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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89A72A it is the complementary color #7658D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89A72A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89A72A shade: #8EA725, #9FB938, #B0CB4B, #C1DD5E and #D2EF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89A72A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89A72A shade: #89A72A, #789517, #678304, #567100 and #455F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89A72A shade: #89A729, #A7A329, #A78129, #A75F29 and #A73E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89A72A shade: #89A729, #67A729, #45A729, #29A72F and #29A751

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89A72A shade matches the following richer shades: #89A729, #91B818 and #9AC907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89A72A shade: #89A729, #80963A, #77854B, #6E745C and #65636D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89A72A shade: #A78129, #A7A329, #8AA729, #68A729 and #47A729

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89A72A shade: #536519, #6E8621, #89A729, #A4C832 and #B3D350

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89A72A shade: #89A72A, #29A760 and #9229A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89A72A shade: #89A72A, #298AA7 and #A7298A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89A72A shade: #89A72A, #29A760, #4729A7 and #A72970

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89A72A shade: #89A72A, #29A785, #4729A7 and #A7294B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

Complementary color

CMYK 45 / 59 / 0 / 16

HEX #7658D5

RGB 118 88 213

HSL 254.4, 0.6%, 0.59%

LAB 46.49, 42.09, -60.45

 

CMYK 15 / 0 / 78 / 35

HEX #8EA725

RGB 142 167 37

HSL 71.54, 0.64%, 0.4%

LAB 64.58, -25.66, 59.25

 

CMYK 14 / 0 / 70 / 27

HEX #9FB938

RGB 159 185 56

HSL 72.09, 0.54%, 0.47%

LAB 71.11, -26.36, 59.33

 

CMYK 13 / 0 / 63 / 20

HEX #B0CB4B

RGB 176 203 75

HSL 72.66, 0.55%, 0.55%

LAB 77.55, -26.89, 58.82

 

CMYK 13 / 0 / 57 / 13

HEX #C1DD5E

RGB 193 221 94

HSL 73.23, 0.65%, 0.62%

LAB 83.89, -27.29, 58

 

CMYK 12 / 0 / 53 / 6

HEX #D2EF71

RGB 210 239 113

HSL 73.81, 0.8%, 0.69%

LAB 90.15, -27.61, 57.01

 

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

CMYK 19 / 0 / 85 / 42

HEX #789517

RGB 120 149 23

HSL 73.81, 0.73%, 0.34%

LAB 57.61, -26.74, 56.46

 

CMYK 21 / 0 / 97 / 49

HEX #678304

RGB 103 131 4

HSL 73.23, 0.94%, 0.26%

LAB 50.83, -25.71, 54.27

 

CMYK 24 / 0 / 100 / 56

HEX #567100

RGB 86 113 0

HSL 74.34, 1%, 0.22%

LAB 43.93, -24.31, 49.28

 

CMYK 27 / 0 / 100 / 63

HEX #455F00

RGB 69 95 0

HSL 76.42, 1%, 0.19%

LAB 36.84, -22.79, 43.38

 

CMYK 18 / 0 / 75 / 35

HEX #89A729

RGB 137 167 41

HSL 74.29, 0.61%, 0.41%

LAB 64.25, -27.56, 57.51

 

CMYK 0 / 2 / 75 / 35

HEX #A7A329

RGB 167 163 41

HSL 58.1, 0.61%, 0.41%

LAB 65.41, -12.64, 59.42

 

CMYK 0 / 23 / 75 / 35

HEX #A78129

RGB 167 129 41

HSL 41.9, 0.61%, 0.41%

LAB 56.16, 5.8, 50.62

 

CMYK 0 / 43 / 75 / 35

HEX #A75F29

RGB 167 95 41

HSL 25.71, 0.61%, 0.41%

LAB 47.7, 24.93, 42.16

 

CMYK 0 / 63 / 75 / 35

HEX #A73E29

RGB 167 62 41

HSL 10, 0.61%, 0.41%

LAB 40.93, 42.06, 35

 

CMYK 18 / 0 / 75 / 35

HEX #89A729

RGB 137 167 41

HSL 74.29, 0.61%, 0.41%

LAB 64.25, -27.56, 57.51

 

CMYK 38 / 0 / 75 / 35

HEX #67A729

RGB 103 167 41

HSL 90.48, 0.61%, 0.41%

LAB 62.24, -40.77, 54.86

 

CMYK 59 / 0 / 75 / 35

HEX #45A729

RGB 69 167 41

HSL 106.67, 0.61%, 0.41%

LAB 60.84, -51.3, 53.02

 

CMYK 75 / 0 / 72 / 35

HEX #29A72F

RGB 41 167 47

HSL 122.86, 0.61%, 0.41%

LAB 60.17, -56.65, 49.89

 

CMYK 75 / 0 / 51 / 35

HEX #29A751

RGB 41 167 81

HSL 139.05, 0.61%, 0.41%

LAB 60.52, -52.49, 34.8

 

CMYK 18 / 0 / 75 / 35

HEX #89A729

RGB 137 167 41

HSL 74.29, 0.61%, 0.41%

LAB 64.25, -27.56, 57.51

 

CMYK 21 / 0 / 87 / 28

HEX #91B818

RGB 145 184 24

HSL 74.63, 0.77%, 0.41%

LAB 69.73, -32.99, 67.2

 

