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Color name
HEX #89A61F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #89A61F it is the complementary color #7659E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #89A61F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #89A61F shade: #8EA61A, #9FB82D, #B0CA40, #C1DC53 and #D2EE66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #89A61F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #89A61F shade: #89A61F, #78940C, #678200, #567000 and #455E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #89A61F shade: #8AA81E, #A8A01E, #A87B1E, #A8561E and #A8311E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #89A61F shade: #8AA81E, #65A81E, #40A81E, #1EA822 and #1EA847

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #89A61F shade matches the following richer shades: #8AA81E and #93B80E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #89A61F shade: #8AA81E, #81972E, #78873F, #6F774F and #65675F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #89A61F shade: #A87A1E, #A89E1E, #8CA81E, #68A81E and #43A81E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #89A61F shade: #516212, #6D8518, #8AA81E, #A7CA25 and #B9DB3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #89A61F shade: #89A61F, #1EA855 and #8C1EA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #89A61F shade: #89A61F, #1E8CA8 and #A81E8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #89A61F shade: #89A61F, #1EA855, #3A1EA8 and #A81E71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #89A61F shade: #89A61F, #1EA87E, #3A1EA8 and #A81E48

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

Complementary color

CMYK 47 / 60 / 0 / 12

HEX #7659E0

RGB 118 89 224

HSL 252.89, 0.69%, 0.61%

LAB 47.47, 44.64, -65.13

 

CMYK 14 / 0 / 84 / 35

HEX #8EA61A

RGB 142 166 26

HSL 70.29, 0.73%, 0.38%

LAB 64.24, -25.6, 62.03

 

CMYK 14 / 0 / 76 / 28

HEX #9FB82D

RGB 159 184 45

HSL 70.79, 0.61%, 0.45%

LAB 70.76, -26.45, 62.87

 

CMYK 13 / 0 / 68 / 21

HEX #B0CA40

RGB 176 202 64

HSL 71.3, 0.57%, 0.52%

LAB 77.19, -27.12, 62.82

 

CMYK 12 / 0 / 62 / 14

HEX #C1DC53

RGB 193 220 83

HSL 71.82, 0.66%, 0.59%

LAB 83.52, -27.65, 62.27

 

CMYK 12 / 0 / 57 / 7

HEX #D2EE66

RGB 210 238 102

HSL 72.35, 0.8%, 0.67%

LAB 89.77, -28.06, 61.44

 

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

CMYK 19 / 0 / 92 / 42

HEX #78940C

RGB 120 148 12

HSL 72.35, 0.85%, 0.31%

LAB 57.27, -26.56, 58.53

 

CMYK 21 / 0 / 100 / 49

HEX #678200

RGB 103 130 0

HSL 72.46, 1%, 0.25%

LAB 50.51, -25.31, 54.79

 

CMYK 23 / 0 / 100 / 56

HEX #567000

RGB 86 112 0

HSL 73.93, 1%, 0.22%

LAB 43.61, -23.81, 49.04

 

CMYK 27 / 0 / 100 / 63

HEX #455E00

RGB 69 94 0

HSL 75.96, 1%, 0.18%

LAB 36.5, -22.28, 43.12

 

CMYK 18 / 0 / 82 / 34

HEX #8AA81E

RGB 138 168 30

HSL 73.04, 0.7%, 0.39%

LAB 64.57, -28.11, 61.18

 

CMYK 0 / 5 / 82 / 34

HEX #A8A01E

RGB 168 160 30

HSL 56.52, 0.7%, 0.39%

LAB 64.61, -11.04, 62.12

 

CMYK 0 / 27 / 82 / 34

HEX #A87B1E

RGB 168 123 30

HSL 40.43, 0.7%, 0.39%

LAB 54.64, 9.18, 53.42

 

CMYK 0 / 49 / 82 / 34

HEX #A8561E

RGB 168 86 30

HSL 24.35, 0.7%, 0.39%

LAB 45.74, 29.85, 45.38

 

CMYK 0 / 71 / 82 / 34

HEX #A8311E

RGB 168 49 30

HSL 8.26, 0.7%, 0.39%

LAB 38.92, 47.6, 38.97

 

CMYK 18 / 0 / 82 / 34

HEX #8AA81E

RGB 138 168 30

HSL 73.04, 0.7%, 0.39%

LAB 64.57, -28.11, 61.18

 

CMYK 40 / 0 / 82 / 34

HEX #65A81E

RGB 101 168 30

HSL 89.13, 0.7%, 0.39%

LAB 62.39, -42.49, 58.41

 

CMYK 62 / 0 / 82 / 34

HEX #40A81E

RGB 64 168 30

HSL 105.22, 0.7%, 0.39%

LAB 60.95, -53.59, 56.56

 

CMYK 82 / 0 / 80 / 34

HEX #1EA822

RGB 30 168 34

HSL 121.74, 0.7%, 0.39%

LAB 60.25, -59.49, 54.46

 

CMYK 82 / 0 / 58 / 34

HEX #1EA847

RGB 30 168 71

HSL 137.83, 0.7%, 0.39%

LAB 60.55, -55.75, 39.74

 

CMYK 18 / 0 / 82 / 34

HEX #8AA81E

RGB 138 168 30

HSL 73.04, 0.7%, 0.39%

LAB 64.57, -28.11, 61.18

 

