.64

 

CMYK 0 / 75 / 6 / 16

HEX #D736CA

RGB 215 54 202

HSL 304.84, 0.67%, 0.53%

LAB 53.33, 75.87, -42.49

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 75 / 36 / 0 / 16

HEX #3689D7

RGB 54 137 215

HSL 209.07, 0.67%, 0.53%

LAB 55.67, 1.46, -47.09

 

CMYK 0 / 75 / 36 / 16

HEX #D73689

RGB 215 54 137

HSL 329.07, 0.67%, 0.53%

LAB 50.56, 67.55, -8.57

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 75 / 0 / 24 / 16

HEX #36D7A4

RGB 54 215 164

HSL 160.99, 0.67%, 0.53%

LAB 77.32, -52.52, 13.64

 

CMYK 39 / 75 / 0 / 16

HEX #8436D7

RGB 132 54 215

HSL 269.07, 0.67%, 0.53%

LAB 41.92, 62.36, -68.94

 

CMYK 0 / 75 / 51 / 16

HEX #D73669

RGB 215 54 105

HSL 340.99, 0.67%, 0.53%

LAB 49.62, 64.59, 9.44

 

CMYK 37 / 0 / 74 / 15

HEX #89D838

RGB 137 216 56

HSL 89.63, 0.67%, 0.53%

LAB 78.88, -48.58, 66.57

 

CMYK 75 / 0 / 1 / 16

HEX #36D7D4

RGB 54 215 212

HSL 178.88, 0.67%, 0.53%

LAB 78.54, -40.12, -10.22

 

CMYK 39 / 75 / 0 / 16

HEX #8436D7

RGB 132 54 215

HSL 269.07, 0.67%, 0.53%

LAB 41.92, 62.36, -68.94

 

CMYK 0 / 75 / 73 / 16

HEX #D73639

RGB 215 54 57

HSL 358.88, 0.67%, 0.53%

LAB 48.74, 61.71, 37.06

 

Description

Color code: HEX #89D838 | qconv.com Color code: HEX #89D838 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 216 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 216 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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