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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89C58E it is the complementary color #763A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89C58E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89C58E shade: #8EC589, #9FD79C, #B0E9AF, #C1FBC2 and #D2FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89C58E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89C58E shade: #89C58E, #78B37B, #67A168, #568F55 and #457D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89C58E shade: #87C48C, #92C487, #A3C487, #B3C487 and #C3C487

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89C58E shade: #87C48C, #87C49C, #87C4AD, #87C4BD and #87BAC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89C58E shade matches the following richer shades: #87C48C, #78D280, #6AE074, #5CEF68 and #4DFD5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89C58E shade: #87C48C, #95B598, #A4A7A4, #B298B0 and #C18ABC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89C58E shade: #A2C487, #92C487, #87C48C, #87C49C and #87C4AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89C58E shade: #52A659, #6BB671, #87C48C, #A3D1A6 and #BEDFC1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89C58E shade: #89C58E, #87B2C4 and #C4879A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89C58E shade: #89C58E, #8C87C4 and #C48C87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89C58E shade: #89C58E, #87B2C4, #C487BF and #C49887

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89C58E shade: #89C58E, #87A0C4, #C487BF and #C4AA87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

Complementary color

CMYK 0 / 51 / 4 / 54

HEX #763A71

RGB 118 58 113

HSL 305, 0.34%, 0.35%

LAB 34.13, 34.52, -20.31

 

CMYK 28 / 0 / 30 / 23

HEX #8EC589

RGB 142 197 137

HSL 115, 0.34%, 0.65%

LAB 74.5, -29.55, 24.53

 

CMYK 26 / 0 / 27 / 16

HEX #9FD79C

RGB 159 215 156

HSL 116.95, 0.42%, 0.73%

LAB 80.95, -29.33, 23.47

 

CMYK 24 / 0 / 25 / 9

HEX #B0E9AF

RGB 176 233 175

HSL 118.97, 0.57%, 0.8%

LAB 87.29, -29.12, 22.47

 

CMYK 23 / 0 / 23 / 2

HEX #C1FBC2

RGB 193 251 194

HSL 121.03, 0.88%, 0.87%

LAB 93.55, -28.92, 21.51

 

CMYK 18 / 0 / 16 / 0

HEX #D2FFD5

RGB 210 255 213

HSL 124, 1%, 0.91%

LAB 96.01, -22.09, 15.39

 

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

CMYK 33 / 0 / 31 / 30

HEX #78B37B

RGB 120 179 123

HSL 123.05, 0.28%, 0.59%

LAB 67.77, -30.62, 22.68

 

CMYK 36 / 0 / 35 / 37

HEX #67A168

RGB 103 161 104

HSL 121.03, 0.24%, 0.52%

LAB 61.11, -30.88, 23.86

 

CMYK 40 / 0 / 41 / 44

HEX #568F55

RGB 86 143 85

HSL 118.97, 0.25%, 0.45%

LAB 54.32, -31.12, 25.12

 

CMYK 45 / 0 / 47 / 51

HEX #457D42

RGB 69 125 66

HSL 116.95, 0.31%, 0.37%

LAB 47.4, -31.31, 26.47

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 26 / 0 / 31 / 23

HEX #92C487

RGB 146 196 135

HSL 109.18, 0.34%, 0.65%

LAB 74.41, -28.03, 25.5

 

CMYK 17 / 0 / 31 / 23

HEX #A3C487

RGB 163 196 135

HSL 92.46, 0.34%, 0.65%

LAB 75.46, -21.99, 27.09

 

CMYK 9 / 0 / 31 / 23

HEX #B3C487

RGB 179 196 135

HSL 76.72, 0.34%, 0.65%

LAB 76.57, -16.04, 28.77

 

CMYK 1 / 0 / 31 / 23

HEX #C3C487

RGB 195 196 135

HSL 60.98, 0.34%, 0.65%

LAB 77.78, -9.89, 30.59

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 31 / 0 / 20 / 23

HEX #87C49C

RGB 135 196 156

HSL 140.66, 0.34%, 0.65%

LAB 74.21, -27.97, 13.93

 

CMYK 31 / 0 / 12 / 23

HEX #87C4AD

RGB 135 196 173

HSL 157.38, 0.34%, 0.65%

LAB 74.6, -24.54, 5.31

 

CMYK 31 / 0 / 4 / 23

HEX #87C4BD

RGB 135 196 189

HSL 173.11, 0.34%, 0.65%

LAB 75.02, -21.03, -2.76

 

CMYK 31 / 5 / 0 / 23

HEX #87BAC4

RGB 135 186 196

HSL 189.84, 0.34%, 0.65%

LAB 72.4, -14.26, -10.45

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 43 / 0 / 39 / 18

HEX #78D280

RGB 120 210 128

HSL 125.33, 0.5%, 0.65%

LAB 77.07, -43.84, 32.43

 

CMYK 53 / 0 / 48 / 12

HEX #6AE074

RGB 106 224 116

HSL 125.08, 0.66%, 0.65%

LAB 80.54, -55.17, 42.74

 