CMYK 20 / 0 / 92 / 28

HEX #93B80E

RGB 147 184 14

HSL 73.06, 0.86%, 0.39%

LAB 69.84, -32.4, 69.06

 

CMYK 18 / 0 / 82 / 34

HEX #8AA81E

RGB 138 168 30

HSL 73.04, 0.7%, 0.39%

LAB 64.57, -28.11, 61.18

 

CMYK 15 / 0 / 70 / 41

HEX #81972E

RGB 129 151 46

HSL 72.57, 0.53%, 0.39%

LAB 58.97, -22.75, 50.27

 

CMYK 11 / 0 / 53 / 47

HEX #78873F

RGB 120 135 63

HSL 72.5, 0.36%, 0.39%

LAB 53.69, -16.97, 36.47

 

CMYK 7 / 0 / 34 / 53

HEX #6F774F

RGB 111 119 79

HSL 72, 0.2%, 0.39%

LAB 48.43, -10.17, 21.04

 

CMYK 2 / 0 / 8 / 60

HEX #65675F

RGB 101 103 95

HSL 75, 0.04%, 0.39%

LAB 43.2, -2.39, 4.24

 

CMYK 0 / 27 / 82 / 34

HEX #A87A1E

RGB 168 122 30

HSL 40, 0.7%, 0.39%

LAB 54.38, 9.74, 53.19

 

CMYK 0 / 6 / 82 / 34

HEX #A89E1E

RGB 168 158 30

HSL 55.65, 0.7%, 0.39%

LAB 64.06, -9.98, 61.65

 

CMYK 17 / 0 / 82 / 34

HEX #8CA81E

RGB 140 168 30

HSL 72.17, 0.7%, 0.39%

LAB 64.7, -27.28, 61.35

 

CMYK 38 / 0 / 82 / 34

HEX #68A81E

RGB 104 168 30

HSL 87.83, 0.7%, 0.39%

LAB 62.54, -41.42, 58.6

 

CMYK 60 / 0 / 82 / 34

HEX #43A81E

RGB 67 168 30

HSL 103.91, 0.7%, 0.39%

LAB 61.04, -52.85, 56.68

 

CMYK 17 / 0 / 82 / 62

HEX #516212

RGB 81 98 18

HSL 72.75, 0.69%, 0.23%

LAB 38.77, -18.17, 40.05

 

CMYK 18 / 0 / 82 / 48

HEX #6D8518

RGB 109 133 24

HSL 73.21, 0.69%, 0.31%

LAB 51.94, -23.5, 50.88

 

CMYK 18 / 0 / 82 / 34

HEX #8AA81E

RGB 138 168 30

HSL 73.04, 0.7%, 0.39%

LAB 64.57, -28.11, 61.18

 

CMYK 17 / 0 / 82 / 21

HEX #A7CA25

RGB 167 202 37

HSL 72.73, 0.69%, 0.47%

LAB 76.43, -32.04, 70.52

 

CMYK 16 / 0 / 72 / 14

HEX #B9DB3D

RGB 185 219 61

HSL 72.91, 0.69%, 0.55%

LAB 82.55, -31.69, 69.41

 

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

CMYK 82 / 0 / 49 / 34

HEX #1EA855

RGB 30 168 85

HSL 143.91, 0.7%, 0.39%

LAB 60.73, -53.62, 32.99

 

CMYK 17 / 82 / 0 / 34

HEX #8C1EA8

RGB 140 30 168

HSL 287.83, 0.7%, 0.39%

LAB 36.61, 62.18, -49.95

 

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

CMYK 82 / 17 / 0 / 34

HEX #1E8CA8

RGB 30 140 168

HSL 192.17, 0.7%, 0.39%

LAB 53.88, -19.59, -23.2

 

CMYK 0 / 82 / 17 / 34

HEX #A81E8C

RGB 168 30 140

HSL 312.17, 0.7%, 0.39%

LAB 39.83, 63.29, -27.57

 

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

CMYK 82 / 0 / 49 / 34

HEX #1EA855

RGB 30 168 85

HSL 143.91, 0.7%, 0.39%

LAB 60.73, -53.62, 32.99

 

CMYK 65 / 82 / 0 / 34

HEX #3A1EA8

RGB 58 30 168

HSL 252.17, 0.7%, 0.39%

LAB 25.73, 50.35, -68.19

 

CMYK 0 / 82 / 33 / 34

HEX #A81E71

RGB 168 30 113

HSL 323.91, 0.7%, 0.39%

LAB 38.63, 59.89, -12.67

 

CMYK 17 / 0 / 81 / 35

HEX #89A61F

RGB 137 166 31

HSL 72.89, 0.69%, 0.39%

LAB 63.91, -27.53, 60.29

 

CMYK 82 / 0 / 25 / 34

HEX #1EA87E

RGB 30 168 126

HSL 161.74, 0.7%, 0.39%

LAB 61.47, -45.19, 11.88

 

CMYK 65 / 82 / 0 / 34

HEX #3A1EA8

RGB 58 30 168

HSL 252.17, 0.7%, 0.39%

LAB 25.73, 50.35, -68.19

 

CMYK 0 / 82 / 57 / 34

HEX #A81E48

RGB 168 30 72

HSL 341.74, 0.7%, 0.39%

LAB 37.34, 56.07, 11.57

 

Description

Color code: HEX #89A61F | qconv.com Color code: HEX #89A61F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 137 red, 166 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
137 166 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 81 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 81% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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