CMYK 23 / 0 / 97 / 21

HEX #9AC907

RGB 154 201 7

HSL 74.54, 0.93%, 0.41%

LAB 75.24, -37.46, 74.29

 

CMYK 18 / 0 / 75 / 35

HEX #89A729

RGB 137 167 41

HSL 74.29, 0.61%, 0.41%

LAB 64.25, -27.56, 57.51

 

CMYK 15 / 0 / 61 / 41

HEX #80963A

RGB 128 150 58

HSL 74.35, 0.44%, 0.41%

LAB 58.7, -21.79, 44.77

 

CMYK 11 / 0 / 44 / 48

HEX #77854B

RGB 119 133 75

HSL 74.48, 0.28%, 0.41%

LAB 53.17, -14.99, 29.51

 

CMYK 5 / 0 / 21 / 55

HEX #6E745C

RGB 110 116 92

HSL 75, 0.12%, 0.41%

LAB 47.72, -6.85, 12.52

 

CMYK 7 / 9 / 0 / 57

HEX #65636D

RGB 101 99 109

HSL 252, 0.05%, 0.41%

LAB 42.45, 2.92, -5.36

 

CMYK 0 / 23 / 75 / 35

HEX #A78129

RGB 167 129 41

HSL 41.9, 0.61%, 0.41%

LAB 56.16, 5.8, 50.62

 

CMYK 0 / 2 / 75 / 35

HEX #A7A329

RGB 167 163 41

HSL 58.1, 0.61%, 0.41%

LAB 65.41, -12.64, 59.42

 

CMYK 17 / 0 / 75 / 35

HEX #8AA729

RGB 138 167 41

HSL 73.81, 0.61%, 0.41%

LAB 64.32, -27.15, 57.6

 

CMYK 38 / 0 / 75 / 35

HEX #68A729

RGB 104 167 41

HSL 90, 0.61%, 0.41%

LAB 62.29, -40.41, 54.93

 

CMYK 57 / 0 / 75 / 35

HEX #47A729

RGB 71 167 41

HSL 105.71, 0.61%, 0.41%

LAB 60.9, -50.77, 53.1

 

CMYK 18 / 0 / 75 / 60

HEX #536519

RGB 83 101 25

HSL 74.21, 0.6%, 0.25%

LAB 39.94, -18.45, 38.55

 

CMYK 18 / 0 / 75 / 47

HEX #6E8621

RGB 110 134 33

HSL 74.26, 0.6%, 0.33%

LAB 52.37, -23.12, 48.28

 

CMYK 18 / 0 / 75 / 35

HEX #89A729

RGB 137 167 41

HSL 74.29, 0.61%, 0.41%

LAB 64.25, -27.56, 57.51

 

CMYK 18 / 0 / 75 / 22

HEX #A4C832

RGB 164 200 50

HSL 74.4, 0.6%, 0.49%

LAB 75.72, -31.78, 66.04

 

CMYK 15 / 0 / 62 / 17

HEX #B3D350

RGB 179 211 80

HSL 74.66, 0.6%, 0.57%

LAB 80.04, -29.14, 59.48

 

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

CMYK 75 / 0 / 43 / 35

HEX #29A760

RGB 41 167 96

HSL 146.19, 0.61%, 0.41%

LAB 60.74, -49.93, 27.29

 

CMYK 13 / 75 / 0 / 35

HEX #9229A7

RGB 146 41 167

HSL 290, 0.61%, 0.41%

LAB 38.7, 59.72, -45.94

 

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

CMYK 75 / 17 / 0 / 35

HEX #298AA7

RGB 41 138 167

HSL 193.81, 0.61%, 0.41%

LAB 53.43, -17.66, -23.3

 

CMYK 0 / 75 / 17 / 35

HEX #A7298A

RGB 167 41 138

HSL 313.81, 0.61%, 0.41%

LAB 40.63, 59.68, -25.1

 

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

CMYK 75 / 0 / 43 / 35

HEX #29A760

RGB 41 167 96

HSL 146.19, 0.61%, 0.41%

LAB 60.74, -49.93, 27.29

 

CMYK 57 / 75 / 0 / 35

HEX #4729A7

RGB 71 41 167

HSL 254.29, 0.61%, 0.41%

LAB 28.68, 46.29, -62.67

 

CMYK 0 / 75 / 33 / 35

HEX #A72970

RGB 167 41 112

HSL 326.19, 0.61%, 0.41%

LAB 39.53, 56.31, -10.69

 

CMYK 18 / 0 / 75 / 35

HEX #89A72A

RGB 137 167 42

HSL 74.4, 0.6%, 0.41%

LAB 64.26, -27.51, 57.17

 

CMYK 75 / 0 / 20 / 35

HEX #29A785

RGB 41 167 133

HSL 163.81, 0.61%, 0.41%

LAB 61.48, -41.8, 8.03

 

CMYK 57 / 75 / 0 / 35

HEX #4729A7

RGB 71 41 167

HSL 254.29, 0.61%, 0.41%

LAB 28.68, 46.29, -62.67

 

CMYK 0 / 75 / 55 / 35

HEX #A7294B

RGB 167 41 75

HSL 343.81, 0.61%, 0.41%

LAB 38.39, 52.68, 11.08

 

Description

Color code: HEX #89A72A | qconv.com Color code: HEX #89A72A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 167 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 167 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 75 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 75% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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