CMYK 62 / 0 / 56 / 6

HEX #5CEF68

RGB 92 239 104

HSL 124.9, 0.82%, 0.65%

LAB 84.49, -65.51, 53.03

 

CMYK 70 / 0 / 64 / 1

HEX #4DFD5C

RGB 77 253 92

HSL 125.11, 0.98%, 0.65%

LAB 88.26, -74.32, 62.35

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 18 / 0 / 16 / 29

HEX #95B598

RGB 149 181 152

HSL 125.63, 0.18%, 0.65%

LAB 70.67, -16.6, 11.22

 

CMYK 2 / 0 / 2 / 35

HEX #A4A7A4

RGB 164 167 164

HSL 120, 0.02%, 0.65%

LAB 68.18, -1.63, 1.17

 

CMYK 0 / 15 / 1 / 30

HEX #B298B0

RGB 178 152 176

HSL 304.62, 0.14%, 0.65%

LAB 65.79, 13.92, -8.91

 

CMYK 0 / 28 / 3 / 24

HEX #C18ABC

RGB 193 138 188

HSL 305.45, 0.31%, 0.65%

LAB 64.28, 29.16, -17.78

 

CMYK 17 / 0 / 31 / 23

HEX #A2C487

RGB 162 196 135

HSL 93.44, 0.34%, 0.65%

LAB 75.4, -22.36, 27

 

CMYK 26 / 0 / 31 / 23

HEX #92C487

RGB 146 196 135

HSL 109.18, 0.34%, 0.65%

LAB 74.41, -28.03, 25.5

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 31 / 0 / 20 / 23

HEX #87C49C

RGB 135 196 156

HSL 140.66, 0.34%, 0.65%

LAB 74.21, -27.97, 13.93

 

CMYK 31 / 0 / 12 / 23

HEX #87C4AC

RGB 135 196 172

HSL 156.39, 0.34%, 0.65%

LAB 74.58, -24.75, 5.82

 

CMYK 51 / 0 / 46 / 35

HEX #52A659

RGB 82 166 89

HSL 125, 0.34%, 0.49%

LAB 61.47, -41.99, 32.14

 

CMYK 41 / 0 / 38 / 29

HEX #6BB671

RGB 107 182 113

HSL 124.8, 0.34%, 0.57%

LAB 67.85, -37.81, 28.01

 

CMYK 31 / 0 / 29 / 23

HEX #87C48C

RGB 135 196 140

HSL 124.92, 0.34%, 0.65%

LAB 73.88, -30.89, 22.04

 

CMYK 22 / 0 / 21 / 18

HEX #A3D1A6

RGB 163 209 166

HSL 123.91, 0.33%, 0.73%

LAB 79.69, -23.39, 16.51

 

CMYK 15 / 0 / 13 / 13

HEX #BEDFC1

RGB 190 223 193

HSL 125.45, 0.34%, 0.81%

LAB 85.79, -16.5, 11.1

 

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

CMYK 31 / 9 / 0 / 23

HEX #87B2C4

RGB 135 178 196

HSL 197.7, 0.34%, 0.65%

LAB 70.16, -10.03, -13.8

 

CMYK 0 / 31 / 21 / 23

HEX #C4879A

RGB 196 135 154

HSL 341.31, 0.34%, 0.65%

LAB 62.84, 26.11, -0.64

 

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

CMYK 29 / 31 / 0 / 23

HEX #8C87C4

RGB 140 135 196

HSL 244.92, 0.34%, 0.65%

LAB 58.87, 15.59, -31.02

 

CMYK 0 / 29 / 31 / 23

HEX #C48C87

RGB 196 140 135

HSL 4.92, 0.34%, 0.65%

LAB 63.54, 20.63, 11.15

 

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

CMYK 31 / 9 / 0 / 23

HEX #87B2C4

RGB 135 178 196

HSL 197.7, 0.34%, 0.65%

LAB 70.16, -10.03, -13.8

 

CMYK 0 / 31 / 3 / 23

HEX #C487BF

RGB 196 135 191

HSL 304.92, 0.34%, 0.65%

LAB 64.02, 32.37, -19.83

 

CMYK 0 / 22 / 31 / 23

HEX #C49887

RGB 196 152 135

HSL 16.72, 0.34%, 0.65%

LAB 66.48, 14.03, 15.26

 

CMYK 30 / 0 / 28 / 23

HEX #89C58E

RGB 137 197 142

HSL 125, 0.34%, 0.65%

LAB 74.32, -30.36, 21.59

 

CMYK 31 / 18 / 0 / 23

HEX #87A0C4

RGB 135 160 196

HSL 215.41, 0.34%, 0.65%

LAB 65.18, -0.19, -21.34

 

CMYK 0 / 31 / 3 / 23

HEX #C487BF

RGB 196 135 191

HSL 304.92, 0.34%, 0.65%

LAB 64.02, 32.37, -19.83

 

CMYK 0 / 13 / 31 / 23

HEX #C4AA87

RGB 196 170 135

HSL 34.43, 0.34%, 0.65%

LAB 71.03, 4.22, 21.55

 

Description

Color code: HEX #89C58E | qconv.com Color code: HEX #89C58E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 197 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 197 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 28 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 28% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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